Ral Colour Chart.Pdf
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Online Panpastel Color Chart 7.14
COLOR RANGE Apply Pastel Color Like Paint. Available in 92 highly pigmented colors: 20 pure colors (mass tones), 20 tints, 20 shades, 20 extra darks & 6 metallic colors, 6 pearlescent colors plus 5 mediums Hansa Yellow Extra Dark 220.1 Diarylide Yellow Extra Dark 250.1 Yellow Ochre Extra Dark 270.1 Orange Extra Dark 280.1 Permanent Red Extra Dark 340.1 Magenta Extra Dark 430.1 PY3 **** PY83 **** PY42 **** PO62 **** PR254 **** PR122 **** Hansa Yellow Shade 220.3 Diarylide Yellow Shade 250.3 Yellow Ochre Shade 270.3 Orange Shade 280.3 Permanent Red Shade 340.3 Magenta Shade 430.3 PY3 **** PY83 **** PY42 **** PO62 **** PR254 **** PR122 **** Hansa Yellow 220.5 Diarylide Yellow 250.5 Yellow Ochre 270.5 Orange 280.5 Permanent Red 340.5 Magenta 430.5 PY3 **** PY83 **** PY42 **** PO62 **** PR254 **** PR122 *** Hansa Yellow Tint 220.8 Diarylide Yellow Tint 250.8 Yellow Ochre Tint 270.8 Orange Tint 280.8 Permanent Red Tint 340.8 Magenta Tint 430.8 PY3 *** PY83 *** PY42 **** PO62 *** PR254 ** PR122 ** Violet Extra Dark 470.1 Ultramarine Blue Extra Dark 520.1 Phthalo Blue Extra Dark 560.1 Turquoise Extra Dark 580.1 Phthalo Green Extra Dark 620.1 Permanent Green Extra Dark 640.1 PV23 **** PB29 **** PB15 **** PG50/PB36 **** PG7 **** PG50 **** Violet Shade 470.3 Ultramarine Blue Shade 520.3 Phthalo Blue Shade 560.3 Turquoise Shade 580.3 Phthalo Green Shade 620.3 Permanent Green Shade 640.3 PV23 **** PB29 **** PB15 **** PG50/PB36 **** PG7 **** PG50 **** Violet 470.5 Ultramarine Blue 520.5 Phthalo Blue 560.5 Turquoise 580.5 Phthalo Green 620.5 Permanent -
Premium 275+ Strong Colors
PREMIUM 275+ STRONG COLORS Die weltweit erste Street Art optimierte Sprühdose wurde The worldwide first street art optimized spray can was von Künstlern für Künstler entwickelt. Der hochdeckende developed with artists for artists. The highly opaque classic Klassiker, mit 4-fach gemahlenen Auto-K™ Pigmenten, ist with its 4 times ground Auto-K™ pigments, is the most die zuverlässigste Graffiti-Sprühdose seit 1999. re liable graffiti spray can since 1999. Mit über 275 Farbtönen verfügt das Sortiment der Moreover, with more than 275 color shades MOLOTOW™ MOLOTOW™ PREMIUM außerdem über eine der PREMIUM has one of the biggest spray paint color range. umfangreichsten Sprühdosen-Farbpaletten. PREMIUM PREMIUM Transparent 400 ml | 327300 PREMIUM Transparent PREMIUM Neon 400 ml | 327499 GRAFFITI PREMIUM 400 ml | 327000 SPRAY PAINT SEMI GLOSS MATT MATT HIGHLY HIGHEST UV AND GOOD UV AND GOOD UV RESISTANCE THE ORIGINAL WEATHER RESISTANCE WEATHER RESISTANCE WITH SEALING SINCE 1999 OPAQUE 252 COLOR SHADES TRANSPARENT 15 COLOR SHADES + 2 CLEAR COATINGS NEON 8 COLOR SHADES #181- #001 jasmin yellow 327001 #032 MAD C cherry red 327188 #063 purple violet 327138 #094 shock blue 327032 #122 riviera pastel 327216 #153 grasshopper 327064 nature green middle 327252 #203 cocoa middle 327234 #228 grey blue light 327177 2 zinc yellow 327006 signal red 327014 crocus 327199 tulip blue light 327213 riviera light 327072 cream green 327058 mustard 327049 cocoa 327126 pebble grey 327238 Händlerstempel ∙ dealer stamp Issue 12/20 #002 #033 #064 #095 #123 #154 #182 #204 #229 #182- #204- #003 cadmium yellow 327082 #034 apricot 327116 #065 lavender 327200 #096 tulip blue middle 327214 #124 TASTE riviera middle 327217 #155 hippie green 327063 mustard yellow 327262 caramel light 327253 #230 marble 327239 1 1 #182- #004 signal yellow 327165 #035 salmon orange 327134 #066 lilac 327201 #097 tulip blue 327033 #125 riviera dark 327073 #156 BACON wasabi 327222 khaki green 327263 #205 caramel 327091 #231 signal white 327160 2 4 Item-No. -
COMPLETE WARDROBE of SHADES. for BEST RESULTS, Dr.’S REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER with BASIC BASE COAT and CALMING CLEAR SEALING TOP COAT
COMPLETE WARDROBE OF SHADES. FOR BEST RESULTS, Dr.’s REMEDY SHADE COLLECTION SHOULD BE USED TOGETHER WITH BASIC BASE COAT AND CALMING CLEAR SEALING TOP COAT. ALTRUISTIC AMITY BALANCE NEW BOUNTIFUL BRAVE CHEERFUL CLARITY COZY Auburn Amethyst Brick Red BELOVED Blue Berry Cherry Coral Cafe A playful burnt A moderately A deep Blush A tranquil, Bright, fresh and A bold, juicy and Bright pinky A cafe au lait orange with bright, smokey modern Cool cotton candy cornflower blue undeniably feminine; upbeat shimmer- orangey and with hints of earthy, autumn purple. maroon. crème with a flecked with a the perfect blend of flecked candy red. matte. pinkish grey undertones. high-gloss finish. hint of shimmer. romance and fun. and a splash of lilac. DEFENSE FOCUS GLEE HOPEFUL KINETIC LOVEABLE LOYAL MELLOW MINDFUL Deep Red Fuchsia Gold Hot Pink Khaki Lavender Linen Mauve Mulberry A rich A hot pink Rich, The perfect Versatile warm A lilac An ultimate A delicate This renewed bordeaux with classic with shimmery and ultra bright taupe—enhanced that lends everyday shade of juicy berry shade a luxurious rich, romantic luxurious. pink, almost with cool tinges of sophistication sheer nude. eggplant, with is stylishly tart matte finish. allure. neon and green and gray. to springs a subtle pink yet playful sweet perfectly matte. flirty frocks. undertone. & classic. MOTIVATING NOBLE NURTURE PASSION PEACEFUL PLAYFUL PLEASING POISED POSITIVE Mink Navy Nude Pink Purple Pink Coral Pink Peach Pink Champagne Pastel Pink A muted mink, A sea-at-dusk Barely there A subtle, A poppy, A cheerful A pale, peachy- A high-shine, Baby girl pink spiked with subtle shade that beautiful with sparkly fresh bubble- candy pink with coral creme shimmering soft with swirls of purple and cocoa reflects light a hint of boysenberry. -
The Colours of Caran D'ache 2016 SUSTAINABLE DEVELOPMENT
All the Colours of Caran d'Ache 2016 SUSTAINABLE DEVELOPMENT The commitment that a Maison de Haute Ecriture has the duty to uphold. Caran d’Ache has ensured respect for people, the environment, products and personal safety, which are key conditions for the companies development. Following recognition of its excellent production methods, as certified by the ISO 9001 label since 1996, today the commitment of Caran d’Ache to environmental management has been recognised with the presentation of certification ISO 14001. Caran d’Ache is one of the few pencil producers with FSC® certification. Received in 2004, it covers not only our raw materials but our entire production process and workshops. All Caran d’Ache pencils are certified as made from wood that comes from strictly managed forests with guaranteed reforestation programmes. The production of Caran d’Ache graphite pencils is exclusively made of 100% natural products. Pencil leads and coloured chalks are mainly made with natural components and binders. The pigments, mainly The creations of Caran d’Ache in a few dates: synthetic, meet all safety requirements. Pencil varnishes 1929: Fixpencil®, the first metallic clutch pencil made with modified nitrocellulose do not contain plasti- 1931 : Prismalo®, the first water-soluble colour pencil cisers and are being progressively replaced by aqueous 1952 : Neocolor®, wax-pastels varnishes, thus reducing the use of solvents and their 1966 : Fibralo®, fibber tip pens with water-based ink impact on the environment. 1985 : Neopastel®, the oil-pastels -
ROCK-COLOR CHART with Genuine Munsell® Color Chips
geological ROCK-COLOR CHART with genuine Munsell® color chips Produced by geological ROCK-COLOR CHART with genuine Munsell® color chips 2009 Year Revised | 2009 Production Date put into use This publication is a revision of the previously published Geological Society of America (GSA) Rock-Color Chart prepared by the Rock-Color Chart Committee (representing the U.S. Geological Survey, GSA, the American Association of Petroleum Geologists, the Society of Economic Geologists, and the Association of American State Geologists). Colors within this chart are the same as those used in previous GSA editions, and the chart was produced in cooperation with GSA. Produced by 4300 44th Street • Grand Rapids, MI 49512 • Tel: 877-888-1720 • munsell.com The Rock-Color Chart The pages within this book are cleanable and can be exposed to the standard environmental conditions that are met in the field. This does not mean that the book will be able to withstand all of the environmental conditions that it is exposed to in the field. For the cleaning of the colored pages, please make sure not to use a cleaning agent or materials that are coarse in nature. These materials could either damage the surface of the color chips or cause the color chips to start to delaminate from the pages. With the specifying of the rock color it is important to remember to replace the rock color chart book on a regular basis so that the colors being specified are consistent from one individual to another. We recommend that you mark the date when you started to use the the book. -
Ph.D. Thesis Abstractindex
COLOR REPRODUCTION OF FACIAL PATTERN AND ENDOSCOPIC IMAGE BASED ON COLOR APPEARANCE MODELS December 1996 Francisco Hideki Imai Graduate School of Science and Technology Chiba University, JAPAN Dedicated to my parents ii COLOR REPRODUCTION OF FACIAL PATTERN AND ENDOSCOPIC IMAGE BASED ON COLOR APPEARANCE MODELS A dissertation submitted to the Graduate School of Science and Technology of Chiba University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Francisco Hideki Imai December 1996 iii Declaration This is to certify that this work has been done by me and it has not been submitted elsewhere for the award of any degree or diploma. Countersigned Signature of the student ___________________________________ _______________________________ Yoichi Miyake, Professor Francisco Hideki Imai iv The undersigned have examined the dissertation entitled COLOR REPRODUCTION OF FACIAL PATTERN AND ENDOSCOPIC IMAGE BASED ON COLOR APPEARANCE MODELS presented by _______Francisco Hideki Imai____________, a candidate for the degree of Doctor of Philosophy, and hereby certify that it is worthy of acceptance. ______________________________ ______________________________ Date Advisor Yoichi Miyake, Professor EXAMINING COMMITTEE ____________________________ Yoshizumi Yasuda, Professor ____________________________ Toshio Honda, Professor ____________________________ Hirohisa Yaguchi, Professor ____________________________ Atsushi Imiya, Associate Professor v Abstract In recent years, many imaging systems have been developed, and it became increasingly important to exchange image data through the computer network. Therefore, it is required to reproduce color independently on each imaging device. In the studies of device independent color reproduction, colorimetric color reproduction has been done, namely color with same chromaticity or tristimulus values is reproduced. However, even if the tristimulus values are the same, color appearance is not always same under different viewing conditions. -
Medtronic Brand Color Chart
Medtronic Brand Color Chart Medtronic Visual Identity System: Color Ratios Navy Blue Medtronic Blue Cobalt Blue Charcoal Blue Gray Dark Gray Yellow Light Orange Gray Orange Medium Blue Sky Blue Light Blue Light Gray Pale Gray White Purple Green Turquoise Primary Blue Color Palette 70% Primary Neutral Color Palette 20% Accent Color Palette 10% The Medtronic Brand Color Palette was created for use in all material. Please use the CMYK, RGB, HEX, and LAB values as often as possible. If you are not able to use the LAB values, you can use the Pantone equivalents, but be aware the color output will vary from the other four color breakdowns. If you need a spot color, the preference is for you to use the LAB values. Primary Blue Color Palette Navy Blue Medtronic Blue C: 100 C: 99 R: 0 L: 15 R: 0 L: 31 M: 94 Web/HEX Pantone M: 74 Web/HEX Pantone G: 30 A: 2 G: 75 A: -2 Y: 47 #001E46 533 C Y: 17 #004B87 2154 C B: 70 B: -20 B: 135 B: -40 K: 43 K: 4 Cobalt Blue Medium Blue C: 81 C: 73 R: 0 L: 52 R: 0 L: 64 M: 35 Web/HEX Pantone M: 12 Web/HEX Pantone G: 133 A: -12 G: 169 A: -23 Y: 0 #0085CA 2382 C Y: 0 #00A9E0 2191 C B: 202 B: -45 B: 224 B: -39 K: 0 K : 0 Sky Blue Light Blue C: 55 C: 29 R: 113 L: 75 R: 185 L: 85 M: 4 Web/HEX Pantone M: 5 Web/HEX Pantone G: 197 A: -20 G: 217 A: -9 Y: 4 #71C5E8 297 C Y: 5 #B9D9EB 290 C B: 232 B: -26 B: 235 B: -13 K: 0 K: 0 Primary Neutral Color Palette Charcoal Gray Blue Gray C: 0 Pantone C: 68 R: 83 L: 36 R: 91 L: 51 M: 0 Web/HEX Cool M: 40 Web/HEX Pantone G: 86 A: 0 G: 127 A: -9 Y: 0 #53565a Gray Y: 28 #5B7F95 5415 -
Digital Color Workflows and the HP Dreamcolor Lp2480zx Professional Display
Digital Color Workflows and the HP DreamColor LP2480zx Professional Display Improving accuracy and predictability in color processing at the designer’s desk can increase productivity and improve quality of digital color projects in animation, game development, film/video post production, broadcast, product design, graphic arts and photography. Introduction ...................................................................................................................................2 Managing color .............................................................................................................................3 The property of color ...................................................................................................................3 The RGB color set ....................................................................................................................3 The CMYK color set .................................................................................................................3 Color spaces...........................................................................................................................4 Gamuts..................................................................................................................................5 The digital workflow ....................................................................................................................5 Color profiles..........................................................................................................................5 -
RAL Colour Chart
RAL Colour Chart The colours depicted on the following chart are for guidelines only. The finished colour may not be as shown here. 1000 1001 1002 1003 1004 1005 Green Beige Pale Beige Sand Yellow Signal Yellow Dark Golden Honey Yellow Yellow 1006 1007 1011 1012 1013 1014 Maize Yellow Chrome Yellow Brown Beige Lemon Yellow Pearl White Dark Ivory 1015 1016 1017 1018 1019 1020 Light Ivory Sulphur Yellow Saffron Yellow Zinc Yellow Grey Beige Olive Yellow 1021 1023 1024 1027 1028 1032 Cadmium Yellow Traffic Yellow Ochre Yellow Curry Yellow Mellon Yellow Broom Yellow 1033 1034 2000 2001 2002 2003 Dahlia Yellow Pastel Yellow Yellow Orange Red Orange Vermillion Pastel Orange 2004 2008 2009 2010 2011 2012 Pure Orange Light Red Traffic Orange Signal Orange Deep Orange Salmon Orange Orange 3000 3001 3002 3003 3004 3005 Flame Red RAL Signal Red Carmine Red Ruby Red Purple Red Wine Red 3007 3009 3011 3012 3013 3014 Black Red Oxide Red Brown Red Beige Red Tomato Red Antique Pink 3015 3016 3017 3018 3020 3022 Light Pink Coral Red Rose Strawberry Red Traffic Red Dark Salmon Red 3027 3031 4001 4002 4003 4004 Raspberry Red Orient Red Red Lilac Red Violet Heather Violet Claret Violet 4005 4006 4007 4008 4009 4010 Blue Lilac Traffic Purple Purple Violet Signal Violet Pastel Violet Telemagenta 5000 5001 5002 5003 5004 5005 Violet Blue Green Blue Ultramarine Blue dark Sapphire Black Blue Signal Blue Blue 5007 5008 5009 5010 5011 5012 Brilliant Blue Grey Blue Light Azure Blue Gentian Blue Steel Blue Light Blue 5013 5014 5015 5017 5018 5019 Dark Cobalt Blue -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
340 K2017D.Pdf
Contents / Contenido Introduction Game Introducción Color 4 49 Model Game Color Air 7 54 Liquid Color Cases Gold Maletines 16 56 Model Weathering Air Effects 17 60 Metal Pigments Color Pigmentos 42 68 Panzer Model Wash Aces Lavados 46 72 Surface Primer Paint Imprimación Stand 76 90 Diorama Accessories Effects Accesorios 78 92 Premium Publications RC Color Publicaciones 82 94 Auxiliaries Displays Auxiliares Expositores 84 97 Brushes Health & Safety Pinceles Salud y seguridad 88 102 Made in Spain All colors in our catalogue conform to ASTM Pictures courtesy by: Due to the printing process, the colors D-4236 standards and EEC regulation 67/548/ Imágenes cedidas por: reproduced in this catalogue are to be considered CEE, and do not require health labelling. as approximate only, and may not correspond Avatars of War, Juanjo Baron, José Brito, Murat exactly to the originals. Todos los colores en nuestro catálogo están Conform to Özgül, Chema Cabrero, Freebooterminiatures, ASTM D-4236 conformes con las normas ASTM D-4236 (American Angel Giraldez, Raúl Garcia La Torre, Jaime Ortiz, Debido a la impresión en cuatricromía, los colores and Society for Testing and Materials) y con la normativa en este catálogo pueden variar de los colores EEC regulation Plastic Soldier Company Ltd, Euromodelismo, 67/548/CEE Europea 67/548/ CEE. Robert Karlsson “Rogland”, Scratchmod. originales, y su reproducción es tan solo orientativa. Introduction The Vallejo Company was established in 1965, in New Jersey, EN U.S.A. In the first years the company specialized in the manufacture of Film Color, waterbased acrylic colors for animated films (cartoons). -
Gamut Mapping Algorithm Using Lightness Mapping and Multiple Anchor Points for Linear Tone and Maximum Chroma Reproduction
JOURNAL OF IMAGING SCIENCE AND TECHNOLOGY® • Volume 45, Number 3, May/June 2001 Feature Article Gamut Mapping Algorithm Using Lightness Mapping and Multiple Anchor Points for Linear Tone and Maximum Chroma Reproduction Chae-Soo Lee,L Yang-Woo Park, Seok-Je Cho,* and Yeong-Ho Ha† Department of Software Engineering, Kyungwoon University, Kyungbuk, Korea * Department of Control and Instrumentation Engineering, Korea Maritime University, Yeongdo-ku Pusan, Korea † School of Electronic and Electrical Engineering, Kyungpook National University, Taegu, Korea This article proposes a new gamut-mapping algorithm (GMA) that utilizes both lightness mapping and multiple anchor points. The proposed lightness mapping minimizes the lightness difference of the maximum chroma between two gamuts and produces the linear tone in bright and dark regions. In the chroma mapping, a separate mapping method that utilizes multiple anchor points with constant slopes plus a fixed anchor point is proposed to maintain the maximum chroma and produce a uniform tonal dynamic range. As a result, the proposed algorithm is able to reproduce high quality images using low-cost color devices. Journal of Imaging Science and Technology 45: 209–223 (2001) Introduction of the reproduction’s. Therefore, if the lightness values Some practical output systems are only capable of pro- of the maximum chroma in the two gamuts are not lo- ducing a limited range of colors. The range of produc- cated at the center of the lightness axis of the two media, ible colors on a device is referred to as its gamut. Often, the parametric GMA will produce a different color change an image will contain colors that are outside the gamut in the bright and dark regions.