DOCSLIB.ORG

Cch Unirio Issn 26746468 Dossiê Retórica E Narrativas & Varia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Cch Unirio Issn 26746468 Dossiê Retórica E Narrativas & Varia Humanidades em Revista - CCH UNIRIO ISSN 26746468 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA DOSSIÊ RETÓRICA E NARRATIVAS & VARIA 0 Humanidades em Revista - CCH UNIRIO ISSN 26746468 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA HUMANIDADES EM REVISTA Volume 2. Número 2. 2020-2 Revista eletrônica discente do Centro de Ciências Humanas e Sociais com trabalhos inter e multidisciplinares de discentes das Escolas e Programas de Pós-Graduação em Humanidades e áreas afins da UNIRIO e de outras instituições acadêmicas. ISSN 2674-6468 Reitor Dr. Ricardo Silva Cardoso Decano do Centro de Ciências Humanas e Sociais Dr. Nilton José dos Anjos de Oliveira Editores Dr. Leonardo Villela de Castro, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Patricia Horvat, Universidade Federal do Estado do Rio de Janeiro UNIRIO Pedagoga Sonia Terezinha Oliveira, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Maria Eichler Sant’Angelo, Universidade Federal do Estado do Rio de Janeiro UNIRIO/Faculdade de São Bento -FSB Rio de Janeiro. Comitê Editorial Dra. AleJandra Saladino, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Ana Cristina Comandulli, Centro de Estudos Clássicos da Faculdade de Letras da Universidade de Lisboa Real Gabinete Português de Leitura -P PLB /Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Andrea Bieri, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dr. André da Silva Bueno, Universidade do Estado do Rio de Janeiro UERJ Dr. Deivid Valério Gaia, Universidade Federal do Rio de Janeiro UFRJ Dra. Fernanda Areas Peixoto, Universidade de São Paulo USP Dra. Maria Eichler Sant’Angelo, Universidade Federal do Estado do Rio de Janeiro UNIRIO/ Faculdade de São Bento - Rio de Janeiro FSB-RJ Dra. Miriam Cabral Coser, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Patricia Horvat, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Rosâne Mello, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dr. Rossano Pecoraro, Universidade Federal do Estado do Rio de Janeiro UNIRIO Pedagoga Sonia Terezinha Oliveira, Universidade Federal do Estado do Rio de Janeiro UNIRIO Ms. Stefanie Cavalcanti Freire, Universidade Federal do Estado do Rio de Janeiro UNIRIO Conselho Consultivo Dr. Adilson Florentino, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Adriene Baron Tacla, Universidade Federal Fluminense UFF Dr. André da Silva Bueno, Universidade do Estado do Rio de Janeiro UERJ Dr. Alexandre Carneiro Cerqueira Lima, Universidade Federal Fluminense UFF Dr. Carlos Eduardo da Costa Campos, Universidade Federal do Mato Grosso do Sul UFMS Dra. Celeste Anunciata Moreira, Universidade Federal do Estado do Rio de Janeiro UNIRIO/ Centro Universitário Augusto Motta UNISUAM Dra. Claudia Beltrão da Rosa, Universidade Federal do Estado do Rio de Janeiro UNIRIO Juiz Gustavo Kalil, Universidade do Estado do Rio de Janeiro - UERJ Dra. Heloisa Dias Bezerra, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dr. João Marcus Figueiredo, Universidade Federal do Estado do Rio de Janeiro UNIRIO Teol. Jefferson Santos, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Regina Bustamante, Universidade Federal do Rio de Janeiro UFRJ Dr. Rossano Pecoraro, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Simone Feigelson Deutsch, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dr. Thiago de Almeida Lourenço Cardoso Pires, Universidade Federal do Estado do Rio de Janeiro UNIRIO Dra. Valeria Cristina Lopes Wilke, Universidade Federal do Estado do Rio de Janeiro UNIRIO Centro de Ciências Humanas e Sociais - Universidade Federal do Estado do Rio de Janeiro UNIRIO Av. Pasteur, 458, Urca. Rio de Janeiro, RJ.22290-240 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA 1 Humanidades em Revista - CCH UNIRIO ISSN 26746468 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA HUMANIDADES EM REVISTA - Volume 2. Número 2. 2020-2 SUMÁRIO: DOSSIÊ Retórica e Narrativas APRESENTAÇÃO – Anita Almeida e Claudia Beltrão ___________________________ pg. 3 “AO SUPORTAR O INSUPORTÁVEL E SOFRER O INSOFRÍVEL”: ANÁLISE RETÓRICA DO DISCURSO DE HIROHITO - Ian Moura G. do Nascimento ____________________ pg. 5 QUE MAUS COSTUMES REINAM NA MACEDÔNIA: ALEXANDRE COMO MODELO E ANTIMODELO NA BIOGRAFIA PLUTARQUIANA - Lucas Ferreira da Silva ______ pg.15 ESTRATÉGIA EM PALAVRAS: ANÁLISE RETÓRICA DO “MOTIM” DE 58 A.C. COMO RETRATADO EM DE BELLO GALLICO - Amanda Prima Borges ________________pg. 24 DE NATURA ANIMAE: UMA ANÁLISE RETÓRICA DA ALMA NAS TUSCULANAS DE CÍCERO - Paulo Marcio Feitosa de Souza _____________________________________ pg. 39 “POR QUE NÃO FALAS COMO TODOS OS CRISTÃOS?” RETÓRICA E ANECLESIAMENTO NA EPÍSTOLA DE JOÃO II DE KIEV (c. 1076-1089) AO “ANTIPAPA” CLEMENTE III (1080-1100) - Leandro César Santana Neves _____________________ pg. 55 IVDAEA CAPTA: POR UMA ANÁLISE RETÓRICA EM TORNO DE UMA MOEDA DE VESPASIANO (RIC 422) - Guilherme Albuquerque Muharre ______________________ pg.68 UMA ANÁLISE RETÓRICA DO NACIONALISMO DE FRANK CAPRA NO FILME “PRELÚDIO DE UMA GUERRA” (1942) - Marília Monitchele ____________________ pg.76 EM BUSCA DO NACIONAL: A TRAJETÓRIA DO OBJETO DE DESCARTE NO FILME “PINGUE-PONGUE DA MONGÓLIA” - Daniel Pradera ________________________ pg. 91 ANÁLISE RETÓRICA DO VIDEODOCUMENTÁRIO BODAS DE PORCELANA ETEAB: HOMENAGEM À RESISTÊNCIA DE UMA ESCOLA PÚBLICA - Prisciliana Conceição da Silva___________________________________________________________________pg. 106 VARIA: DOS BECOS E VIELAS AO GLAMOUR PARISIENSE: AS TRANSFORMAÇÕES URBANAS NA BELLE ÉPOQUE NO RIO DE JANEIRO DURANTE OS PRIMEIROS ANOS DO SÉCULO XX (1900-1909) - Sergio Luiz Riça Leal ___________________________ pg. 122 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA 2 Humanidades em Revista - CCH UNIRIO ISSN 26746468 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA RETÓRICA E NARRATIVAS Dossiê À Leila Beatriz Ribeiro in memoriam Marco Túlio Cícero, ao definir a persuasão, diz que o poeta romano Ênio nomeava suada àquilo que os gregos chamaram peithó (Cic. Brut. 59). Suada, um termo ligado a suavis, “doce, agradável”, é a contrapartida romana do grego peithó, palavra ligada a peíthein, “persuadir”, e a pithanós, “persuasivo”. A própria deusa Peithó favorecia os poderes de Aphrodite. Na prece cênica de Menandro, o dramaturgo pede: “Cara Persuasão, seja minha aliada e permita-me falar de modo vitorioso” (Men. Epit. 379-80). A persuasão é o principal objeto de estudo da Ars rhetorica. Para além do convencimento pelo argumento lógico, e muito distante do constrangimento pela força bruta irracional, a persuasão conquista as mentes e os corações. As Humanidades tradicionalmente se ocupam das relações entre o pensamento, a linguagem e a ação, e há algumas décadas métodos de análise do fenômeno da linguagem e da persuasão foram renovados e desenvolvidos. Com essa renovação de um tema muito caro a gregos e romanos antigos, o discurso, a narrativa e a persuasão voltaram à tona na pesquisa acadêmica. A Retórica, uma ars muito antiga de estudar a linguagem que comunica, expressando pensamentos e sentimentos, voltou a frequentar as discussões das Ciências Humanas e Sociais e da Filosofia, sendo aplicada à leitura e à interpretação de discursos verbais, textos, imagens e espetáculos músico-teatrais variados. Ligando estilo e argumentação, a Retórica lida com palavras, gestos e imagens, unindo a forma e o conteúdo. Em outras palavras, a forma é tão importante quanto o conteúdo de um discurso. A forma é parte da argumentação e, em alguns casos, a forma é o argumento. Este Dossiê se originou de um curso ministrado em conjunto por Anita Almeida e Claudia Beltrão (DH/PPGH-UNIRIO) para estudantes de graduação e de pós-graduação. Reunindo artigos produzidos por graduandos, mestrandos e doutorandos da UNIRIO, UFRJ e UFRRJ, o Dossiê oferece uma série de estudos de casos em variados termos documentais, temáticos, temporais e espaciais. Da análise do discurso de rendição do imperador japonês Hirohito no contexto da II Guerra Mundial (Ian Moura – UNIRIO) à biografia moralizante de Alexandre Magno pelo filósofo e escritor Plutarco (Lucas Ferreira – UNIRIO), passando por um trecho em que Júlio César narra como lidou com DOSSIÊ RETÓRICA E NARRATIVAS & VARIA 3 Humanidades em Revista - CCH UNIRIO ISSN 26746468 DOSSIÊ RETÓRICA E NARRATIVAS & VARIA uma ameaça de motim de suas tropas (Amanda Borges – UFRJ), a análise retórica de discursos político-moralizantes revela sua força persuasiva em um arco temporal muito extenso. O complexo debate sobre a alma humana, criado pelo mais-que-famoso orador Cícero, é aqui revisitado e revela aspectos do pensamento religioso romano que permanecem muitos atuais (Paulo Márcio Feitosa – UNIRIO). E a religião se une a questões políticas na correspondência entre o metropolita João II de Kiev e o papa Clemente III, no século XI, em um momento crucial da história do cristianismo, revelando uma “retórica do sagrado” (Leandro Neves – UFRJ). Não apenas palavras, mas objetos materiais também são potencialmente persuasivos, e a iconografia de uma moeda romana é analisada como emissora de significados político-religiosos (Guilherme Muharre – UNIRIO). Três contribuições lidam com a narrativa fílmica e documentários, trazendo elementos músico-teatrais ao debate, como a análise dos elementos persuasivos de um documentário de Franz Capra para a compreensão da ação e do discurso político estadunidense (Marília Monitchele – UFRRJ), o artigo orientado por nossa homenageada, Prof. Leila Beatriz Ribeiro (DPTD- PPGMS-UNIRIO), analisando uma narrativa fílmica que concentra a atenção do espectador
Load more

Recommended publications
  • Wu Ren Qu No Man’S Land
    WETTBEWERB WU REN QU NO MAN’S LAND Ning Hao „Das ist eine Geschichte über Tiere“, kündigt der Held des Films an, der Volksrepublik China 2013 aus der Großstadt stammende Rechtsanwalt Pan Xiao. Tatsächlich rü- 117 Min. · DCP · Farbe cken als nächstes zwei stolze Falken ins Bild, die in der Xinjiang-Wüs- te illegal gefangen wurden. Sie sollen eine Menge Bares einbringen, Regie Ning Hao Recht und Gesetz spielen dabei keine Rolle. So wird die Gier nach Geld Buch Ning Hao, Shu Ping, Xing Aina Kamera Du Jie zum Treibmittel für die Story. Und Pan Xiao, der für seinen nächsten Schnitt Cheung Yuan Prozess rund 500 Kilometer durch das felsenreiche Niemandsland der Musik Nathan Wong Wüste reisen muss, zum getriebenen Protagonisten: gepeinigt von Injo Film Foto: Sound Design Wang Gang ebenso grotesken wie hochgefährlichen Zufallsbekanntschaften und Ton Wang Yanwei Geboren 1977 in der Provinz Shanxi, mysteriösen Wegbegleitern, die vor Gewalt nicht zurückschrecken. Re- Production Design Hao Yi China. Studierte zunächst Ausstattung an gisseur Ning Hao, der 2005 im Forum der Berlinale MONGOLIAN PING Art Director Hao Yi der Shanxi Taiyuan Film School, später an PONG zeigte, präsentiert mit NO MAN’S LAND eine bildgewaltige phi- Kostüm Liu Qian der Kunstakademie der Beijing Normal losophische Parabel auf eine aus allen Fugen geratene Gesellschaft, Maske Yang Hong University. 2003 schloss er mit dem Kurzfilm Regieassistenz Kuerbanjiang THURSDAY, WEDNESDAY sein Studium an der in der im Kampf um Reichtum und Macht keine moralischen Skrupel mehr gelten. Inszeniert als Hommage an die Italowestern eines Sergio Casting Lian Zhang Filmakademie Peking im Fach Kamera ab.
    [Show full text]
  • Out of This World
    18 | Thursday, January 24, 2019 LIFE CHINA DAILY HONG KONG EDITION From left: Actors Shen Teng, Xu Zheng, Huang Bo and director Ning Hao during a Beijing promotional event of the upcoming sci­fi comedy Crazy Alien, which will debut across China on Feb 5. FENG YONGBIN / CHINA DAILY Out of this world Black comedy meets sci­fi in Ning Hao’s new film, Crazy Alien, which will be released during Spring Festival, Xu Fan reports. rom Crazy Stone to No 2001 short fictional story, The on real­life sets. Man’s Land to Dying to Rural Teacher, about the final wish Xu says he had to shoot a lot of Survive, most of the films of a village schoolteacher, who has facial expressions that were used to Ning Hao has directed or cancer, to teach his students about One of the most generate the green creature’s. Fproduced use black comedy to Newton’s laws of motion — an During the promotional event in important examine social issues. effort that unexpectedly ends up Beijing on Jan 17, Ning also So, many people were surprised saving humankind. functions of released a photo of a giant tear­ when the 42­year­old director Ning read the story about nine cinema is to reflect drop­shaped spaceship, inspired recently revealed he has been a sci­ years ago. by a mysterious facility depicted in fi fan since he was young. “I really like Liu’s novels,” he says. social issues and Liu’s celebrated novel, The Three­ Sci­fi content carried by once­ “I started to read them one by portray people Body Problem.
    [Show full text]
  • Lü Cao Di Mongolian Ping Pong Regie: Ning Hao
    Lü cao di Mongolian Ping Pong Regie: Ning Hao Land: China 2005. Produktion: Beijing Kunlun Xiongdi Production Co. Ltd., Beijing HOP Culture Co. Ltd. Regie, Schnitt: Ning Hao. Buch: Gao Jianguo, Xing Aina, Ning Hao. Kamera: Du Jie. Musik: Lu Jiajia. Ton: Wang Jianwei. Ausstattung: Zhang Xiaobing, Yang Min. Kostüme: Zhang Gengliang. Schnitt: Jiang Yong. Produzenten: Lu Bin, He Bu. Produktionsleitung: Lan Ruilong, Ning Hao. Darsteller: Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Yadamnarbuu (Bilgees Vater), Badmaa (Bilgees Mutter), Jin Lao Wu (Sergelen), Urnaa (Bilgees Schwester), Bukhbileg (Dawaas Vater), Sarangua (Dawaas Mutter), Dugmaa (Bilgees Großmutter), Jurimu (buddhistischer Mönch). Format: 35mm (gedreht auf HD), 1:1.85, Farbe. Länge: 102 Minuten, 25 Bilder/Sek. Sprache: Mongolisch. Uraufführung: 15. Februar 2005, Internationales Forum, Berlin. Weltvertrieb: Bavaria Film International (a division of Bavaria Media GmbH), Thorsten Schau- mann, Bavariafilmplatz 8, 82031 Geiselgasteig, Deutschland. Tel.: (49-89) 6499 2686, Fax: (49-89) 6499 3720, e-mail: [email protected] Inhalt Synopsis Eines Tages findet Bilgee, ein mongolischer Junge, beim Spielen ei- An ordinary white pingpong ball floats down a creek and is nen Tischtennisball. found by Bilgee, a Mongolian boy. Bilgees Großmutter erzählt ihm, dass der kleine Ball eine glühende Bilgee’s grandmother tells him it is a glowing pearl from Perle ist, die vom Himmel gefallen ist. Bilgee glaubt ihr, und gemein- heaven. Believing this, Bilgee spends the whole night out 1 sam mit seinen beiden besten Freunden Ergotov – der zwar nicht on the grassland with his two best friends: Ergotov, who reiten, dafür aber Motorrad fahren kann – und dem kleinen Dawaa cannot ride a horse but can ride a motor bike, and Dawaa, verbringt er die ganze Nacht im Freien.
    [Show full text]
  • Qt2sn1d3k6.Pdf
    UC San Diego UC San Diego Electronic Theses and Dissertations Title The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment Permalink https://escholarship.org/uc/item/2sn1d3k6 Author Pesch, Katrin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Chronotope of Ecocinema Bakhtin’s notions of environment and horizon as analytic tools for the study of film and the environment A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Art History Theory and Criticism Katrin Pesch Committee in charge: Professor John Welchman, Chair Professor Lesley Stern, Co-Chair Professor Norman Bryson Professor Jean-Pierre Gorin Professor Amelia Glaser 2013 The Thesis of Katrin Pesch is approved and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Chair University of California, San Diego 2013 iii TABLE OF CONTENTS SignaturePage …………………………………………………………………… iii Table of Contents ………………………………………………………………… iv Acknowledgements ……………………………………………………………… v Abstract …………………………………………………………………………… vi Introduction .………………………………………………………………………. 1 Chapter 1………………………………………………………………………….. 12 Chapter 2 …………………………………………………………………………. 32 References ……………………………………………………………………….. 48 iv ACKNOWLEDGEMENTS I would like to thank Professor Lesley Stern and Professor John Welchman for their support as the co-chairs of my committee. Their guidance in the past three years has been invaluable. I would also like to acknowledge the other members of my committee, Professor Norman Bryson, Professor Jean-Pierre Gorin, and Professor Amelia Glaser for their thoughtful comments on this thesis. Last but not least, I would like to recognize the help I received from the members of my writing group Orianna Caccione, Drew Snyder, and Tara Zepel; my colleague Sabine Horlitz; and Tim Ridlen.
    [Show full text]
  • This Circular Is Important and Requires Your Immediate Attention
    THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in Huanxi Media Group Limited, you should at once hand this circular and the accompanying form of proxy to the purchaser or transferee or to the bank, licensed securities dealer or other agent through whom the sale or transfer was effected for transmission to the purchaser or transferee. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. (Incorporated in Bermuda with limited liability) (Stock Code: 1003) RE-ELECTION OF DIRECTORS GENERAL MANDATES TO ISSUE AND REPURCHASE SHARES AND NOTICE OF ANNUAL GENERAL MEETING A notice convening the annual general meeting of Huanxi Media Group Limited, (the “Company”) to be held at Kennedy Room, Level 7, Conrad Hong Kong, Pacific Place, 88 Queensway, Hong Kong on 2 June 2017, Friday at 11:00 a.m. is set out on pages 13 to 16 of this circular. Whether or not you intend to attend and vote at the meeting, you are requested to complete and return the enclosed form of proxy, in accordance with the instructions printed thereon, as soon as possible and in any event not later than forty- eight (48) hours before the time appointed for holding such meeting or any adjournment thereof to Computershare Hong Kong Investor Services Limited, the branch share registrar of the Company in Hong Kong, at 17M Floor, Hopewell Centre, 183 Queen’s Road East, Wanchai, Hong Kong.
    [Show full text]
  • Download Article
    Advances in Social Science, Education and Humanities Research, volume 378 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019) A Review of the Research on Film Directors in the 70 Years of New China Rui Hao School of Theater, Film and Television Communication University of China Beijing, China 100024 Abstract—Since the founding of the People's Republic of political correctness, resulting in the lack of good results in China 70 years ago, the research on film directors and the this period. Therefore, the short-lived contends in this setting pulse of the times and the development of the film industry are even more precious, especially the articles about the have developed together, not only the number of research "Director Centered System" and "Necessity of the Art perspectives increased, but also the horizons has been broaden. Character of Film" produced after the "Shefan Temple This article goes by the following four research categories: Conference". In addition, the opinions of director creations historical research, theoretical research, director education, and film creations by the national leaders and film managers and director criticism, summarize and comment on the have had a particularly significant impact during this period. literature results of film director research in the past 70 years. The second stage is the Wave Film Period from 1978 to Keywords—film director research; history; theory; education; 2003. The reform and opening up brought about the national criticism economic start, cultural liberation, absorption, collision and avoidance. It also led to the shock of the film system, the I. INTRODUCTION market has experienced ups and downs, and the works are unconstrained and all-inclusive, which is quite controversial.
    [Show full text]
  • 阿肯色大学 University of Arkansas 中文 3103 课程大纲 2014 年秋季
    阿肯色大学 University of Arkansas 中文 3103 课程大纲 2014 年秋季学期 CHIN 3103 Course Syllabus Fall Semester 2014 Classroom and Time KIMP 0211 TTh 2:00-3:15pm Instructor Li Yang Office KIMP 423 Email [email protected] TEL 575-6061 Office Hour MWF 4:10-5:00pm and by appointment Welcome to Chinese 3103, Chinese Culture and Film! COURSE DESCRIPTION The objective of this class is to open a window for students to Chinese culture and society by using film as a tool. In this class, we will read the selected films both as “cultural texts” and as artworks. Before each screening, a lecture on related cultural topics will be given, such as the introductions to Chinese philosophy, Chinese history, traditional customs, etc., to help students build a better understanding of the film to be screened. Class discussion will also be conducted after lectures and screenings. All the films will be screened with English subtitles and the course will be conducted in English. At the end of this semester, students are expected to be able to a) Build the fundamental knowledge of Chinese geography, history, customs, and society. b) Familiarize themselves with Chinese cinema, including renowned directors, actors/actresses, film market, and of course, famous movies. c) Develop understanding of people of Chinese culture in general. d) Demonstrate the ability to perform research on topics of Chinese culture. TEXT BOOK AND READINGS Guide to Chinese Culture, China Agriculture Press, 2008 All other readings will be assigned as pdf files. REQUIREMENTS AND GRADING Active Participation =10% Active (or militant!) participation in class discussion is essential.
    [Show full text]
  • Mongolian Ping Pong
    Mongolian Ping Pong A Film by Ning Hao 2004/ 102' / 35mm / 1:1,85 / color / SR D In Mongolian w/English Subtitles FIRST RUN FEATURES The Film Center Building 630 Ninth Ave. #1213 New York, NY 10036 (212) 243-0600 Fax (212) 989-7649 Website: www.firstrunfeatures.com Email: [email protected] MONGOLIAN PING PONG Short Synopsis: A charming coming of age story about three young boys in the remote grasslands of Mongolia. Young Bilike finds a ping pong ball floating in the river, leading him and his friends on flights of imaginative whimsy and a journey to find the source of the mysterious unknown object. Technical Details: 102' / 35mm / 1:1,85 / color / SR D Credits: Producers: LU Bin, HE Bu Director of Photography: DU Jie Screenplay: NING Hao, XING Aina, GAO Jianguo Music: WUHE Editor: JIANG Yong Director: NING Hao HURICHABILIKE.............................Bilike DAWA..................................................Dawa GELIBAN ...........................................Erguotou YIDEXINNARIBU............................Bilike’s Father BADEMA ............................................Bilike’s Mother WURINA .............................................Bilike’s Sister DUGEMA ............................................Bilike’s Grandmother JINLAOWU.........................................Truck Driver BUHEBILIKE.....................................Dawa’s Father SARENGAOWA................................Dawa’s Mother JIRIMU ................................................Little Lama Credit Block: BROTHER FILM & TV PRODUCTIONS LTD. AND
    [Show full text]
  • Imax China Kicks Off 2019 with Paramount Pictures’ Bumblebee Grossing Stellar $6.1 Million in Imax® Theatres
    IMAX CHINA KICKS OFF 2019 WITH PARAMOUNT PICTURES’ BUMBLEBEE GROSSING STELLAR $6.1 MILLION IN IMAX® THEATRES IMAX China Box Office up 40% over Last Two Months Compared to Last Year SHANGHAI, January 7, 2019 – IMAX China Holding, Inc. (HKSE:1970) today announced that Paramount Pictures’ Bumblebee grossed ¥43 million ($6.1 million) in 587 IMAX theatres this weekend, representing one of the company’s best January performances. IMAX’s share of the total box office was more than 10% of all receipts for the film. Additionally, the strong performance of Hollywood titles such as Paramount’s Bumblebee and DC/Warner Bros. Pictures’ Aquaman and Sony/Marvel’s Venom propelled the IMAX China box office to an increase of 40 percent over the last two months compared to last year (November 3, 2018-January 3, 2019). “Closing out the year so strongly and kicking off 2019 with such a solid start from Bumblebee across IMAX® theatres, is an encouraging reflection of our company’s performance in China,” said Jiande Chen, CEO, IMAX China. “We continue to offer consumers a differentiated entertainment experience, translating the filmmaker’s vision like no one else can.” IMAX ended 2018 with a record December box office led by Aquaman which reached ¥186.48 million ($27.23 million) and marked the biggest selling IMAX title in China among all titles released in the fourth quarter. IMAX’s share of the total box office was nearly 10% of the film's total receipts in China. IMAX China also confirmed its intention to program its theatre network over Chinese New Year with Crazy Alien, which is directed by Ning Hao and stars China’s most popular A-list actors Huang Bo and Shen Teng.
    [Show full text]
  • Movie & Tv Availability Highlights Catalogue 2021
    MOVIE & TV AVAILABILITY HIGHLIGHTS CATALOGUE 2021 PLAY TRAILER ENTERTAINMENT IN MOTION (EIM) Lynda Harriss [email protected] 310 433 0946 EMPHASIS Features – Gigi Lee Short Features – Stella Lau [email protected] [email protected] +852 2516 1017 +852 2516 1040 FAIRDEAL Nameeta Chhabria [email protected] +91 98217 87980 GLOBAL EAGLE (EMEA) Alex Heather Arabic – Nihal Barhoush European/Latin Spanish – Niamh McNicholas [email protected] [email protected] [email protected] +44 755 752 6097 +971 4 249 0120 PLAY TRAILER AVAILABLE: MARCH 2021 MISBEHAVIOUR Comedy, Drama | NR A group of women hatch a plan to disrupt the 1970 Miss World beauty competition in London. DIRECTOR: Philippa Lowthorpe CAST: Keira Knightley Gugu Mbatha-Raw Greg Kinnear Jessie Buckley Rhys Ifans PLAY TRAILER AVAILABLE: 2Q 2021 THE DOORMAN Action, Thriller | R A woman returns from combat and befriends a family in NYC. A gang of thieves plot to take the family’s valuables and she is all that stands between them and their lives. DIRECTOR: Ryûhei Kitamura CAST: Ruby Rose Jean Reno PLAY TRAILER AVAILABLE: 2Q 2021 SUMMERLAND Drama, Romance | PG During World War II a woman opens her heart to an evacuee after initially resolving to be rid of him in this moving journey of womanhood, love and friendship. DIRECTOR: Jessica Swale CAST: Gemma Arterton Gugu Mbatha-Raw Penelope Wilton Tom Courtenay PLAY TRAILER AVAILABLE: 2Q 2021 THE WAR WITH GRANDPA Comedy, Family | PG Upset that he has to share the room he loves with his grandfather, Peter decides to declare war in an attempt to get it back.
    [Show full text]
  • The Chinese Film Industry: Features and Trends, 2010-2016
    THE CHINESE FILM INDUSTRY: FEATURES AND TRENDS, 2010-2016 Jinuo Diao A Thesis Submitted for the Degree of PhD at the University of St Andrews 2020 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/19497 This item is protected by original copyright The Chinese Film Industry: Features and Trends, 2010-2016 Jinuo Diao This thesis is submitted in partial fulfilment for the degree of Doctor of Philosophy (PhD) at the University of St Andrews December 2019 Candidate's declaration I, Jinuo Diao, do hereby certify that this thesis, submitted for the degree of PhD, which is approximately 80,000 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for any degree. I was admitted as a research student at the University of St Andrews in September 2015. I received funding from an organisation or institution and have acknowledged the funder(s) in the full text of my thesis. Date 18 December 2019 Signature of candidate Supervisor's declaration I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree.
    [Show full text]
  • New Chinese Cinema at the HKIFF a Look Back at the Last 20 Years
    China Perspectives 2010/1 | 2010 Independent Chinese Cinema: Filming in the “Space of the People” New Chinese Cinema at the HKIFF A Look Back at the Last 20 Years Li Cheuk-To, Wong Ain-Ling and Jacob Wong Electronic version URL: http://journals.openedition.org/chinaperspectives/5065 DOI: 10.4000/chinaperspectives.5065 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 21 April 2010 ISSN: 2070-3449 Electronic reference Li Cheuk-To, Wong Ain-Ling and Jacob Wong, « New Chinese Cinema at the HKIFF », China Perspectives [Online], 2010/1 | 2010, Online since 01 April 2013, connection on 28 October 2019. URL : http://journals.openedition.org/chinaperspectives/5065 ; DOI : 10.4000/chinaperspectives.5065 © All rights reserved Special Feature s e v New Chinese Cinema at the i a t c n i e HKIFF: A Look Back at the h p s c r Last 20 Years e p LI CHEUK-TO, WONG AIN-LING, JACOB WONG The Hong Kong International Film Festival was one of the earliest places where new Chinese films were shown outside China. In this article, three curators involved in the selection explain how they were first received. efore discussing the question of “independent” Chi - nese films in the Hong Kong International Film Fes - Btival (HKIFF), it should be pointed out that the term “independent” has become, over the years, an almost mean - ingless label save for marketing and academic purposes, or to “lionise” independent films in China. Some filmmakers in China submit their films for censorship and some don’t.
    [Show full text]