Annual Report 2015 1 CORPORATE INFORMATION
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Wu Ren Qu No Man’S Land
WETTBEWERB WU REN QU NO MAN’S LAND Ning Hao „Das ist eine Geschichte über Tiere“, kündigt der Held des Films an, der Volksrepublik China 2013 aus der Großstadt stammende Rechtsanwalt Pan Xiao. Tatsächlich rü- 117 Min. · DCP · Farbe cken als nächstes zwei stolze Falken ins Bild, die in der Xinjiang-Wüs- te illegal gefangen wurden. Sie sollen eine Menge Bares einbringen, Regie Ning Hao Recht und Gesetz spielen dabei keine Rolle. So wird die Gier nach Geld Buch Ning Hao, Shu Ping, Xing Aina Kamera Du Jie zum Treibmittel für die Story. Und Pan Xiao, der für seinen nächsten Schnitt Cheung Yuan Prozess rund 500 Kilometer durch das felsenreiche Niemandsland der Musik Nathan Wong Wüste reisen muss, zum getriebenen Protagonisten: gepeinigt von Injo Film Foto: Sound Design Wang Gang ebenso grotesken wie hochgefährlichen Zufallsbekanntschaften und Ton Wang Yanwei Geboren 1977 in der Provinz Shanxi, mysteriösen Wegbegleitern, die vor Gewalt nicht zurückschrecken. Re- Production Design Hao Yi China. Studierte zunächst Ausstattung an gisseur Ning Hao, der 2005 im Forum der Berlinale MONGOLIAN PING Art Director Hao Yi der Shanxi Taiyuan Film School, später an PONG zeigte, präsentiert mit NO MAN’S LAND eine bildgewaltige phi- Kostüm Liu Qian der Kunstakademie der Beijing Normal losophische Parabel auf eine aus allen Fugen geratene Gesellschaft, Maske Yang Hong University. 2003 schloss er mit dem Kurzfilm Regieassistenz Kuerbanjiang THURSDAY, WEDNESDAY sein Studium an der in der im Kampf um Reichtum und Macht keine moralischen Skrupel mehr gelten. Inszeniert als Hommage an die Italowestern eines Sergio Casting Lian Zhang Filmakademie Peking im Fach Kamera ab. -
Out of This World
18 | Thursday, January 24, 2019 LIFE CHINA DAILY HONG KONG EDITION From left: Actors Shen Teng, Xu Zheng, Huang Bo and director Ning Hao during a Beijing promotional event of the upcoming scifi comedy Crazy Alien, which will debut across China on Feb 5. FENG YONGBIN / CHINA DAILY Out of this world Black comedy meets scifi in Ning Hao’s new film, Crazy Alien, which will be released during Spring Festival, Xu Fan reports. rom Crazy Stone to No 2001 short fictional story, The on reallife sets. Man’s Land to Dying to Rural Teacher, about the final wish Xu says he had to shoot a lot of Survive, most of the films of a village schoolteacher, who has facial expressions that were used to Ning Hao has directed or cancer, to teach his students about One of the most generate the green creature’s. Fproduced use black comedy to Newton’s laws of motion — an During the promotional event in important examine social issues. effort that unexpectedly ends up Beijing on Jan 17, Ning also So, many people were surprised saving humankind. functions of released a photo of a giant tear when the 42yearold director Ning read the story about nine cinema is to reflect dropshaped spaceship, inspired recently revealed he has been a sci years ago. by a mysterious facility depicted in fi fan since he was young. “I really like Liu’s novels,” he says. social issues and Liu’s celebrated novel, The Three Scifi content carried by once “I started to read them one by portray people Body Problem. -
Lü Cao Di Mongolian Ping Pong Regie: Ning Hao
Lü cao di Mongolian Ping Pong Regie: Ning Hao Land: China 2005. Produktion: Beijing Kunlun Xiongdi Production Co. Ltd., Beijing HOP Culture Co. Ltd. Regie, Schnitt: Ning Hao. Buch: Gao Jianguo, Xing Aina, Ning Hao. Kamera: Du Jie. Musik: Lu Jiajia. Ton: Wang Jianwei. Ausstattung: Zhang Xiaobing, Yang Min. Kostüme: Zhang Gengliang. Schnitt: Jiang Yong. Produzenten: Lu Bin, He Bu. Produktionsleitung: Lan Ruilong, Ning Hao. Darsteller: Hurzbileg (Bilgee), Dawaa (Dawaa), Geliban (Ergotov), Yadamnarbuu (Bilgees Vater), Badmaa (Bilgees Mutter), Jin Lao Wu (Sergelen), Urnaa (Bilgees Schwester), Bukhbileg (Dawaas Vater), Sarangua (Dawaas Mutter), Dugmaa (Bilgees Großmutter), Jurimu (buddhistischer Mönch). Format: 35mm (gedreht auf HD), 1:1.85, Farbe. Länge: 102 Minuten, 25 Bilder/Sek. Sprache: Mongolisch. Uraufführung: 15. Februar 2005, Internationales Forum, Berlin. Weltvertrieb: Bavaria Film International (a division of Bavaria Media GmbH), Thorsten Schau- mann, Bavariafilmplatz 8, 82031 Geiselgasteig, Deutschland. Tel.: (49-89) 6499 2686, Fax: (49-89) 6499 3720, e-mail: [email protected] Inhalt Synopsis Eines Tages findet Bilgee, ein mongolischer Junge, beim Spielen ei- An ordinary white pingpong ball floats down a creek and is nen Tischtennisball. found by Bilgee, a Mongolian boy. Bilgees Großmutter erzählt ihm, dass der kleine Ball eine glühende Bilgee’s grandmother tells him it is a glowing pearl from Perle ist, die vom Himmel gefallen ist. Bilgee glaubt ihr, und gemein- heaven. Believing this, Bilgee spends the whole night out 1 sam mit seinen beiden besten Freunden Ergotov – der zwar nicht on the grassland with his two best friends: Ergotov, who reiten, dafür aber Motorrad fahren kann – und dem kleinen Dawaa cannot ride a horse but can ride a motor bike, and Dawaa, verbringt er die ganze Nacht im Freien. -
Qt2sn1d3k6.Pdf
UC San Diego UC San Diego Electronic Theses and Dissertations Title The Chronotope of Ecocinema : Bakhtin's notions of environment and horizon as analytic tools for the study of film and the environment Permalink https://escholarship.org/uc/item/2sn1d3k6 Author Pesch, Katrin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, SAN DIEGO The Chronotope of Ecocinema Bakhtin’s notions of environment and horizon as analytic tools for the study of film and the environment A Thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Art History Theory and Criticism Katrin Pesch Committee in charge: Professor John Welchman, Chair Professor Lesley Stern, Co-Chair Professor Norman Bryson Professor Jean-Pierre Gorin Professor Amelia Glaser 2013 The Thesis of Katrin Pesch is approved and it is acceptable in quality and form for publication on microfilm and electronically: Co-Chair Chair University of California, San Diego 2013 iii TABLE OF CONTENTS SignaturePage …………………………………………………………………… iii Table of Contents ………………………………………………………………… iv Acknowledgements ……………………………………………………………… v Abstract …………………………………………………………………………… vi Introduction .………………………………………………………………………. 1 Chapter 1………………………………………………………………………….. 12 Chapter 2 …………………………………………………………………………. 32 References ……………………………………………………………………….. 48 iv ACKNOWLEDGEMENTS I would like to thank Professor Lesley Stern and Professor John Welchman for their support as the co-chairs of my committee. Their guidance in the past three years has been invaluable. I would also like to acknowledge the other members of my committee, Professor Norman Bryson, Professor Jean-Pierre Gorin, and Professor Amelia Glaser for their thoughtful comments on this thesis. Last but not least, I would like to recognize the help I received from the members of my writing group Orianna Caccione, Drew Snyder, and Tara Zepel; my colleague Sabine Horlitz; and Tim Ridlen. -
This Circular Is Important and Requires Your Immediate Attention
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in Huanxi Media Group Limited, you should at once hand this circular and the accompanying form of proxy to the purchaser or transferee or to the bank, licensed securities dealer or other agent through whom the sale or transfer was effected for transmission to the purchaser or transferee. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. (Incorporated in Bermuda with limited liability) (Stock Code: 1003) RE-ELECTION OF DIRECTORS GENERAL MANDATES TO ISSUE AND REPURCHASE SHARES AND NOTICE OF ANNUAL GENERAL MEETING A notice convening the annual general meeting of Huanxi Media Group Limited, (the “Company”) to be held at Kennedy Room, Level 7, Conrad Hong Kong, Pacific Place, 88 Queensway, Hong Kong on 2 June 2017, Friday at 11:00 a.m. is set out on pages 13 to 16 of this circular. Whether or not you intend to attend and vote at the meeting, you are requested to complete and return the enclosed form of proxy, in accordance with the instructions printed thereon, as soon as possible and in any event not later than forty- eight (48) hours before the time appointed for holding such meeting or any adjournment thereof to Computershare Hong Kong Investor Services Limited, the branch share registrar of the Company in Hong Kong, at 17M Floor, Hopewell Centre, 183 Queen’s Road East, Wanchai, Hong Kong. -
Mise En Page 1
INTERNATIONAL SALES MK2 PARIS CANNES MK2 - 55 rue Traversière FIVE HOTEL - 1 rue Notre-Dame 75012 Paris 06400 Cannes Juliette Schrameck, Head of International Sales & Acquisitions [email protected] Fionnuala Jamison, International Sales Executive [email protected] Victoire Thevenin, International Sales Executive [email protected] A FILM BY INTERNATIONAL PRESS RICHARD LORMAND - FILM ⎮PRESS ⎮PLUS JIA ZHANG-KE www.FilmPressPlus.com [email protected] Tel: +33-9-7044-9865 / +33-6-2424-1654 m IN CANNES o c . s Tel: 08 70 44 98 65 / 06 09 92 55 47 / 06 24 24 16 54 a e r c - l e s k a . w w w : k r o w t XSTREAM PICTURES (BEIJING) r EVA LAM A Tel: +86 10 8235 0984 Fax: +86 10 8235 4938 [email protected] Xstream Pictures (Beijing), Office Kitano Shangai Film Group Corporation & MK2 present A FILM BY JIA ZHANG-KE 133 min / Color / 1:2.4 / 2013 Xstream Pictures (Beijing ) Office Kitano Shanghai Film Group Corporation Present In association with Shanxi Film and Television Group Bandai Visual Bitters End SYNOPSIS DIRECTOR’S NOTE This film is about four deaths, four incidents which actually happened in China in recent years: three murders and one suicide. These incidents are well-known to people throughout China. They happened in Shanxi, Chongqing, Hubei and Guangdong – that is, from the north to the south, spanning much of the country. I wanted to use these news reports to build a comprehensive portrait of life in contemporary China. China is still changing rapidly, in a way that makes the country look more prosperous than before. -
Download Article
Advances in Social Science, Education and Humanities Research, volume 378 6th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2019) A Review of the Research on Film Directors in the 70 Years of New China Rui Hao School of Theater, Film and Television Communication University of China Beijing, China 100024 Abstract—Since the founding of the People's Republic of political correctness, resulting in the lack of good results in China 70 years ago, the research on film directors and the this period. Therefore, the short-lived contends in this setting pulse of the times and the development of the film industry are even more precious, especially the articles about the have developed together, not only the number of research "Director Centered System" and "Necessity of the Art perspectives increased, but also the horizons has been broaden. Character of Film" produced after the "Shefan Temple This article goes by the following four research categories: Conference". In addition, the opinions of director creations historical research, theoretical research, director education, and film creations by the national leaders and film managers and director criticism, summarize and comment on the have had a particularly significant impact during this period. literature results of film director research in the past 70 years. The second stage is the Wave Film Period from 1978 to Keywords—film director research; history; theory; education; 2003. The reform and opening up brought about the national criticism economic start, cultural liberation, absorption, collision and avoidance. It also led to the shock of the film system, the I. INTRODUCTION market has experienced ups and downs, and the works are unconstrained and all-inclusive, which is quite controversial. -
IFFAM), Described by Organizers As a “Retrospective” Element of the Festival, Will Showcase 12 Classic Films Selected by Renowned Filmmakers
SUPPLEMENT WED 07.12.2016 Movies of a lifetime he Crossfire feature of the first International Film Festival & Awards Macao (IFFAM), described by organizers as a “retrospective” element of the festival, will showcase 12 classic films selected by renowned filmmakers. From the black and white motion epics of the 1950s to a detective Tdrama filmed in 1972, the 12 genre films hail from Europe and Asia, with an East Asian genre film master behind each of the selections. They include the 1966 Western classic, The Good, the Bad and the Ugly, Terence Fisher’s archetypal vampire horror, Horror of Dracula (1958), independent British-Italian thriller, Don’t Look Now (1973), and Serbian/German-language film, Walter Defends Sarajevo (1972), depicting remarkable scenes of action and humor surroun- ding Yugoslav partisan activities during World War II. Originally captured in a variety of different languages – English, French, Italian, German, Serbian and Hindi - the 12 subtitled mas- terpieces are personal genre favorites of the contributing selectors. In this sense, the Crossfire films provide an insight into the selec- tors’ own award-winning films and contemporary blockbusters, by revealing some of their most memorable influences. IFFAM FAQ Q WHAT ARE THE SPECIAL PRESENTATION FILMS? A The special presentation films are works directed by the two talent ambassadors of IFFAM, Clemens Klop- fenstein and Jang Keun-Suk. Two of the films, Macao -- The Backside of the Sea (Macao oder die Rückseite des Meeres, 1987) and The Silesian Gate (Das Schlesische Tor, 1982), are directed by IFFAM ambassador Clemens Klop- fenstein. Jang Keun-Suk’s special presentation films are The Great Legacy and Daega Elementary School, released in 2016 and 2015 respectively. -
The Chinese Film Industry: Features and Trends, 2010-2016
THE CHINESE FILM INDUSTRY: FEATURES AND TRENDS, 2010-2016 Jinuo Diao A Thesis Submitted for the Degree of PhD at the University of St Andrews 2020 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/19497 This item is protected by original copyright The Chinese Film Industry: Features and Trends, 2010-2016 Jinuo Diao This thesis is submitted in partial fulfilment for the degree of Doctor of Philosophy (PhD) at the University of St Andrews December 2019 Candidate's declaration I, Jinuo Diao, do hereby certify that this thesis, submitted for the degree of PhD, which is approximately 80,000 words in length, has been written by me, and that it is the record of work carried out by me, or principally by myself in collaboration with others as acknowledged, and that it has not been submitted in any previous application for any degree. I was admitted as a research student at the University of St Andrews in September 2015. I received funding from an organisation or institution and have acknowledged the funder(s) in the full text of my thesis. Date 18 December 2019 Signature of candidate Supervisor's declaration I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of PhD in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
A Trip to China
FosteringC BusinessHINA and Cultural HarmonyINSIGHT between China and the U.S. VOL. 10 NO. 1 www.chinainsight.info January 2011 A trip to China: Observations Chinese New Year and reflections on life in China By Greg Hugh, Staff Writer have been antici- until we checked into pating my first our next hotel around I trip to China for 9 p.m. as we visited several years. While places and had all of I expected to partake our meals together. Travel of the requisite sight- Day 1 of the tour seeing, shopping and was basically a travel dining that one would day since the direct normally experience, flight from Chicago to this trip also turned Shanghai takes about into a cultural and his- 14 hours. Upon our toric odyssey for me arrival in Shanghai/ as I traveled through Pudong Airport, we parts of China for 15 were greeted by our days. My wife Linda guide, Leo Li, who in- along with sister-in- troduced us to the pen- Arts law, Carol from Chi- Shanghai waterfront nant/flag that would cago and I joined a henceforth be the ral- tour group of about 50 other individuals in each other, our diverse group that included lying point as we moved among the masses Chicago for our flight to Shanghai, China several extended families, children, elders, in China from one place to the next. Upon which was an optional tour prior to attending including non-Chinese, quickly became checking in we learned that our passports the 11th International Moy Family Conven- friends as the tour helped us develop a would need to be provided to the hotel and tion in Guangzhou, China as guests of the harmonious relationship. -
Re-Election of Directors(2)
THIS CIRCULAR IS IMPORTANT AND REQUIRES YOUR IMMEDIATE ATTENTION If you are in any doubt as to any aspect of this circular or as to the action to be taken, you should consult your licensed securities dealer, bank manager, solicitor, professional accountant or other professional adviser. If you have sold or transferred all your shares in Huanxi Media Group Limited, you should at once hand this circular and the accompanying form of proxy to the purchaser or transferee or to the bank, licensed securities dealer or other agent through whom the sale or transfer was effected for transmission to the purchaser or transferee. Hong Kong Exchanges and Clearing Limited and The Stock Exchange of Hong Kong Limited take no responsibility for the contents of this circular, make no representation as to its accuracy or completeness and expressly disclaim any liability whatsoever for any loss howsoever arising from or in reliance upon the whole or any part of the contents of this circular. (Incorporated in Bermuda with limited liability) (Stock Code: 1003) (1) RE-ELECTION OF DIRECTORS (2) GENERAL MANDATES TO ISSUE AND REPURCHASE SHARES AND (3) NOTICE OF ANNUAL GENERAL MEETING A notice convening the annual general meeting of Huanxi Media Group Limited, (the “Company”) to be held at Admiralty & The Peak (Level 3), JW Marriott Hotel Hong Kong, Pacific Place, 88 Queensway, Hong Kong on 31 May 2019, Friday at 3:00 p.m. is set out on pages 13 to 17 of this circular. Whether or not you intend to attend and vote at the meeting, you are requested to complete and return the enclosed form of proxy, in accordance with the instructions printed thereon, as soon as possible and in any event not later than forty-eight (48) hours before the time appointed for holding such meeting or any adjournment thereof to Computershare Hong Kong Investor Services Limited, the Hong Kong branch share registrar of the Company, at 17M Floor, Hopewell Centre, 183 Queen’s Road East, Wanchai, Hong Kong. -
“Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2013 Dialects into Films----The leE ment of “Dialect” in Chinese Films Shun Yao University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Chinese Studies Commons, Comparative Literature Commons, and the Film and Media Studies Commons Yao, Shun, "Dialects into Films----The Element of “Dialect” in Chinese Films" (2013). Masters Theses 1911 - February 2014. 1165. Retrieved from https://scholarworks.umass.edu/theses/1165 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. DIALECTS INTO FILMS----THE ELEMENT OF “DIALECT” IN CHINESE FILMS A Thesis Presented by SHUN YAO Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF ARTS SEPTEMBER, 2013 CHINESE © Copyright by Shun Yao. 2013 All Rights Reserved DIALECTS INTO FILMS----THE ELEMENT OF “DIALECT” IN CHINESE FILMS A Thesis Presented By SHUN YAO Approved as to style and content by: ______________________________________ Enhua Zhang, Chair ______________________________________ Zhongwei Shen, Member ______________________________________ Zhijun Wang, Member ___________________________________ Amanda Seaman, Program Director Asian Language and Literature ___________________________________ William Moebius, Director, Languages, Literatures, and Cultures ACKNOWLEDGMENTS I would like to thank my advisor, Professor Enhua Zhang for her time and patience in guiding me through this project. Professors Zhongwei Shen and Zhijun Wang are also of great help from the beginning stage of this thesis—familiarizing me with the format of the thesis and the some issues about dialects—to its completion.