Irrfan Khan & Rishi Kapoor
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Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48
FOR IMMEDIATE RELEASE Media contacts: March 23, 2016 Chalena Cadenas 310.360.1981 [email protected] Mauli Singh [email protected] Writers and Creative Advisors Selected for Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48 Lab Recognizes and Supports Six Emerging Independent Filmmakers from India Los Angeles, CA — Sundance Institute and Drishyam Films today announced the artists and creative advisors selected for the second Drishyam | Sundance Institute Screenwriters Lab in Udaipur, India April 48. The Lab supports emerging filmmakers in India, as part of the Institute’s sustained commitment to international artists, which in the last 25 years has included programs in Brazil, Mexico, Jordan, Turkey, Japan, Cuba, Israel and Central Europe. Now in its second year, the fourday Lab is a creative and strategic partnership between Drishyam Films and Sundance Institute, and gives independent screenwriters the opportunity to work intensively on their feature film scripts in an environment that encourages innovation and creative risktaking. The Lab is centered around oneonone story sessions with creative advisors. Screenwriting fellows engage in an artistically rigorous process that offers lessons in craft, a fresh perspective on their work and a platform to fully realize their material. Leading the Lab in India is Drishyam founder, Manish Mundra. He said, “A beautiful heritage city in my hometown of Rajasthan, Udaipur forms an ideal writers retreat, and is the perfect environment for a diverse group of emerging writers and renowned mentors to have a refreshing and productive exchange. Our goal is that the six selected Indian projects, after undergoing a comprehensive mentoring process, will quickly move from script to screen and make their mark globally. -
Movies Thatpack a Punch
Movies thatPack a 21 June JulyPunch - 01 2019 www.birminghamindianfilmfestival.co.uk Artist Cary Burman. Photo by Chila Rajinder Sawhney Kumari Celebrating our 5th Birthday, Birmingham Indian Film Festival which is part of the UK and Europe’s largest South Asian film festival is literally stuffed to the rafters with a rich assortment of entertaining and thought provoking independent films. This year’s highlights include Our Film, Power & Politics strand offers a red carpet opening night at a critical insight into the fast moving Cineworld Broad Street with the political changes of South Asia. The exciting premiere of cop whodunit astonishing documentary Reason by Article 15, starring Bollywood star Anand Patwardhan, Bangla suspense READYTO LAUNCH YOUR CAREER Ayushmann Khurrana and directed Saturday Afternoon and Gandhian by Anubhav Sinha. Our closing night black comedy #Gadhvi are a few films IN THE FILM INDUSTRY marks the return of Ritesh Batra, the to look out for. director of The Lunchbox with the premiere of Photograph starring the We are expecting a host of special MA Feature Film Development and legendary Nawazuddin Siddiqui and guests, including India’s most famous Sanya Malhotra. indie director Anurag Kashyap of MA Film Distribution and Marketing Sacred Games fame. Make sure you buy Our themes this year include the Young your tickets in advance for this one! Now open for applications Rebel strand which literally knocks out www.bcu.ac.uk/nti/courses all the stereotypes with a fist of movies We are delighted to welcome back our exploring younger lives. See director regular partners including Birmingham Rima Das’ award-winning teenage hit City University and welcome our new Bulbul Can Sing. -
INSIDE the Prabhakhaitanfoundationchronicle Their Musicto Life Words to Bring Melodies in Authors String on Musiciansas World Ofbooks Dive Into the POETRY of LIFE 14
The Prabha Khaitan Foundation Chronicle January 2020 I Issue 10 Dive into the world of books on musicians as authors string melodies in words to bring their music to life POETRY OF HINGLISH ROMANCE IS LIFE BABU WRITE 14 15 13 INSIDE 2 INSIDE MITHILA Music, Memories STORIES 18 and More “If winter comes, can spring be far behind?” — GAMECHANGER Percy Bysshe Shelley. LAUNCH Spring has definitely arrived, bringing with it renewed zeal and spirit, and the Foundation 20 has been taking advantage of the same. It has been our constant endeavour to feature new writers and showcase new genres and WINNING narratives. And like spring, our bouquet of literary events also embodied the new — both WOMAN in terms of essence and faces. Music was the flavour of the season. We 26 have been privileged to host some of the greatest luminaries from the world of music. Their stories unveiled the ordinary behind the A ROOM WITH A extraordinary legends of timeless melodies. Sessions featured maestros of classical music, VIEW stalwarts of the Bollywood music industry, music queens who broke all stereotypes 34 and more. While their stories awed us, their words humbled us. Hope you enjoy reading MANISHA JAIN the extraordinary tales of some of the best of Communications & Branding Chief, music. CAUSE OF THE Prabha Khaitan Foundation Alongside putting together our regular MONTH events, we are busy gearing up for the Ehsaas Conclave. The mantra of the Conclave is 38 ‘Learning, Linking and Leadership.’ Ehsaas Women from all over India and abroad will be coming together at the conclave to bond CELEBRATING over ideas and experiences. -
TIARA Research Final-Online
TIARAResearch Insight Based Research Across Celebrities Indian Institute of Human Brands 2020 About IIHBThe Indian Institute of Human Brands (IIHB) has been set up by Dr. Sandeep Goyal, India’s best known expert in the domain of celebrity studies. Dr. Goyal is a PhD from FMS-Delhi and has been researching celebrities as human brands since 2003. IIHB has many well known academicians and researchers on its advisory board ADVISORY Board D. Nandkishore Prof. ML Singla Former Global Executive Board Former Dean Member - Nestlé S.A., Switzerland FMS Delhi Dr. Sandeep Goyal Chief Mentor Dr. Goyal is former President of Rediffusion, ex-Group CEO B. Narayanaswamy Prof. Siddhartha Singh of Zee Telefilms and was Founder Former Managing Director Associate Professor of Marketing Chairman of Dentsu India IPSOS and Former Senior Associate Dean, ISB 0 1 WHY THIS STUDY? Till 20 years ago, use of a celebrity in advertising was pretty rare, and quite much the exception Until Kaun Banega Crorepati (KBC) happened almost 20 years ago, top Bollywood stars would keep their distance from television and advertising In the first decade of this century though use of famous faces both in advertising as well as in content creation increased considerably In the last 10 years, the use of celebrities in communication has increased exponentially Today almost 500 brands, , big and small, national and regional, use celebrities to endorse their offerings 0 2 WHAT THIS STUDY PROVIDES? Despite the exponential proliferation of celebrity usage in advertising and content, WHY there is no organised body of knowledge on these superstars that can help: BEST FIT APPROPRIATE OR BEST FIT SELECTION COMPETITIVE CHOOSE BETTER BETWEEN BEST FITS PERCEPTION CHOOSE BASIS BRAND ATTRIBUTES TRENDY LOOK AT EMERGING CHOICES FOR THE FUTURE 0 3 COVERAGE WHAT 23 CITIES METRO MINI METRO LARGE CITIES Delhi Ahmedabad Nagpur (incl. -
Actress Suchitra Krishnamoorthi's Biographical Play to Debut in New
Actress Suchitra Krishnamoorthi’s biographical play to debut in New Delhi By : INVC Team Published On : 4 Oct, 2017 12:00 AM IST INVC NEWS Mumbai , India’s largest theatre production company AGP World will stage the multifaceted film actor, writer, singer, painter & candle-maker, Suchitra Krishnamoorthi’s biographical play ‘Drama Queen’ for the first time to audiences in New Delhi. Starring Suchitra Krishnamoorthi, and directed by Inaayat Ali Sami this gripping performance will be showcased at the old world theatre festival at The Stein Auditorium, India Habitat Center, New Delhi on 6th October 2017. Her new theatrical innings titled ‘Drama Queen’ presented by AGP World draws inspiration from her biography and will expose her in a never seen before avatar for the first time after a hiatus of more than a decade. Irrepressibly Saucy Drama Queen is an honest play that will make you laugh, cry and look at the modern Indian woman in a whole new light with all her vulnerabilities and strengths. Speaking about her debut on stage, Director Inaayat Ali Sami says, “Suchitra is a flawless actor and it has taken us nearly a year to be fully prepared for this theatrical public showcase. We are confident we can do full justice to the theatrical interpretation of her novel and bring to the fore Suchitra in totality, not as the world knows her but as what she really is.” Ashvin Gidwani, Producer & MD, AGP World elaborates, “It gives me great pleasure to present to the world a facet of an icon who has always preferred to be reserved about her personal affairs. -
Annual Report 2018-19 the Purpose of Life Is Not to Be Happy
Annual Report 2018-19 The purpose of life is not to be happy. It is to be useful, to be honorable, to be compassionate, to have it make some difference that you have lived and lived well. Ralph Waldo Emerson Photographs courtesy by: Jayati Saha, Saheli Das, Nilargha Chatterjee, Om Prakash Yadav and the staff of Iswar Sankalpa Annual Report 2018-19 SARBANI DAS ROY Dear friends, SECRETARY In the magical 12th year of its journey, I am happy to share the struggles and successes of the mind champions and Team Iswar Sankalpa through the difficult terrains of recovery-oriented programs of treatment, care and rehabilitation. The single most important thread running through all the pages of the year was the way in which we have broken the stony walls of social isolation and embraced our fellow citizens – doubly marginalised by homelessness and mental illness. For too long, have we looked away from this bundle of rags and dirt. For too long have we been afraid of her unpredictable behaviour. But it has taken this embrace to touch the pain in her and the human in me. The discovery of the deepest reservoirs of strength and ‘capacity’ of persons whom the world had held with increasing despair and the way in which we have succeeded in bringing delight to the care process have been ‘magical moments’ we have cherished over the year. Hope you will enjoy reading this testament of love and toil of a committed team of changemakers. CONTENT 08 12 16 Naya Daur: Outreach Sarbari and Urban Mental Health Programme Marudyan: Shelter Programme Programmes 20 23 24 -
Clare M. Wilkinson-Weber
Clare M. Wilkinson-Weber TAILORING EXPECTATIONS How film costumes become the audience’s clothes ‘Bollywood’ film costume has inspired clothing trends for many years. Female consumers have managed their relation to film costume through negotiations with their tailor as to how film outfits can be modified. These efforts have coincided with, and reinforced, a semiotic of female film costume where eroticized Indian clothing, and most forms of western clothing set the vamp apart from the heroine. Since the late 1980s, consumer capitalism in India has flourished, as have films that combine the display of material excess with conservative moral values. New film costume designers, well connected to the fashion industry, dress heroines in lavish Indian outfits and western clothes; what had previously symbolized the excessive and immoral expression of modernity has become an acceptable marker of global cosmopolitanism. Material scarcity made earlier excessive costume display difficult to achieve. The altered meaning of women’s costume in film corresponds with the availability of ready-to-wear clothing, and the desire and ability of costume designers to intervene in fashion retailing. Most recently, as the volume and diversity of commoditised clothing increases, designers find that sartorial choices ‘‘on the street’’ can inspire them, as they in turn continue to shape consumer choice. Introduction Film’s ability to stimulate consumption (responding to, and further stimulating certain kinds of commodity production) has been amply explored in the case of Hollywood (Eckert, 1990; Stacey, 1994). That the pleasures associated with film going have influenced consumption in India is also true; the impact of film on various fashion trends is recognized by scholars (Dwyer and Patel, 2002, pp. -
Akshay Kumar
Akshay Kumar Topic relevant selected content from the highest rated wiki entries, typeset, printed and shipped. Combine the advantages of up-to-date and in-depth knowledge with the convenience of printed books. A portion of the proceeds of each book will be donated to the Wikimedia Foundation to support their mis- sion: to empower and engage people around the world to collect and develop educational content under a free license or in the public domain, and to disseminate it effectively and globally. The content within this book was generated collaboratively by volunteers. Please be advised that nothing found here has necessarily been reviewed by people with the expertise required to provide you with complete, accu- rate or reliable information. Some information in this book maybe misleading or simply wrong. The publisher does not guarantee the validity of the information found here. If you need specific advice (for example, medi- cal, legal, financial, or risk management) please seek a professional who is licensed or knowledgeable in that area. Sources, licenses and contributors of the articles and images are listed in the section entitled “References”. Parts of the books may be licensed under the GNU Free Documentation License. A copy of this license is included in the section entitled “GNU Free Documentation License” All used third-party trademarks belong to their respective owners. Contents Articles Akshay Kumar 1 List of awards and nominations received by Akshay Kumar 8 Saugandh 13 Dancer (1991 film) 14 Mr Bond 15 Khiladi 16 Deedar (1992 film) 19 Ashaant 20 Dil Ki Baazi 21 Kayda Kanoon 22 Waqt Hamara Hai 23 Sainik 24 Elaan (1994 film) 25 Yeh Dillagi 26 Jai Kishen 29 Mohra 30 Main Khiladi Tu Anari 34 Ikke Pe Ikka 36 Amanaat 37 Suhaag (1994 film) 38 Nazar Ke Samne 40 Zakhmi Dil (1994 film) 41 Zaalim 42 Hum Hain Bemisaal 43 Paandav 44 Maidan-E-Jung 45 Sabse Bada Khiladi 46 Tu Chor Main Sipahi 48 Khiladiyon Ka Khiladi 49 Sapoot 51 Lahu Ke Do Rang (1997 film) 52 Insaaf (film) 53 Daava 55 Tarazu 57 Mr. -
Ifu Aur Main
IRRFAN AND I Written by Vishal BhardwajTimes Delhi INT. MY HOME - DAY SUPER: 29TH APRIL 2020 It’s lockdown in Mumbai. I have been working from home for the past one month. The phone rings. It flashes M.P’s name on the screen. It gives me tremors. M.P is supposed to be my informer in Irrfan’s agency. I let the phone ring for a while and then take the call fearing the worst. A beat. M.P. He has started improving. Man, this guy is a hell of a fighter. Doctors are hopeful that he will bounce back. I take a deep breath and cut the line. LITTLE LATER I argue with Rekha for serving me less PANEER in last night’s dinner. I complain to her of being biased when it comes to choosing between me and Aasmaan. My phone beeps. I check my WhatsApp messenger (still bickering with Rekha). It’s a message from a friend from America. It reads - ‘Saddened to hear about Irrfan Khan’. I check my Twitter (Still squabbling fiercely with Rekha) to verify the authenticity of it. No news. I rule out the possibility. Times I bring myself to hear what Rekha is saying with tears in her eyes. REKHA What kind of pettiness is this? The phone rings again. It’s M.P once more. I pick it up hurriedly this time. There are sobs on the other side. A bomb explodesDelhi in my heart. CUT TO: EXT. ROAD TO GRAVEYARD - DAY Face masked with a N95 mask and hands covered with a pair of surgical gloves, I travel in my car on the deserted road leading to the Muslim cemetery. -
Freida Pinto: ‘Mira, Royal in Hanks Posted on Insta- Split from Robert Akshay Supported Detective’ Has an Indian Touch Gram
10 SATURDAY, MARCH 14, 2020 Billie Eilish postpones March tour Jennifer Aniston, Tom Hanks’ son dates due to coronavirus outbreak Reese Witherspoon Los Angeles starrer ‘The Morning confident dad will American tour dates have been make full recovery postponed until further notice. Show’ shoot put on s a precaution amid the Details on postponed dates to hold amid coronavirus coronavirus outbreak, be announced soon. All tickets fears singer Billie Eilish will be honored for the new A Los Angeles has postponed her dates.” ‘Where Do We Go?’ “i’m so sad to do this but we world tour until need to postpone these dates he shoot of American drama further notice. to keep everyone safe. we’ll web television series ‘The Tom Hanks and Rita Wilson In a series of let you know when they can Morning Show’, starring Jen- T Los Angeles tweets, Billie be rescheduled. please keep nifer Aniston, and Reese Witherspoon, said: “It is with yourselves healthy. i love is set to go for a two-week hiatus over great sadness to you. - Billie,” the Grammy coronavirus fears. he son of American announce the winner wrote on Twitter. The decision was made by the se- Tmovie star Tom Hanks following Billie The dates included ries’ studio, Media Res, in conjunction said on Thursday he was Eilish ‘WHERE shows in Philadelphia, with Apple, reported Deadline. confident that the actor DO WE GO’ NYC, Boston, Chica- “In concert with our dedicated partners at and his wife Rita Wilson North go, Nashville, Indi- Apple, we have concluded it would be pru- would make a full recovery anapolis and many dent to take a two-week hiatus to assess the from the coronavirus. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Digital Studio 3
HOT VFX RC KAMALAKANNAN VFX SUPERVISOR, PULI The release of Puli was much-awaited, not just because it was a big budget film (its production budget was said to be around INR 120 crore) to hit Tamil cinema screens after a long time, or because Sridevi was appearing in her first Tamil language film after 29 years. It was because this Chimbu Devan-movie packed a wallop of visual eects by veteran RC Kamalakannan. KEITH DEVLIN The entire castle, even Sridevi’s hourglass VFX SUPERVISOR, PRIME FOCUS silhouette was crafted by VFX. Kamalakannan and the director had initially planned to merge Snow played an important role in Bajrangi Bhaijaan , but also caused some 2,600 scenes with graphics, but later brought it unusual issues. Since transporting the several hundred extras for the climax down to 2,200 scenes. Given Puli’s mammoth scene became difficult, about 75% of them had to be graphically generated scale and tight schedule, Kamalakannan collabo - using a crowd simulator called ‘Miarmy’. “Sometimes the CGI characters were rated with around 160 freelance animators in walking right next to the real extras we had on location, and even I could not Russia, Bulgaria, Ukraine, Netherlands, Iran as tell them apart. I would critique one guy for having a funny walk only to be well as studios in Chennai and Bangalore, split - told that it was actually a real person, not CGI!” Keith Devlin revealed. ting the work into smaller portions to ensure it got Many scenes had to be digitally manipulated to ensure Kashmir’s visual done faster.