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Actress Suchitra Krishnamoorthi's Biographical Play to Debut in New
Actress Suchitra Krishnamoorthi’s biographical play to debut in New Delhi By : INVC Team Published On : 4 Oct, 2017 12:00 AM IST INVC NEWS Mumbai , India’s largest theatre production company AGP World will stage the multifaceted film actor, writer, singer, painter & candle-maker, Suchitra Krishnamoorthi’s biographical play ‘Drama Queen’ for the first time to audiences in New Delhi. Starring Suchitra Krishnamoorthi, and directed by Inaayat Ali Sami this gripping performance will be showcased at the old world theatre festival at The Stein Auditorium, India Habitat Center, New Delhi on 6th October 2017. Her new theatrical innings titled ‘Drama Queen’ presented by AGP World draws inspiration from her biography and will expose her in a never seen before avatar for the first time after a hiatus of more than a decade. Irrepressibly Saucy Drama Queen is an honest play that will make you laugh, cry and look at the modern Indian woman in a whole new light with all her vulnerabilities and strengths. Speaking about her debut on stage, Director Inaayat Ali Sami says, “Suchitra is a flawless actor and it has taken us nearly a year to be fully prepared for this theatrical public showcase. We are confident we can do full justice to the theatrical interpretation of her novel and bring to the fore Suchitra in totality, not as the world knows her but as what she really is.” Ashvin Gidwani, Producer & MD, AGP World elaborates, “It gives me great pleasure to present to the world a facet of an icon who has always preferred to be reserved about her personal affairs. -
International Grocery Stores and Restaurants.Pdf
Next door to Newton is the town of Waltham, where a five minute drive from campus will bring you to Waltham’s busy and international Moody Street. Moody Street is home to many international restaurants and grocery stores. Hopefully you can find some familiar foods from home or at least the ingredients to cook a meal for yourself. You may find that the food served in these restaurants is slightly Americanized, but hopefully you’ll still be able to enjoy the familiar smells and tastes of home. A number of these restaurants also have food delivery to your room. You can call the restaurant and ask if they deliver. Be prepared with your address to tell the driver where to bring the food! Greek International Food Market The Reliable Market 5204 Washington St, West Roxbury, MA 02132 45 Union Square, Somerville MA, 02143 9:00AM - 8:00PM (Bus 85) (617) 553-8038 Japanese and Korean groceries at good prices. greekintlmarket.com Mon – Wed 9:30AM - 9:00PM farm-grill.com Thu – Fri 9:30AM - 10:00PM specialtyfoodimports.com Sat 9:00 AM - 10:00 PM Sun 9:00 AM - 9:00 PM Hong Kong Market (617) 623-9620 1095 Commonwealth Ave, Boston MA, (Packard's Corner, Green Line B) Ebisuya Japanese Market Enormous supermarket stocked with imported foods 65 Riverside Ave, Medford MA, 02155 from all over Asia, plus fresh meats & seafood. (Bus 96 to Medford Square) Mon-Thu, Sat-Sun 9AM – 9PM Very fresh sushi-grade fish here. Fri 9AM – 10PM Open 10:00 AM - 8:00 PM (781) 391-0012 C Mart ebisuyamarket.com 109 Lincoln St, Boston MA 02111 (Chinatown Station, Orange Line) The Shops at Porter Square This Asian supermarket carries an extensive University Hall, 1815 Massachusetts Ave, Cambridge selection of produce, seafood, meat & imported foods. -
Mothers Across Borders: a Transnational Analysis Of
MOTHERS ACROSS BORDERS: A TRANSNATIONAL ANALYSIS OF PARENTING BETWEEN INDIAN MOTHERS IN EDISON AND KOLKATA by MADHURIMA DAS A DISSERTATION Presented to the Department of Sociology and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy June 2017 DISSERTATION APPROVAL PAGE Student: Madhurima Das Title: Mothers Across Borders: A Transnational Analysis of Parenting Between Indian Mothers in Edison and Kolkata This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the Department of Sociology by: Eileen Otis Chairperson Ellen Scott Core Member Jill Harrison Core Member Arafaat Valiani Institutional Representative and Scott L. Pratt Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded June 2017 ii © 2017 Madhurima Das iii DISSERTATION ABSTRACT Madhurima Das Doctor of Philosophy Department of Sociology June 2017 Title: Mothers Across Borders: A Transnational Analysis of Parenting Between Indian Mothers in Edison and Kolkata. This dissertation addresses the central question- How are parenting methodologies across the sending and receiving nations shaped by larger macro forces embedded in economy and labor market forces? In order to answer this key question this project analyzes interviews with 59 middle-class mothers in Edison, New Jersey and Kolkata, India. This project contributes to the larger scope of immigration and transnational studies while placing them at the cross section of globalization of economy, labor market and education. The first chapter examines extensively the schooling systems in Edison and Kolkata and the ways it shapes parenting methods in these two locations. -
Postcoloniality, Science Fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, Banerjee [email protected]
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2010 Other tomorrows: postcoloniality, science fiction and India Suparno Banerjee Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the English Language and Literature Commons Recommended Citation Banerjee, Suparno, "Other tomorrows: postcoloniality, science fiction and India" (2010). LSU Doctoral Dissertations. 3181. https://digitalcommons.lsu.edu/gradschool_dissertations/3181 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. OTHER TOMORROWS: POSTCOLONIALITY, SCIENCE FICTION AND INDIA A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College In partial fulfillment of the Requirements for the degree of Doctor of Philosophy In The Department of English By Suparno Banerjee B. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2000 M. A., Visva-Bharati University, Santiniketan, West Bengal, India, 2002 August 2010 ©Copyright 2010 Suparno Banerjee All Rights Reserved ii ACKNOWLEDGEMENTS My dissertation would not have been possible without the constant support of my professors, peers, friends and family. Both my supervisors, Dr. Pallavi Rastogi and Dr. Carl Freedman, guided the committee proficiently and helped me maintain a steady progress towards completion. Dr. Rastogi provided useful insights into the field of postcolonial studies, while Dr. Freedman shared his invaluable knowledge of science fiction. Without Dr. Robin Roberts I would not have become aware of the immensely powerful tradition of feminist science fiction. -
Little India Guide Discover a Cultural Experience Beyond Words a Unique Blend of the Best of the Modern World and Rich Cultures to Deliver Enriching
Little India Guide Discover a Cultural Experience beyond words A unique blend of the best of the modern world and rich cultures to deliver enriching experiences CONTENTS Sights of Little India 5 Hallmarks of Little India 13 Souvenirs of Little India 16 Flavours of Little India 20 Nightlife in Little India 26 Festivals in Little India 29 Recommended guided tours 31 MRT and LRT System Map 32 Essential Visitors Information 34 Singapore Tourism Board 36 International Offices Places of Interest 38 Singapore Visitors Centres 42 Sights of Little India Be awed by intricate visages like elaborate gopuram, sculptured tower with carvings derived from Hindu mythology, as well as rare sights like Singapore’s last traditional spice grinder. Get ready for a titillating experience in Little India. Places of worship Sri Veeramakaliamman Temple 141 Serangoon Road Built in 1885, this historical temple is dedicated to Kali, the Goddess of Power and the ferocious incarnation of Lord Shiva’s wife. Veeramakaliamman means ‘Kali the Courageous’. True to its name, this temple courageously offered refuge to many during World War II. Devotees entering the temple ring the many bells on its door, hoping to have their requests granted. At the main shrine is a multi-armed statue of Kali, flanked by her sons Ganesha the Elephant God (also known as the Remover of Obstacles), and Murugan the God of War, often depicted riding a peacock. LIFE IN LITTLE INDIA When to visit: This intriguing enclave of Indian culture and tradition began 5.30am - 9.00pm daily (except 12.30pm - 4.00pm) as brick kilns in the 1820s. -
Economic Development Challenges for Immigrant Retail Corridors
EDQXXX10.1177/0891242417730401Economic Development QuarterlyGandhi and Minner 730401research-article2017 Article Economic Development Quarterly 2017, Vol. 31(4) 342 –359 Economic Development Challenges for © The Author(s) 2017 Reprints and permissions: sagepub.com/journalsPermissions.nav Immigrant Retail Corridors: Observations DOI:https://doi.org/10.1177/0891242417730401 10.1177/0891242417730401 From Chicago’s Devon Avenue journals.sagepub.com/home/edq Akshali Gandhi1 and Jennifer Minner2 Abstract Immigrant entrepreneurship is important to local and regional economies, cultural identity, placemaking, and tourism. Meanwhile, regional conditions, such as the development of suburban immigrant gateway communities and increases in the cost of business ownership, complicate local economic development efforts in urban ethnic districts. This research is presented as a mixed–methods case study of Devon Avenue in Chicago, IL, home to a significant concentration of South Asian–owned immigrant businesses. Challenges and pressures facing businesses are examined through merchant surveys and interviews. Observations reinforce the notion that cultural competency and strong grassroots leadership is vital for economic development planning so that “capitalizing” on an ethnic heritage does not become a tool for commodification or commercial gentrification. Agencies must also be mindful of the impacts associated with suburbanization of immigrant communities and take a long-term, regional approach to planning in ethnic commercial corridors. Keywords commercial corridors, ethnic corridors, immigrant-owned businesses, commercial gentrification Local governments and tourism agencies seek to enhance socioeconomic conditions, such as the development of new and showcase local neighborhoods and retail corridors for suburban immigrant gateway communities (Singer, economic development purposes (Ashutosh, 2008; Hardwick, & Brettell, 2008) and increases in the cost of busi- Loukaitou-Sideris, 2012). -
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Kervan – International Journal of Afro-Asiatic Studies n. 21 (2017) Item Girls and Objects of Dreams: Why Indian Censors Agree to Bold Scenes in Bollywood Films Tatiana Szurlej The article presents the social background, which helped Bollywood film industry to develop the so-called “item numbers”, replace them by “dream sequences”, and come back to the “item number” formula again. The songs performed by the film vamp or the character, who takes no part in the story, the musical interludes, which replaced the first way to show on the screen all elements which are theoretically banned, and the guest appearances of film stars on the screen are a very clever ways to fight all the prohibitions imposed by Indian censors. Censors found that film censorship was necessary, because the film as a medium is much more popular than literature or theater, and therefore has an impact on all people. Indeed, the viewers perceive the screen story as the world around them, so it becomes easy for them to accept the screen reality and move it to everyday life. That’s why the movie, despite the fact that even the very process of its creation is much more conventional than, for example, the theater performance, seems to be much more “real” to the audience than any story shown on the stage. Therefore, despite the fact that one of the most dangerous elements on which Indian censorship seems to be extremely sensitive is eroticism, this is also the most desired part of cinema. Moreover, filmmakers, who are tightly constrained, need at the same time to provide pleasure to the audience to get the invested money back, so they invented various tricks by which they manage to bypass censorship. -
Dialogo Oriente-Occidente
DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 5 de julio a las 20:00 h Proyección de la película Mr. India de Shekhar Kapur (1987. India. Subt. en inglés) Película presentada por Shekhar Kapur Lugar: Salón de Actos del Museo Patio Herreriano (Entrada libre hasta completar aforo) 6 de Julio a las 11:30 h Mesa redonda sobre Diálogo Oriente-Occidente Shekhar Kapur. Director de cine, India. Siddhartha. Periodista y activista social, India. Peter Pandimakil. Agustino. Profesor de USP Ottawa y Estudio Agustiniano Valladolid. Oscar Pujol. Indólogo. Director de Programas Educativos de Casa Asia, Barcelona. Moderador: Guillermo Rodríguez Martín. Director ejecutivo de la Casa de la India Lugar: Aula Triste del Palacio Santa Cruz (Entrada libre hasta completar aforo) Organizan: Colaboran: DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 PRESENTACIÓN: Durante los días 1-3 de julio el Forum Barcelona 2004 celebra dentro de la sección “Diálogos” del Forum el Diálogo Oriente-Occidente, un encuentro abierto con personalidades invitadas de todo el mundo para debatir sobre el diálogo intercultural en la sociedad actual. Casa Asia de Barcelona, organizador del Diálogo Oriente- Occidente, y el Forum Barcelona 2004, le han brindado a la Casa de la India de Valladolid la posibilidad de formar parte de este proceso con la organización de unas actividades en las que participan algunos de los protagonistas de este Diálogo. El Diálogo Oriente – Occidente, cuyo antecedente está en la resolución de Naciones Unidas para promover El Diálogo entre Civilizaciones, pretende impulsar un foro de discusión y análisis sobre el papel que tienen los intercambios entre civilizaciones de Oriente y Occidente. -
Addressing the Queen: Costumes and Elizabeth I in Film
ADDRESSING THE QUEEN: COSTUMES AND ELIZABETH I IN FILM by LISA WARD BOLDING Under the Direction of Frances Teague ABSTRACT This work focuses on how costumes convey meaning about Queen Elizabeth I in her biopics. First, I will examine the queen’s costume in the final scene of Shekhar Kapur’s 1998 film Elizabeth as a response to the heritage film debate. By conflating two famous portrait gowns, Kapur plays upon the audience’s visual expectations of historical film, thereby separating his film from those that had been criticized as “heritage films.” After using Elizabeth to complicate questions of genre, I will turn to Henry Koster’s 1955 film The Virgin Queen in order to examine how Elizabeth’s costumes depict her as a frustrated, passive figure juxtaposed against Sir Walter Raleigh, who actively fashions his identity by choosing his own clothing. INDEX WORDS: Queen Elizabeth I, Cate Blanchett, Bette Davis, Shekhar Kapur, Henry Koster, costumes, historical film, heritage film, national identity, British national identity, royal portraits, iconography ADDRESSING THE QUEEN: COSTUMES AND ELIZABETH I IN FILM by LISA WARD BOLDING B.A., Wofford College, 2001 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF ARTS ATHENS, GEORGIA 2005 © 2005 Lisa Ward Bolding All Rights Reserved ADDRESSING THE QUEEN: COSTUMES AND ELIZABETH I IN FILM by LISA WARD BOLDING Major Professor: Frances Teague Committee: Christy Desmet Hugh Ruppersburg Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia December 2005 DEDICATION To Mom and Nana, for all your generous gifts; my love of stories comes from you. -
DOWNLOAD Sample Pages
Sample Pages from Created by Teachers for Teachers and Students Thanks for checking us out. Please call us at 800-858-7339 with questions or feedback, or to order this product. You can also order this product online at www.tcmpub.com. For correlations to State Standards, please visit www.tcmpub.com/administrators/correlations 800-858-7339 • www.tcmpub.com Immigration Teacher’s Guide Teacher’s Exploring Primary Sources Immigration Teacher's Guide Table of ContentsTable Introduction Why Are Primary Sources Important? 4 Research on Using Primary Sources 6 Analyzing Primary Sources with Students 11 Components of This Resource 15 How to Use This Resource 18 Standards Correlation 23 Creating Strong Questions 28 Primary Source Card Activities Statue of Liberty 31 Mulberry Street in New York City 35 Immigrants on the SS Amerika 39 Registry Hall in Ellis Island 43 Angel Island 47 Eastern European Immigrant Family 51 Mediterranean Immigrants 55 Mexican Immigration 59 Primary Source Reproduction Activities Emigrants of the Globe 63 Looking Backward 69 Inspection Card 75 Ship’s Manifest 81 Naturalization Paper 87 Chinese Labor Application for Return Certificate 93 Mexican Border Immigration Manifest 99 This Is America 105 Culminating Activities Project-Based Learning Activity 111 Document-Based Questions 114 Making Connections Technology Connections 119 Young-Adult Literature Connections 122 Appendix References Cited 123 Answer Key 124 Digital Resources 128 © | Teacher Created Materials 111318—Exploring Primary Sources: Immigration 3 Why Are Primary -
American Geographical Society
American Geographical Society From Exclusionary Covenant to Ethnic Hyperdiversity in Jackson Heights, Queens Author(s): Ines M. Miyares Source: Geographical Review, Vol. 94, No. 4 (Oct., 2004), pp. 462-483 Published by: American Geographical Society Stable URL: http://www.jstor.org/stable/30034291 Accessed: 15-06-2015 21:01 UTC Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. American Geographical Society is collaborating with JSTOR to digitize, preserve and extend access to Geographical Review. http://www.jstor.org This content downloaded from 146.96.145.15 on Mon, 15 Jun 2015 21:01:32 UTC All use subject to JSTOR Terms and Conditions FROMEXCLUSIONARY COVENANT TO ETHNIC HYPERDIVERSITYIN JACKSONHEIGHTS, QUEENS* INES M. MIYARES ABSTRACT. When EdwardMacDougall of the QueensboroRealty Company originally envi- sioned and developed JacksonHeights in Queens, New Yorkin the earlytwentieth century, he intended it to be an exclusivesuburban community for white, nonimmigrantProtestants within a close commute of Midtown Manhattan.He could not have anticipated the 1929 stock marketcrash, the subsequentreal estate marketcollapse, or the changein immigration policies and patternsafter the 1950s. This case study examineshow housing and public trans- portation infrastructureintended to prevent ethnic diversitylaid the foundation for one of the most diversemiddle-class immigrant neighborhoods in the United States.Keywords: im- migrantneighborhoods, New YorkCity, public transportation,Queens. -
The Future of India's Entertainment Industry
EMBRACING NONLINEARITY: THE FUTURE OF INDIA’S ENTERTAINMENT INDUSTRY November 2020 | No. 005 1 AUTHORS SHEKHAR KAPUR VANI TRIPATHI TIKOO IS AN AWARD-WINNING FILMMAKER AND IS A CREATIVE PROFESSIONAL, AN ACTOR, CHAIRMAN OF THE FILM AND TELEVISION PRODUCER AND MEMBER, CENTRAL BOARD INSTITUTE OF INDIA OF FILM CERTIFICATION. AKSHAT AGARWAL VIVAN SHARAN IS A LAWYER . IS ADVISOR, ESYA CENTRE. DESIGN : ILLUSTRATIONS BY TANIYA O’CONNOR, DESIGN BY DRISHTI KHOKHAR THE ESYA CENTRE IS A NEW DELHI BASED THINK TANK. THE CENTRE’S MISSION IS TO GENERATE EMPIRICAL RESEARCH AND INFORM THOUGHT LEADERSHIP TO CATALYSE NEW POLICY CONSTRUCTS FOR THE FUTURE. IT AIMS TO BUILD INSTITUTIONAL CAPACITIES FOR GENERATING IDEAS THAT WILL CONNECT THE TRIAD OF PEOPLE, INNOVATION AND VALUE, TO HELP REIMAGINE THE PUBLIC POLICY DISCOURSE IN INDIA. MORE DETAILS CAN BE FOUND AT WWW.ESYACENTRE.ORG 2 TABLE OF CONTENTS SUMMARY / 5 THE NEW MEDIA / 7 OTT – A MEANS AND NOT AN END / 8 I. THE OTT EFFECT / 9 II. UNLEASHING CREATIVE EXPRESSION / 9 III. EXPANSION OF CHOICE / 10 IV. HYPER-PERSONALIZED ENTERTAINMENT / 12 V. OPPORTUNITIES FOR FUTURE GROWTH / 12 THE FUTURE OF STORYTELLING / 15 I. ARTIFICIAL INTELLIGENCE / 15 II. GAMING / 17 III. VIRTUAL AND AUGMENTED REALITY / 18 LEVERAGING OUR STRENGTHS / 21 I. OUR CULTURE / 21 II. OUR PEOPLE / 22 III. OUR CREATIVE INDUSTRIES / 23 ENABLING ESSENTIAL TRANSFORMATIONS / 27 I. CREATIVE FREEDOM / 27 II. UNLEASHING VALUE THROUGH HARDWARE LOCALISATION / 27 III. PRINCIPLE BASED REGULATION: LEVELLING THE PLAYING FIELD BETWEEN CREATIVE INDUSTRIES / 28 NOTES / 29 3 4 SUMMARY India’s media and entertainment industries have always We examine the factors that can make India a dominant been an important part of our national story.