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DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 5 de julio a las 20:00 h Proyección de la película Mr. India de Shekhar Kapur (1987. India. Subt. en inglés) Película presentada por Shekhar Kapur Lugar: Salón de Actos del Museo Patio Herreriano (Entrada libre hasta completar aforo) 6 de Julio a las 11:30 h Mesa redonda sobre Diálogo Oriente-Occidente Shekhar Kapur. Director de cine, India. Siddhartha. Periodista y activista social, India. Peter Pandimakil. Agustino. Profesor de USP Ottawa y Estudio Agustiniano Valladolid. Oscar Pujol. Indólogo. Director de Programas Educativos de Casa Asia, Barcelona. Moderador: Guillermo Rodríguez Martín. Director ejecutivo de la Casa de la India Lugar: Aula Triste del Palacio Santa Cruz (Entrada libre hasta completar aforo) Organizan: Colaboran: DIALOGO ORIENTE-OCCIDENTE: CULTURAS, RELIGIÓN Y SECULARISMO Valladolid, 5 y 6 de julio 2004 PRESENTACIÓN: Durante los días 1-3 de julio el Forum Barcelona 2004 celebra dentro de la sección “Diálogos” del Forum el Diálogo Oriente-Occidente, un encuentro abierto con personalidades invitadas de todo el mundo para debatir sobre el diálogo intercultural en la sociedad actual. Casa Asia de Barcelona, organizador del Diálogo Oriente- Occidente, y el Forum Barcelona 2004, le han brindado a la Casa de la India de Valladolid la posibilidad de formar parte de este proceso con la organización de unas actividades en las que participan algunos de los protagonistas de este Diálogo. El Diálogo Oriente – Occidente, cuyo antecedente está en la resolución de Naciones Unidas para promover El Diálogo entre Civilizaciones, pretende impulsar un foro de discusión y análisis sobre el papel que tienen los intercambios entre civilizaciones de Oriente y Occidente. El principal objetivo de esta iniciativa se centra en promover el desarrollo sostenible, las relaciones internacionales y la paz, así como involucrar a los dirigentes políticos, académicos, intelectuales, artistas, ONG y gobiernos en la promoción de este diálogo. El Diálogo Oriente – Occidente quiere servir de plataforma para favorecer la prevención de conflictos políticos, económicos o sociales tanto internacionales, como nacionales y locales, minimizar los prejuicios y la desconfianza, y favorecer el entendimiento mutuo, la tolerancia y el diálogo, a través de un activo intercambio de ideas, visiones y aspiraciones comunes. EAST-WEST DIALOGUE: CULTURES, RELIGION AND SECULARISM Valladolid, 5 - 6 de Juy 2004 PROVISIONAL PROGRAMME 5 JULY Venue: Salón de Actos del Museo Patio Herreriano (Contemporary Art Museum of Valladolid) 20:00 h Welcome address and presentation Ms. Angeles Porres Ortun, Councillor for Culture, City Council of Valladolid Mr. Shekhar Kapur, cinema director Ms. Teresa Velázquez Cortés, director of the Museo Patio Herreriano (Contemporary Art Museum) Mr. Guillermo Rodríguez, Executive director of Casa de la India Order of speakers: 1. Teresa Velásquez Cortés gives the welcome address 2. Angeles Porres: presents the event within the framework of Casa de la India´s collaboration with other institutions (Casa Asia, Forum2004 etc.) 3. Guillermo Rodríguez introduces Shekhar Kapur 4. Shekhar Kapur introduces the film Mr. India 20:15 h Screening of the film Mr. India directed by Shekhar Kapoor (1987. India, 167 min.) 21:00 h Dinner (informal) 6 JULY Venue: Aula Triste del Palacio Santa Cruz, University of Valladolid 11:30 h: Inauguration and welcome address Welcome address: Jesús María Sanz Serna, Vice-chancellor of the University of Valladolid 11:45 h: Round table on East-West Dialogue: Cultures, religion and secularism Moderator: Guillermo Rodríguez Martín, Executive director of Casa de la India Speakers: Oscar Pujol. Indologist. Director of Educational Programmes, Casa Asia, Barcelona. Siddhartha. Journalist and social activist, India. Shekhar Kapur. Cinema Director, India. Peter Pandimakil. Professor, USP Ottawa and Estudio Agustininano Valladolid. (After introductions each speaker will talk for about 15 minutes in the first round and again, optionally, for 5minutes in a second round. Hereafter the audience may ask questions to the participants): 14:30 h: Lunch (formal) Organizan: Colaboran: CURRÍCULOS de los participantes en la mesa redonda “El Dialogo Oriente Occidente: Culturas, Religión y Secularismo”: SHEKHAR KAPUR Cineasta. Nació en Lahore (hoy situado en Pakistán) en 1945. Pasó su juventud en la India hasta que viajó a Inglaterra en 1970. Aunque trabajó en un principio como censor jurado pronto se interesó por el cine y la fotografía. Empezó en el mundo del cine como actor aceptando papeles secundarios en varias películas para pasar a ser pronto actor principal, cámara, asistente de director y director. También trabajó como presentador en el “talk-show” de televisión “On the other Hand” de Channel 4, y como productor de anuncios de televisión. Regresó a la India para trabajar como actor en varias películas. Con el largometraje Masoom (“El Inocente”) se presentó al público de la India como director de películas comerciales en 1985. El éxito de Masoom, película al estilo “Bollywood” (la industria de cine comercial de Bombay) le convirtió en uno de los directores de cine en lengua Hindi más venerados. Cuatro años después dirigió la película de fantasía Mr. India que llego a ser uno de los éxitos taquilleros más importantes en la India de la década de los ochenta y que se ha convertido en un clásico de Bollywood. Tanto Masoom como Mr. India recibieron numerosos premios en la India. Shekhar Kapoor, veterano de “Bollywood”, fue uno de los primeros directores de la India que irrumpieron en la escena cinematográfica mundial. En principio, llamó la atención internacional con su tercer film, el controvertido y elogiado Bandit Queen (La Reina de los Bandidos, 1994), que narraba la historia de una mujer de baja casta que se convierte en bandida para vengar un crimen. El film estaba basado en una historia real, la de Phoolan Devi, quien se convirtió en miembro del parlamento indio. La película fue presentada en el Festival de Cannes y obtuvo el éxito crítico necesario para lograr la distribución en el mercado europeo. Bandit Queen también fue seleccionada por la revista Time como una de las 10 mejores películas del año. Pero Shekhar Kapur se dio a conocer al gran público en los Estados Unidos varios años más tarde, en 1998, al dirigir el exitoso film británico Elizabeth basado en la vida de la reina Elizabeth I de Inglaterra. Elizabeth fue premiado con un Oscar y (nominada a 7 Oscar) y ganó el Globo de Oro a la mejor actriz (Cate Blanchet). Su siguiente incursión en la industria cinematográfica de Hollywood, la producción americana The Four Feathers (Las Cuatro Plumas) estrenada en 2002, no obtuvo el mismo éxito de público, quizás por el anti-colonialismo que subyace a la película y que no encajó bien en los EEUU después del 11 de septiembre Entre los proyectos futuros de Kapur se encuentra Long Walk to Freedom, un film sobre Nelson Mandela con Morgan Freeman como protagonista, y la película Pani (Agua) que producirá Barrie Osborne uno de los productores de Hollywood más exitosos del momento (Matrix, El Señor de los Anillos). Esta película, que contará de nuevo con un importante presupuesto (20 millones de dólares), es un proyecto novedoso pues se rodará en dos versiones (en inglés y lengua Hindi) con actores de la India y equipo técnico de Hollywood. Será un filme con tema futurista que contará, en clave de Romeo y Julieta, los enfrentamientos de dos familias de mafiosos que se disputan el tesoro más preciado: el agua. Filmografía de Shekhar Kapur (resumen): 1. Director de largometrajes Long Walk to Freedom (2004) (en producción) Fearless Nadia (2004) (en producción) Paani (Agua, 2004) (USA, en producción) The Four Feathers (Las Cuatro Plumas, 2002) (USA) Elizabeth (1998) (Gran Bretaña, ganadora de un Oscar y el Globo de Oro a la mejor actriz)) Bandit Queen (La Reina de los Bandidos, 1994) (India) Mr. India (1987) (India) Masoom (1983) (India) 2. Actor Hum Saath-Saath Hain: We Stand United (1999) Saatwan Aasman (1992) Nazar (1991) Drishti (1990) Gawahi (1989) Falak (1988) Bindiya Chamkegi (1984) Jeena Yahan (1979) Toote Khilone (1978) Jaan Hazir Hai (1975) Ishq Ishq Ishq (1974) 3. Productor The Guru (2002) Dil Se (1998) SIDDHARTHA Siddhartha es escritor, periodista y activista social. Publica regularmente artículos sobre temas ecológicos, sociales y culturales en importantes periódicos y revistas internacionales y de la India. En 2003 se editó en París su libro Lettres du Ganges (editorial L´Aube), una recopilación de sus mejores ensayos escritos hasta el momento. Recientemente ha salido a la venta otro de sus libros escrito en inglés, The Birdwoman (Editorial Dronequill). Siddhartha es uno de los principales coordinadores de la Red Internacional “The Transforming Word”, formado por un colectivo de periodistas de todo el mundo que reivindican un mundo más ecológico y cultural. Siddhartha estudió la carrera de Derecho en la India y de Sociología en Paris. Ha impartido conferencias sobre ecología y desarrollo sostenible por todo el mundo, así como cursos como profesor invitado en importantes universidades de Estados Unidos, Europa y de la India, entre las que destacan la Universidad de Massachussettes, Ramapo College en Nueva Jersey. También ha participado en el Cultural Studies Course en Dublín, donde ha sido profesor invitado de “Educación Alternativa” durante más de diez años. Desde hace dos años visita regularmente a la Universidad de la Naciones Unidas en Tokyo como profesor y conferenciante. Siddhartha ha sido el coordinador internacional de INODEP, París, un centro sobre Educación Alternativa fundado por Paulo Freire y el director para Asia de la red Alliance for a United, Plural and Responsble World. Actualmente es miembro de ACFOD (Asian Cultural Forum for Development), una de las organizaciones de carácter ecológico y social más antiguas y relevantes de Asia. Es también miembro fundador del South-North Network cuya base se encuentra en Bruselas.
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  • The Future of India's Entertainment Industry

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    EMBRACING NONLINEARITY: THE FUTURE OF INDIA’S ENTERTAINMENT INDUSTRY November 2020 | No. 005 1 AUTHORS SHEKHAR KAPUR VANI TRIPATHI TIKOO IS AN AWARD-WINNING FILMMAKER AND IS A CREATIVE PROFESSIONAL, AN ACTOR, CHAIRMAN OF THE FILM AND TELEVISION PRODUCER AND MEMBER, CENTRAL BOARD INSTITUTE OF INDIA OF FILM CERTIFICATION. AKSHAT AGARWAL VIVAN SHARAN IS A LAWYER . IS ADVISOR, ESYA CENTRE. DESIGN : ILLUSTRATIONS BY TANIYA O’CONNOR, DESIGN BY DRISHTI KHOKHAR THE ESYA CENTRE IS A NEW DELHI BASED THINK TANK. THE CENTRE’S MISSION IS TO GENERATE EMPIRICAL RESEARCH AND INFORM THOUGHT LEADERSHIP TO CATALYSE NEW POLICY CONSTRUCTS FOR THE FUTURE. IT AIMS TO BUILD INSTITUTIONAL CAPACITIES FOR GENERATING IDEAS THAT WILL CONNECT THE TRIAD OF PEOPLE, INNOVATION AND VALUE, TO HELP REIMAGINE THE PUBLIC POLICY DISCOURSE IN INDIA. MORE DETAILS CAN BE FOUND AT WWW.ESYACENTRE.ORG 2 TABLE OF CONTENTS SUMMARY / 5 THE NEW MEDIA / 7 OTT – A MEANS AND NOT AN END / 8 I. THE OTT EFFECT / 9 II. UNLEASHING CREATIVE EXPRESSION / 9 III. EXPANSION OF CHOICE / 10 IV. HYPER-PERSONALIZED ENTERTAINMENT / 12 V. OPPORTUNITIES FOR FUTURE GROWTH / 12 THE FUTURE OF STORYTELLING / 15 I. ARTIFICIAL INTELLIGENCE / 15 II. GAMING / 17 III. VIRTUAL AND AUGMENTED REALITY / 18 LEVERAGING OUR STRENGTHS / 21 I. OUR CULTURE / 21 II. OUR PEOPLE / 22 III. OUR CREATIVE INDUSTRIES / 23 ENABLING ESSENTIAL TRANSFORMATIONS / 27 I. CREATIVE FREEDOM / 27 II. UNLEASHING VALUE THROUGH HARDWARE LOCALISATION / 27 III. PRINCIPLE BASED REGULATION: LEVELLING THE PLAYING FIELD BETWEEN CREATIVE INDUSTRIES / 28 NOTES / 29 3 4 SUMMARY India’s media and entertainment industries have always We examine the factors that can make India a dominant been an important part of our national story.
  • Drishti Hindi Movie Free Download

    Drishti Hindi Movie Free Download

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  • Political Education in Plural Societies: Using the Anti-Bias Approach to Challenge Oppression in Bombay and Berlin

    Political Education in Plural Societies: Using the Anti-Bias Approach to Challenge Oppression in Bombay and Berlin

    Dissertation zur Erlangung des akademischen Grades einer Doktorin der Wirtschafts- und Sozialwissenschaften (Dr. rer. pol.) an der Universität Kassel im FB05 Gesellschaftswissenschaften mit dem Thema POLITICAL EDUCATION IN PLURAL SOCIETIES: USING THE ANTI-BIAS APPROACH TO CHALLENGE OPPRESSION IN BOMBAY AND BERLIN vorgelegt von Rubaica Jaliwala Tag der mündlichen Prüfung: 05.07.2012 Erstgutachter: PD Dr. Aram Ziai Zweitgutachter: Prof. Dr. Helen Schwenken Abstract This study addresses the effectivity of the Anti-Bias approach and training methodology as a pedagogical political strategy to challenge oppression among student groups in the cities of Bombay and Berlin. The Anti-Bias trainings conducted within the framework of this study also become the medium through which the perpetuation of oppressive structures by students within and outside the school is investigated. Empirical data from predominantly qualitative investigations in four secondary schools, two each in Bombay and Berlin, is studied and analysed on the basis of theoretical understandings of prejudice, discrimination and identity. This study builds on insights offered by previous research on prejudices and evaluations of anti-bias and diversity interventions, where the lack of sufficient research and thorough evaluations testing impact has been identified (Levy Paluck, 2006). The theoretical framework suggests that prejudices and discriminatory practices are learnt and performed by individuals over the years by way of pre-existing discourses, and that behaviour and practices can be unlearnt through a multi-step process. It proposes that the discursive practices of students contribute to the constitution of their viable selves and in the constitution of ‘others’. Drawing on this framework, the study demonstrates how student-subjects in Bombay and Berlin perpetuate oppressive discourses by performing their identities and performing identities onto ‘others’.