UC Berkeley UC Berkeley Previously Published Works Title William Morris: The Modern Self, Art, and Politics Permalink https://escholarship.org/uc/item/9hq08668 Journal History of European Ideas, 24 Author Bevir, Mark Publication Date 1998 Peer reviewed eScholarship.org Powered by the California Digital Library University of California WILLIAM MORRIS: THE MODERN SELF, ART, AND POLITICS By Mark Bevir Department of Politics University of Newcastle Newcastle upon Tyne NE1 7RU U.K. [Email:
[email protected]] 2 ABSTRACT A concern to pin ideological labels on Morris has obscured the continuing importance of romanticism and Protestantism for his socialist politics. Romanticism led him to seek self-realisation in an art based on naturalness and harmony, and Protestantism led him to do so in the everyday worlds of work and domestic life. From Ruskin, he took a sociology linking the quality of art to the extent of such self- realisation in daily life. Even after he turned to Marxism, he still defined his socialist vision in terms of good art produced and enjoyed within daily life. Moreover, his over-riding concern to promote a new spirit of art, not his dislike of Hyndman, led him to a purist politics, that is, to look with suspicion on almost all forms of political action. 2 3 WILLIAM MORRIS: THE MODERN SELF, ART, AND POLITICS Keywords: Morris, Socialism, Art, Self, Romanticism, Protestantism I William Morris, 1834-98, is best known as a poet and designer who inspired the Arts and Crafts Movement. But he was also an important socialist and utopian theorist, arguably the most influential, and surely the most inspirational, writer on the left in Britain.