THE GOLDEN STAIRCASE Poems and Verses for Children

Total Page:16

File Type:pdf, Size:1020Kb

THE GOLDEN STAIRCASE Poems and Verses for Children "W j / .1 j^&ZUULfl '-- I , f \ I : IW\STHEGIANTqKEATAND5TlLL J Ul THAT5ITS UPON l>iE PILLOW-HILL.^ **- Jri_> %1 _ _____ .^ THE GOLDEN STAIRCASE Poems and Verses for Children CHOSEN BY LOUEY CHISHOLM WITH PICTURES BY M. DIBDIN SPOOLER NEW YORK G. P. PUTNAM'S SONS LONDON : T. C. & E. C. JACK TO BEATRICE BIRNIE SINCLAIR AND PHILIP MACKWORTH CO X 00 PREFACE MY apology for venturing to rush in where even poets have trod with but a measure of success must be that compilers of existing anthologies have had, it seems to me, a more intimate acquaintance with poetry than with the boys and girls for whom their selections have been made. If you talk to a child, you will find that an insight into the working of his little mind, an appreciation of his likes and dislikes, will stand you in better stead than a profound knowledge of your subject. Write, edit or compile a children's book, and again the same holds true. The first qualification for the task is love and knowledge of the little readers. But time alone can justify the publication of The Golden Staircase. When well-worn copies are found on nurseiry or schoolroom bookshelf, then only shall I feel that I have vindicated my right to compile an anthology for children. My ultimate object is to guide boys and girls to those harvest-fields of poetry in which they may wander at large, but primarily the book has been planned with a view to their enjoyment by the way. The Golden Staircase has two hundred steps. If a child begins to climb when he is four years old, and climbs twenty steps each year, on his fourteenth birth- day he will reach the top. Behind him will descend Til viii THE GOLDEN STAIRCASE the staircase from which he has caught glimpses of the merriment and beauty and heroism beyond ; before him will stretch those Elysian fields through which his feet have been prepared to roam. Following the two hundred poems and verses of The Golden Staircase are twenty Cradle Songs, which seem to me well within the limits of a little girl's appre- ciation; and the book ends with a selection of forty Carols, Hymns and Sacred Verses which I hope will appeal to boys and girls alike. The kindness of authors or their friends, and of publishers, who have allowed me to include copyright poems, I acknowledge below, and to the many who have given this permission with amazing generosity I would tender especial thanks. I hope there may not be, inadvertently, any omission from the list. Those who have suggested or remonstrated, and those who have copied verses, are too numerous to thank in other than general terms, but I am con- strained to mention Miss Mary Steedman and the Rev. B. R. Wilson also Miss with- W. ; Amy Steedman, out whose unfailing help and interest The Golden Staircase would still have been in the making. LOUEY CHISHOLM. EDINBURGH. PREFACE ix Thanks for the inclusion of copyright poems are due to Mrs. Allingham, for The Fairies and Robin Redbreast, by William for the Allinghain ; Miss Alma-Tadema, A Blessing for Blessed, Snow- Little drops, Frost, The Robin, Girls, and A Lullaby ; Messrs. D. Appleton and Co., New York, for Robert of Lincoln, by William Cullen Bryant; for Rev. S. Baring-Gould, The Olive Tree ; Canon Beeching, for a verse J. for from A Boy's Prayer ; Mr. J. Bell, The Choice, The Lights, On the for Quay, The Ships ; Mr. Robert Bridges, Gay Robin and First Spring Morning ; Miss Abbie Farwell Brown, for A Lost Playmate ; Miss Kate for in the Bunce, The Imps Heavenly Meadow ; Messrs. Chatto and for Windus, Baby, by George Macdonald ; Mrs. Cochran (Sydney Dayre) and the Editor of St. Nicholas, for A Lesson for Mamma; Messrs. E. P. Button and Co., for The Child of Bethlehem, by Phillips Brooks; Mrs. Eden and Mrs. Ward, for Big Smith, by Juliana H. Ewing ; Messrs. C. W. Faulkner and Co., for The Cats' Tea-Party, by F. E. Weatherley; Mr. Norman Gale, for The Fairy Book, Bartholomew, and The Bad Boy ; Mr. A. H. P. Graves and the Editor of St. Nicholas, for An Irish Mr. Guthrie and Messrs. Lullaby ; Anstey (F. Anstey) Bradbury, Agnew ' ' and Co., for The Steamship Puffin ; Mrs. Hawkins, for Kind Shepherd ; Mrs. Henley, for England, my England, by W. E. Henley ; Miss Elsie of St. for a Hill and the Editor Nicholas, When Polly buys Hat ; Messrs. Houghton, Mifflin and Co., Boston, for The Enchanted Shirt, by John in J. R. Even- Hay ; A Day June and A Christmas Carol, by Lowell ; Celia tide, by Caroline Mason ; The Sandpiper, by Thaxter ; Barbara J. for Frietchie, by G. Whittier ; Mrs. Harriet Jay, Langley Lane and The Green Gnome, by Robert Buchanan ; Mr. Rudyard Kipling (Messrs. Doubleday, Page and Co., and Messrs. Scribner), for The CameVs Hump the for and Shiv and Grasshopper ; Mr. John Lane, The Rock-a-by Lady ; Little Field for Wynken, Blynken, and Nod and Boy Blue, by Eugene ; le for A Child's Evensong, from English Poems, by Richard Gallienne ; Harold and Alice ; Great, Wide, Beautiful World; The Wind Whistled Loud, and A Pedlar's Caravan, from Lilliput Lyrics, by W. B. Rands ; and for The World's Music and Jack Frost, from The Child's World, by Charles Scribner's Gabriel Setoun ; Messrs. Longmans, Green and Co., and Sons, New York, for six poems from A Child's Garden of Verse, by R. L. Stevenson ; Messrs. Macmillan, for A Christmas Carol, by Christina Rossetti, and for The Loss of the Birkenhead, by Francis Doyle ; Mr. Meynell, for Ex Ore Infantium, by Francis Thompson ; Mr. Henry New- bolt, for Vitai Lampada and Admirals All, from The Island Race; Moira O'Neill, for Johneen, from Songs of the Glens of Antrim (Black- Miss for Child's Francis wood and Sons) ; Palgrave, A Prayer, by Palgrave ; Judge Parry, for verses from Katawampus ; Mrs. William Sharp, for The Bird of Christ, Hushing Song, and The Moon-Child, by Fiona Macleod ; Messrs. Charles Scribner's Sons, New York, for One, Two, Three, by H. C. Bunner, from The Poems of H. C. Bunner (copy- Scribner's for right, 1884, 1892, 1896, 1899, by Charles Sons) ; Wynken, Blynken and Nod and Little Boy Blue, by Eugene Field, from A Little Book of Western Verse (copyright, 1889, by Eugene Field ; published by Scribner's for and The Three Charles Sons) ; Christmas Eve, Kings of Cologne, by Eugene Field, from Second Book of Verse (copyright, 1889, by Julia Sutherland Field, published by Charles Scribner's Sons); for The Rock-a-by Lady, by Eugene Field, from Love-Songs of Childhood (copy- right, 1894, by Eugene Field, published by Charles Scribner's Sons); Messrs. Small, Maynard and Co., for Whitman's Captain, My Captain; Rev. C. M. Steedman, for St. Molios in Arran ; Mrs. Tynan-Hinkson, for Modereen Rue and Chanticleer; Messrs. Frederick Warne and Co., for The Jumblies, by Edward Lear; and it was by the late Mrs. Chesson (Nora Hopper) that leave was given to include The Blackbird. CONTENTS THE ROBIN ...... 1 BED IN SUMMER ...... 1 MY GARDEN ...... 2 THE LOST PLAYMATE ..... 2 THE LAMPLIGHTER ..... 3 THE STAR ....... 4 THE LAND OF COUNTERPANE .... 4 THE LITTLE FISH THAT WOULD NOT DO AS IT WAS BID . 6 WHO STOLE THE BIRD'S NEST .... 6 GOOD-NIGHT AND GOOD-MORNING .... 8 THB LITTLE MAIDEN AND THE LITTLB BIRD . 9 THE Oow ....... 10 THE Oow ....... 10 I'M A MERRY, MERRY SQUIRREL .... 11 THE OATS' TEA-PARTY ..... 12 THE BIRD'S NEST ...... 13 THE MOUSE AND THE CAKE .... 13 THE STORY OF LITTLE SUCK-A-THUMB ... 15 MY SHADOW ...... 16 KINDNESS TO ANIMALS ..... 16 FROST ..... .17 DIRTY JIM ....... 17 THE DEATH OF MASTER TOMMY ROOK . 18 HOW DOTH THE LITTLE BUSY BEE , . 21 MR. NOBODY ...... 21 I WOULD LIKE YOU FOR A COMRADE ... 22 THK STORY OF AUGUSTUS WHO WOULD NOT HAVE ANY SOUP 23 THE PIN .... 24 xi xii THE GOLDEN STAIRCASE FAOr EARLY RISING ...... 25 PATER'S BATHE ...... 26 HIDING ....... 26 MEDDLESOME MATTY ..... 27 Bio SMITH. .... 29 WYNKEN, BLYNKEN, AND NOJU .... 31 THE PEDLAR'S CARAVAN ..... 32 THE DREADFUL STORY ABOUT HARRIET AND THB MATCHES ...... 33 OF 35 THE COMING SPRING . .... THE LITTLE LARK ...... 36 CHOOSING A NAMR ..... 37 THE FAIRY BOOK ... 38 WHAT BECAME OF THEM .... 39 JEMIMA ....... 39 SNOWDROPS ...... 40 LITTLE GIRLS ...... 41 A BOY'S ASPIRATIONS ..... 41 LET DOGS DELIGHT TO BARK AND BITE ... 43 A CHRISTMAS VISITOR ..... 43 THE LOST DOLL ...... 44 THE JTTMBLIES ...... 45 MY KINGDOM ...... 47 THE SPIDER AND THE FLY .... 48 THE Cow AND THE Ass ..... 51 THE PET LAMB ...... 52 HAROLD AND ALICE ; OR, THH REFORMED GIANT . 55 THE MILLER OF THE DEE .... 60 THE LARK AND THE ROOK .... 61 THE LAMB ....... 62 THE BEAR'S SONG ...... 63 A GRACE FOR A CHILD . ... 64 LADY MOON ...... 64 SEVEN TIMES ONE ..... 65 TRY AGAIN ...... 66 A LESSON FOR MAMM^ 68 CONTENTS xiii FAOI J. , To H. , t ,70 A NIGHT WITH A WOLF ..... 71 HOME FOB THE HOLIDAYS ... 72 JACK FROST ...... 73 ROBERT OF LINCOLN ..... 74 THE SPARROW'S NEST ..... 77 THE GREY SQUIRRELS ..... 78 THE VILLAGE BLACKSMITH .... 80 QUEEN MAS 4 . , . 82 THE CAMEL'S HUMP , , , . 83 THE BAD BOY . ... , ,84 THE FAIRIES ...*,. 86 THE SLUGGARD ...... 87 THE WIND IN A FROLIC , 88 ROBIN REDBREAST , , . 90 THE SEA-GULL . 91 MY HEART 's IN THE HIGHLANDS .... 93 WHEN POLLY BUYS A HAT . ... 94 THE WORLD'S . Music , ... 95 ONE, Two, THREE . 97 THE BABES IN THE WOOD > , , , 98 A BOY'S SONG .....
Recommended publications
  • CHS 57 Philemon
    Sermon #3103 Metropolitan Tabernacle Pulpit 1 A PASTORAL VISIT NO. 3103 A SERMON PUBLISHED ON THURSDAY, JULY 30, 1908. DELIVERED BY C. H. SPURGEON, AT THE METROPOLITAN TABERNACLE, NEWINGTON. “The Church in your house.” Philemon 1:2. SOME interpreters have supposed that a small congregation met for worship in a room in Philemon’s house and there is a tradition that such was the case for some considerable time. The Churches established by Paul were, at their commencement, for the most part small. Obliged—for the sake of peace and to avoid persecution—to meet in out of-the-way places where they were not likely to be seen by foes, the retired house of some well-known friend, perhaps that of the minister, if it had a room conveniently large, would be the natural place for Believers to gather together in those early Churches. Philemon, therefore, might literally have had a Church in his house and a congregation might have gathered there. It strikes me that there would be a great deal of good done if persons who have large rooms in their houses would endeavor to get together little congregations. There are many, even of our poorer friends, who live in neighborhoods of London destitute of the means of Grace, who might promote a great blessing if they occasionally opened their houses for a Prayer Meeting or religious assembly. We need no consecrated places for the worship of God— “Wherever we seek Him, He is found, And every place is hallowed ground.” Certainly our text does not give any countenance to the calling of certain buildings “Churches.” Buildings for worship, whether erected by Episcopalians or Dissenters, are frequently called “Churches.” If I ask for “the church” in any town, I am forthwith directed to an edifice, probably with a spire or a steeple, which the inhabitants call “the church.” Why, they might as well point me to a signpost when I asked for a man—a building cannot be a Church! A Church is an assembly of faithful men and it cannot be anything else.
    [Show full text]
  • Dante Gabriel Rossetti - Poems
    Classic Poetry Series Dante Gabriel Rossetti - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dante Gabriel Rossetti(12 May 1828 – 9 April 1882) Rossetti was born, the son of an Italian patriot and political refugee and an English mother, in England. He was raised in an environment of cultural and political activity that, it has been suggested, was of more import to his learning than his formal education. This latter was constituted by a general education at King's College from 1836 to 1841 and, following drawing lessons at a school in central London at the age of fourteen, some time as a student at the Royal Academy from 1845 onwards. Here he studied painting with William Hollman Hunt and John Everett Millais who, in 1848, would set up the Pre-Raphaelite Brotherhood with Rossetti, Rossetti's younger brother and three other students. The school's aspirations, in this its first incarnation, was to paint true to nature: a task pursued by way of minute attention to detail and the practice of painting out of doors. Rossetti's principal contribution to the Brotherhood was his insistence on linking poetry and painting, no doubt inspired in part by his earlier and avaricious readings of Keats, Shakespeare, Goethe, Sir Walter Scott, Byron, Edgar Allan Poe and, from 1847 onwards, the works of William Blake. 'The Germ' lasted however for only four issues, all published in 1850. In 1854 Rossetti met and gained an ally in the art critic John Ruskin and, two years later, meetings with Edward Burne-Jones and William Morris set a second phase of the Brotherhood into movement.
    [Show full text]
  • The Letters of HPB AP Sinnett
    Theosophical University Press Online Edition The Letters of H. P. Blavatsky to A. P. Sinnett and Other Miscellaneous Letters Transcribed, Compiled, and with an Introduction A. T. Barker Facsimile of the First Edition, 1925; print edition published by Theosophical University Press 1973 (print version also available); electronic edition published 1999. Electronic version ISBN 1-55700-145-6. This edition may be downloaded for off-line viewing without charge. For ease of searching, no diacritical marks appear in this electronic version of the text. Contents Compiler's Preface Introduction Specimen of HPB's Handwriting Table of Contents ". It was thy patience that in the waste attended still thy step, and saved MY friend for better days. What cannot patience do. A great design is seldom snatched at once, 'tis PATIENCE heaves it on. ." — K. H. COMPILER'S PREFACE The letters here presented to the reader, written by the Founder of the Theosophical Society between the years 1880-1888, are intended to form a companion volume to the recently published Mahatma Letters, and should be read in conjunction with that work. They have been transcribed direct from the originals and without omission except for the occasional deletion of a name where-ever for obvious reasons it was absolutely necessary to do so. Contrary to the method employed in The Mahatma Letters, the compiler has permitted himself to correct obvious errors of spelling and punctuation, as these were too numerous to ignore, and no useful purpose could be served by leaving them unedited. Here and there in the text a word appears in square brackets.
    [Show full text]
  • Slate.Com Table of Contents Explainer Can You Be a Gay Mormon?
    Slate.com Table of Contents explainer Can You Be a Gay Mormon? fighting words Advanced Search Fidel Gets Religion architecture foreigners For Sale: 200,000-Square-Foot Box Still Waiting for Chinese Democracy books foreigners How To Read the Quran War of Words books gabfest The Dark Matter of Our Cherished Document The Quaker Meeting Gabfest corrections gaming Corrections Wii Will Rock You! culture gabfest hey, wait a minute The Culture Gabfest, Identity Crisis Edition Only in America? culturebox hot document I Vant To Upend Your Expectations CBS's Dream Team culturebox human nature The J. Crew Catalog Destroyed My Spirit Children of the Clones dear prudence human nature The Devil, They Say Drone Ask, Drone Tell drink jurisprudence What To Drink on Thanksgiving I Beg Your Pardon dvd extras low concept Buster Keaton's The General Dear President Obama explainer moneybox Explainer's Wildfire Roundup Harvard's Investment Errors explainer moneybox The Globavore's Dilemma The Subprime Good Guys explainer movies Explainer's Same-Sex-Marriage Roundup Twilight explainer music box The Evergold State Welcome to the Jumble explainer other magazines Explainer's Pirate Roundup America's Checkup explainer other magazines Measuring the National Carbon Footprint The Redprint explainer poem Behold the Power of Michelle "Omaha Beach" explainer politics The Millionaire Arsonist Dingell Buried Copyright 2007 Washingtonpost.Newsweek Interactive Co. LLC 1/85 politics the undercover economist Obama's White House, Clinton's Team Only the Good Buy Young politics
    [Show full text]
  • Art Assignment #8
    Art Assignment #8 Van Gogh Unit Van Gogh Reading/Reading Guide Due Friday, May 15, @4p Dear Art Class, Please read pages 39-61 of the van Gogh book and answer questions 79-139 of the reading guide. Please start this assignment right away. Try to pace yourself and answer at 15 questions per day. If you are part of Google Classroom turn in your google doc there. Please start a new Google Doc with questions and answers. Good luck! Hope everyone is doing well! Mr. Kohn VAN GOGH BOOK READING GUIDE QUESTIONS Pages 39-61 Vincent the Dog 1883-85 I am getting to be like a dog, I feel that the future will probably make me more ugly and rough, and I foresee that “a certain poverty” will be my fate, but, I shall be a painter. --Letter to Theo, December 1883 Vincent came home ready to give his parents another chance to do the right thing. If only his father would apologize for throwing him out of the house, they could all settle down to the important business of Vincent’s becoming an artist. Mr. van Gogh didn’t see it that way. He and Vincent’s mother welcomed their thirty-year-old problem child, but they were ambivalent at the prospect of having him back in the nest. After a few days Vincent wrote humorously yet bitterly to Theo, comparing himself to a stray dog. 39 Dear brother, I feel what Father and Mother think of me instinctively(I do not say intelligently). They feel the same dread of taking me in the house as they would about taking in a big rough dog.
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • Pre-Raphaelites and the Book
    Pre-Raphaelites and the Book February 17 – August 4, 2013 National Gallery of Art Pre-Raphaelites and the Book Many artists of the Pre-Raphaelite circle were deeply engaged with integrating word and image throughout their lives. John Everett Millais and Edward Burne-Jones were sought-after illustrators, while Dante Gabriel Rossetti devoted himself to poetry and the visual arts in equal measure. Intensely attuned to the visual and the liter- ary, William Morris became a highly regarded poet and, in the last decade of his life, founded the Kelmscott Press to print books “with the hope of producing some which would have a definite claim to beauty.” He designed all aspects of the books — from typefaces and ornamental elements to layouts, where he often incorporated wood- engraved illustrations contributed by Burne-Jones. The works on display here are drawn from the National Gallery of Art Library and from the Mark Samuels Lasner Collection, on loan to the University of Delaware Library. front cover: William Holman Hunt (1827 – 1910), proof print of illustration for “The Lady of Shalott” in Alfred Tennyson, Poems, London: Edward Moxon, 1857, wood engraving, Mark Samuels Lasner Collection, on loan to the University of Delaware Library (9) back cover: Dante Gabriel Rossetti (1828 – 1882), proof print of illustration for “The Palace of Art” in Alfred Tennyson, Poems, London: Edward Moxon, 1857, wood engraving, Mark Samuels Lasner Collection, on loan to the University of Delaware Library (10) inside front cover: John Everett Millais, proof print of illustration for “Irene” in Cornhill Magazine, 1862, wood engraving, Mark Samuels Lasner Collection, on loan to the University of Delaware Library (11) Origins of Pre-Raphaelitism 1 Carlo Lasinio (1759 – 1838), Pitture a Fresco del Campo Santo di Pisa, Florence: Presso Molini, Landi e Compagno, 1812, National Gallery of Art Library, A.W.
    [Show full text]
  • Western University London Canada Department of English English
    Western University London Canada Department of English English 4420F: The Pre-Raphaelites Unless otherwise indicated, all texts are in Rossetti’s Collected Poetry and Prose. Ed. Jerome McGann. Not all the poems listed under a given date will be covered in the same amount of detail, but they will be given prominence if they are selected by one or more members of the seminar as the focus of a short essay. Members of the seminar are encouraged to range widely in Rossetti’s work, both literary and artistic, and incorporate their findings and insights into our discussions. Owing to the overlaps between and among different strains of Rossetti’s work, the readings after the Fall Study Break provide considerable flexibility Seminar Schedule and Readings: September 10 Preamble September 17 Introduction Readings: Pugin, Collinson, Stephens, Ruskin (handouts) September 24 Introduction “Mary’s Girlhood (For a Picture)” October 1 Marian Paintings and Poems Readings: “Filii Filia,” “Mary’s Girlhood (For a Picture),” “For a Virgin and Child by Hans Memmelink,” “For a Marriage of St. Catherine by the Same,” “Ave,” “The Passover of the Holy Family (For a Drawing,” “Sudden Light,” “For ‘Our Lady of the Rocks’ by Leonardo da Vinci” October 8 Pre-Raphaelite Manifestos Readings: “Old and New Art,” ‘Hand and Soul” October 15 Early Poems Readings: “My Sister’s Sleep,” “The Blessed Damozel,” “The Burden of Nineveh,” “The Staff and Scrip,” “A Lsst Confession,” “The Bride’s Prelude” October 22 The “Fallen Woman” Readings: “The Honeysuckle,” “Found (For a Picture),” “Mary Magdalene at the Door of Simon the Pharisee (For a Drawing),” “Jenny” October 29 The Femme Fatale Readings: “The Card-Dealer,” “Troy Town,” “Body’s Beauty,” “Eden Bower,” “The Orchard Pit” (both prose and poem), “Pandora (For a Picture),” “Lilith.
    [Show full text]
  • The Tour Manual 2019
    THE TOUR MANUAL Last Edited 5/27/2019 2019 Volume 2 Table of Contents General Information Mission, Vision, Values, Educational Goals, & Ethics ....................................... pg. 3 General Admission Tour Information: Floors 1, 2, & Basement ...................... pg. 5 Full Mansion Tour ............................................................................................... pg. 21 Nooks and Crannies ........................................................................................... pg. 29 Flashlight Tour .................................................................................................... pg. 43 Servants Tour ...................................................................................................... pg. 49 Limited Mobility Tour ......................................................................................... pg. 65 Summer Evening Tour ........................................................................................ pg. 66 Garden & Grounds Tour ..................................................................................... pg. 67 Reference Congdon Family Timeline ................................................................................. pg. 91 Duluth Timeline 1874 - 1915 ............................................................................ pg. 92 National Timeline ............................................................................................... pg. 94 Oliver Mining Company History ......................................................................
    [Show full text]
  • William Morris: the Modern Self, Art, and Politics
    UC Berkeley UC Berkeley Previously Published Works Title William Morris: The Modern Self, Art, and Politics Permalink https://escholarship.org/uc/item/9hq08668 Journal History of European Ideas, 24 Author Bevir, Mark Publication Date 1998 Peer reviewed eScholarship.org Powered by the California Digital Library University of California WILLIAM MORRIS: THE MODERN SELF, ART, AND POLITICS By Mark Bevir Department of Politics University of Newcastle Newcastle upon Tyne NE1 7RU U.K. [Email: [email protected]] 2 ABSTRACT A concern to pin ideological labels on Morris has obscured the continuing importance of romanticism and Protestantism for his socialist politics. Romanticism led him to seek self-realisation in an art based on naturalness and harmony, and Protestantism led him to do so in the everyday worlds of work and domestic life. From Ruskin, he took a sociology linking the quality of art to the extent of such self- realisation in daily life. Even after he turned to Marxism, he still defined his socialist vision in terms of good art produced and enjoyed within daily life. Moreover, his over-riding concern to promote a new spirit of art, not his dislike of Hyndman, led him to a purist politics, that is, to look with suspicion on almost all forms of political action. 2 3 WILLIAM MORRIS: THE MODERN SELF, ART, AND POLITICS Keywords: Morris, Socialism, Art, Self, Romanticism, Protestantism I William Morris, 1834-98, is best known as a poet and designer who inspired the Arts and Crafts Movement. But he was also an important socialist and utopian theorist, arguably the most influential, and surely the most inspirational, writer on the left in Britain.
    [Show full text]
  • The Arabian Nights Entertainments
    The Arabian Nights Entertainments Sir Richard Burton The Arabian Nights Entertainments Table of Contents The Arabian Nights Entertainments.......................................................................................................................1 Sir Richard Burton.........................................................................................................................................1 i The Arabian Nights Entertainments Sir Richard Burton In the Name of Allah, the Compassionating, the Compassionate! PRAISE BE TO ALLAH − THE BENEFICENT KING − THE CREATOR OF THE UNIVERSE − LORD OF THE THREE WORLDS − WHO SET UP THE FIRMAMENT WITHOUT PILLARS IN ITS STEAD − AND WHO STRETCHED OUT THE EARTH EVEN AS A BED − AND GRACE, AND PRAYER−BLESSING BE UPON OUR LORD MOHAMMED − LORD OF APOSTOLIC MEN − AND UPON HIS FAMILY AND COMPANION TRAIN −PRAYER AND BLESSINGS ENDURING AND GRACE WHICH UNTO THE DAY OF DOOM SHALL REMAIN − AMEN! − O THOU OF THE THREE WORLDS SOVEREIGN! AND AFTERWARD. Verily the works and words of those gone before us have become instances and examples to men of our modern day, that folk may view what admonishing chances befell other folk and may therefrom take warning; and that they may peruse the annals of antique peoples and all that hath betided them, and be thereby ruled and restrained. Praise, therefore, be to Him who hath made the histories of the past an admonition unto the present! Now of such instances are the tales called "A Thousand Nights and a Night," together with their far−famed legends and wonders. Therein it is related (but Allah it is All−knowing of His hidden things and All−ruling and All−honored and All−giving and All−gracious and All−merciful!) that in tide of yore and in time long gone before, there was a King of the Kings of the Banu Sasan in the islands of India and China, a Lord of armies and guards and servants and dependents.
    [Show full text]
  • The Pre-Raphaelite Brotherhood: Painting
    Marek Zasempa THE PRE-RAPHAELITE BROTHERHOOD: PAINTING VERSUS POETRY SUPERVISOR: prof. dr hab. Wojciech Kalaga Completed in partial fulfilment of the requirements for the degree of PhD. UNIVERSITY OF SILESIA KATOWICE 2008 Marek Zasempa BRACTWO PRERAFAELICKIE – MALARSTWO A POEZJA PROMOTOR: prof. dr hab. Wojciech Kalaga UNIWERSYTET ŚLĄSKI KATOWICE 2008 CONTENTS INTRODUCTION .................................................................................................................. 1 CHAPTER 1: THE PRE-RAPHAELITE BROTHERHOOD: ORIGINS, PHASES AND DOCTRINES ............................................................................................................. 7 I. THE GENESIS .............................................................................................................................. 7 II. CONTEMPORARY RECEPTION AND CRITICISM .............................................................. 10 III. INFLUENCES ............................................................................................................................ 11 IV. THE TECHNIQUE .................................................................................................................... 15 V. FEATURES OF PRE-RAPHAELITISM: DETAIL – SYMBOL – REALISM ......................... 16 VI. THEMES .................................................................................................................................... 20 A. MEDIEVALISM ........................................................................................................................................
    [Show full text]