ETHICS in the ANCIENT WISDOM TRADITION by John Algeo
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Dante Gabriel Rossetti - Poems
Classic Poetry Series Dante Gabriel Rossetti - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Dante Gabriel Rossetti(12 May 1828 – 9 April 1882) Rossetti was born, the son of an Italian patriot and political refugee and an English mother, in England. He was raised in an environment of cultural and political activity that, it has been suggested, was of more import to his learning than his formal education. This latter was constituted by a general education at King's College from 1836 to 1841 and, following drawing lessons at a school in central London at the age of fourteen, some time as a student at the Royal Academy from 1845 onwards. Here he studied painting with William Hollman Hunt and John Everett Millais who, in 1848, would set up the Pre-Raphaelite Brotherhood with Rossetti, Rossetti's younger brother and three other students. The school's aspirations, in this its first incarnation, was to paint true to nature: a task pursued by way of minute attention to detail and the practice of painting out of doors. Rossetti's principal contribution to the Brotherhood was his insistence on linking poetry and painting, no doubt inspired in part by his earlier and avaricious readings of Keats, Shakespeare, Goethe, Sir Walter Scott, Byron, Edgar Allan Poe and, from 1847 onwards, the works of William Blake. 'The Germ' lasted however for only four issues, all published in 1850. In 1854 Rossetti met and gained an ally in the art critic John Ruskin and, two years later, meetings with Edward Burne-Jones and William Morris set a second phase of the Brotherhood into movement. -
Complete List Catalog
Cultivate an open mind Complete List Catalog www.questbooks.net 2012 House Publishing Theosophical TABLECOMPLETE OF CONTENTS QUEST TITLE LIST QUEST BOOKS are published by THE THEOSOPHICAL SOCIETY IN AMERICA P.O. Box 270, Wheaton, Illinois 60187-0270. The Society is a branch of a world fellowship and membership organization dedicated to promoting the unity of humanity and encouraging the study of Complete Quest Title List ............................................................ 3 religion, philosophy, and science so that we may better understand ourselves and our relationships within Complete Adyar Title List ...........................................................13 this multidimensional universe. The Society stands for complete freedom of individual search and belief. Complete Study Guide List .......................................................21 For further information about its activities, write to the above address, call CD / Audio Program List.............................................................21 1-800-669-1571, e-mail [email protected], or consult its Web page: www.theosophical.org. DVD / Video Program List ..........................................................28 Author Index ..................................................................................36 VISIT OUR WEBSITE AT Order Forms....................................................................................46 WWW.QUESTBOOKS.NET Visit our website for interactive features now available Ordering Information....................................Inside -
Pre-Raphaelites and the Book
Pre-Raphaelites and the Book February 17 – August 4, 2013 National Gallery of Art Pre-Raphaelites and the Book Many artists of the Pre-Raphaelite circle were deeply engaged with integrating word and image throughout their lives. John Everett Millais and Edward Burne-Jones were sought-after illustrators, while Dante Gabriel Rossetti devoted himself to poetry and the visual arts in equal measure. Intensely attuned to the visual and the liter- ary, William Morris became a highly regarded poet and, in the last decade of his life, founded the Kelmscott Press to print books “with the hope of producing some which would have a definite claim to beauty.” He designed all aspects of the books — from typefaces and ornamental elements to layouts, where he often incorporated wood- engraved illustrations contributed by Burne-Jones. The works on display here are drawn from the National Gallery of Art Library and from the Mark Samuels Lasner Collection, on loan to the University of Delaware Library. front cover: William Holman Hunt (1827 – 1910), proof print of illustration for “The Lady of Shalott” in Alfred Tennyson, Poems, London: Edward Moxon, 1857, wood engraving, Mark Samuels Lasner Collection, on loan to the University of Delaware Library (9) back cover: Dante Gabriel Rossetti (1828 – 1882), proof print of illustration for “The Palace of Art” in Alfred Tennyson, Poems, London: Edward Moxon, 1857, wood engraving, Mark Samuels Lasner Collection, on loan to the University of Delaware Library (10) inside front cover: John Everett Millais, proof print of illustration for “Irene” in Cornhill Magazine, 1862, wood engraving, Mark Samuels Lasner Collection, on loan to the University of Delaware Library (11) Origins of Pre-Raphaelitism 1 Carlo Lasinio (1759 – 1838), Pitture a Fresco del Campo Santo di Pisa, Florence: Presso Molini, Landi e Compagno, 1812, National Gallery of Art Library, A.W. -
Theosophy Intro.Pdf
THEOSOPHY AN INTRODUCTORY STUDY COURSE FOURTH EDITION by John Algeo Department of Education THE THEOSOPHICAL SOCIETY IN AMERICA P. O. Box 270, Wheaton, IL 60189-0270 Copyright © 1996, 2003, 2007 by the Theosophical Society in America Based on the Introductory Study Course in Theosophy by Emogene S. Simons, copyright © 1935, 1938 by the Theosophical Society in America, revised by Virginia Hanson, copyright © 1967, 1969 by the Theosophical Society in America. All rights reserved. No part of this book may be reproduced in any manner without written permission except for quotations embodied in critical articles or reviews. THE THEOSOPHICAL SOCIETY IN AMERICA For additional information, contact: Department of Information The Theosophical Society in America P. O. Box 270 Wheaton, IL 60189-0270 E-mail: [email protected] Web : www.theosophical.org 2 CONTENTS Introduction 4 1. What Is Theosophy? 7 2. The Ancient Wisdom in the Modern World 17 3. Universal Brotherhood 23 4. Human Beings and Our Bodies 30 5. Life after Death 38 6. Reincarnation 45 7. Karma 56 8. The Power of Thought 64 9. The Question of Evil 70 10. The Plan and Purpose of Life 77 11. The Rise and Fall of Civilizations 92 12. The Ancient Wisdom in Daily Life 99 Bibliography 104 FIGURES 1. The Human Constitution 29 2. Reincarnation 44 3. Evolution of the Soul 76 4. The Three Life Waves 81 5. The Seven Rays 91 6. The Lute of the Seven Planes 98 3 INTRODUCTION WE LIVE IN AN AGE OF AFFLUENCE and physical comfort. We drive bulky SUVs, talk incessantly over our cell phones, amuse ourselves with DVDs, eat at restaurants more often than at home, and expect all the amenities of life as our birthright. -
Western University London Canada Department of English English
Western University London Canada Department of English English 4420F: The Pre-Raphaelites Unless otherwise indicated, all texts are in Rossetti’s Collected Poetry and Prose. Ed. Jerome McGann. Not all the poems listed under a given date will be covered in the same amount of detail, but they will be given prominence if they are selected by one or more members of the seminar as the focus of a short essay. Members of the seminar are encouraged to range widely in Rossetti’s work, both literary and artistic, and incorporate their findings and insights into our discussions. Owing to the overlaps between and among different strains of Rossetti’s work, the readings after the Fall Study Break provide considerable flexibility Seminar Schedule and Readings: September 10 Preamble September 17 Introduction Readings: Pugin, Collinson, Stephens, Ruskin (handouts) September 24 Introduction “Mary’s Girlhood (For a Picture)” October 1 Marian Paintings and Poems Readings: “Filii Filia,” “Mary’s Girlhood (For a Picture),” “For a Virgin and Child by Hans Memmelink,” “For a Marriage of St. Catherine by the Same,” “Ave,” “The Passover of the Holy Family (For a Drawing,” “Sudden Light,” “For ‘Our Lady of the Rocks’ by Leonardo da Vinci” October 8 Pre-Raphaelite Manifestos Readings: “Old and New Art,” ‘Hand and Soul” October 15 Early Poems Readings: “My Sister’s Sleep,” “The Blessed Damozel,” “The Burden of Nineveh,” “The Staff and Scrip,” “A Lsst Confession,” “The Bride’s Prelude” October 22 The “Fallen Woman” Readings: “The Honeysuckle,” “Found (For a Picture),” “Mary Magdalene at the Door of Simon the Pharisee (For a Drawing),” “Jenny” October 29 The Femme Fatale Readings: “The Card-Dealer,” “Troy Town,” “Body’s Beauty,” “Eden Bower,” “The Orchard Pit” (both prose and poem), “Pandora (For a Picture),” “Lilith. -
William Morris: the Modern Self, Art, and Politics
UC Berkeley UC Berkeley Previously Published Works Title William Morris: The Modern Self, Art, and Politics Permalink https://escholarship.org/uc/item/9hq08668 Journal History of European Ideas, 24 Author Bevir, Mark Publication Date 1998 Peer reviewed eScholarship.org Powered by the California Digital Library University of California WILLIAM MORRIS: THE MODERN SELF, ART, AND POLITICS By Mark Bevir Department of Politics University of Newcastle Newcastle upon Tyne NE1 7RU U.K. [Email: [email protected]] 2 ABSTRACT A concern to pin ideological labels on Morris has obscured the continuing importance of romanticism and Protestantism for his socialist politics. Romanticism led him to seek self-realisation in an art based on naturalness and harmony, and Protestantism led him to do so in the everyday worlds of work and domestic life. From Ruskin, he took a sociology linking the quality of art to the extent of such self- realisation in daily life. Even after he turned to Marxism, he still defined his socialist vision in terms of good art produced and enjoyed within daily life. Moreover, his over-riding concern to promote a new spirit of art, not his dislike of Hyndman, led him to a purist politics, that is, to look with suspicion on almost all forms of political action. 2 3 WILLIAM MORRIS: THE MODERN SELF, ART, AND POLITICS Keywords: Morris, Socialism, Art, Self, Romanticism, Protestantism I William Morris, 1834-98, is best known as a poet and designer who inspired the Arts and Crafts Movement. But he was also an important socialist and utopian theorist, arguably the most influential, and surely the most inspirational, writer on the left in Britain. -
The Pre-Raphaelite Brotherhood: Painting
Marek Zasempa THE PRE-RAPHAELITE BROTHERHOOD: PAINTING VERSUS POETRY SUPERVISOR: prof. dr hab. Wojciech Kalaga Completed in partial fulfilment of the requirements for the degree of PhD. UNIVERSITY OF SILESIA KATOWICE 2008 Marek Zasempa BRACTWO PRERAFAELICKIE – MALARSTWO A POEZJA PROMOTOR: prof. dr hab. Wojciech Kalaga UNIWERSYTET ŚLĄSKI KATOWICE 2008 CONTENTS INTRODUCTION .................................................................................................................. 1 CHAPTER 1: THE PRE-RAPHAELITE BROTHERHOOD: ORIGINS, PHASES AND DOCTRINES ............................................................................................................. 7 I. THE GENESIS .............................................................................................................................. 7 II. CONTEMPORARY RECEPTION AND CRITICISM .............................................................. 10 III. INFLUENCES ............................................................................................................................ 11 IV. THE TECHNIQUE .................................................................................................................... 15 V. FEATURES OF PRE-RAPHAELITISM: DETAIL – SYMBOL – REALISM ......................... 16 VI. THEMES .................................................................................................................................... 20 A. MEDIEVALISM ........................................................................................................................................ -
The Theosophist
THE THEOSOPHIST VOL. 131 NO. 1 OCTOBER 2009 CONTENTS On the Watch-Tower 3 Radha Burnier Theosophy for a New Generation of Inquirers 7 Colin Price An Emerging World View 12 Shirley J. Nicholson What is Theosophy? 15 H. P. Blavatsky Theosophy for a New Generation of Enquirers 23 Surendra Narayan The Eternal Values of the Divine Wisdom 28 Bhupendra R. Vora The Theosophist: Past is Prologue 32 John Algeo Fragments of the Ageless Wisdom 37 The Theosophical Society for a New Generation of Enquirers 38 Dara Tatray Back to Blavatsky will Fossilize Theosophy Forwards with Blavatsky will Vitalize Theosophy 43 Edi D. Bilimoria Statement by Members Assembled in Brasilia, July 2009 51 International Directory 54 Editor: Mrs Radha Burnier NOTE: Articles for publication in The Theosophist should be sent to the Editorial Office. Cover: H. P. Blavatsky. Montage including cover of The Theosophist, 1882 Adyar Archives Official organ of the President, founded by H. P. Blavatsky, 1879. The Theosophical Society is responsible only for official notices appearing in this magazine. THE THEOSOPHICAL SOCIETY Founded 17 November 1875 President: Mrs Radha Burnier Vice-President: Mrs Linda Oliveira Secretary: Mrs Kusum Satapathy Treasurer: Miss Keshwar Dastur Headquarters: ADYAR, CHENNAI (MADRAS) 600 020, INDIA Emails: Below Secretary: [email protected] Treasury: [email protected] Fax: (+91-44) 2446-3464 Adyar Library and Research Centre: [email protected] Theosophical Publishing House: [email protected] & [email protected] Fax: (+91-44) 2490-1399 Editorial Office: [email protected] Website: http://www.ts-adyar.org The Theosophical Society is composed of students, belonging to any religion in the world or to none, who are united by their approval of the Societys Objects, by their wish to remove religious antagonisms and to draw together men of goodwill, whatsoever their religious opinions, and by their desire to study religious truths and to share the results of their studies with others. -
Complete List Catalog
Cultivate an open mind Complete List Catalog www.questbooks.net 2014 House Publishing Theosophical TABLE OF CONTENTS Quest Books are published by the Theosophical Society in America. The Society is a branch of a world fellowship and membership organization dedicated to promoting the unity of humanity and encouraging the study of religion, philosophy, and science so that we may better understand Complete Quest Title List ............................................................ 3 ourselves and our relationships within this multidimensional universe. The Society stands for complete freedom of Complete Adyar Title List ...........................................................12 individual search and belief. For further information about its Complete Study Guide List .......................................................18 activities, write to the Theosophical Society in America, PO Box 270, Wheaton, Illinois 60187-0270; call 1-800-669-1571; CD / Audio Program List.............................................................19 e-mail [email protected], or consult its web page: DVD / Video Program List ..........................................................27 www.theosophical.org. Author Index ..................................................................................37 Visit our website at www.questbooks.net. Visit our website for interactive features now available Order Forms....................................................................................46 online: interviews, reviews, excerpts, videos, author blogs, -
The Theosophist
THE THEOSOPHIST VOL. 130 NO. 9 JUNE 2009 CONTENTS On the Watch-Tower 323 Radha Burnier Right Action is Creation without Attachment 327 Ricardo Lindemann The Religion of the Artist 332 C. Jinarajadasa Studies in The Voice of the Silence, 17 341 John Algeo Fragments of the Ageless Wisdom 348 Comments on Viveka-chudamani 349 Sundari Siddhartha Brother Raja Our Fourth President 353 A TS Member Theosophical Work around the World 357 International Directory 358 Editor: Mrs Radha Burnier NOTE: Articles for publication in The Theosophist should be sent to the Editorial Office. Cover: C. Jinarajadasa, fourth President of the Theosophical Society Adyar Archives Official organ of the President, founded by H. P. Blavatsky, 1879. The Theosophical Society is responsible only for official notices appearing in this magazine. On the Watch-Tower RADHA BURNIER Seeing is an Art When we observe fully which we It is necessary to look at ordinary do very rarely or perhaps not at all the things with new eyes. When we look mind is no more present and working. properly, ordinary things cease to be Then the person comes into fuller con- ordinary. This is part of art, but it can be sciousness of what is around him and practised even by people who cannot before him. The beauty which is every- draw, paint or do the many things that where is known. The object of beauty is people who are called artists do. This is not important in the same way, because one of the main points in the article on art everything becomes part of the one beauty (printed later in this issue) written by our which encompasses all things. -
Edward Burne–Jones
EDWARD BURNE–JONES 24 October 2018 – 24 February 2018 LARGE PRINT GUIDE Please return to the holder CONTENTS Room 1 ................................................................................3 Room 2 ..............................................................................30 Room 3 ..............................................................................69 Room 4 ..............................................................................87 Room 5...................................................................................106 Room 6...................................................................................122 Room 7....................................................................................126 Manton Foyer..........................................................................141 Credits ............................................................................. 143 Events ............................................................................. 145 2 ROOM 1 3 EDWARD BURNE–JONES Edward Burne-Jones (1833–1898) was one of the key figures in Victorian art, achieving world-wide fame and recognition during his life-time. As the last major figure associated with the Pre-Raphaelites, he led the movement into new symbolist directions where the expression of a mood or idea replaced the earlier focus on providing a realistic description of the natural world. Using myths and legends from the past he created dream-worlds of unparalleled beauty, balancing clarity of observation with dramatically original -
Hope and Change: Teaching News from Nowhere Religion, with Morris Advocating That We All Must Live Our Lives As Artists: ‘The Repulsion to Pessimism
Hope and Change: Teaching News from Nowhere David Latham MY FIRST EXPERIENCE with teaching News from Nowhere was not at all what I expected. I had scheduled the book as the final text on our Victorian literature course, one intended to provide an inspirational resolution to the complex problems raised through-out the course. Earlier in the year we had read ‘The Defence of Guenevere’ and ‘King Arthur’s Tomb,’ poems about the triangular love relationships that lead to the decay of Camelot, a Celtic version of the fall from paradise and the hell that follows. With each poem and novel during that year I would repeatedly emphasize that the archetypal fall from paradise is one that each generation experiences, as most of us fall too quickly from hope and idealism to cynicism and despair, a fall that signals our transition from growth to death. The cynical attitude is the resort of those who are too lazy to struggle for more growth and who thus begin dying in their youth. News from Nowhere would provide the antidote; it would inspire us to strive towards the restoration of paradise. But I was not prepared for the depth of cynicism in the class. The students rolled their eyes at the naivety of Morris’s dream: ‘He can’t be serious; it’s Nowhere because it will never work; even the sunny weather would scorch the earth; I mean, get real.’ Though I had defined the mythical fall as a generational fall from the short growth of youth to the lengthy decay of death, I had overlooked the subtle ways each generation may experience the fall differently.