I Gurmat Sangeet

M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-I (PAPER-I) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING THEORETICAL SURVEY AND SCIENTIFIC STUDY OF HINDUSTANI MUSIC

Time: 3 Hours Maximum Marks: 75 Total Teaching Hours: 75 Pass Marks: 35% Internal Assessment: 25 Marks INSTRUCTIONS FOR THE PAPER-SETTER The question paper will consist of three sections A, B & C. Sections A & B will have 5 questions from the respective sections of the syllabus and will carry 7 ½ marks each. Section E will consist of 15 short answer type questions which will cover the entire syllabus uniformly and will carry 30 marks in all. INSTRUCTIONS FOR THE CANDIDATES Candidates are required to attempt three questions from each sections A & B of the question paper and the entire section C is compulsory. SECTION - A 1 Technical Terminology: Naad, Swar, Vadi-Samvadi, Vivadi, Anuvadi, Varjit, Alankar, Kan, Meend, Khatka, Murki, Sathai-Antra, Alap-Taan, Andolan, Gamak, Grah, Ansh, Jati, Niyas- Apniyas, Avirbhav-Tirobhav, Vakar Swar, Sur Malika, Lakshan Geet, Nibad-Gayan, Anibad- Gayan, Pooranatrik (Major-Tone), Laghuantrik (Miner-Tone), Ardhantrik (Semi-Tone), Vibration, Frequency, Pitch, Intensity, Timbre, Echo, Resonance, Consonance. 2 Short Note: Raag Lakshan, Alpatav-Bahutav, Sur-Samvaad, Correct Intonation of Swar, Thaat, Raag, Raag-Ang, Raagvargikaran. 3 Music: Its nature, scope and relationship with other fine arts (with special reference to Rag- Ragini Paintings, Dhyan of Raga.) 4 Comparative study of Swara, Raag, Taal & Music styles of Hindustani and Carnatic music tradition. 5 Interrelationship between Rabindra Sangeet and Indian Music. SECTION-B 1 Aesthetics: Origin, Principles and relation to Indian Music. 2 Origin and development of scale in music. 3 Time theory of Indian Music. 4 Rasa in Indian Music. 5 Notation System introduced by V.N. Bhathkhande & V.D. Paluskar. 6 Classification of Indian Musical Instruments: ancient, medieval and modern. BOOKS SUGGESTED 1. Adi Granth Ke Parampragat Tetwon Ka Adhyan, Dept. of Language, Punjab. 2. Bhakti in the Vaisnava Rasa Shastra, Raghu Nath Sharma, Pratibha Prakashan, Delhi. 3. Bhartiya Sangeet Da Itihas, Yoginder Sharma, Dr.Bachittar Singh, Pbi.Uni.Pta. 4. Contribution of Saints and Seers to the Music of India, Sathianathan, Shantsheela, Kanishka Publisher & Distributers, New Delhi.. 5. Dharmik Parampraye evam Hindustani Sangeet, Renu Schdev, Radha Publication,New Delhi. 6. Hamare Sangeet Ratan : Sangeet Karyalya, Hathras 7. Hindi Ke Krishan Kaleen Bhakti Kavaya Mein Sangeet, Usha Gupta, Lacknow Vishvadayala,Lucknow 8. Gurmat Sangeet Darpan Part I, II, Prof. Kartar Singh SGPC, Amritsar 9. Gurmat Sangeet Prabandh te Pasaar :Dr.Gurnam Singh, Pbi.Uni.Patiala. 10. Gayan Kala : Dr.Yashpal Sharma, Published by Pbi.Uni.Patiala. 11. Krishan Bhartidhara Sangeet aur Kavy, Dr.Anita Johri, Alpna Prakashan,Bareli. 12. Mahan Kosh, Bhai Kahn Singh Nabha, Dept. of Language, Patiala. 13. Punjabi Sangeetkar, Dr.Gurnam Singh : published by Pbi.Uni.Patiala. 14. Sangeet Sidhant te Sohaj Shaster (Dr. D S Narula) : Pbi.Uni.Patiala. 15. Sitar Malika : Bhagwant Sharan Sharma 16. Sangeet Nibandhwali : Dr.Gurnam Singh,published by Pbi.Uni.Patiala. 17. Sangeet Granth te Bharti Sangeet Da Itihas : Chander Kant Khosla 18. Sangeet (Gurmat Sangeet Vishesh Ank), Sangeet Karyala Hathras, UP. 19. Sangeet Samikhya, D S Narula, Literature House, Amritsar. 20. Sangeet Subodh (Gayan) Part-I : Dr. K Davinder & Sudesh Syal 21. Spiritual Aspects of Indian Music, Robert Lepald Simon, Sandeep Prakashan, Delhi. 22. Sangeet Kaumudi, Part II & III (Punjabi) V S Nigam ,published by Pbi.Uni.Patiala. 23. Sangeet Vishard : Sangeet Karyalya, Hathras, Vasant. 24. Sangeet Shastra Darpan : Shanti Govardhan Nigam 25. Tal Parkash : Bhagwant Sharan Sharma, Sangeet Karyalya, Hathras 26. Vadan Kala : Prof. Tara Singh, Surjit Kaur, Published by Pbi.Uni.Patiala. 27. Hindustani Sangeet Padhtion Ka Tulnatmik Adhyain : V N Bhathkande, Sangeet Karyala Hathras, UP. . M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-I (PAPER-II) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING MUSICOLOGICAL STUDY OF GURMAT SANGEET Time: 3 Hours Maximum Marks: 75 Total Teaching Hours: 75 Pass Marks: 35% Internal Assessment: 25 Marks INSTRUCTIONS FOR THE PAPER-SETTER The question paper will consist of three sections A, B & C. Sections A & B will have 5 questions from the respective sections of the syllabus and will carry 7 ½ marks each. Section E will consist of 15 short answer type questions which will cover the entire syllabus uniformly and will carry 30 marks in all. INSTRUCTIONS FOR THE CANDIDATES Candidates are required to attempt three questions from each sections A & B of the question paper and the entire section C is compulsory. SECTION - A 1 Technical Terminology: a Raag, Rahaoo, Ank, Ghar, Jati, Dhuni, Shaan, Manglacharan, Sudhang, b Theka, Sam, Taali, Khali, Avartan, Torha, Tihaee, Palta, Shabad Kirtan, Gurmat Sangeet.

2 Importance of Sri Guru Granth Sahib in music. 3 Musicology of Gurmat Sangeet.

SECTION-B 1 Raag Parbandh of Gurmat Sangeet. 2 Detailed study of following Ragas prescribed in your course. a Raga Aasa, Asawari Sudhang, Prabhati, Prabhati Bibhas, Bhairv, Ramkali, Gauri Bhairav Male, b Kalyan, Gauri Gwareri, Gauri Maajh, Gauri Sorath, Kalyan Bhopali c Basant, Basant (Poorvi) Male, Basant Hindol 3 Study of different Classical Singing Style of Gurmat Sangeet. 4 Elements of Indian Classical Music in Gurmat Sangeet BOOKS SUGGESSTED 1. Gurmat Sangeet Prabandh te Pasar, Dr. Gurnam Singh, Punjabi University, Patiala 2. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar 3. Gurmat Sangeet Adhyan, Dr. Harjas Kaur 4. Gurmat Sangeet da Sangeetak Vigyan, Dr. Varinder Kaur, Patiala 5. Gurmat Sangeet vich Paryukt Lok Sangeetak Tatt, Gurpratap Singh Gill 6. Simriti Granth, Aduti Gurmat Sangeet Samelon, (Ed.) Principal Satbir Singh, Ludhiana. 7. Sri Gur Pratap Suraj Granth, Bhai Santokh Singh, Amritsar. 8. Vadan Kala, Prof. Tara Singh, Punjabi University, Patiala. 9. Vismad Nad, Gurmat Sangeet Vishesh Ank, Ludhiana. 10. Guru Granth Sanket Kosh, Prof. Pyara Singh Padam, Punjabi University, Patiala. 11. Mahan Kosh, Bhai Kahn Singh Nabha, Dept. of Language, Patiala. 12. Gurmat Martand, Bhai Kahn Singh Nabha, Dept. of Language, Patiala. 13. Amrit Keertan (Gurmat Sangeet Vishest Ank), (Monthly Magazine), Dr. Jagir Singh (Ed.), Amrit Keertan Trust, Chandigarh. 14. Gurmat Sangeet Vishesh Ank (Editor Dr. Jasbir Kaur) : Punjabi University, Patiala 15. Guru Nanak Sangeet Padti Granth Part I & II (Editor Sukhwant Singh) Gur Gian Prakash, Jawaddi Kalan, Ludhiana 16. Sangeet (Gurmat Sangeet Vishesh Ank), Monthly Magazine, Sangeet Karyala Hathras. M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-I (PAPER-III) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING : A Practical Perspective Max. Marks: 100 Time allowed: 20 minutes Pass Marks: 35% Lectures: 75 Section A -Gurmat Sangeet Styles - 30 Marks Section B -Instrument Playing - 10 Marks Section C -Assignment - 25 Marks Section D -Knowledge of Taals - 10 Marks INSTRUCTIONS FOR THE PRACTICAL EXAMINER The Practical Examination will be conducted by a Board of Examiners consisting of Head of the department/Nominee, Internal teacher and External Experts as per decision of the Syndicate (25.10.91 Para 2.3). Harmonium is allowed as an accompaniment. Weightage will be given to be students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet. INSTRUCTIONS FOR THE CANDIDATES Harmonium is allowed as an accompaniment but weightage will be given to the students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet tradition. 1 A complete stage performance of any two of the following Kirtan Chaukis in the various music compositions of a Kirtan Chauki i.e. (Shaan, Manglacharan, Shabad Dhrupad Ang, Shabad Khyal Ang, Shabad Reet, Paurhi) according to different Bani Prakarns : a Asa di Var di Chauki - Raga Asa, Asawari Sudhang, Prabhati, Bhairo, Ramkali, Gauri Bhairav Male, b Kalyan Di Chauki - Kalyan, Gauri Guareri, Gauri Maajh, Gauri Sorath, Kalyan Bhopali c Basant Di Chauki - Basant, Basant (Poorvi Male), Basant Hindol 2 Parhtaal Gayan in following Ragas : Asa, Parbhati-Bibhas, Bhairo, Ramkali BOOKS SUGGESTED 1. Gurbani Sangeet, Part-I, II, Giyan Singh Aibtabaad, S.G.P.C. Amritsar. 2. Gurbani Sangeet Pracheen Reet Ratnavali, Part-I, II, Bhai Avtar Singh Gurcharan Singh, Punjabi University, Patiala. 3. Sri Guru Granth Sahib Rag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 4. Guru Amar Das Raag Ratnavali, Prof. Tara Singh, Lok Samparak-Vibhag, Punjab. 5. Guru Ram Das Raag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 6. Guru Arjan Rag Ratnavali, Punjabi University, Patiala. 7. Guru Teg Bahadur Rag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 8. Partal Gayaki, Prof Tara Singh, Gurmat Sangeet Parkashan, Patiala. 9. Gurbani Sangeet Darpan, Prof. Kartar Singh, S.G.P.C. Amritsar. 10. Gurmat Sangeet Sagar, Vol. I to VI, Principal Dayal Singh, Guru Nanak Vidya Bhandar Trust, New Delhi. 11. Sikh Musicology, Dr. Gurnam Singh, Kanishka Publishers, New Delhi 12. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar 13. Gauri Raag Sulakhni, Principal Shamsher Singh Karir, Gurudwara Gur Gian Prakash Jawaddi Taksaal, Ludhiana 14. Gurmat Sangeet Prabandh te Pasar, Dr. Gurnam Singh, Punjabi University, Patiala 15. Guru Nanak Sangeet Paddti Granth, Jasbir Kaur Khalsa (Ed.), Ludhiana. 16. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-I (PAPER-IV) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING

Max. Marks: 100 Time allowed: 20 minutes Pass Marks: 35% Lectures: 75 Internal Assessment : 25 INSTRUCTIONS FOR THE PRACTICAL EXAMINER The Practical Examination will be conducted by a Board of Examiners consisting of Head of the department/Nominee, Internal teacher and External Experts as per decision of the Syndicate (25.10.91 Para 2.3). Harmonium is allowed as an accompaniment. Weightage will be given to be students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet. The paper will consists of four sections as under: Section A - Assignments - 25 marks Section B - Detailed Ragaas - 30 marks Section C - Non-detailed Ragaas - 10 marks Section D - Hindustani Singing Styles - 10 marks INSTRUCTIONS FOR THE CANDIDATE The candidate has to submit one assignment on the topic given by the examiner which will be evaluated by the external examiner on the basis of presentation and communication skills. The candidate has to recite Shabad Keertan playing Tanti Saaz (Rabaab, Siranda, Taus, Dilruba etc.). 1. Fifteen shabad compositions with proper Gayaki in singing style of Dhrupad Ang/Khayal Ang from the following prescribed ragas and Candidate should have brief introduction of other raagas also. 2. Ability to perform the different two Hindustani singing styles with proper Gayaki from the following music styles: Swarmalika, Slow Khyal, Fast Khyal, Geet 3. Demonstration of the following talas on hand/tabla/pakhawaj with Ekgun, Dugun and Chaugun, Layakari. Ektaal, Teentaal, Chartaal, Teewra, Sultaal, Jhaptaal, Roopak, Tilwara, Deepchandi BOOKS SUGGESTED 1. Gurbani Sangeet, Part-I, II, Giyan Singh Aibtabaad, S.G.P.C. Amritsar. 2. Gurbani Sangeet Pracheen Reet Ratnavali, Part-I, II, Bhai Avtar Singh Gurcharan Singh, Punjabi University, Patiala. 3. Sri Guru Granth Sahib Rag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 4. Guru Amar Das Raag Ratnavali, Prof. Tara Singh, Lok Samparak-Vibhag, Punjab. 5. Guru Ram Das Raag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 6. Guru Arjan Rag Ratnavali, Punjabi University, Patiala. 7. Guru Teg Bahadur Rag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 8. Partal Gayaki, Prof Tara Singh, Gurmat Sangeet Parkashan, Patiala. 9. Gurbani Sangeet Darpan, Prof. Kartar Singh, S.G.P.C. Amritsar. 10. Gurmat Sangeet Sagar, Vol. I to VI, Principal Dayal Singh, Guru Nanak Vidya Bhandar Trust, New Delhi. 11. Sikh Musicology, Dr. Gurnam Singh, Kanishka Publishers, New Delhi 12. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar 13. Gauri Raag Sulakhni, Principal Shamsher Singh Karir, Gurudwara Gur Gian Prakash Jawaddi Taksaal, Ludhiana 14. Gurmat Sangeet Prabandh te Pasar, Dr. Gurnam Singh, Punjabi University, Patiala 15. Guru Nanak Sangeet Paddti Granth, Jasbir Kaur Khalsa (Ed.), Ludhiana. 16. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-II (PAPER-I) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING MUSICOLOGICAL STUDY OF GURMAT SANGEET

SECTION - A 1 Technical Terminology : Raag, Rahaoo, Ank, Ghar, Jaati, Shaan, Manglacharan, Sudhang, Ghar, Dhrupad Ang da Shabad, Rababi, Pade, Dupade, Tipade, Chaupade, Astpadi, Theka, Sam, Taali, Khali, Avartan, Torha, Tihai, Uthaan, Mukaa, Mukhra, Chakradar, Rela, Lagi, Thhah, Doon, Keertan Chauki, Dhuni, Partal. 2 Musicological Study of Keertan Chauki. 3 Kirtan Chauki tradition of Gurmat Sangeet. SECTION-B 7 Contribution of Gurmat Sangeet in the development of Ragas. 8 Detailed study of the following Ragas: Sarang, Bilawal Dakhni, Gond, Bilawal Gond. Bilawal, Bilawal Mangal, Asawari, Maru Dakhni, Devgandhar, Soohi Lalit, Soohi Kafi, Gauri Dakhni, Gujri, Devgandhari, Todi, Basant.Wad-Hans, Soohi, Gujri, Asawari, Asa Ramkali (Anand Sahib). 9 Study of different Folk Singing Style of Gurmat Sangeet. 10 Elements of folk music in Gurmat Sangeet. BOOKS SUGGESSTED 1. Gurmat Sangeet Prabandh te Pasar, Dr. Gurnam Singh, Punjabi University, Patiala 2. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar 3. Gurmat Sangeet Adhyan, Dr. Harjas Kaur 4. Gurmat Sangeet da Sangeetak Vigyan, Dr. Varinder Kaur, Patiala 5. Gurmat Sangeet vich Paryukt Lok Sangeetak Tatt, Gurpratap Singh Gill 6. Simriti Granth, Aduti Gurmat Sangeet Samelon, (Ed.) Principal Satbir Singh, Ludhiana. 7. Sri Gur Pratap Suraj Granth, Bhai Santokh Singh, Amritsar. 8. Vadan Kala, Prof. Tara Singh, Punjabi University, Patiala. 9. Vismad Nad, Gurmat Sangeet Vishesh Ank, Ludhiana. 10. Guru Granth Sanket Kosh, Prof. Pyara Singh Padam, Punjabi University, Patiala. 11. Mahan Kosh, Bhai Kahn Singh Nabha, Dept. of Language, Patiala. 12. Gurmat Martand, Bhai Kahn Singh Nabha, Dept. of Language, Patiala. 13. Amrit Keertan (Gurmat Sangeet Vishest Ank), (Monthly Magazine), Dr. Jagir Singh (Ed.), Amrit Keertan Trust, Chandigarh. 14. Gurmat Sangeet Vishesh Ank (Editor Dr. Jasbir Kaur) : Punjabi University, Patiala 15. Guru Nanak Sangeet Padti Granth Part I & II (Editor Sukhwant Singh) : Gur Gian Prakash, Jawaddi Kalan, Ludhiana 16. Sangeet (Gurmat Sangeet Vishesh Ank), Monthly Magazine, Sangeet Karyala Hathras.

M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-II (PAPER-II) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING HISTORICAL DEVELOPMENT OF INDIAN MUSIC Time: 3 Hours Maximum Marks: 75 Total Teaching Hours: 75 Pass Marks: 35% Internal Assessment: 25 Marks INSTRUCTIONS FOR THE PAPER-SETTER The question paper will consist of three sections A, B & C. Sections A & B will have 5 questions from the respective sections of the syllabus and will carry 7 ½ marks each. Section E will consist of 15 short answer type questions which will cover the entire syllabus uniformly and will carry 30 marks in all. INSTRUCTIONS FOR THE CANDIDATES Candidates are required to attempt three questions from each sections A & B of the question paper and the entire section C is compulsory. Section A 1 Origin & Development of the following Gharanas of Indian Classical Music Vocal, Instrumental & Percussion a Gwalior, Agra, Kirana, Bhendi Bazaar, Jaipur-Atrauli, Rampur-Sehaswan, Indore, Mewati, Patiala, Sham Chaurasi Delhi, b Dagar Bani, Bishanpur, Darbhanga Malik, Darbhanga Bihar etc. 2 Contribution of the Scholar to Indian Music and their textual: Narad, Bharat, Dattil, Sharangdev, Nanyadev, Ramamatya, 3 Contribution of the Scholar to Indian Music and their textual: a Vyankatmukhi, Srinivas b Pt. V.N Bhatkhande, c V.D.Paluskar d Pt. Omkarnath Thakur e K. C. D. Brahspati Section B 5 Historical Development of Hindustani Music Vocal in medieval period. 6 Historical Development of Hindustani Music Instrumental medieval period. BOOKS SUGGESTED 1. Adi Granth Ke Parampragat Tetwon Ka Adhyan, Dept. of Language, Punjab. 2. Bhakti in the Vaisnava Rasa Shastra, Raghu Nath Sharma, Pratibha Prakashan, Delhi. 3. Bhartiya Sangeet Da Itihas, Yoginder Sharma, Dr.Bachittar Singh, Pbi.Uni.Pta. 4. Contribution of Saints and Seers to the Music of India, Sathianathan, 5. Shantsheela, Kanishka Publisher & Distributers, New Delhi.. 6. Dharmik Parampraye evam Hindustani Sangeet, Renu Schdev, Radha Publication,New Delhi. 7. Hamare Sangeet Ratan : Sangeet Karyalya, Hathras 8. Hindi Ke Krishan Kaleen Bhakti Kavaya Mein Sangeet, Usha Gupta, Lucknow Vishvadayala,Lucknow 9. Gurmat Sangeet Darpan Part I, II, Prof. Kartar Singh SGPC, Amritsar 10. Gurmat Sangeet Prabandh te Pasaar :Dr.Gurnam Singh, Pbi.Uni.Patiala. 11. Gayan Kala : Dr.Yashpal Sharma, Published by Pbi.Uni.Patiala. 12. Krishan Bhartidhara Sangeet aur Kavy, Dr.Anita Johri, Alpna Prakashan,Bareli. 13. Mahan Kosh, Bhai Kahn Singh Nabha, Dept. of Language, Patiala. 14. Punjabi Sangeetkar, Dr.Gurnam Singh : published by Pbi.Uni.Patiala. 15. Sangeet Sidhant te Sohaj Shaster (Dr. D S Narula) : Pbi.Uni.Patiala. 16. Sangeet Nibandhwali : Dr.Gurnam Singh,published by Pbi.Uni.Patiala. 17. Sangeet Granth te Bharti Sangeet Da Itihas : Chander Kant Khosla 18. Sangeet (Gurmat Sangeet Vishesh Ank), Sangeet Karyala Hathras, UP. 19. Sangeet Samikhya, D S Narula, Literature House, Amritsar. 20. Sangeet Subodh (Gayan) Part-I : Dr. K Davinder & Sudesh Syal 21. Spiritual Aspects of Indian Music, Robert Lepald Simon, Sandeep Prakashan, Delhi. 22. Sangeet Kaumudi, Part II & III (Punjabi) V S Nigam ,published by Pbi.Uni.Patiala. 23. Sangeet Vishard : Sangeet Karyalya, Hathras, Vasant. 24. Sangeet Shastra Darpan : Shanti Govardhan Nigam 25. Vadan Kala : Prof. Tara Singh, Surjit Kaur, Published by Pbi.Uni.Patiala. 26. Hindustani Sangeet Padhtion Ka Tulnatmik Adhyain : V N Bhathkande, Sangeet Karyala Hathras, UP.

M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-II (PAPER-III) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING : A Practical Perspective Max. Marks: 100 Time allowed: 20 minutes Pass Marks: 35% Lectures: 75 Section A -Gurmat Sangeet Styles - 30 Marks Section B -Instrument Playing - 10 Marks Section C -Assignment - 25 Marks Section D -Knowledge of Taals - 10 Marks INSTRUCTIONS FOR THE PRACTICAL EXAMINER The Practical Examination will be conducted by a Board of Examiners consisting of Head of the department/Nominee, Internal teacher and External Experts as per decision of the Syndicate (25.10.91 Para 2.3). Harmonium is allowed as an accompaniment. Weightage will be given to be students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet. INSTRUCTIONS FOR THE CANDIDATES Harmonium is allowed as an accompaniment but weightage will be given to the students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet tradition. 1 A complete stage performance of any two of the following Kirtan Chaukis in the various music compositions of a Kirtan Chauki i.e. (Shaan, Manglacharan, Shabad Dhrupad Ang, Shabad Khyal Ang, Shabad Reet, Paurhi) according to different Bani Prakarns :  Asa di Var di Chauki - Raga Asa, Asawari Sudhang, Prabhati, Bhairo, Ramkali, Gauri  Sarang Di Chauki - Sarang, Bilawal Dakhni, Gond, Bilawal Gond.  Bilawal Di Chauki - Bilawal, Bilawal Mangal, Asawari, Maru Dakhni, Devgandhar, Soohi Lalit, Soohi Kafi, Gauri Dakhni, Gujri, Devgandhari, Todi, Basant.  Anand Karj Di Chauki - Wadhans, Soohi, Gujri, Todi, Asawari, Asa Ramkali (Anand Sahib).  Shukrane Di Chauki - Gujri, Todi, Asa Ramkali (Anand Sahib).. 2. Ability to perform the different Two Hindustani singing styles with proper Gayaki as following: Lakshan Geet, Dhrupad, Folk Song (Aniband and Nibadh) 3. Demonstration of following talas on hand/tabla/pakhawaj with Ekgun, Dugun and Chaugun, Layakari - Daadra, Kehrwa, Pauri, Chartaal Di Sawari and All taalas prescribed in Previous Semester.

BOOKS SUGGESTED 1. Gurbani Sangeet, Part-I, II, Giyan Singh Aibtabaad, S.G.P.C. Amritsar. 2. Gurbani Sangeet Pracheen Reet Ratnavali, Part-I, II, Bhai Avtar Singh Gurcharan Singh, Punjabi University, Patiala. 3. Sri Guru Granth Sahib Rag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 4. Guru Amar Das Raag Ratnavali, Prof. Tara Singh, Lok Samparak-Vibhag, Punjab. 5. Guru Ram Das Raag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 6. Guru Arjan Rag Ratnavali, Punjabi University, Patiala. 7. Guru Teg Bahadur Rag Ratnavali, Prof. Tara Singh, Punjabi University, Patiala. 8. Partal Gayaki, Prof Tara Singh, Gurmat Sangeet Parkashan, Patiala. 9. Gurbani Sangeet Darpan, Prof. Kartar Singh, S.G.P.C. Amritsar. 10. Gurmat Sangeet Sagar, Vol. I to VI, Principal Dayal Singh, Guru Nanak Vidya Bhandar Trust, New Delhi. 11. Sikh Musicology, Dr. Gurnam Singh, Kanishka Publishers, New Delhi 12. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar 13. Gauri Raag Sulakhni, Principal Shamsher Singh Karir, Gurudwara Gur Gian Prakash Jawaddi Taksaal, Ludhiana 14. Gurmat Sangeet Prabandh te Pasar, Dr. Gurnam Singh, Punjabi University, Patiala 15. Guru Nanak Sangeet Paddti Granth, Jasbir Kaur Khalsa (Ed.), Ludhiana. 16. Sri Guru Granth Sahib Raag Ratnakar, Dr. Gurnam Singh, SGPC, Amritsar

M.A. PART - I GURMAT SANGEET (GAYAN) SEMESTER-II (PAPER-IV) (2015-2016, 2016-2017) OUTLINES OF TESTS SYLLABI AND COURSES OF READING ahib

Max. Marks: 100 Time allowed: 20 minutes Pass Marks: 35% Lectures: 75 INSTRUCTIONS FOR THE PRACTICAL EXAMINER The Practical Examination will be conducted by a Board of Examiners consisting of Head of the department/Nominee, Internal teacher and External Experts as per decision of the Syndicate (25.10.91 Para 2.3). Harmonium is allowed as an accompaniment. Weightage will be given to be students reciting Shabad Kirtan along with string instruments of Gurmat Sangeet.

The paper will consists of four sections as under: Section A - Assignments - 25 marks Section B - Detailed Ragaas - 30 marks Section C - Non-detailed Ragaas - 10 marks Section D - Hindustani Singing Styles - 10 marks INSTRUCTIONS FOR THE CANDIDATE 1. The candidate has to submit one assignment on the topics given by the examiner which will be evaluated by the external examiner on the basis of presentation and communication skills. 2. The candidate has to recite Shabad Keertan playing Tanti Saaz (Rabaab, Siranda, Taus, Dilruba etc.). Fifteen shabad compositions with proper Gayaki in singing style of Dhrupad Ang/Khayal Ang from the following prescribed ragas and the candidate should have brief introduction of other raagas also. Sarang, Bilawal Dakhni, Gond, Bilawal Gond.Bilawal, Bilawal Mangal, Asawari, Maru Dakhni, Devgandhar, Soohi Lalit, Soohi Kafi, Gauri Dakhni, Gujri, Devgandhari, Todi, Basant. Wadhans, Soohi, Gujri, Todi, Asawari, Asa Ramkali (Anand Sahib).Gujri, Todi, Asa Ramkali (Anand Sahib). 3. Parhtaal Gayan - Sarang, Soohi, Bilawal .