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Up-Krc-6Pkss-Book-Of-Abstracts-Boa
6th Philippine Korean Studies Symposium DAY 1 : November 21 (Thursday) TIME ACTIVITY 8:00 – 9:00 Registration OPENING PROGRAM WELCOME REMARKS Mary Delia G. Tomacruz, DBA Assistant Vice President, Office of the Vice President for Academic Affairs University of the Philippines CONGRATULATORY REMARKS 9:00 – 9:30 Maria Bernadette L. Abrera, Ph.D. Dean, College of Social Sciences and Philosophy University of the Philippines Diliman OPENING REMARKS Aldrin P. Lee, Ph.D. OIC-Director, Korea Research Center University of the Philippines PLENARY LECTURE 1 Korean Popular Culture and the International Cultural Flow 9:30 – 10:40 Doobo Shim, Ph.D. Sungshin Women’s University 2019 UP KRC CORE RESEARCH PRESENTATIONS A Review of Economic Agendas and Relevant Bilateral Relations of South Korea and the Philippines: Directions for Opportunities, Enhancements, and Improvements Erik Paolo Capistrano, Ph.D. Virata School of Business, University of the Philippines Diliman Harnessing Philippine Soft Power: 10:40 – 12:10 Lessons from South Korea’s Soft Power Strategy Aaron Jed Rabena, Ph.D. Asia Pacific Pathways for Progress Foundation Inc. Media Representations of Koreans in the Philippines Jean Encinas-Franco, Ph.D. & Samuel Cabbuag Department of Political Science / Department of Sociology University of the Philippines Diliman 12:10 – 1:30 Lunch Break 2 3 6th Philippine Korean Studies Symposium DAY 1 : November 21 (Thursday) PARALLEL PAPER PRESENTATIONS AUDITORIUM SEMINAR ROOM TIME ACTIVITY A B 8:00 – 9:00 Registration Filial Piety: A Contemporary Managing K-Pop in the Moral Quandary in the OPENING PROGRAM Philippines: Philippines and Lessons from the Shopee x WELCOME REMARKS South Korea Evaluated Using BLACKPINK Experience Aristotle’s Virtue Ethics Mary Delia G. -
Mimicking the Mimics: Problematizing Cover Performance of Filipino Local Music on Social Media
Mimicking the mimics: problematizing cover performance of Filipino local music on social media Author Anacin, Carljohnson, Baker, David, Bennett, Andy Published 2021 Journal Title Media, Culture & Society Version Accepted Manuscript (AM) DOI https://doi.org/10.1177/01634437211029888 Copyright Statement Anacin, C; Baker, D; Bennett, A, Mimicking the mimics: problematizing cover performance of Filipino local music on social media, Media, Culture & Society. Copyright 2021 The Authors. Reprinted by permission of SAGE Publications. Downloaded from http://hdl.handle.net/10072/406469 Griffith Research Online https://research-repository.griffith.edu.au 1 Mimicking the mimics: problematizing cover performance of Filipino local music on social media Carljohnson Anacin Griffith University, Gold Coast Campus, Australia [email protected] David Baker Griffith University, Australia Andy Bennett Griffith University, Australia Abstract The performance of cover songs in popular music has long been a subject of critical discussion and debate due to the artistic, social, cultural, and commercial issues that covers raise. In non-Western societies, most popular songs covered by artists are Anglo- American, a situation which implicitly privileges Western music and reinforces both the “west and the rest” trope and the cultural imperialism thesis. Taking American amateur artists and their online videos performing Filipino popular music as case studies, this article examines how social media platforms facilitate and problematize center- periphery relations in popular music through a diffusion of cultural products “from the rest to the west.” Moreover, we show that more than the promise of audience reach, the phenomenon reflects how these cover artists embody cultural and social situatedness in Filipino culture. -
15 Mar Guide 2015
GUIDE 2015 27 FEB – 15 MAR DISCOVER SOMETHING NEW MELBOURNEFOODANDWINE.COM.AU 3 TICKETS ON SALE NOW! Welcome MELBOURNEFOODANDWINE.COM.AU Bank of Melbourne Contents proud to be Signature Festival Events Page 4 – 5 Presenting Partner of Langham Melbourne MasterClass Page 6 – 8 Quintessentially Melbourne the 2015 Melbourne Page 9 2014 Bank of Melbourne World’s Longest Lunch Wine Weekend Food and Wine Festival. Page 10 Regional World’s Longest Lunches Find new frontiers Page 11 Event Index of flavour... Page 12 – 15 with the 23rd Melbourne Food and Wine Festival presented by Bank of Melbourne — a celebration of new-century cuisine, served up in a city with an irrepressible culinary spirit. For 17 days, Melbourne transforms hidden laneway eateries, snack into a tantalising carnival of at the mouth-watering Festival flavour, as some of the world’s Artisan Bakery and Bar, and most celebrated chefs and learn at the feet of the masters innovative winemakers come themselves. together to cook up a simmering hotpot of nourishing tastings, Join the festivities and get a masterclasses and special events. taste of the very best the world has to offer. Discover ground-breaking new cuisine and biodynamic wines, Dish by Shane Delia, Maha, Melbourne enjoy one-off feasts in Melbourne’s JOHN HADDAD AO SCOTT TANNER Chairman, Melbourne Food Chief Executive, Bank of Melbourne and Wine Bank of Melbourne is thrilled to Plan the ultimate food and wine support Melbourne Food and experience with this mini Festival Wine Festival. We’re proud to bring Guide featuring highlight events you the World’s Longest Lunch in in the 2015 Festival. -
“What's In?”: Unveiling Pop Culture's Use in Facilitating English Grammar
“WHAT’S IN?”: UNVEILING POP CULTURE’S USE IN FACILITATING ENGLISH GRAMMAR LEARNING AMONG GRADE 7 STUDE DELILAH BALAJADIA PANGAN Researcher Master of Arts in Education Major in English October 2013 Mylene A. Manalansan, M.A.Ed. Adviser Abstract This study used an explanatory mixed method of research involving quasi-experimental and qualitative narrative strategies. It aimed to validate the impact of popular culture in language learning among Grade 7 students in the Philippine setting, particularly in a rural area. Specifically, it sought to find the significance of pop culture as a tool in facilitating grammar learning among the target participants. Results show that there was a significant improvement in the test scores of the experimental group after having been subjected to the intervention, which is the use of popular artists, popular songs, video game characters, and popular game shows in teaching a grammar lesson. On the other hand, there was no significant improvement in the test scores of the control group who were given explicit grammar instruction. More active and eager participants were evident in the experimental group than in the control group. Based on the interview of the participants from the experimental group, a positive response, which includes enjoyment, interests, and captivation, was evident. Furthermore, the use of contextualized pop culture in the discussion of the target lesson made the participants more attuned to the lesson. This study concludes that the use of pop culture as a tool in teaching grammar among Grade 7 students facilitates their learning and makes them more interested and active learners. Language teachers then must take advantage of pop culture’s potential in capturing students’ hearts and in stimulating their willingness to learn. -
Mimicking the Mimics: Problematizing Cover Performance of Filipino Local Music on Social Media
Mimicking the mimics: problematizing cover performance of Filipino local music on social media Author Anacin, Carljohnson, Baker, David, Bennett, Andy Published 2021 Journal Title Media, Culture & Society Version Accepted Manuscript (AM) DOI https://doi.org/10.1177/01634437211029888 Copyright Statement Anacin, C; Baker, D; Bennett, A, Mimicking the mimics: problematizing cover performance of Filipino local music on social media, Media, Culture & Society. Copyright 2021 The Authors. Reprinted by permission of SAGE Publications. Downloaded from http://hdl.handle.net/10072/406469 Griffith Research Online https://research-repository.griffith.edu.au 1 Mimicking the mimics: problematizing cover performance of Filipino local music on social media Carljohnson Anacin Griffith University, Gold Coast Campus, Australia [email protected] David Baker Griffith University, Australia Andy Bennett Griffith University, Australia Abstract The performance of cover songs in popular music has long been a subject of critical discussion and debate due to the artistic, social, cultural, and commercial issues that covers raise. In non-Western societies, most popular songs covered by artists are Anglo- American, a situation which implicitly privileges Western music and reinforces both the “west and the rest” trope and the cultural imperialism thesis. Taking American amateur artists and their online videos performing Filipino popular music as case studies, this article examines how social media platforms facilitate and problematize center- periphery relations in popular music through a diffusion of cultural products “from the rest to the west.” Moreover, we show that more than the promise of audience reach, the phenomenon reflects how these cover artists embody cultural and social situatedness in Filipino culture. -
No. Title Artist
No. Title Artist 3501 7~6~5~4~3~2~1 (BLOW YOUR WHISTLE) GARY TOMS EMPIRE 3502 A CERTAIN SHADE OF GREEN INCUBUS 3503 A LITTLE KISS A LITTLE HUG VERNIE VARGA 3504 A LONG WALK JILL SCOTT 3505 A.I.D.S. KAMIKAZEE 3506 ADIOS SLAPSHOCK 3507 AERO ZEPPELIN NIRVANA 3508 AKIN KA NA LANG ITCHYWORMS 3509 AKO SI M16 JUNIOR KILAT 3510 ALERT THE ARMORY URBANDUB 3511 ALIPIN SHAMROCK 3512 ALPHA BETA OMEGA BAMBOO 3513 AMBISYOSO KAMIKAZEE 3514 ANAK NG JUETENG HARBOUR BABIES 3515 ANAK NG PASIG GENEVA CRUZ 3516 ANG MAGULANG MO MIKE HANOPOL 3517 ANG MUNDO KO'Y IKAW JONALYN VIRAY 3518 ANNIE GET YOUR YO~YO LITTLE JUNIOR PARKER 3519 ANNIVERSARY TONY TONI TONE 3520 ANYWHERE BUT HERE TOP SUZARA 3521 APOY GREYHOUNDZ 3522 ARAW'T GABI TRUE FAITH 3523 AROUND THE WAY GIRL LL COOL J 3524 AS THE MUSIC PLAYS THE BAND BAMBOO 3525 ASA SOUTHBORDER 3526 ASA KA PA BLUE KETCHUP 3527 AT MIDNIGHT CHAKA KHAN 3528 AWIT NG PANGARAP YENG CONSTANTINO 3529 AYAW KONG MAWALAY KA TOOTSIE GUEVARRA 3542 BA'T NAHAYAAN PA RENZ VERANO 3530 BABY I'M YOURS SHAI 3531 BACK AGAIN OLIVIA 3532 BAGSAKAN PAROKYA NI EDGAR/F.M./GLOC 9 3533 BAKA SAKALI JOLINA MAGDANGAL 3534 BAKIT RACHELLE ANN GO 3535 BAKIT BA IKAW LANI MISALUCHA 3536 BAKIT IISA ANG PAG~IBIG MON DEL ROSARIO 3537 BAKIT IKAW PA RIN ARLENE SALVADO 3538 BAKIT INIBIG PA KITA LADINE ROXAS 3539 BAKIT MADALAS ANG TIBOK NG PUSO LORNA PAL 3540 BAKIT MANIPIS ANG ULAP PAT CASTILLO 3541 BANANA CUE HERBERT AND DINGDONG 3543 BAYAN BAYANI BAYANIHAN BAYANG BARRIOS 3544 BEAUTIFUL DAYS KYLA 3545 BEER ITCHYWORMS 3546 BINAGO MO GABRIELLA 3547 BITIW SPONGE COLA 3548 BITUING WALANG NINGNING SARAH GERONIMO 3549 BLUE MOON STANDARD 3550 BLUE SKY HALE 3551 BOOGIE RAMBLER "CLARENCE ""GATEMOUTH"" BROWN" 3552 BOY TIMMY CRUZ 3553 BREAKIN'.. -
Rubber Souls: Rock and Roll and the Racial Imagination
Rubber Souls: Rock and Roll and the Racial Imagination The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Hamilton, John C. 2013. Rubber Souls: Rock and Roll and the Racial Imagination. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:11125122 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Rubber Souls: Rock and Roll and the Racial Imagination A dissertation presented by Jack Hamilton to The Committee on Higher Degrees in American Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of American Studies Harvard University Cambridge, Massachusetts April 2013 © 2013 Jack Hamilton All rights reserved. Professor Werner Sollors Jack Hamilton Professor Carol J. Oja Rubber Souls: Rock and Roll and the Racial Imagination Abstract This dissertation explores the interplay of popular music and racial thought in the 1960s, and asks how, when, and why rock and roll music “became white.” By Jimi Hendrix’s death in 1970 the idea of a black man playing electric lead guitar was considered literally remarkable in ways it had not been for Chuck Berry only ten years earlier: employing an interdisciplinary combination of archival research, musical analysis, and critical race theory, this project explains how this happened, and in doing so tells two stories simultaneously. -
Hallyu Proceedings Draft1b 2014-Sept
i This proceedings is a collection of papers presented at the 1st AIKS Conference on Korean Studies: ―Hallyu Mosaic in the Philippines: Framing Perceptions and Praxis‖ held on June 19, 2014 at Escaler Hall, Ateneo de Manila University, Katipunan Ave. Loyola Heights, Quezon City, Philippines. This event was organized by the Ateneo Initiative for Korean Studies (AIKS), in partnership with the Department of Communication and the Department of Modern Languages, Ateneo de Manila University, through the support of the Academy of Korean Studies (Conference Grant AKS-2014-C03). Copyright © 2014 Ateneo de Manila University ALL RIGHTS RESERVED ISSN XXX-XXXX (Printed Publication) ISSN XXX-XXXX (Online/Electronic Publication) 2014 AIKS Conference Organizing Team Patrick Michael Capili Department of Modern Languages, School of Humanities Alona U. Guevarra Department of English, School of Humanities/Ateneo Initiative for Korean Studies (AIKS) Sarah Domingo Lipura Department of Modern Languages, School of Humanities /Ateneo Initiative for Korean Studies (AIKS) Jose Angelo Supangco Department of Communication, School of Social Sciences Publication Team General Editor: Alona U. Guevarra Associate Editor: Sarah Domingo Lipura Book Cover & Logo: Anna Chavez ii CONTENTS MESSAGES Dr. John Paul Vergara vi Vice President for the Loyola Schools Ateneo de Manila University H.E. Hyuk Lee viii Ambassador Extraordinary and Plenipotentiary of the Republic of Korea to the Republic of the Philippines Prof. Jaime Manuel Flores x Department of Communication KEYNOTE PRESENTATION The Globalization of K-pop: Korea‘s 1 Place in the Global Music Industry Oh Ingyu PANELS Panel I: Dissecting the Filipino Content in Hallyu Fandom Formation, Purpose and Gains: An Exploratory study of 25 Hallyu Fanclubs in the Philippines Catherine Deen Painting the Scenario of Filipino Kpop Fan Culture 35 Patrick Michael L. -
UNIVERSITY of the PHILIPPINES Bachelor of Arts in Journalism Mark
UNIVERSITY OF THE PHILIPPINES Bachelor of Arts in Journalism Mark Louie A. Bonayon INTERPRETING ENSEMBLES: A COMPARATIVE STUDY OF THE PROMOTIONAL COVERAGE OF LOCAL AND INTERNATIONAL MUSIC EVENTS BY THE PHILIPPINE DAILY INQUIRER, SUMMIT MEDIA, AND WHEN IN MANILA FROM JANUARY TO DECEMBER 2012 Thesis Adviser: Professor Marichu C. Lambino College of Mass Communication University of the Philippines Date of Submission March 2012 Permission is given for the following people to access this thesis: Available for general public Yes Available only after consultation with author’s thesis adviser No Available only to those bound by confidentiality agreement No Student’s signature: Signature of thesis adviser: ii UNIVERSITY PERMISSION PAGE I hereby grant the University of the Philippines non-exclusive worldwide, royalty- free license to reproduce, publish and publicly distribute copies of this thesis or dissertation in whatever form subject to the provisions of applicable laws, the provisions of the UP IPR policy and any contractual obligations, as well as more specific permission marking on the Title Page. Specifically I grant the following rights to the University: a. To upload a copy of the work in the theses database of the college/school/institute/department and in any other databases available on the public market; b. to publish the work in the college/school/institute/department journal, both in print and electronic format and online; and c. to give open access to above-mentioned work, thus allowing “fair use” of the work in accordance with the provisions of the Intellectual Property Code of the Philippines (Republic Act No. 8293), specially for teaching, scholarly and research purposes. -
Lopezlink November 2016
NOVEMBER 2016 www.lopezlink.ph Catch the new ABS-CBN Story on page 4. http://www.facebook.com/lopezlinkonline www.twitter.com/lopezlinkph Christmas SID! Lopez Group senior leaders with Lifetime Achievement awardees Atty. Jake Almeda Lopez and Margot Fragante. Insets: The four Unsung Hero awardees 2016 LAA showcases ‘Making Excellence a Habit’ FILLED with excitement and best wishes for everyone, Lopez Group kapamilya trooped to ABS-CBN’s Studio 10 for the 2016 Lopez Achievement Awards (LAA), themed “Mak- ing Excellence a Habit,” on October 11, 2016. Turn to page 6 Hangar C ‘Ano’ng tingin Power Plant …page 2 …page 4 unveiled mo?’ …pageMall 12 presents Lopezlink November 2016 Lopezlink November 2016 Biz News PHOTOS BY CIAC-CORPORATE PHOTOSBY COMMUNICATIONS ABS-CBN reports 50% increase Sec. GL@DENR GL assures IPs: ‘No one in ancestral lands will in net income to P2.85B By Kane Choa be evicted’ ABS-CBN Corporation reported Online, viewership of ABS- vice nationwide under the brand ENVIRONMENT Secretary Resources (DENR) for a dia- The DENR chief likewise a consolidated revenue of P31.1 CBN content also remains SKYdirect last May has brought Gina Lopez has assured indig- logue. urged them to help the govern- billion for the first nine months strong with ABS-CBN’s video- in over 70,000 subscribers. enous peoples (IP) from Min- Right then and there, Lopez ment in protecting the resourc- of 2016, bringing its net income on-demand service iWant TV “By year-end, SKY’s total pay danao, who have been holding directed DENR Usec. for Field es in their ancestral lands. -
The New Manila Sound: Music and Mass Culture, 1990S and Beyond James Gabrillo
The New Manila Sound: Music and Mass Culture, 1990s and Beyond A dissertation submitted for the degree of Doctor of Philosophy in Music James Gabrillo Peterhouse, University of Cambridge November 2018 This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other quali- fication at the University of Cambridge or any other University or similar institution. It does not exceed the word limit prescribed by the Degree Committee. "2 of 293" The New Manila Sound: Music and Mass Culture, 1990s and Beyond James Gabrillo Abstract This dissertation provides the first detailed account of the mass musical culture of the Philippines that originated in the 1990s and continues to be the most popular style of musical entertainment in the country — a scene I dub the New Manila Sound. Through a combination of archival research, musical analysis, and ethnographic fieldwork, my ex- amination focuses on its two major pioneers: the musical television programme Eat Bula- ga! (Lunchtime Surprise) and the pop-rock band Aegis. I document the scene’s rise and development as it attracted mostly consumers from the lower classes and influenced oth- er programmes and musicians to adapt its content and aesthetics. The scene’s trademark kitsch qualities of parody, humour, and exaggeration served as forms of diversion to au- diences recovering from the turbulent dictatorship of Ferdinand Marcos from 1965 to 1986, when musical works primarily comprised of state-commissioned nationalist an- thems, Western art music, and protest songs. -
Lorentz, Korinna
MASTERARBEIT im Studiengang Crossmedia Publishing & Management Erfolgversprechende Melodien – Analyse der Hooklines erfolgreicher Popsongs zur Erkennung von Mustern hinsichtlich der Aufeinanderfolge von Tönen und Tonlängen Vorgelegt von Korinna Gabriele Lorentz an der Hochschule der Medien Stuttgart am 08. Mai 2021 zur Erlangung des akademischen Grades eines „Master of Arts“ Erster Betreuer und Gutachter: Prof. Dr. Oliver Wiesener Zweiter Betreuer und Gutachter: Prof. Oliver Curdt E-Mail: [email protected] Matrikelnummer: 39708 Fachsemester: 4 Geburtsdatum, -ort: 15.04.1995 in Kiel Danksagung Mein größter Dank gilt Professor Dr. Oliver Wiesener für das Überlassen des Themas und die umfangreiche Unterstützung bei methodischen und stochastischen Überlegungen. Ich danke ihm insbesondere dafür, dass er trotz einiger anderer Betreuungsprojekte meine Masterarbeit angenommen hat und somit meinen Wunsch, im Musikbereich zu forschen, ermöglicht hat. Des Weiteren möchte ich meinem Freund und meiner Familie dafür danken, dass sie sich meine Problemstellungen bis zum Ende hin angehört haben und mir immer wieder Inspi- rationen für neue Lösungswege geben konnten. Besonderer Dank gilt meiner Mutter, Gabriele Lorentz, mit der ich interessante Gespräche zu musikalischen Themen führen konnte und mei- nem Vater, Dr. Thomas Lorentz, mit dem ich nächtliche Diskussionen über Markov-Ketten und Neuronale Netzwerke hatte. Ich danke meinen Eltern und meinem Freund, Michael Feuerlein, für die kritische Durchsicht der Arbeit. Kurzfassung In der vorliegenden Masterarbeit wurden die Melodie-Hooklines von Popsongs, die in Deutsch- land zwischen 1978 und 2019 sehr erfolgreich waren, explorativ analysiert. Ziel war, zu unter- suchen, ob gewisse Muster in den Reihenfolgen der Töne und Tonlängen vorkommen, und diese zu finden. Für die Mustersuche wurden Markov-Ketten erster, zweiter und dritter Ord- nung sowie Chi-Quadrat-Anpassungstests berechnet.