BERMUDA's FORMULA III \ GOWNS of RENOWN Ree for the Heat Coming Down Om 1

Total Page:16

File Type:pdf, Size:1020Kb

BERMUDA's FORMULA III \ GOWNS of RENOWN Ree for the Heat Coming Down Om 1 $1.00 A Hi:imi i)\ BERMUDA'S FORMULA III \ GOWNS OF RENOWN ree For the Heat Coming Down om 1. Afghanastan Gypsy Dress - Cotton & Silk SUITE 2. Afghanastan Frill Dress - Cottoni 3. East Indian Tunic Gown - CottOt ree cFo m SUITE Patches Pipes Men Oes Kids' Shoes & Clothes FREEDOM SUITE A MAZE OF FASHION FROM MASTERS OF CREATION. STAFF Overseas Correspondents: Ella Ferguson, N.Y. FAME George Fry, N.Y. MAGAZINE Staff Writers: VOLUME I Numbei 6 Lois Smith DECEMBER, 1974 Jennifer M. Smith Guest Writers: Mrs. JUNE MASTERS Alma (Champ) Hunt Editor and Publisher Cecile N. Smith Calvin Shabazz ALFRED A. AUGUSTUS Hastings Saltus Circulation Manager Phone 2-4366 A Policy Statement From the Publisher CONTENTS PAGE Dear Reader: Our reason for publishing FAME is to fill what we feel is the need for a EDITORIAL 3 magazine that will present to the Col­ AARDVARK ADVERTISING LTD 4 ony and the world, the hopes and fears, FADS ADVERTISING AGENCY 7 the triumphs and frustrations of AD-VENTURES 9 Bermudians. SCOTT CRAFTS 11 Our aim, therefore, is to be a ma­ ADVERTISING ASSOCIATES COIVIPTON LTD 13 gazine that will show exactly what the GERTRUDE FENDLER 16 resident of this Colony is like. Our art­ FOUNTAIN BLAKE 17 icles will always strive to reflect the SPYGLASS SAFARIS 18 pulse and pace of life at all levels of BERMUDA - ANOTHER WORLD 19 society in Bermuda. A MEDAL FOR WILLIE 22 FORMULA THREE 25 DEMOCRACY AT WORK AT WARWICK SECONDARY 28 EXPERIENCE IS THE BEST TEACHER 31 TREVOR THOMPSON - THE MUSIC MAN 32 FINANCIAL CONSULTANT ENJOYS NEW POST 34 GRAND OLD MAN OF PRINTING STEPS DOWN 35 FAME is published the first of each month. Their office is located 'n The Recorder Building, Court Street, Hamilton. Telephone 2-4366. All correspondence and Advertising Copy should be forwarded to P.O. Box 643, Hamilton 5. Price - Sl.OO per copy, with yearly subscrip­ tions available. Subscription: Foreign sealed - $34.04 Foreign unsealed - $19.92 Local sealed - $13.80 Local unsealed - $12.96 Printed Photo-Offset by The Engravers Limited, Mills Creek Industrial Park, Pembroke. COVER CAPTION - Members of Bermuda's FORMULA III, Terry Sergeant, Gary Bean and George Simons, top local rhythm and blues group who recently appeared at the Zodiac Palace. •*•••••••••••*• The new Jodee bra for AFTER BREAST SURGERY comfort and a natural look without alterations M SKuggte .... mmq in ewi UUM cofic* p<uid wte i« 'ied on hUm qiM - al »29.95. Otket ibfiti ktm »25.95 Fashion bra has built-in self-leveling stretch pockets. It's g (o 18 non-allergic ... no riding up. Machine washable. The breast form is so natural and feminine it can be worn under the most clingy knits and is totally M carefree. • Come in and walk out wearing it • Form guaranteed for 5 years • Personalized attention and fittings are the magic touch for under­ garments which are all -¥ available at M emme 9 CHURCH STREET HAMILTON BERMUDA • 6 TELEPHONE 1-4343 ^^ie M. Sia^o^ •••••••••••••••••••• DECEMBER 1974/FAME 2 ^ditoxia LOOKING BACK- LOOKING The year 1974 will always be remembered as the year ofFORWAR contrasts. In this year man has realiseDd the havoc that uncontrolled industrialisation has wrecked on the environment, the danger that the earth's resources are m, and that many people will die of starvation in undeveloped countries. Yet man continues to spend money on space exploration and nuclear arms races — while these problems go unchecked. People ..realised that values such as honesty and integrity had been forgotten as Watergate continued to erupt. Locally, Bermudians began to realise that they have been living charmed lives, as prices on both necessities and luxuries rose (and still rise), making us retum to basic priorities in spending habits. 1974 is probably the last year for life in Bermuda as we have known it. Govemment has already wamed that we are approaching a recession, that unemployment will continue to grow, and that money will get even tighter. All in all, the outlook for next year is not good. World wide inflation affects Bermuda, and it has placed a burden on us to maintain our present stand­ ards. In fact, Bermudians will soon have to realise that the only way we can cope with the economic difficulties caused by the rapidly changing world conditions is to stick to simple values and to use restraint in spending. If it is tme that behind every cloud there's a silver lining, then 1975 — with all its promise of depression and hard times — may be just what we need in order to better our spiritual selves. For we shall have to become more resourceful, more dependent upon our­ selves and responsible. Looking at it this way, 1975 just might not be a bad year after all. DECEIVIBER 1974/FAME 3 Advertising Agencies AARDVARK ADVERTISING LIMITED By JENNIFER SMITH easily recognisable symbol, adding a touch of whimsy to their stationery and offices. Recalling why he opened his own agency, Mr. Hinds, who was previously with Advertising Associates, noted, "At that time Advertising Associates were the only full-service agency in this business. There were a lot of other people in the business but they didn't have the full service that Advertising Associates had, so I felt that there was a vacuum. Mr. Hinds first opened for business on the second floor of the Intemationai Centre (where he is still located) in an office one third the size of his present space, and with one $6,000-a-year account. He says, "Since then, we've been pleased that we've picked up some very fme accounts." Aardvark handles L. P. Gutteridge, W. M. Bluck, Pearman and Watlington, Bermuda General Agency and Castle Harbour Hotel among others. The personnel at Aardvark increased to six with the addition of Mr. Keith Hart, who joined the agency one and a half years ago from Z.B.M. Mr. Hinds, who has known Keith Hart for some time, noted: "I feel he is a great asset to the company, but we are still small and we're going to keep it small." Explaining what he means by keeping the agency small. Dusty Hinds said, "we are currently handling 20 accounts, and there's a limit to the size that we can grow because we have imposed a mle upon our­ Dusty Hinds, head of Aardvark .Advertisinfi Agency. selves. We believe that to do a good job for our client The minute you walk through the fifth floor door we must become involved on many and various levels. of Aardvark Advertising Limited, you know that you Therefore, we are made aware of a lot of private in­ are in a place that is on the move. The unique glass formation that we must know to do an efficient job. door, the clever aardvark looking down at you and the "Since this is the case, if we're handling a client Playboy on the coffee table all proclaim the progressive- in one category, then it would be rather incorrect of ness of founder. Dusty Hinds, who in three and a half us to handle another client who is in the same category. short years has built his business up to where it is We are very aware of conflicting interests, and as we today. can only ethically handle one client in each category Aardvark Advertising Limited, named after tbe then we are naturally limiting our growth." African mammal whose body resembles a combination However, Mr. Hmds added that while their growth of other animal's parts, is as it name suggests: in a was limited in this particular way, they hoped that as class by itself. With 24 hours to think of a name for their clients grew, so would the agency along with them. his company, Mr. Hinds consulted his dictionary and OFFERING A FULL SERVICE ... as much as came across the word "aardvark", explained as "a they can without going into enormous costs, Aardvark totally weird animal, a conglomerate of many things considers itself a "problem solving advertising agency". that come together to make one thing." "Which," he Dusty Hinds explains, "I would like to consider Aard­ says, "is what advertising is, and so we felt it suited." vark as kind of problem solvers. It would be very In addition, the aardvark itself has become the agency's easy for us to produce handsome ads in the newspaper DECEMBER 1974/FAME 4 .\yr. ///i/(/.< t inili rs.ii illi K< illi //./rf (l< ft) uhoiit one of their ui cniniti. that are artistic and lovely to look at; but it's quite deciding this. Dusty Hinds notes: " 1 take into Account possible that the ad wouldn't work — and let's face it, that if it's for the tourist market, then television would the prime reason for advertising is to communicate to be ridiculous because maybe only 100 tourists a week the public what the client has to offer and to motivate even see television; and it would be equally ridiculous them to buy the product or use the service." for a product for the local market to go into "Preview" Continuing, he noted, "one of the areas that is magazine, which local people hardly ever see." extremely important to us is that we're purchasing Continuing, he noted, "it is a very interesting fact something that is basically intangible and abstract. that Bermuda has more media per capita than any other We're using a great deal of our clients' money to country in the world. This is something that is in­ purchase time on television and radio and white space explicable to visitors who are in advertising: and be­ in newspapers and magazines, and it's a big responsi­ cause of this variety and abundance, it is a critical bility to ensure that this abstract purchasing does the thing to make the money do the job and go as far job." as possible.
Recommended publications
  • Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
    DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves.
    [Show full text]
  • ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
    DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion.
    [Show full text]
  • ALBUMS EAG -ES, "HOTEL CALIFORNIA" (Prod
    DFDICATED TO THE NF SINGLES ALBUMS EAG -ES, "HOTEL CALIFORNIA" (prod. by Bill SPINNERS; "YOU'RE THROWING A GOOD LOVE AMERICA, "HARBOR." This trio has Szymczyk) (writers: Felder -Henley - AWAY" (prod. by Thom Bell) (writ- mastered a form-easy-going, soft rock Frey) (pub. not listed) (6:08). Prob- ers: S. Marshall & T. Wortham) built around three-part harmonies and ably America's hottest group on bath (Mighty Three, BMI) (3:36). The group (on its more recent Ips) the sweet pro- the album and singles levels, The has slowed the tempo from its romp- duction and arrangements of George Eagles have followed the stunning ing "Rubberband Man" but main- Martin. "Don't Cry Baby," -Now She's success of "New Kid In Town" with tains the eclectic sound that has Gone" and "Sergeant Darkness" fill the the title track from their platinum made them a major force through- prescription most eloquently. They'll Ip. A mild reggae flavor pervades out pop and souldom. The track is never be in dry dock. Warner Bros. BSK the tune. Asylum 45386. from their forthcoming Ip. Atl. 3382. 3017 (7.98). THE MANHATTANS, "IT FEELS SO GOOD TO THE ISLEY BROTHERS, "THE PRIDE" (prod. by BAC -ëMAN-TURNER OVERDRIVE, "FREE- ItF LOVED SO BAD' (prod. by The The Isley Brothers) (R. Isley-O. Isley- WAYS." With "Freeways," BTO has Manhattans Co./Bobby Martin) (Raze R. Isley-C. Jasper -E.. Isley-M.Isley) reached a new stage of its career. zle Dazzle, BMI) (3:58). The group (Bovina, ASCAP) (3:25). A growling Hinted at previously _but fully devel- opens the tune with one of its by guitar and loping bass sound sets oped now, the group has retained its now obligatory narrative exhorta- the pace for the group's best effort power while moving to a more melody tions which sets the tors.
    [Show full text]
  • MFSB MFSB Mp3, Flac, Wma
    MFSB MFSB mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: MFSB Country: Europe Released: 2002 Style: Funk, Disco MP3 version RAR size: 1523 mb FLAC version RAR size: 1896 mb WMA version RAR size: 1442 mb Rating: 4.8 Votes: 814 Other Formats: MP2 VOX TTA AUD AAC VOC AC3 Tracklist Hide Credits Freddie's Dead 1 7:13 Arranged By – Bobby MartinWritten-By – C. Mayfield* Family Affair 2 4:23 Arranged By – The Family Written-By – S. Stewart* Something For Nothing 3 3:00 Arranged By – Thom BellWritten-By – K. Gamble*, R. Chambers*, T. Bell* Back Stabbers 4 6:32 Arranged By – Lenny PakulaWritten-By – G. McFadden*, J. Whitehead*, L. Huff* Lay In Low 5 3:45 Arranged By – Norman HarrisWritten-By – C. Gilbert*, L. Huff* Poinciana 6 5:54 Arranged By – Vince Montana*Written-By – B. Bernier*, N. Simon* Bonus Track: T.S.O.P. (The Sound Of Philadelphia) (Live) 7 3:53 Featuring – The Three DegreesWritten-By – K. Gamble; L. Huff* Companies, etc. Phonographic Copyright (p) – Sony Music Entertainment Inc. Copyright (c) – Sony Music Entertainment Inc. Pressed By – Sony Music Credits Alto Saxophone – Zach Zachary Arranged By [String & Horn Arrangements] – Bobby Martin, Lenny Pakula, Norman Harris, Thom Bell, Vince Montana* Bass – Anthony Jackson, Ronnie Baker* Congas, Bongos – Larry Washington Drums – Earl Young, Karl Chambers, Norman Farrington Electric Piano – Leon Huff Engineer – Joe Tarsia Guitar – Bobby Eli, Norman Harris, Reginald Lucas*, Roland Chambers, T.J. Tindall* Mastered By – Joseph M. Palmaccio Organ – Lenny Pakula Piano – Eddie
    [Show full text]
  • The Temptations Hear to Tempt You Mp3, Flac, Wma
    The Temptations Hear To Tempt You mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Pop Album: Hear To Tempt You Country: Canada Released: 1977 Style: Soul, Disco MP3 version RAR size: 1554 mb FLAC version RAR size: 1809 mb WMA version RAR size: 1631 mb Rating: 4.1 Votes: 495 Other Formats: VQF AU WAV ASF AHX AC3 APE Tracklist Hide Credits Think For Yourself A1 4:55 Written-By – Allan Felder, Norman Harris, Ron Tyson In A Lifetime A2 3:14 Written-By – Ron Baker, Ron Tyson Can We Come And Share In Love A3 6:10 Written-By – Bruce Gray, T.G. Conway She's All I've Got A4 4:52 Written-By – Ron Baker, Ron Tyson Snake In The Grass B1 5:26 Written-By – Allan Felder, Ron Tyson, T.G. Conway It's Time For Love B2 4:26 Written-By – Allan Felder, Norman Harris, Ron Tyson Let's Live In Peace B3 4:13 Written-By – Benjamin Wright, The Temptations Read Between The Lines B4 3:17 Written-By – Allan Felder, Ron Tyson, T.G. Conway I Could Never Stop Loving You B5 3:20 Written-By – Allan Felder, Norman Harris, Ron Tyson Companies, etc. Phonographic Copyright (p) – Atlantic Recording Corporation Copyright (c) – Atlantic Recording Corporation Credits Arranged By – Norman Harris (tracks: A1, B5), Roland Chambers (tracks: B3), Ron Baker (tracks: A2, A4), Ron (Have Mercy) Kersey* (tracks: B2, B4), T.G. Conway (tracks: A3, B1) Art Direction – Bob Defrin Bass – Michael Foreman, Ron Baker Congas – Larry Washington Drums – Earl Young, Keith Benson Engineer – Bobby Warner, Carl Paruolo, Dirk Devlin Guitar – Bobby Eli, Norman Harris, T.J.
    [Show full text]
  • Pre-Owned 1970S Sheet Music
    Pre-owned 1970s Sheet Music 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 PLEASE NOTE THE FOLLOWING FOR A GUIDE TO CONDITION AND PRICES PER TITLE ex No marks or deterioration Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside.Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered. Year Year of print.Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS?You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even Wings or “Woodstock”. Just look for the artist’s name on the lists below. 1970s TITLE WRITER & COMPOSER CONDITION PHOTO YEAR $7,000 and you Hugo & Luigi/George David Weiss ex The Stylistics 1977 ABBA – greatest hits Album of 19 songs from ex Abba © 1992 B.Andersson/B.Ulvaeus After midnight John J.Cale ex Eric Clapton 1970 After the goldrush Neil Young ex Prelude 1970 Again and again Richard Parfitt/Jackie Lynton/Andy good Status Quo 1978 Bown Ain‟t no love John Carter/Gill Shakespeare ex Tom Jones 1975 Airport Andy McMaster ex The Motors 1976 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a ©1970 All around my hat Hart/Prior/Knight/Johnson/Kemp ex Steeleye Span 1975 All creatures great and Johnny
    [Show full text]
  • Keeping the Recording Copyr't (Ed)
    Keeping The Recording Copyr't (Ed) Changing Trends: 10 Years: Then & Now ABC Singles Going $1.29 BM! Performance Awards Reno's Midland Via RCA Crossover; 'Boutique' - Feel www.americanradiohistory.com Produced by David Anderle Krîstofferson!s Smokin. He's written some of the outstanding songs of our time and he's just struck gold on his own with "Why M e" Now, Kris Kristofferson has a new single, "I May Smoke Too Much; ZS7 8618 a rousing ode to the hedonistic life. It's from his "Spooky Lady's Sideshow"a I bu m. On Monument Records o Distributed by Columbia/Epic Records Also available on tape www.americanradiohistory.com THE INTERNATIONAL MUSIC -RECORD WEEKLY BOX CASHXXXVI --NUMBER 5-June 15, 1974 VOLUME President and Publisher MARTY OSTROW Executive Vice President IRV LICHTMAN Vice President and Director of Editorial PHIL JAFFE alhboxeditorial Vice President and Director of Advertising West Coast ED ADLUM Managing Editor Keeping The Copyr't Editorial New York On Recordings ARTY GOODMAN DON DROSSELL MICHAEL DAVID Hollywood It is evident from a virtual weekly reading of Cash Box that tremendous strides RON BARON ELIOT SEKULER have been made over the past few years in the battle against unauthorized BEAU EURELL prosecution and continuous raids of pirate DAVID BUDGE duplication of recordings. Successful Research operations are largely the result of greater industry diligence - spurred on by MIKE MARTUCCI Research Manager various trade associations and unions - enactment of state -sponsored Art Director legislation (found last year to be constitutional through the U.S. Supreme Court) WOODY HARDING and, of course, the amendment to the Copyright Act that put recordings made Coin Machine ED ADLUM - Manager after Feb.
    [Show full text]
  • The Sweet Delights by Charlie Horner with Contributions from Pamela Horner
    The Sweet Delights by Charlie Horner With contributions from Pamela Horner Sometimes the most rewarding part of preserv- ing the legacy of our music is the wonderful friendships we make along the way. As researchers and writers we must remain objective. Still, Pam & I have known Gery- lane and Eddie Edgehill for years. I wrote about Eddie Edgehill with the Valentines [2] and Del Knights [3] in past issues of Echoes of the Past. Sadly, Eddie passed in 2010. This article covers the musical career of Gerylane Edgehill and her group, the Sweet Delights. Gerylane Edgehill was born Gerylane Moore in Wilmington, NC. She moved with her family to North Philadelphia when she was eight years old. “I always sang in church from the time I was very little,” recalled Geri. “I sang in the choir.” In the early 1960’s Gerylane met former Valen- tines’ Eddie Edgehill. Eddie was singing with the Del Knights at the time, one of Philadelphia’s most under- rated vocal groups. Another member of the Del Knights, Warren Sherrill, was going with a girl next door to Gerylane, and brought Eddie over. In March of 1964, Gerylane and Eddie Edgehill were married. Eddie would continue his singing career with Terry Johnson’s Modern Flamingos group until 1967, when he decided to follow his friend Richard Barrett’s example and move into the songwriting, producing and managing end of the music business. Having discovered produced and/ or managed everyone from Frankie Lymon & the Teen- agers to the Chantels and Little Anthony & the Imperi- The Sweet Delights as they recorded “Baby Be Mine”.
    [Show full text]
  • Tony Talent & the Coalitions
    Reprinted with permission from Echoes of the Past, Issue #107 (2014), pp 12—19. © Classic Urban Harmony LLC and Echoes Of The Past, 2014 Tony Talent & the Coalitions By Charlie Horner With Contributions from Pamela Horner and Charles Anderson Growing up in Philadelphia, PA, I’ve gotten used to hearing great vocal harmony. Ever since the Dinwiddie Quartet recorded there in 1902, the City of Brotherly Love has been blessed with exceptional singers. Over the years, Philly has been home to groups like the Dixie Hummingbirds, Castelles, Lee Andrews & the Hearts, Blue Notes, Intruders, Tymes, Delfonics, Stylistics, Boyz II Men and hundreds more. That’s why in 1974, I was not surprised when a West Philly soul vocal group called the Coalitions released what would become one of my favorite records of all time – “Instead… How Are You”. But I’m getting ahead of myself. Following the trail of Philadelphia music artists can be complex and we must start at the beginning. William Anthony “Tony” Anderson was born in West Philadelphia on February 11, 1954. His father was George Pounds, bass singer for the legendary West Philly R&B group, the Cherokees (“Rainbow Of Love,” Grand label, 1954). While Tony was too young to hear his father’s group in 1954, he and his group would get a chance to share the stage with the Chero- kees during their 1980’s and 1990’s come back. Tony Anderson began singing at the age of nine or ten. “I remember Tony walking down the street singing Frankie Lymon songs,” recalls Tony’s friend Charles Anderson [no relation].
    [Show full text]
  • Finale Hill Encourages Music Fans to Help Less Fortunate by JENNIFER KOHLHEPP & SAM SLAUGHTER Staff Wrilfn F'ans, Bring Cans
    Your Local Connection DECEMBER 9, 2010 SentineNORTH BRUNSWICK • SOUTH BRUNSWICK l gmnews.com Finale Hill encourages music fans to help less fortunate BY JENNIFER KOHLHEPP & SAM SLAUGHTER Staff Wrilfn F'ans, bring cans. The Millstone rock band Finale Hill has partnered with N.J. Models Rock to play a benefit concert for the South Brunswick Food Bank 8-11 p.m. Dec. 11 at Rockn' Joe Coffeehouse in the Kendall Park Shopping Center, located on Route 27 in the Kendall Park section of South Brunswick. Over the summer. Finale Hill was one of the opening acts for the famous '80s band Skid Row at the Stone Pony in Asbury Park. N.J. Models Rock was working at the show that night. Sherry Rubel, professional pho- tographer and the promoter of N.J. Models Rock, was impressed with Finale Hill and asked the band if they would like to collab- orate on some shows. "Once we heard that the food pantry was running low, we talked to Finale Hill. We SCOTT FRIEDMAN decided we wanted to help each other out," Anoosha Banetjee (l-r), RIya Goel and Ouchi Dhandhukia, all 12 and members of Girl Scout Cadets Troop 81554, hang ornaments on a Rubel said. tree at the Slack-Carroll House during the Dayton Village Citizens Coalition's holiday lighting celebration Dec. 5. Finale Hill is a four-piece hard rock group with a classic rock sound and some modem-day influences. The band features Millstone's Jimi Maraday on lead vocals Nutmeg product recalled from Dayton-based company and guitar, Mike DiGuglielmo on drums.
    [Show full text]
  • Roots of Techno: Black Djs and the Detroit Scene
    ARCHIVES OF AFRICAN AMERICAN MUSIC AND CULTURE liner notes NO. 12 / WINTER 2007 Roots of Techno: Black DJs and the Detroit Scene aaamc 07-08.indd 1 12/11/07 4:01:21 PM aaamc mission: From the Desk of the Director The AAAMC is devoted to the collection, preservation, and With this issue of Liner Notes, the “modular” traveling exhibits that dissemination of materials for AAAMC is pleased to introduce a focus on various genres and themes the purpose of research and new publication format and layout, in African American music. Drawing study of African American content from the AAAMC’s signature music and culture. which we hope will be more reader- collections, the exhibits will feature www.indiana.edu/~aaamc and library-friendly and allow us topics as diverse as the Rhythm & to more easily phase in new types of Blues era (1945-1965), music of the content. We welcome your feedback Civil Rights and Black Power eras, Table of Contents about this change! Comments can exploration of rap and hip-hop be sent to [email protected]. culture, funk as a philosophy and From the Desk of musical style, and the little-known the Director ......................................2 Over the past year, the AAAMC roles of black pioneers in genres such developed some exciting new In the Vault .........................................4 as rock and techno. These exhibits are initiatives and continued to implement funded by a grant from IU’s Office of AMGP Series Book Release ...4 projects that are part of our five-year the Vice Provost for Research under plan.
    [Show full text]
  • Writers by Score: 1000 to 11834
    Writers By Score: 1000 to 11834 1001 James MTUME 1062 Matt AITKEN 1123 Marilyn McLEOD 1184 Luther VANDROSS 1002 Wilson PICKETT 1063 Mike STOCK 1124 Edna LEWIS 1185 Merle KILGORE 1003 Jean VILLARD 1064 Pete WATERMAN 1125 Jake HOOKER 1186 Tom BAILEY 1004 Booker T. JONES Jr. 1065 Al CAPPS 1126 Alan MERRILL 1187 Alannah CURRIE 1005 Dickie GOODMAN 1066 Robin LUKE 1127 Rudy JACKSON 1188 Billy NICHOLS 1006 Jack FULTON 1067 Vinnie BARRETT 1128 Elvin BISHOP 1189 Boyd BENNETT 1007 Lois STEELE 1068 Billy MYLES 1129 John Buck WILKIN 1190 Georgia DOBBINS 1008 Gwen GORDY 1069 John LODGE 1130 Dan HILL 1191 Ian HUNTER 1009 Phil GERNHARD 1070 Fred BURCH 1131 Victor WILLIS 1192 Henry GROSS 1010 Barry MANILOW 1071 Billy Dawn SMITH 1132 Richard MULLAN 1193 Arthur VENOSA 1011 Al LEWIS 1072 Joe YOUNG 1133 Rodger PENZABENE 1194 Gary BENSON 1012 Kim GANNON 1073 Kathryn FULTON 1134 Frank MUSKER 1195 Bill CONTI 1013 Jimmy DeKNIGHT 1074 John CAFFERTY 1135 Christine YARIAN 1196 Vito PICONE 1014 Max C. FREEDMAN 1075 Tom KEIFER 1136 Jack RICHARDS 1197 Arlester CHRISTIAN 1015 John WAITE 1076 Milt GABLER 1137 Ludwig VAN BEETHOVEN 1198 J. Fred COOTS 1016 Sid MANKER 1077 Robert BLACKWELL 1138 Sandy NELSON 1199 Franke PREVITE 1017 John HORNSBY 1078 Dino ESPOSITO 1139 Wayne WALKER 1200 Charlie FOXX 1018 Gary OSBORNE 1079 Rohusuke EI 1140 Cory LERIOS 1201 Sherman MARSHALL 1019 Alex CALL 1080 Mike PHILLIPS 1141 Angelo BOND 1202 Marc BOLAN 1020 Johann Sebastian BACH 1081 Shelley PINZ 1142 James McCULLOCH 1203 Clark DATCHLER 1021 Michael OMARTIAN 1082 Jim GOLD 1143 Mickey NEWBURY 1204 Julie GOLD 1022 David STEELE 1083 Edwin HAWKINS 1144 George Richard DAVIS Jr.
    [Show full text]