The Three Degrees Now! by Dolores Dauphine
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The Hilltop 1-21-1977
Howard University Digital Howard @ Howard University The iH lltop: 1970-80 The iH lltop Digital Archive 1-21-1977 The iH lltop 1-21-1977 Hilltop Staff Follow this and additional works at: http://dh.howard.edu/hilltop_197080 Recommended Citation Staff, Hilltop, "The iH lltop 1-21-1977" (1977). The Hilltop: 1970-80. 175. http://dh.howard.edu/hilltop_197080/175 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1970-80 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. ' i • •• • • ' • ' Hilltop Highlights : "Pb1 ver roncf'de, New; From Black Schools ... .. p2 nothing HUSA's N!w Office ......".. .... :, p2 ' \\'ithout a demand" Third World Ne"5 Foe ........ p3 law School Troubled .. ·........ p4 · Fredcrirk Douglas, Roots On TV ......................... p6 ' ''THE VOICE OF THF HOWARD COMMUNITY'' WHUR's Q;iet Storm ......... .. .. p7 Howard University, Washington D.C., 20059 ., I Vol'.. 59, No. 14 21 January 1977 ' ' SBA Questions Lack College of Medicine of Quality Education Acceptance of HU ' At HU Law School Grads ·oecreas~pg • • By Arlene Wailer i[ 8'1,'. Leila Brown dent body concerning the and Fred Hines ~ ' G rld Sc hool· Editor organization of the protest. there nevertheless seemed Hilltop Staffwriters $ to be a general consensus ' .. fhe law school is on a that ''something has to be The number of H oward undergraduate students who d ownward trend, and we • are admitted to the College of Medicine ha!\.fdecreased at · done," about the education 0 , ' need to arrest it," said God at the school. -
Vindicating Karma: Jazz and the Black Arts Movement
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B. -
The Jays Jay Brown NATION BUILDER
The Jays Jay Brown NATION BUILDER oc Nation co-founder of the arts, having joined the and CEO Jay Brown Hammer Museum’s board of R has succeeded beyond directors in 2018, as well as his wildest dreams. He’s part of a champion of philanthropic Jay-Z’s inner circle, along with causes. In short, this avid fish- longtime righthand man Tyran erman keeps reeling in the big “Tata” Smith, Roc Nation ones. Brown is making his COO Desiree Perez and her mark, indelibly and with a deep- husband, Roc Nation Sports seated sense of purpose. President “OG” Juan Perez. “I think the legacy you He’s a dedicated supporter create…is built on the people RAINMAKERS TWO 71 you help,” Brown told CEO.com in “Pon de Replay,” L.A. told Jay-Z not to Tevin Campbell, The Winans, Patti 2018. “It’s not in how much money you let Rihanna leave the building until the Austin, Tamia, Tata Vega and Quincy make or what you buy or anything like contract was signed. Jay-Z and his team himself—when he was 19. “He mentored that. It’s about how many people you closed a seven-album deal, and since then, me and taught me the business,” Brown touch. It’s in how many jobs you help she’s sold nearly 25 million albums in the says of Quincy. “He made sure if I was people get and how many dreams you U.S. alone, while the biggest of her seven going to be in the business, I was going to help them achieve.” tours, 2013’s Diamonds World Tour, learn every part of the business.” By this definition, Brown’s legacy is grossed nearly $142 million on 90 dates. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
With Honors at Ceremony Mrs
M'lark College hP VOL. XXXVH NO. 5 ANTHER®CLARK COLLEGE FEBRUARY 1974 Henderson 'Roasted' With Honors At Ceremony Mrs. Vivian Henderson, individual,” Brantley said. gretted it and sometimes the president’s wife, was “He is a man deeply and I’ve been thankful.” present for the ceremony profoundly interested in the There was a surprise vi also. individual, ’ ’ Brantley said. sit by Henderson’s eldest Dr. Albert Manley, presi brother, J. J. Henderson, “1 thought the program dent of Spelman College, was who reminisced over some was nice and very well also on hand for the cere of their past experiences. done,” Mrs. Henderson said. monies. There was also a letter of “He looks like the big tough “Dr. Henderson has al congratulations from Mayor guy, but he’s really a sof ways excelled in what he Maynard Jackson presented ty,” she said speaking on tried to do,” Manly said. by the mayor’s press secre Henderson’s tears at theend Manly was Dean of Aca tary, Pearl Lomax. of the p^ogr0*’* demic Affairs at North Caro After the “roast,” Hen “I tnink for the first time lina College when Hender derson was presented with the student body is aware son was a student there. a gift and two plaques. of the many qualities of the “Vivian was not the ea Henderson was overcome president and there was a siest student to get along by tears as he stood be sincere exchange of appre with at North Carolina Col fore the audience to give him ciation between the student lege,” Manly said. -
Ic/Record Industry July 12, 1975 $1.50 Albums Jefferson Starship
DEDICATED TO THE NEEDS IC/RECORD INDUSTRY JULY 12, 1975 $1.50 SINGLES SLEEPERS ALBUMS ZZ TOP, "TUSH" (prod. by Bill Ham) (Hamstein, BEVERLY BREMERS, "WHAT I DID FOR LOVE" JEFFERSON STARSHIP, "RED OCTOPUS." BMI). That little of band from (prod. by Charlie Calello/Mickey Balin's back and all involved are at JEFFERSON Texas had a considerable top 40 Eichner( (Wren, BMI/American Com- their best; this album is remarkable, 40-1/10 STARSHIP showdown with "La Grange" from pass, ASCAP). First female treat- and will inevitably find itself in a their "Tres Hombres" album. The ment of the super ballad from the charttopping slot. Prepare to be en- long-awaited follow-up from the score of the most heralded musical veloped in the love theme: the Bolin - mammoth "Fandango" set comes in of the season, "A Chorus Line." authored "Miracles" is wrapped in a tight little hard rock package, lust Lady who scored with "Don't Say lyrical and melodic grace; "Play on waiting to be let loose to boogie, You Don't Remember" doin' every- Love" and "Tumblin" hit hard on all boogie, boogie! London 5N 220. thing right! Columbia 3 10180. levels. Grunt BFL1 0999 (RCA) (6.98). RED OCTOPUS TAVARES, "IT ONLY TAKES A MINUTE" (prod. CARL ORFF/INSTRUMENTAL ENSEMBLE, ERIC BURDON BAND, "STOP." That by Dennis Lambert & Brian Potter/ "STREET SONG" (prod. by Harmonia Burdon-branded electrified energy satu- OHaven Prod.) (ABC Dunhill/One of a Mundi) (no pub. info). Few classical rates the grooves with the intense Kind, BMI). Most consistent r&b hit - singles are released and fewer still headiness that has become his trade- makers at the Tower advance their prove themselves. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
Studio Track Consoles
Sound Business 35 Studio Track Sigma Sound Studios in Philadelphia is LP with Carl Beaver producing and Bruce Hen - where Gamble & Huff are putting the finishing sal engineering. Riggs is also at Criteria, at work touches on albums they're producing for Teddy on a new album with Andy Johns and Marty Pendergrass and Patti LaBelle. Joe Tarsia, Cohn producing. Johns doubles as engineer on Sigma's president, is engineering. A new LP for the project; Bruce Hensal is the assistant. the Jones Girls is also in progress here, with Sarah Dash of Kirshner Records recently Dexter Wansel working with engineer Peter re- corded an album at Sound Labs in Hollywood Humphreys on several tunes and Gamble & Huff and RCA in New York. David Wolford is produc- producing others with engineer Tarsia. Other ac- ing for The Entertainment Company. tivity includes the finishing touches on Melba Moore's new album, produced by McFadden & Sunset Sound, L.A.: Toto doing overdubs for a Whitehead and engineered by Dirk Devlin. Pro- new CBS LP, Toni Knox engineering, David Leon- ducer Sandy lJnzer and engineer Jim Gallagher ard assisting; Neil Diamond doing strings for a are completing tracks on T.S. Monk's upcoming new CBS LP, Bob Gaudio producing, Ron Hitch- album. cock engineering, Stephen McManus assisting; Sigma in New York has its share of activity, Carter producing Prism for Capitol, Warren too. Mixer Francois Kevorkian is working with Dewey at the console, Richard McKernan assist- engineers Jay Mark and Carla Bandini on an al- ing; Earth, Wind & Fire doing strings for a new bum by The Strikers for Prelude Records. -
Disco Top 15 Histories
10. Billboard’s Disco Top 15, Oct 1974- Jul 1981 Recording, Act, Chart Debut Date Disco Top 15 Chart History Peak R&B, Pop Action Satisfaction, Melody Stewart, 11/15/80 14-14-9-9-9-9-10-10 x, x African Symphony, Van McCoy, 12/14/74 15-15-12-13-14 x, x After Dark, Pattie Brooks, 4/29/78 15-6-4-2-2-1-1-1-1-1-1-2-3-3-5-5-5-10-13 x, x Ai No Corrida, Quincy Jones, 3/14/81 15-9-8-7-7-7-5-3-3-3-3-8-10 10,28 Ain’t No Stoppin’ Us, McFadden & Whitehead, 5/5/79 14-12-11-10-10-10-10 1,13 Ain’t That Enough For You, JDavisMonsterOrch, 9/2/78 13-11-7-5-4-4-7-9-13 x,89 All American Girls, Sister Sledge, 2/21/81 14-9-8-6-6-10-11 3,79 All Night Thing, Invisible Man’s Band, 3/1/80 15-14-13-12-10-10 9,45 Always There, Side Effect, 6/10/76 15-14-12-13 56,x And The Beat Goes On, Whispers, 1/12/80 13-2-2-2-1-1-2-3-3-4-11-15 1,19 And You Call That Love, Vernon Burch, 2/22/75 15-14-13-13-12-8-7-9-12 x,x Another One Bites The Dust, Queen, 8/16/80 6-6-3-3-2-2-2-3-7-12 2,1 Another Star, Stevie Wonder, 10/23/76 13-13-12-6-5-3-2-3-3-3-5-8 18,32 Are You Ready For This, The Brothers, 4/26/75 15-14-13-15 x,x Ask Me, Ecstasy,Passion,Pain, 10/26/74 2-4-2-6-9-8-9-7-9-13post peak 19,52 At Midnight, T-Connection, 1/6/79 10-8-7-3-3-8-6-8-14 32,56 Baby Face, Wing & A Prayer, 11/6/75 13-5-2-2-1-3-2-4-6-9-14 32,14 Back Together Again, R Flack & D Hathaway, 4/12/80 15-11-9-6-6-6-7-8-15 18,56 Bad Girls, Donna Summer, 5/5/79 2-1-1-1-1-1-1-1-2-2-3-10-13 1,1 Bad Luck, H Melvin, 2/15/75 12-4-2-1-1-1-1-1-1-1-1-1-2-2-3-4-5-5-7-10-15 4,15 Bang A Gong, Witch Queen, 3/10/79 12-11-9-8-15 -
Fu ~ !;; Uad When
• v ~fu_~ !;;_uad when <D'llCJ and §CdVJ?E juit don't iatii{y you! [ FROM THE EDITOR Sloppy Sentimentality from your favorite person Here we go again! I myself can't believe this is #5. What staned out as a.fun little hobby has mushroom-clouded into a rather popular underground extravaganza. I'm now gelling more out ofstate orders than Minnesota sales. I've got/en groovy reviews from Wisconsin, Chicago and California and people send me free books and eds to review. I've even had the pleasure ofpissing offsome tight-asses (and will no doubtedly do it again with this issue!) Yes, zinedom is the life! Thanks/or reading this shit! Big news! In special celebration of the 5th Anniversary Issue, I am very hooored to bring back one ofmy original co-editors to write some columns. And I can even reveal his true identity. Yes, the bitch Sarah Tynge-Mayhem from DB #1 is none other than Mssr. Michael Moeglin, the laziest, most talented· writer I personally know (besides Troy Tradup and Michael Dahl). He's back to wreak havoc on DB and to generally ... entenain! Welcome back Michael! About this issue: In addition to our regular columnists (write in to which ones you like and don't like), this is a retro anniversary of sequels. Hence, a new queer quiz, more men I'm embarrassed to like, and another drag hag review. Ifyou like these, go back and order back issues for the originals (SSP ALERT!!!) I always keep back issues in stock (WARNING! SSP ALERT!!!) and some loyal readers are even ordering complete sets for the perfect Christmas gift (WARNING! SSP JS NOW AT A TOXIC LEVEL!!!). -
Donna Summer I'm a Rainbow Mp3, Flac, Wma
Donna Summer I'm A Rainbow mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock / Pop Album: I'm A Rainbow Country: UK Released: 2014 Style: New Wave, Synth-pop, Ballad, Disco MP3 version RAR size: 1747 mb FLAC version RAR size: 1376 mb WMA version RAR size: 1977 mb Rating: 4.9 Votes: 283 Other Formats: MP4 MPC AAC VOX VOC AHX AU Tracklist Hide Credits I Believe (In You) 1-1 4:31 Vocals [Duet With] – Joe "Bean" Esposito*Written-By – Harold Faltermeyer, Keith Forsey True Love Survives 1-2 3:36 Written-By – Donna Summer, Pete Bellotte You To Me 1-3 4:39 Written-By – Pete Bellotte, Sylvester Levay Sweet Emotion 1-4 3:44 Written-By – Pete Bellotte, Sylvester Levay Leave Me Alone 1-5 4:04 Written-By – Harold Faltermeyer, Keith Forsey Melanie 1-6 3:38 Written-By – Donna Summer, Giorgio Moroder Back Where You Belong 1-7 3:52 Written-By – Harold Faltermeyer, Keith Forsey People Talk 1-8 4:15 Written-By – Donna Summer, Giorgio Moroder To Turn The Stone 1-9 4:20 Written-By – Giorgio Moroder, Pete Bellotte Brooklyn 2-1 4:35 Written-By – Donna Summer, Pete Bellotte, Sylvester Levay I'm A Rainbow 2-2 4:06 Written-By – Bruce Sudano Walk On (Keep On Movin') 2-3 3:49 Written-By – Giorgio Moroder, Pete Bellotte Don't Cry For Me Argentina 2-4 4:22 Written-By – Andrew Lloyd Webber, Tim Rice A Runner With The Pack 2-5 4:06 Written-By – Pete Bellotte Highway Runner 2-6 3:27 Written-By – Donna Summer, Giorgio Moroder Romeo 2-7 3:13 Written-By – Pete Bellotte, Sylvester Levay End Of The Week 2-8 3:38 Written-By – Pete Bellotte, Sylvester Levay I Need Time 2-9 4:23 Written-By – Donna Summer, Giorgio Moroder, Pete Bellotte Companies, etc. -
E-NEWSLETTER Bill Jolly Who Is That Man with the Iconic Piano Scarf? It's
E-NEWSLETTER Proview Extra – get the latest info from Korg! Bill Jolly Who is that man with the iconic piano scarf? It’s Bill Jolly, three time Emmy-Award winning musical director and keyboardist who has accompanied such greats as Michael Bolton, Brian McKnight, Celine Dion, Gerald Levert, Grover Washington Jr., Jill Scott, Stevie Wonder, Teddy Pendergrass, and Usher. ABC, NBC, BET, VH1, and HBO are just some of the many stations where you may have heard his jingles and scores. Bill is respected not only for his piano playing chops, but also for his producing, audio engineering, and songwriting talents as well. Bill’s love for music originated with his early exposure to the soulful sounds of James Brown. He would imitate the drumbeats with his mouth, or by beating on his desk, as early as the first grade. His parents bought him a set of drums, and he eventually started a band. When the pianist left the band, Bill got frustrated and taught himself how to play keyboard and has played from that time on. Where did Bill get his much-admired piano scarf? His mother made it for him when he was in high school. Since the passing of his mother, his biggest supporter, Bill decided to do an original CD that he entitled, Behind the Scarf, as a tribute to her. This scarf represents a sense of identity for Bill, “We all have to have something about us that makes people recognize us, and the scarf is just one of those things,” Bill confides. “Even if someone couldn’t remember me by name, they would say, ‘You remember that guy with the keyboard scarf?’” This album is this sideman’s way of bringing his own vision to the forefront.