Danny Krivit Salsoul Mix Mp3, Flac, Wma

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Danny Krivit Salsoul Mix mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Salsoul Mix Country: Japan Released: 2003 Style: Disco MP3 version RAR size: 1298 mb FLAC version RAR size: 1590 mb WMA version RAR size: 1481 mb Rating: 4.7 Votes: 345 Other Formats: ASF AAC ADX WAV VOX MP4 RA Tracklist Hide Credits Everyman (Joe Claussell's Acapella Remix) 1 –Double Exposure Remix – Joe Claussell 2 –The Salsoul Orchestra Getaway 3 –Edwin Birdsong Win Tonight 4 –Instant Funk I Got My Mind Made Up (You Can Get It Girl) (Beat) Such A Feeling (Shep Pettibone 12" Mix) 5 –Aurra Remix – Shep Pettibone Falling In Love (DK Edit Of Shep Pettibone Remix) 6 –Surface Edited By – Danny KrivitRemix – Shep Pettibone 7 –First Choice Love Having You Around Moment Of My Life (DK Edit Of Shep Pettibone Remix) 8 –Inner Life Edited By – Danny KrivitRemix – Shep Pettibone 9 –Candido Dancin And Prancin 10 –Loleatta Holloway Dreamin (2nd Half With Accapella Ending) Let No Man Put Asunder (DK Medley Of Frankie Knuckles,Walter Gibbons & Shep Pettibone Remixes) 11 –First Choice Edited By – Danny KrivitRemix – Frankie Knuckles, Shep Pettibone, Walter Gibbons 12 –The Salsoul Orchestra 212 North 12th The Beat Goes On And On (Jim Burgess 12" Mix) 13 –Ripple Mixed By – Jim Burgess 14 –The Salsoul Orchestra How High (Original Version) Companies, etc. Manufactured By – Toshiba EMI Ltd Phonographic Copyright (p) – Salsoul Records Copyright (c) – Salsoul Records Phonographic Copyright (p) – Toshiba EMI Ltd Credits Design – Tats Ohisa DJ Mix – Danny Krivit Executive Producer – Joe Cayre, Ken Cayre, Stan Cayre Label Manager, A&R, Concept By – Issey Nisawa Producer, Production Manager – Hisa Ishioka Other versions Category Artist Title (Format) Label Category Country Year SALSA CD 003 Danny Krivit My Salsoul (CD, Mixed) Suss'd Records SALSA CD 003 UK 2003 Salsoul Chic (CD, Salsoul SALSA CD 000 Danny Krivit SALSA CD 000 Japan 2003 Mixed, Promo) Records Related Music albums to Salsoul Mix by Danny Krivit Aurra - Make Up Your Mind / Baby Love Shep And Me - cloudy chow Thompson Twins - Sugar Daddy Cathy Dennis - Everybody Move (To The Mixes) Louie Louie - Sittin' In The Lap Of Luxury Gloria Gaynor - I Will Survive (The Shep Pettibone Club Remixes) Cathy Dennis - Move To This The Album Remixes The Salsoul Orchestra Featuring Loleatta Holloway - Seconds Madonna - Keep It Together Pointer Sisters - Goldmine.

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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music.
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1 "Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music S
"Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology" Tim Lawrence Journal of Popular Music Studies, 20, 3, 2008, 276-329 This story begins with a skinny white DJ mixing between the breaks of obscure Motown records with the ambidextrous intensity of an octopus on speed. It closes with the same man, debilitated and virtually blind, fumbling for gospel records as he spins up eternal hope in a fading dusk. In between Walter Gibbons worked as a cutting-edge discotheque DJ and remixer who, thanks to his pioneering reel-to-reel edits and contribution to the development of the twelve-inch single, revealed the immanent synergy that ran between the dance floor, the DJ booth and the recording studio. Gibbons started to mix between the breaks of disco and funk records around the same time DJ Kool Herc began to test the technique in the Bronx, and the disco spinner was as technically precise as Grandmaster Flash, even if the spinners directed their deft handiwork to differing ends. It would make sense, then, for Gibbons to be considered alongside these and other towering figures in the pantheon of turntablism, but he died in virtual anonymity in 1994, and his groundbreaking contribution to the intersecting arts of DJing and remixology has yet to register beyond disco aficionados.1 There is nothing mysterious about Gibbons's low profile. First, he operated in a culture that has been ridiculed and reviled since the "disco sucks" backlash peaked with the symbolic detonation of 40,000 disco records in the summer of 1979.
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Selected Discography
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Paul Mccartney, 1980-1999
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Paul H. Duvall (SBN 73699) E-Mail: [email protected] KING
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