Shiva to Shankara: Giving Form to the Formless
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The Mahabharata
^«/4 •m ^1 m^m^ The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924071123131 ) THE MAHABHARATA OF KlUSHNA-DWAIPAYANA VTASA TRANSLATED INTO ENGLISH PROSE. Published and distributed, chiefly gratis, BY PROTSP CHANDRA EOY. BHISHMA PARVA. CALCUTTA i BHiRATA PRESS. No, 1, Raja Gooroo Dass' Stbeet, Beadon Square, 1887. ( The righi of trmsMm is resem^. NOTICE. Having completed the Udyoga Parva I enter the Bhishma. The preparations being completed, the battle must begin. But how dan- gerous is the prospect ahead ? How many of those that were counted on the eve of the terrible conflict lived to see the overthrow of the great Knru captain ? To a KsJtatriya warrior, however, the fiercest in- cidents of battle, instead of being appalling, served only as tests of bravery that opened Heaven's gates to him. It was this belief that supported the most insignificant of combatants fighting on foot when they rushed against Bhishma, presenting their breasts to the celestial weapons shot by him, like insects rushing on a blazing fire. I am not a Kshatriya. The prespect of battle, therefore, cannot be unappalling or welcome to me. On the other hand, I frankly own that it is appall- ing. If I receive support, that support may encourage me. I am no Garuda that I would spurn the strength of number* when battling against difficulties. I am no Arjuna conscious of superhuman energy and aided by Kecava himself so that I may eHcounter any odds. -
Product Catalogue 2020 Contents
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The Upanishads, Vol I
The Upanishads, Vol I Translated by F. Max Müller The Upanishads, Vol I Table of Contents The Upanishads, Vol I........................................................................................................................................1 Translated by F. Max Müller...................................................................................................................1 PREFACE................................................................................................................................................7 PROGRAM OF A TRANSLATION...............................................................................................................19 THE SACRED BOOKS OF THE EAST........................................................................................................20 TRANSLITERATION OF ORIENTAL ALPHABETS,..............................................................................25 INTRODUCTION.................................................................................................................................26 POSITION OF THE UPANISHADS IN VEDIC LITERATURE.......................................................30 DIFFERENT CLASSES OF UPANISHADS.......................................................................................31 CRITICAL TREATMENT OF THE TEXT OF THE UPANISHADS................................................33 MEANING OF THE WORD UPANISHAD........................................................................................38 WORKS ON THE UPANISHADS....................................................................................................................41 -
Jain Reality Or Existence - by Pravin K
Jain Reality or Existence - By Pravin K. Shah Structural View of the Universe Jain Philosophy does not give credence to the theory that God is a creator, survivor, or destroyer of the universe. On the contrary, it asserts that the universe has always existed and will always exist in exact adherence to the laws of the cosmos. There is nothing but infinity both in the past and in the future. The world of reality or universe consists of two classes of objects: · Living beings - conscious, soul, chetan, or jiva · Non-living objects - unconscious, achetan, or ajiva Non-living objects are further classified into five categories; Matter (Pudgal), Space (Akas), Medium of motion (Dharmastikay), Medium of rest (Adharmastikay), Time (Kal or Samay). The five non-living entities together with the living being, totaling six are aspects of reality in Jainism. They are known as six universal entities, or substances, or realities. These six entities of the universe are eternal but continuously undergo countless changes. During the changes, nothing is lost or destroyed. Everything is recycled into another form. Concept of Reality A reality or an entity is defined to have an existence, which is known as Sat or truth. Each entity continuously undergoes countless changes. During this process the old form (size, shape, etc.) of an entity is destroyed, the new form is originated. The form of a substance is called Paryaya. In the midst of modification of a substance, its certain qualities remain unchanged (permanence). The unchanged qualities of a substance are collectively known as Dravya. Hence, each entity (substance) in the universe has three aspects: · Origination - Utpada · Destruction - Vyaya · Permanence - Dhruvya Both Dravya (substance) and Paryaya (mode or form) are inseparable from an entity. -
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA
The Mahabharata of Krishna-Dwaipayana Vyasa SALYA PARVA translated by Kesari Mohan Ganguli In parentheses Publications Sanskrit Series Cambridge, Ontario 2002 Salya Parva Section I Om! Having bowed down unto Narayana and Nara, the most exalted of male beings, and the goddess Saraswati, must the word Jaya be uttered. Janamejaya said, “After Karna had thus been slain in battle by Savyasachin, what did the small (unslaughtered) remnant of the Kauravas do, O regenerate one? Beholding the army of the Pandavas swelling with might and energy, what behaviour did the Kuru prince Suyodhana adopt towards the Pandavas, thinking it suitable to the hour? I desire to hear all this. Tell me, O foremost of regenerate ones, I am never satiated with listening to the grand feats of my ancestors.” Vaisampayana said, “After the fall of Karna, O king, Dhritarashtra’s son Suyodhana was plunged deep into an ocean of grief and saw despair on every side. Indulging in incessant lamentations, saying, ‘Alas, oh Karna! Alas, oh Karna!’ he proceeded with great difficulty to his camp, accompanied by the unslaughtered remnant of the kings on his side. Thinking of the slaughter of the Suta’s son, he could not obtain peace of mind, though comforted by those kings with excellent reasons inculcated by the scriptures. Regarding destiny and necessity to be all- powerful, the Kuru king firmly resolved on battle. Having duly made Salya the generalissimo of his forces, that bull among kings, O monarch, proceeded for battle, accompanied by that unslaughtered remnant of his forces. Then, O chief of Bharata’s race, a terrible battle took place between the troops of the Kurus and those of the Pandavas, resembling that between the gods and the Asuras. -
Mz-Issue-12.Pdf
the minison zine The Minison Project © all our wonderful, respective authors issue 12 index ASIAN MYTHS: Regina Jade ................................................................................................................................................................. 4 Ankur Jyoti Saikia ..................................................................................................................................................... 6 Pramod Subbaraman .............................................................................................................................................. 8 Oormila Vijayakrishnan Prahlad ....................................................................................................................... 9 Sanjana Ramanathan ........................................................................................................................................... 10 GREEK MYTHS: Sadie Maskery ......................................................................................................................................................... 13 Alison Bainbridge .................................................................................................................................................. 14 Arden Hunter .......................................................................................................................................................... 15 Ankur Jyoti Saikia ................................................................................................................................................. -
The Festival of Colors a Very Popular Indian Spring Festival
The Festival of Colors A Very Popular Indian Spring Festival . Celebrated on the Purnima of Hindu Lunar Calendar Month of Phalgun Purnmashi = Purnima = Punam = Full Moon Day Later part of February or early March Name of Holi Name of Holi comes from a famous character Holika from a famous story from Hindu Mythology For free science videos for kids visit www.makemegenius.com Hiranyakashipu - A tyrant the demon king Penance - Hiranyakashipu had a very long and severe penance Boon by Brahma - Made him almost impossible to be killed. He was not be killed • During day time or night • Inside a house or outside a house • Not on earth or in sky • Neither by a man nor by an animal • Neither with an astra(long range weapons) nor with a shastra(short range weapons) Prahalad - Hiranyakashipu's son was a great devotee of Lord Vishnu. Holika – A wicked sister of Hiranyakashipu had boon not to be burnt in fire. Holika sat with Prahalad in fire. Prahalad came out unhurt and Holika tuned into ashes. Bonfire - Is lit at night to signify burning of Holika, a symbol of evil. Celebration of victory of good over evil. • Holika - A symbol of evil. • Collection of trash from houses collected during fall season of for several days till full moon day • Going round the pyre of woods/trash with water to contain evil qualities within limits. • Burning the Neem leaves – Burning the bitterness of life and taking up the sweetened medicinal value of Neem. • Welcoming the Spring season with the bonfire. Holika Dahan – Bonfire Burning of Effigy of Holika Symbol of burning Evil CELEBRATIONS People throw color on each other - WET AS WELL AS DRY This is also a day of visiting friends & color each other People throw colors on strangers too in good sense with chanting Holi Hai Festival starts in the morning & ends by afternoon Evening are for get –together • The festival occurs at the onset of Spring. -
Budhadeva (Mercury Planet)
Budha-deva (Mercury Planet) When Chandradeva (the Moon) came of age, he conquered he three worlds and several times performed the Rajasuya sacrifice, which gives Lordship. Nine goddesses served him as well as many other deities. Then, having achieved rare glory, he became inordinately arrogant and overstepped the boundaries of propriety. Chandradeva was the chief disciple of Jupiter (Brihaspatideva), the guru of the celestials and was also the favourite of Tara (The Star), Jupiter's wife, who was attracted to him by his character, nature and beauty. Once it so happened - when Jupiter was away on an errand for the Devas, Tara and Chandradeva eloped. When Jupiter returned home, he found out that his wife was gone, and discovered her whereabouts, and several times sent messages to the Moon requesting his wife©s return. Chandradeva, however, repeatedly refused to comply with these requests, maintaining that Tara had accompanied him on her own accord and would leave only when she was satiated with him. These replies so infuriated Jupiter that he communicated with them to his disciple Lord Indra deva, who sent an ultimatum to the Moon. When the Moon refused to yield, Indra deva then commenced a war. Venus and the asuras (demons) took the side of the Moon in this war, because of the ongoing enmity between Jupiter and Venus, while Lord Shiva took the side of the devas for his love and respect for his preceptor Angiras Maha Rishi, the Rishi who was Jupiter©s father. As the battle was due to the desire (kama) for Tara, it was known as Tara-kaamayam. -
South-Indian Images of Gods and Goddesses
ASIA II MB- • ! 00/ CORNELL UNIVERSITY* LIBRARY Date Due >Sf{JviVre > -&h—2 RftPP )9 -Af v^r- tjy J A j£ **'lr *7 i !! in ^_ fc-£r Pg&diJBii'* Cornell University Library NB 1001.K92 South-indian images of gods and goddesse 3 1924 022 943 447 AGENTS FOR THE SALE OF MADRAS GOVERNMENT PUBLICATIONS. IN INDIA. A. G. Barraud & Co. (Late A. J. Combridge & Co.)> Madras. R. Cambrav & Co., Calcutta. E. M. Gopalakrishna Kone, Pudumantapam, Madura. Higginbothams (Ltd.), Mount Road, Madras. V. Kalyanarama Iyer & Co., Esplanade, Madras. G. C. Loganatham Brothers, Madras. S. Murthv & Co., Madras. G. A. Natesan & Co., Madras. The Superintendent, Nazair Kanun Hind Press, Allahabad. P. R. Rama Iyer & Co., Madras. D. B. Taraporevala Sons & Co., Bombay. Thacker & Co. (Ltd.), Bombay. Thacker, Spink & Co., Calcutta. S. Vas & Co., Madras. S.P.C.K. Press, Madras. IN THE UNITED KINGDOM. B. H. Blackwell, 50 and 51, Broad Street, Oxford. Constable & Co., 10, Orange Street, Leicester Square, London, W.C. Deighton, Bell & Co. (Ltd.), Cambridge. \ T. Fisher Unwin (Ltd.), j, Adelphi Terrace, London, W.C. Grindlay & Co., 54, Parliament Street, London, S.W. Kegan Paul, Trench, Trubner & Co. (Ltd.), 68—74, iCarter Lane, London, E.C. and 25, Museum Street, London, W.C. Henry S. King & Co., 65, Cornhill, London, E.C. X P. S. King & Son, 2 and 4, Great Smith Street, Westminster, London, S.W.- Luzac & Co., 46, Great Russell Street, London, W.C. B. Quaritch, 11, Grafton Street, New Bond Street, London, W. W. Thacker & Co.^f*Cre<d Lane, London, E.O? *' Oliver and Boyd, Tweeddale Court, Edinburgh. -
Single Footed Deities: Glimpses from Art and Literature
Single Footed Deities: Glimpses from Art and Literature Prachi Virag Sontakke1 1. Arya Mahila P.G. College, Varanasi, Uttar Pradesh, India (Email: prachi.kushwaha @gmail.com) Received: 28 June 2015; Accepted: 03 August 2015; Revised: 10 September 2015 Heritage: Journal of Multidisciplinary Studies in Archaeology 3 (2015): 608‐617 Abstract: Deities of religious pantheon are divine and hence they are attributed divine forms. The divinity of Gods is further glorified by conceiving their appearance as super natural. That is why we find Gods and Goddesses with multiple arms, heads and even limbs. These traits assert the power, superiority and divinity of deities before man. It is therefore very interesting to note that there is one such deity who is defined in literature and sculptural examples as having a single foot. Current paper is an attempt to understand the concept of emergence and development of this very single footed deity in India. In course of aforesaid trail, issues relating to antiquity of such a tradition, nomenclature of such deity, its identification with different Gods, respective iconography are also dealt with. Keywords: Ekpada, Antiquity, Art, Literature, Identification, Iconography, Chronology Introduction Iconography, though meant for art, is actually a science. Every aspect an icon is not only well defined but also well justified according to the iconographic principles laid down in the texts. When it came to sculpture making, artist’s freedom of portrayal and experimentation was rather limited. But this did not account for the lack of creativity and imagination in ancient Indian art. We have many examples where unrealistic depictions/forms were included in an icon to highlight the divine, supreme and all powerful aspect of deity and to make it different from ordinary humans. -
ESSENCE of VAMANA PURANA Composed, Condensed And
ESSENCE OF VAMANA PURANA Composed, Condensed and Interpreted By V.D.N. Rao, Former General Manager, India Trade Promotion Organisation, Pragati Maidan, New Delhi, Union Ministry of Commerce, Govt. of India 1 ESSENCE OF VAMANA PURANA CONTENTS PAGE Invocation 3 Kapaali atones at Vaaranaasi for Brahma’s Pancha Mukha Hatya 3 Sati Devi’s self-sacrifice and destruction of Daksha Yagna (Nakshatras and Raashis in terms of Shiva’s body included) 4 Shiva Lingodbhava (Origin of Shiva Linga) and worship 6 Nara Narayana and Prahlada 7 Dharmopadesha to Daitya Sukeshi, his reformation, Surya’s action and reaction 9 Vishnu Puja on Shukla Ekadashi and Vishnu Panjara Stotra 14 Origin of Kurukshetra, King Kuru and Mahatmya of the Kshetra 15 Bali’s victory of Trilokas, Vamana’s Avatara and Bali’s charity of Three Feet (Stutis by Kashyapa, Aditi and Brahma & Virat Purusha Varnana) 17 Parvati’s weds Shiva, Devi Kaali transformed as Gauri & birth of Ganesha 24 Katyayani destroys Chanda-Munda, Raktabeeja and Shumbha-Nikumbha 28 Kartikeya’s birth and his killings of Taraka, Mahisha and Baanaasuras 30 Kedara Kshetra, Murasura Vadha, Shivaabhisheka and Oneness with Vishnu (Upadesha of Dwadasha Narayana Mantra included) 33 Andhakaasura’s obsession with Parvati and Prahlaad’s ‘Dharma Bodha’ 36 ‘Shivaaya Vishnu Rupaaya, Shiva Rupaaya Vishnavey’ 39 Andhakaasura’s extermination by Maha Deva and origin of Ashta Bhairavaas (Andhaka’s eulogies to Shiva and Gauri included) 40 Bhakta Prahlada’s Tirtha Yatras and legends related to the Tirthas 42 -Dundhu Daitya and Trivikrama -
The Jaina Response to Samavaya
Chapter-10 The Jaina Response to Samavaya. I The Jaina outlook on ontology and its philosophy of knowledge can be comprehended under realism, and in this regard, it shares a lot of views and ideas with Nyaya-Vai5e$ika and realist schools. A schematic representation of Jainism may be given below in order to put its perspective amongst other philosophical views. Knowledge I Realism Idealism Direct Presentation Represent tion I Nyaya Mlmamsa Jaina Samkhya Sautantrika Vedanta Yogacara Jainism is distinguished by having its sources in the Bhagavati, and Agama literature. It is classified as a non-Vedic or heterodox school of thought, but nonetheless Jainism is a mok?asastra, the science of salvation. The path for spiritual progress, aiming at the final goal of liberation is the central tone of the Agamas. The Jainas arrange the knowledge of the world under two pairs of contrasted alternatives, jiva and ajiva. These are complementary aspects of reality, each of which suggests the other by a dialectical necessity and combines with the other into one more complex conception. These two contrasted alternatives are but two conditions of thought: all thinking implies a subject which thinks, the cogitative principle or soul. But as all thinking is thinking of something, it means that it requires a material on which the thought activity is exercised, it implies an object which is discriminated and understood by thought. The Jainas speak of knowledge in five different forms: (a) Mati or that form of knowledge by which a jiva cognizes an object through the operation of the sense-organs, all hindrances to the formation of such knowledge being removed.