Effects List

Multi-Effects Parameters (MFX1–3, MFX)

The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series.

67 p. 8 FILTER (10 types) OD->Flg (OVERDRIVE"FLANGER) 68 OD->Dly (OVERDRIVE DELAY) p. 8 01 Equalizer (EQUALIZER) p. 1 " 69 Dist->Cho (DISTORTION CHORUS) p. 8 02 Spectrum (SPECTRUM) p. 2 " 70 Dist->Flg (DISTORTION FLANGER) p. 8 03 Isolator (ISOLATOR) p. 2 " 71 p. 8 04 Low Boost (LOW BOOST) p. 2 Dist->Dly (DISTORTION"DELAY) 05 Super Flt (SUPER FILTER) p. 2 72 Eh->Cho (ENHANCER"CHORUS) p. 8 06 Step Flt (STEP FILTER) p. 2 73 Eh->Flg (ENHANCER"FLANGER) p. 8 07 Enhancer (ENHANCER) p. 2 74 Eh->Dly (ENHANCER"DELAY) p. 8 08 AutoWah (AUTO WAH) p. 2 75 Cho->Dly (CHORUS"DELAY) p. 9 09 Humanizer (HUMANIZER) p. 2 76 Flg->Dly (FLANGER"DELAY) p. 9 10 Sp Sim (SPEAKER SIMULATOR) p. 2 77 Cho->Flg (CHORUS"FLANGER) p. 9 MODULATION (12 types) PIANO (1 type) 11 Phaser (PHASER) p. 3 78 SymReso (SYMPATHETIC RESONANCE) p. 9 12 Step Ph (STEP PHASER) p. 3 13 MltPhaser (MULTI STAGE PHASER) p. 3 14 InfPhaser (INFINITE PHASER) p. 3 15 Ring Mod (RING MODULATOR) p. 3 About Note 16 Step Ring (STEP RING MODULATOR) p. 3 17 Tremolo (TREMOLO) p. 3 Some effect settings (such as Rate or Delay Time) can be specified in 18 Auto Pan (AUTO PAN) p. 3 terms of a note value. The note value for the current setting is 19 Step Pan (STEP PAN) p. 3 shown following the numerical value. 20 Slicer (SLICER) p. 3 21 Rotary (ROTARY) p. 3 22 VK Rotary (VK ROTARY) p. 4 note: CHORUS (12 types) 23 Chorus (CHORUS) p. 4 Sixty-fourth-note triplet Sixty-fourth note Thirty-second-note triplet 24 Flanger (FLANGER) p. 4 25 Step Flg (STEP FLANGER) p. 4 Thirty-second note Sixteenth-note triplet Dotted thirty-second note 26 Hexa-Cho (HEXA-CHORUS) p. 4 Sixteenth note Eighth-note triplet Dotted sixteenth note 27 Tre Cho (TREMOLO CHORUS) p. 4 28 Space-D (SPACE-D) p. 4 Eighth note Quarter-note triplet Dotted eighth note 29 3D Chorus (3D CHORUS) p. 4 30 3DFlanger (3D FLANGER) p. 4 Quarter note Half-note triplet Dotted quarter note 31 3DStepFlg (3D STEP FLANGER) p. 4 32 Band Cho (2BAND CHORUS) p. 4 Half note Whole-note triplet Dotted half note 33 Band Flg (2BAND FLANGER) p. 5 34 BndStpFlg (2BAND STEP FLANGER) p. 5 Whole note Double-note triplet Dotted whole note DYNAMICS (8 types) 35 Overdrive (OVERDRIVE) p. 5 Double note 36 Dist (DISTORTION) p. 5 37 VS OD (VS OVERDRIVE) p. 5 38 VS Dist (VS DISTORTION) p. 5 NOTE 39 GtrAmpSim (GUITAR AMP SIMULATOR) p. 5 If you specify the delay time as a note value, slowing down the 40 Comp (COMPRESSOR) p. 5 tempo will not change the delay time beyond a certain length. 41 Limiter (LIMITER) p. 5 This is because there is an upper limit for the delay time; if the 42 Gate (GATE) p. 5 delay time is specified as a note value and you slow down the DELAY (13 types) tempo until this upper limit is reached, the delay time cannot 43 Delay (DELAY) p. 6 44 Long Dly (LONG DELAY) p. 6 change any further. This upper limit is the maximum value that 45 SerialDly (SERIAL DELAY) p. 6 can be specified when setting the delay time as a numerical 46 Mod Delay (MODULATION DELAY) p. 6 value. 47 3TapDelay (3TAP PAN DELAY) p. 6 48 4TapDelay (4TAP PAN DELAY) p. 6 49 MltTapDly (MULTI TAP DELAY) p. 6 50 Revse Dly (REVERSE DELAY) p. 6 Chorus Send and Reverb Send 51 Sfl Delay (SHUFFLE DELAY) p. 6 The depth of chorus and reverb applied to the sound processed by 52 3D Delay (3D DELAY) p. 6 53 AnalogDly (ANALOG DELAY) p. 7 the multi-effect is determined by the “Effect Edit” settings “MFX 54 AnaLngDly (ANALOG LONG DELAY) p. 7 CHO LVL” and “MFX REV LVL.” 55 Tape Echo (TAPE ECHO) p. 7 For details, refer to “Editing Effect Settings (EFFECTS EDIT)” (Owner’s LO-FI (5 types) Manual: p. 27). 56 LoFiNoise (LO-FI NOISE) p. 7 57 LoFiComp (LO-FI COMPRESS) p. 7 58 LoFiRadio (LO-FI RADIO) p. 7 59 Telephone (TELEPHONE) p. 7 01: Equalizer (EQUALIZER) 60 Phono (PHONOGRAPH) p. 7 This is a three-band stereo equalizer (low, mid, high). PITCH (3 types) 61 Pitch Sft (PITCH SHIFTER) p. 7 Parameter Value Explanation 62 2Voice PS (2VOICE PITCH SHIFTER) p. 7 Low Gain -15–+15 dB Gain of the low range 63 Step PS (STEP PITCH SHIFTER) p. 7 Mid Gain -15–+15 dB Gain of the middle range REVERB (2 types) High Gain -1–+15 dB Gain of the high range 64 Reverb (REVERB) p. 8 Level 0–127 Output Level 65 Gated Rev (GATED REVERB) p. 8 COMBINATION (12 types) 66 OD->Cho (OVERDRIVE"CHORUS) p. 8

Parameter Value Explanation 0.05–10.00 Hz, 02: Spectrum (SPECTRUM) Rate Rate of modulation note This is a stereo spectrum. Spectrum is a type of filter which modifies Level 0–127 Output level the timbre by boosting or cutting the level at specific frequencies.

Parameter Value Explanation BND-250Hz BND-1000Hz -15–+15 dB Gain of each frequency band 07: Enhancer (ENHANCER) BND-4000Hz Controls the overtone structure of the high frequencies, adding Level 0–127 Output Level sparkle and tightness to the sound.

Parameter Value Explanation Low Gain -15–+15 dB Gain of the low range 03: Isolator (ISOLATOR) High Gain -15–+15 dB Gain of the high range Level 0–127 Output Level This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges.

Parameter Value Explanation 08: AutoWah (AUTO WAH) These boost and cut each of the Bst/Cut Lo Cyclically controls a filter to create cyclic change in timbre. High, Middle, and Low frequency ranges. Bst/Cut Md -60–+4 dB Parameter Value Explanation At -60 dB, the sound becomes Sets the direction in which the inaudible. 0 dB is equivalent to the Bst/Cut Hi frequency will change when the input level of the sound. auto-wah filter is modulated. Level 0–127 Output Level Polarity UP, DOWN UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. 04: Low Boost (LOW BOOST) Level 0–127 Output Level Boosts the volume of the lower range, creating powerful lows.

Parameter Value Explanation Amount by which the lower range 09: Humanizer (HUMANIZER) Boost Gain 0–+12 dB will be boosted Adds a vowel character to the sound, making it similar to a human Level 0–127 Output level voice.

Parameter Value Explanation Vowel1 a, e, i, o, u Selects the vowel 1. 05: Super Flt (SUPER FILTER) Vowel2 a, e, i, o, u Selects the vowel 2. 0.05–10.00 Hz, Frequency at which the two vowels Rate This is a filter with an extremely sharp slope. The cutoff frequency note switch can be varied. Level 0–127 Output level

Parameter Value Explanation Filter type Frequency range that will pass through each filter 10: Sp Sim (SPEAKER SIMULATOR) LPF: frequencies below the cutoff LPF, BPF, HPF, Simulates the speaker type. FilterType BPF: frequencies in the region of the NOTCH cutoff Parameter Value Explanation HPF: frequencies above the cutoff (See the table Type Type of speaker NOTCH: frequencies other than the below.) region of the cutoff Level 0–127 Output Level Filter cutoff frequency value Filter Cutoff 0–127 Increasing this setting will raise the frequency. Specifications of each Speaker Type Level 0–127 Output level The speaker column indicates the diameter of each speaker unit (in inches) and the number of units.

Type Cabinet Speaker Microphone 06: Step Flt (STEP FILTER) SMALL 1 small open-back enclosure 10 dynamic SMALL 2 small open-back enclosure 10 dynamic This is a filter whose cutoff frequency can be modulated in steps. MIDDLE open back enclosure 12 x 1 dynamic You can specify the pattern by which the cutoff frequency will JC-120 open back enclosure 12 x 2 dynamic change. BUILT-IN 1 open back enclosure 12 x 2 dynamic BUILT-IN 2 open back enclosure 12 x 2 condenser Parameter Value Explanation BUILT-IN 3 open back enclosure 12 x 2 condenser Filter type BUILT-IN 4 open back enclosure 12 x 2 condenser Frequency range that will pass BUILT-IN 5 open back enclosure 12 x 2 condenser through each filter BG STACK 1 sealed enclosure 12 x 2 condenser LPF: frequencies below the cutoff BG STACK 2 large sealed enclosure 12 x 2 condenser LPF, BPF, HPF, FilterType BPF: frequencies in the region of the MS STACK 1 large sealed enclosure 12 x 4 condenser NOTCH cutoff MS STACK 2 large sealed enclosure 12 x 4 condenser METAL STACK large double stack 12 x 4 condenser HPF: frequencies above the cutoff 2-STACK large double stack 12 x 4 condenser NOTCH: frequencies other than the 3-STACK large triple stack 12 x 4 condenser region of the cutoff 2 Effects List

Parameter Value Explanation 0.05–10.00 Hz, Rate at which the 16-step sequence 11: Phaser (PHASER) Rate note will cycle A phase-shifted sound is added to the original sound and Level 0–127 Output level modulated.

Parameter Value Explanation 4-STAGE, 8-STAGE, Mode Number of stages in the phaser 12-STAGE 17: Tremolo (TREMOLO) 0.05–10.00 Hz, Rate Frequency of modulation note Cyclically modulates the volume to add tremolo effect to the sound. Mix 0–127 Level of the phase-shifted sound Parameter Value Explanation Level 0–127 Output Level Modulation Wave TRI: triangle wave TRI, SQR, SIN, SQR: square wave SAW1, SAW2 SIN: sine wave 12: Step Ph (STEP PHASER) Mod Wave SAW1/2: sawtooth wave SAW1 SAW2 The phaser effect will be varied gradually.

Parameter Value Explanation 4-STAGE, 8-STAGE, Mode Number of stages in the phaser 12-STAGE 0.05–10.00 Hz, 0.10 - 20.00 Hz, Rate of the step-wise change in the Rate Frequency of the change StepRate note note phaser effect Level 0–127 Output Level Mix 0–127 Level of the phase-shifted sound Level 0–127 Output Level 18: Auto Pan (AUTO PAN) 13: MltPhaser (MULTI STAGE PHASER) Cyclically modulates the stereo location of the sound.

Extremely high settings of the phase difference produce a deep Parameter Value Explanation phaser effect. Modulation Wave TRI: triangle wave Parameter Value Explanation TRI, SQR, SIN, SQR: square wave 4-STAGE, 8-STAGE, SAW1, SAW2 SIN: sine wave 12-STAGE, Mode 16-STAGE, Number of phaser stages SAW1/2: sawtooth wave 20-STAGE, Mod Wave SAW1 SAW2 24-STAGE R R 0.05–10.00 Hz, Rate Frequency of modulation note Mix 0–127 Level of the phase-shifted sound Level 0–127 Output Level L L 0.05–10.00 Hz, Rate Frequency of the change note 14: InfPhaser (INFINITE PHASER) Level 0–127 Output Level A phaser that continues raising/lowering the frequency at which the sound is modulated. 19: Step Pan (STEP PAN) Parameter Value Explanation This uses a 16-step sequence to vary the panning of the sound. Higher values will produce a deeper Mode 1, 2, 3, 4 phaser effect. Parameter Value Explanation Speed at which to raise or lower the 0.05–10.00 Hz, Rate at which the 16-step sequence Rate Speed -100–+100 frequency at which the sound is note will cycle modulated (+: upward / -: downward) Level 0–127 Output level Level 0–127 Output level

15: Ring Mod (RING MODULATOR) 20: Slicer (SLICER) By applying successive cuts to the sound, this effect turns a This is an effect that applies amplitude modulation (AM) to the conventional sound into a sound that appears to be played as a input signal, producing bell-like sounds. You can also change the backing phrase. This is especially effective when applied to modulation frequency in response to changes in the volume of the sustain-type sounds. sound sent into the effect. Parameter Value Explanation Parameter Value Explanation 0.05–10.00 Hz, Rate at which the 16-step sequence Adjusts the frequency at which Rate Frequency 0–127 note will cycle modulation is applied. Level 0–127 Output level Level 0–127 Output level

16: Step Ring (STEP RING MODULATOR)) 21: Rotary (ROTARY) The Rotary effect simulates the sound of the rotary speakers often This is a ring modulator that uses a 16-step sequence to vary the used with the electric organs of the past. frequency at which modulation is applied. 3 Effects List

Parameter Value Explanation Simultaneously switch the rotational 27: Tre Cho (TREMOLO CHORUS) speed of the low frequency rotor and Speed SLOW, FAST high frequency rotor. This is a chorus effect with added Tremolo (cyclic modulation of SLOW: Slows down the rotation volume). FAST: Speeds up the rotation Slow Spd 0.05–10.00 Hz Rotational speed for SLOW setting Parameter Value Explanation 0.05–10.00 Hz, Modulation frequency of the tremolo Fast Spd 0.05–10.00 Hz Rotational speed for FAST setting Tre Rate Level 0–127 Output level note effect Level 0–127 Output level

22:VK Rotary (VK ROTARY) 28: Space-D (SPACE-D) This type provides modified response for the rotary speaker, with the low end boosted further. This is a multiple chorus that applies two-phase modulation in stereo. This is a rotary effect taken from the VK. It gives no impression of modulation, but produces a transparent Parameter Value Explanation chorus effect. Simultaneously switch the rotational speed of the low frequency rotor and Parameter Value Explanation 0.05–10.00 Hz, Speed SLOW, FAST high frequency rotor. Rate Frequency of modulation SLOW: Slows down the rotation note FAST: Speeds up the rotation Depth 0–127 Depth of modulation Slow Spd 0.05–10.00 Hz Rotational speed for SLOW setting Level 0–127 Output level Fast Spd 0.05–10.00 Hz Rotational speed for FAST setting Level 0–127 Output level 29: 3D Chorus (3D CHORUS) 23: Chorus (CHORUS) This applies a 3D effect to the chorus sound. The chorus sound will be positioned 90 degrees left and 90 degrees right. This is a stereo chorus. Parameter Value Explanation 0.05–10.00 Hz, Parameter Value Explanation Rate Frequency of modulation 0.05–10.00 Hz, note Rate Frequency of modulation note Depth 0–127 Depth of modulation Depth 0–127 Depth of modulation Level 0–127 Output level Level 0–127 Output level 30: 3DFlanger (3D FLANGER) 24: Flanger (FLANGER) This applies a 3D effect to the flanger sound. The flanger sound will This is a stereo flanger. (The LFO has the same phase for left and be positioned 90 degrees left and 90 degrees right. right.) It produces a metallic resonance that rises and falls like a jet Parameter Value Explanation airplane taking off or landing. A filter is provided so that you can 0.05–10.00 Hz, Rate Frequency of modulation adjust the timbre of the flanged sound. note Depth 0–127 Depth of modulation Parameter Value Explanation Level 0–127 Output level 0.05–10.00 Hz, Rate Frequency of modulation note Depth 0–127 Depth of modulation Level 0–127 Output level 31: 3DStepFlg (3D STEP FLANGER) This applies a 3D effect to the step flanger sound. The flanger sound 25: Step Flg (STEP FLANGER) will be positioned 90 degrees left and 90 degrees right. Parameter Value Explanation This is a flanger in which the flanger pitch changes in steps. The 0.10–20.00 Hz, StepRate Rate (period) of pitch change speed at which the pitch changes can also be specified in terms of a note note-value of a specified tempo. Level 0–127 Output level Parameter Value Explanation 0.10–20.00 Hz, StepRate Rate (period) of pitch change note Level 0–127 Output level 32: Band Cho (2BAND CHORUS) A chorus effect that lets you apply an effect independently to the low-frequency and high-frequency ranges.

26: Hexa-Cho (HEXA-CHORUS) Parameter Value Explanation 0.05–10.00 Hz, Rate at which the low-range chorus Lo Rate Uses a six-phase chorus (six layers of chorused sound) to give note sound is modulated richness and spatial spread to the sound. 0.05–10.00 Hz, Rate at which the high-range chorus Hi Rate note sound is modulated Parameter Value Explanation Depth 0–127 Depth of modulation 0.05–10.00 Hz, Rate Frequency of modulation Level 0–127 Output level note Depth 0–127 Depth of modulation Level 0–127 Output level 4 Effects List

33: Band Flg (2BAND FLANGER) 38: VS Dist (VS DISTORTION) A flanger that lets you apply an effect independently to the This is a distortion effect that provides heavy distortion. low-frequency and high-frequency ranges. Parameter Value Explanation Parameter Value Explanation Type of guitar amp 0.05–10.00 Hz, Rate at which the low-range flanger SMALL: small amp Lo Rate SMALL, BUILT-IN, note sound is modulated AmpType BUILT-IN: single-unit type amp 0.05–10.00 Hz, Rate at which the high-range flanger 2-STACK, 3-STACK Hi Rate 2-STACK: large double stack amp note sound is modulated 3-STACK: large triple stack amp Modulation depth for the flanger Depth 0–127 Degree of distortion sound Drive 0–127 Level 0–127 Output level Also changes the volume. Level 0–127 Output level

34: BndStpFlg (2BAND STEP FLANGER) 39: GtrAmpSim (GUITAR AMP SIMULATOR) A step flanger that lets you apply an effect independently to the This is an effect that simulates the sound of a guitar amplifier. low-frequency and high-frequency ranges. Parameter Value Explanation Parameter Value Explanation JC-120, 0.10–20.00 Hz, Rate at which the steps will cycle for LStpRate note the low-range flanger sound CLEAN TWIN, 0.10–20.00 Hz, Rate at which the steps will cycle for MATCH DRIVE, HStpRate note the high-range flanger sound BG LEAD, Level 0–127 Output level MS1959I, MS1959II, MS1959I+II, Type Type of guitar amp SLDN LEAD, 35: Overdrive (OVERDRIVE) METAL 5150, METAL LEAD, Creates a soft distortion similar to that produced by vacuum tube OD-1, amplifiers. OD-2 TURBO, DISTORTION, Parameter Value Explanation FUZZ Type of guitar amp LOW, MIDDLE, Amp Gain Amount of pre-amp distortion SMALL: small amp HIGH SMALL, BUILT-IN, LOW, MIDDLE, AmpType BUILT-IN: single-unit type amp Level Output level 2-STACK, 3-STACK HIGH 2-STACK: large double stack amp 3-STACK: large triple stack amp Degree of distortion Drive 0–127 Also changes the volume. Level 0–127 Output level 40: Comp (COMPRESSOR) Flattens out high levels and boosts low levels, smoothing out fluctuations in volume.

36: Dist (DISTORTION) Parameter Value Explanation Adjusts the volume at which Threshold 0–127 Produces a more intense distortion than Overdrive. compression begins Level 0–127 Output level Parameter Value Explanation Type of guitar amp SMALL: small amp SMALL, BUILT-IN, AmpType BUILT-IN: single-unit type amp 2-STACK, 3-STACK 2-STACK: large double stack amp 41: Limiter (LIMITER) 3-STACK: large triple stack amp Compresses signals that exceed a specified volume level, Degree of distortion Drive 0–127 preventing distortion from occurring. Also changes the volume. Level 0–127 Output level Parameter Value Explanation Adjusts the volume at which Threshold 0–127 compression begins 37: VS OD (VS OVERDRIVE) Level 0–127 Output level This is an overdrive that provides heavy distortion.

Parameter Value Explanation 42: Gate (GATE) Type of guitar amp Cuts the reverb’s decay according to the volume of the sound sent SMALL: small amp SMALL, BUILT-IN, into the effect. Use this when you want to create an artificial- AmpType BUILT-IN: single-unit type amp 2-STACK, 3-STACK sounding decrease in the reverb’s decay. 2-STACK: large double stack amp 3-STACK: large triple stack amp Parameter Value Explanation Degree of distortion Volume level at which the gate Drive 0–127 Threshold 0–127 Also changes the volume. begins to close Level 0–127 Output level Level 0–127 Output level

5 Effects List

43: Delay (DELAY) 48: 4TapDelay (4TAP PAN DELAY) This is a stereo delay. This effect has four delays.

Parameter Value Explanation Parameter Value Explanation Adjusts the time until the delay Adjusts the time from the original DelayTime 0–1300 ms, note DelayTime 0–650 ms, note sound is heard. sound until delay sounds are heard Adjusts the amount of the delay Adjusts the amount of the delay Feedback -98–+98 % sound that’s fed back into the effect. Delay1Fback -98–+98 % sound that’s fed back into the effect. Negative (-) settings invert the phase. Negative (-) settings invert the phase. D100:0W– Volume balance between the direct D100:0W– Volume balance between the direct Balance Balance D0:100W sound (D) and the delay sound (W) D0:100W sound (D) and the delay sound (W)

44: Long Dly (LONG DELAY) 49: MltTapDly (MULTI TAP DELAY) A delay that provides a long delay time. This is a variation of delay in which four delayed sounds are heard. This is a monaural delay. Parameter Value Explanation Adjusts the time from the original Parameter Value Explanation DelayTime 0–650 ms, note Delay time from when the original sound until delay sounds are heard DelayTime 0–2600 ms, note sound is heard to when the delay Adjusts the amount of the delay sound is heard Delay1Fback -98–+98 % sound that’s fed back into the effect. Adjusts the amount of the delay Negative (-) settings invert the phase. D100:0W– Volume balance between the direct Feedback -98–+98 % sound that’s fed back into the effect. Balance Negative (-) settings invert the phase. D0:100W sound (D) and the effect sound (W) D100:0W– Volume balance of the original sound Balance D0:100W (D) and delay sound (W) 50: Revse Dly (REVERSE DELAY) 45: SerialDly (SERIAL DELAY) This is a reverse delay that adds a reversed and delayed sound to the input sound. This delay connects two delay units in series. Parameter Value Explanation Parameter Value Explanation Delay time from when sound is input Delay time from when sound is input Rev Delay 0–1300 ms, note into the reverse delay until the delay Dly1Time 0–1300 ms, note to delay 1 until the delay sound is sound is heard heard Adjusts the amount of the delay Delay time from when sound is input RevDlyFback -98–+98 % sound that’s fed back into the effect. Dly2Time 0–1300 ms, note to delay 2 until the delay sound is Negative (-) settings invert the phase. heard D100:0W– Volume balance of the original sound Balance Adjusts the amount of the delay D0:100W (D) and delay sound (W) Feedback -98–+98 % sound that’s fed back into the effect. Negative (-) settings invert the phase. D100:0W– Volume balance of the original sound Balance D0:100W (D) and delay sound (W) 51: Sfl Delay (SHUFFLE DELAY) Adds a shuffle to the delay sound, giving the sound a bouncy delay 46: Mod Delay (MODULATION DELAY) effect with a swing feel. Parameter Value Explanation Adjusts the time until the delay Adds modulation to the delayed sound. DelayTime 0–2600 ms, note sound is heard. Parameter Value Explanation Adjusts the ratio (as a percentage) of Adjusts the time until the delay the time that elapses before Delay B DelayTime 0–1300 ms, note sound is heard. sounds relative to the time that Shuffle Rate 0–100 Adjusts the amount of the delay elapses before the Delay A sounds. Feedback -98–+98 % sound that’s fed back into the effect. When set to 100, the delay times are Negative (-) settings invert the phase. the same. D100:0W– Volume balance between the direct Adjusts the amount of the delay Balance D0:100W sound (D) and the delay sound (W) Feedback -98–+98 % that’s feedback into the effect. Negative (-) settings invert the phase. 47: 3TapDelay (3TAP PAN DELAY) 52: 3D Delay (3D DELAY) Produces three delay sounds; center, left and right. This applies a 3D effect to the delay sound. The delay sound will be Parameter Value Explanation positioned 90 degrees left and 90 degrees right. Delay time from the original sound DelayTime 0–860 ms, note until the delay sound is heard. Parameter Value Explanation Adjusts the amount of the delay Adjusts the delay time from the Feedback -98–+98 % sound that’s fed back into the effect. DelayTime 0–860 ms, note direct sound until the delay sound is Negative (-) settings invert the phase. heard. D100:0W– Volume balance between the direct Adjusts the proportion of the delay Balance D0:100W sound (D) and the delay sound (W) sound that is fed back into the effect. CenterFback -98–+98 % Negative (-) settings will invert the phase.

6 Effects List

Parameter Value Explanation Parameter Value Explanation D100:0W– Volume balance between the direct Simulates the tuning noise of a radio. Balance D0:100W sound (D) and the effect sound (W) Radio Detune 0–127 As this value is raised, the tuning drifts further. Radio Noise 0–127 Volume of the radio noise Level 0–127 Output level 53: AnalogDly (ANALOG DELAY) A stereo delay in which the delay time can be varied smoothly. 59: Telephone (TELEPHONE) Parameter Value Explanation Adjusts the time until the delay is DelayTime 0–1300 ms, note This effect produces a muffled sound, like that heard through a heard. telephone. Adjusts the amount of the delay Feedback -98–+98 % that’s fed back into the effect. Parameter Value Explanation Negative (-) settings invert the phase. Level 0–127 Output level D100:0W– Volume balance between the direct Balance D0:100W sound (D) and the delay sound (W) 60: Phono (PHONOGRAPH) 54: AnaLngDly (ANALOG LONG DELAY) Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of A delay in which the delay time can be varied smoothly, and noise that are typical of a record, and even the rotational allowing an extended delay to be produced. irregularities of an old turntable. This is a monaural delay. Parameter Value Explanation Parameter Value Explanation TotalNoise 0–127 Volume of overall noise Adjusts the time until the delay is Depth of overall rotational DelayTime 0–2600 ms, note TotalWow/Flt 0–127 heard. irregularity Adjusts the amount of the delay Level 0–127 Output level Feedback -98–+98 % that’s fed back into the effect. Negative (-) settings invert the phase. D100:0W– Volume balance between the direct Balance D0:100W sound (D) and the delay sound (W) 61: Pitch Sft (PITCH SHIFTER) A stereo pitch shifter. 55: Tape Echo (TAPE ECHO) Parameter Value Explanation Adjusts the pitch of the pitch shifted Coarse -24–+12 semi A virtual tape echo that produces a realistic tape delay sound. This sound in semitone steps. Volume balance between the direct simulates the tape echo section of a Roland RE-201 Space Echo. D100:0W– Balance sound (D) and the pitch shifted D0:100W Parameter Value Explanation sound (W) Tape speed Repeat Rate 0–127 Increasing this value will shorten the spacing of the delayed sounds. Intensity 0–127 Amount of delay repeats 62: 2Voice PS (2VOICE PITCH SHIFTER) Echo Level 0–127 Volume of the echo sound Shifts the pitch of the original sound. This 2-voice pitch shifter has two pitch shifters, and can add two pitch shifted sounds to the original sound.

56: LoFiNoise (LO-FI NOISE) Parameter Value Explanation Adjusts the pitch of Pitch Shift 1 in In addition to a lo-fi effect, this adds various types of noise such as P1Coarse -24–+12 semi white noise and disc noise. semitone steps. Settings of the Pitch Shift 2 sound. Parameter Value Explanation P2Coarse -24–+12 semi The items are the same as for the Noise Level 0–127 Volume of the white noise Pitch Shift 1 sound. Volume balance between the direct DscNoisLevel 0–127 Volume of the record noise D100:0W– Balance sound (D) and the pitch shifted Level 0–127 Output level D0:100W sound (W)

57: LoFiComp (LO-FI COMPRESS) 63: Step PS (STEP PITCH SHIFTER) This is an effect that intentionally degrades the sound quality for creative purposes. A pitch shifter in which the amount of pitch shift is varied by a 16-step sequence. Parameter Value Explanation Level 0–127 Output level Parameter Value Explanation Rate at which the 16-step sequence Rate 0.05–10.0 Hz, note will cycle D100:0W– Volume balance of the original sound Balance 58: LoFiRadio (LO-FI RADIO) D0:100W (D) and pitch-shifted sound (W) In addition to a Lo-Fi effect, this effect also generates radio noise.

7 Effects List

64: Reverb (REVERB) 69: Dist->Cho (DISTORTION " CHORUS) Adds reverberation to the sound, simulating an acoustic space. Parameter Value Explanation Degree of distortion Parameter Value Explanation Dst Drive 0–127 Type of reverb Also changes the volume. 0.05–10.00 Hz, ROOM1: dense reverb with short Cho Rate Frequency of modulation decay note ROOM2: sparse reverb with short Chorus Depth 0–127 Depth of modulation decay Level 0–127 Output level ROOM1, ROOM2, STAGE1: reverb with greater late Type STAGE1, STAGE2, reverberation HALL1, HALL2 STAGE2: reverb with strong early reflections 70: Dist->Flg (DISTORTION " FLANGER) HALL1: reverb with clear reverberance Parameter Value Explanation HALL2: reverb with rich reverberance Degree of distortion Time 0–127 Time length of reverberation Dst Drive 0–127 Also changes the volume. 0.05–10.00 Hz, Fln Rate Frequency of modulation note Fln Depth 0–127 Depth of modulation 65: Gated Rev (GATED REVERB) Level 0–127 Output level This is a special type of reverb in which the reverberant sound is cut off before its natural length. Parameter Value Explanation 71: Dist->Dly (DISTORTION " DELAY) Type of reverb NORMAL: conventional gated reverb Parameter Value Explanation NORMAL, REVERSE: backwards reverb Degree of distortion Dst Drive 0–127 Type REVERSE, SWEEP1, SWEEP1: the reverberant sound Also changes the volume. SWEEP2 moves from right to left Adjusts the delay time from the SWEEP2: the reverberant sound DelayTime 0–2600 ms, note direct sound until the delay sound is moves from left to right heard. Adjusts the time from when the Adjusts the proportion of the delay Gate Time 5–500 ms sound that is fed back into the effect. reverb is heard until it disappears. Delay Fback -98–+98 % Negative (-) settings will invert the phase. Level 0–127 Output level 66: OD->Cho (OVERDRIVE " CHORUS) Parameter Value Explanation 72: Eh->Cho (ENHANCER CHORUS) Degree of distortion " Od Drive 0–127 Also changes the volume. Parameter Value Explanation 0.05–10.00 Hz, Cho Rate Frequency of modulation Level of the overtones generated by note Enhancer Mix 0–127 the enhancer Chorus Depth 0–127 Depth of modulation 0.05–10.00 Hz, Level 0–127 Output level Cho Rate Frequency of modulation note Chorus Depth 0–127 Depth of modulation Level 0–127 Output level 67: OD->Flg (OVERDRIVE " FLANGER) Parameter Value Explanation 73: Eh->Flg (ENHANCER " FLANGER) Degree of distortion Od Drive 0–127 Also changes the volume. Parameter Value Explanation 0.05–10.00 Hz, Fln Rate Frequency of modulation Level of the overtones generated by note Enhancer Mix 0–127 the enhancer Fln Depth 0–127 Depth of modulation 0.05–10.00 Hz, Fln Rate Frequency of modulation Level 0–127 Output level note Fln Depth 0–127 Depth of modulation Level 0–127 Output level 68: OD->Dly (OVERDRIVE " DELAY) Parameter Value Explanation 74: Eh->Dly (ENHANCER " DELAY) Degree of distortion Od Drive 0–127 Also changes the volume. Parameter Value Explanation Adjusts the delay time from the Level of the overtones generated by Enhancer Mix 0–127 DelayTime 0–2600 ms, note direct sound until the delay sound is the enhancer heard. Adjusts the delay time from the Adjusts the proportion of the delay DelayTime 0–2600 ms, note direct sound until the delay sound is sound that is fed back into the effect. Delay Fback -98–+98 % heard. Negative (-) settings will invert the Adjusts the proportion of the delay phase. sound that is fed back into the effect. Delay Fback -98–+98 % Level 0–127 Output level Negative (-) settings will invert the phase. 8 Effects List

Parameter Value Explanation Level 0–127 Output level Chorus Parameters

The XPS-10’s Chorus effect unit can also be used as a stereo delay unit. 75: Cho->Dly (CHORUS " DELAY) These settings allow you to select chorus or delay, and the characteristics of the selected effect type. Parameter Value Explanation Parameter Value Explanation 0.05–10.00 Hz, Cho Rate Frequency of modulation Selects either Chorus or Delay. note Adjusts the delay time from the 00: ‌OFF Neither Chorus or Delay is used. DelayTime 0–2600 ms, note direct sound until the delay sound is 00: OFF 01: ‌CHORUS heard. 01: CHORUS Chorus Type Chorus is used. Adjusts the proportion of the delay 02: DELAY sound that is fed back into the effect. 02: ‌DELAY Delay Fback -98–+98 % 03: GM2 CHORUS Negative (-) settings will invert the Delay is used. phase. 03: ‌GM2 CHORUS Level 0–127 Output level GM2 Chorus is used. Chorus Level 0–127 Volume of the chorus sound (Delay Level) 01: CHORUS 0.05–10.00 Hz, Rate Frequency of modulation 76: Flg->Dly (FLANGER " DELAY) note Depth 0–127 Depth of modulation Parameter Value Explanation 02: DELAY 0.05–10.00 Hz, Fln Rate Frequency of modulation Adjusts the delay time from the note Delay Time 0–1000 ms, note direct sound until the delay sound is Adjusts the delay time from the heard. DelayTime 0–2600 ms, note direct sound until the delay sound is Adjusts the proportion of the delay heard. sound that is fed back into the effect. Feedback -98–+98 % Adjusts the proportion of the delay Negative (-) settings will invert the sound that is fed back into the effect. Delay Fback -98–+98 % phase. Negative (-) settings will invert the 03: GM2 CHORUS phase. Rate 0–127 Frequency of modulation Level 0–127 Output level Depth 0–127 Depth of modulation

NOTE 77: Cho->Flg (CHORUS " FLANGER) If you specify the delay time as a note value, slowing down the tempo will not change the delay time beyond a certain length. Parameter Value Explanation This is because there is an upper limit for the delay time; if the 0.05–10.00 Hz, Modulation frequency of the chorus delay time is specified as a note value and you slow down the Cho Rate note effect tempo until this upper limit is reached, the delay time cannot 0.05–10.00 Hz, Modulation frequency of the flanger Fln Rate change any further. This upper limit is the maximum value that note effect can be specified when setting the delay time as a numerical Level 0–127 Output level value. note: 78: SymReso (SYMPATHETIC RESONANCE) Sixty-fourth-note triplet Sixty-fourth note Thirty-second-note triplet

On an acoustic piano, holding down the damper pedal allows other Thirty-second note Sixteenth-note triplet Dotted thirty-second note strings to resonate in sympathy with the notes you play, creating rich and spacious resonances. This effect simulates these Sixteenth note Eighth-note triplet Dotted sixteenth note sympathetic resonances. Eighth note Quarter-note triplet Dotted eighth note Parameter Value Explanation This simulates the actual changes in Quarter note Half-note triplet Dotted quarter note sound that occur when the lid of a Lid 1–6 grand piano is set at different Half note Whole-note triplet Dotted half note heights. Whole note Double-note triplet Dotted whole note

Double note

9 Effects List

Reverb Parameters

These settings allow you to select the desired type of reverb, and its characteristics.

Parameter Value Explanation Type of reverb 00: ‌OFF Reverb is not used. 01: ‌REVERB Normal reverb 02: ‌SRV ROOM 00: OFF This simulates typical room 01: REVERB acoustic reflections. 02: SRV ROOM Reverb Type 03: ‌SRV HALL 03: SRV HALL This simulates typical concert hall 04: SRV PLATE acoustic reflections. 05: GM2 REVERB 04: ‌SRV PLATE This simulates a reverb plate, a popular type of artificial reverb unit that derives its sound from the vibration of a metallic plate. 05: ‌GM2 REVERB GM2 Reverb Reverb Level 0–127 Volume of the reverb sound 01: REVERB Type of reverb/delay ROOM1: short reverb with high density ROOM2: short reverb with low density STAGE1: ROOM1 reverb with greater late ROOM2 reverberation STAGE1 STAGE2: STAGE2 reverb with strong early Type HALL1 reflections HALL2 HALL1: DELAY very clear-sounding reverb PAN-DELAY HALL2: rich reverb DELAY: conventional delay effect PAN-DELAY: delay effect with echoes that pan left and right Time length of reverberation (Type: ROOM1–HALL2) Time 0–127 Delay time (Type: DELAY, PAN-DELAY) 02: SRV ROOM 03: SRV HALL 04: SRV PLATE Size 1–8 Size of the simulated room or hall Time 0–127 Time length of reverberation 05: GM2 REVERB Type of reverb Character 0–7 0–5: reverb 6, 7: delay Time 0–127 Time length of reverberation