Effects List Multi-Effects Parameters (MFX1–3, MFX) The multi-effects feature 78 different kinds of effects. Some of the effects consist of two or more different effects connected in series. 67 p. 8 FILTER (10 types) OD->Flg (OVERDRIVE"FLANGER) 68 OD->Dly (OVERDRIVE DELAY) p. 8 01 Equalizer (EQUALIZER) p. 1 " 69 Dist->Cho (DISTORTION CHORUS) p. 8 02 Spectrum (SPECTRUM) p. 2 " 70 Dist->Flg (DISTORTION FLANGER) p. 8 03 Isolator (ISOLATOR) p. 2 " 71 p. 8 04 Low Boost (LOW BOOST) p. 2 Dist->Dly (DISTORTION"DELAY) 05 Super Flt (SUPER FILTER) p. 2 72 Eh->Cho (ENHANCER"CHORUS) p. 8 06 Step Flt (STEP FILTER) p. 2 73 Eh->Flg (ENHANCER"FLANGER) p. 8 07 Enhancer (ENHANCER) p. 2 74 Eh->Dly (ENHANCER"DELAY) p. 8 08 AutoWah (AUTO WAH) p. 2 75 Cho->Dly (CHORUS"DELAY) p. 9 09 Humanizer (HUMANIZER) p. 2 76 Flg->Dly (FLANGER"DELAY) p. 9 10 Sp Sim (SPEAKER SIMULATOR) p. 2 77 Cho->Flg (CHORUS"FLANGER) p. 9 MODULATION (12 types) PIANO (1 type) 11 Phaser (PHASER) p. 3 78 SymReso (SYMPATHETIC RESONANCE) p. 9 12 Step Ph (STEP PHASER) p. 3 13 MltPhaser (MULTI STAGE PHASER) p. 3 14 InfPhaser (INFINITE PHASER) p. 3 15 Ring Mod (RING MODULATOR) p. 3 About Note 16 Step Ring (STEP RING MODULATOR) p. 3 17 Tremolo (TREMOLO) p. 3 Some effect settings (such as Rate or Delay Time) can be specified in 18 Auto Pan (AUTO PAN) p. 3 terms of a note value. The note value for the current setting is 19 Step Pan (STEP PAN) p. 3 shown following the numerical value. 20 Slicer (SLICER) p. 3 21 Rotary (ROTARY) p. 3 22 VK Rotary (VK ROTARY) p. 4 note: CHORUS (12 types) 23 Chorus (CHORUS) p. 4 Sixty-fourth-note triplet Sixty-fourth note Thirty-second-note triplet 24 Flanger (FLANGER) p. 4 25 Step Flg (STEP FLANGER) p. 4 Thirty-second note Sixteenth-note triplet Dotted thirty-second note 26 Hexa-Cho (HEXA-CHORUS) p. 4 Sixteenth note Eighth-note triplet Dotted sixteenth note 27 Tre Cho (TREMOLO CHORUS) p. 4 28 Space-D (SPACE-D) p. 4 Eighth note Quarter-note triplet Dotted eighth note 29 3D Chorus (3D CHORUS) p. 4 30 3DFlanger (3D FLANGER) p. 4 Quarter note Half-note triplet Dotted quarter note 31 3DStepFlg (3D STEP FLANGER) p. 4 32 Band Cho (2BAND CHORUS) p. 4 Half note Whole-note triplet Dotted half note 33 Band Flg (2BAND FLANGER) p. 5 34 BndStpFlg (2BAND STEP FLANGER) p. 5 Whole note Double-note triplet Dotted whole note DYNAMICS (8 types) 35 Overdrive (OVERDRIVE) p. 5 Double note 36 Dist (DISTORTION) p. 5 37 VS OD (VS OVERDRIVE) p. 5 38 VS Dist (VS DISTORTION) p. 5 NOTE 39 GtrAmpSim (GUITAR AMP SIMULATOR) p. 5 If you specify the delay time as a note value, slowing down the 40 Comp (COMPRESSOR) p. 5 tempo will not change the delay time beyond a certain length. 41 Limiter (LIMITER) p. 5 This is because there is an upper limit for the delay time; if the 42 Gate (GATE) p. 5 delay time is specified as a note value and you slow down the DELAY (13 types) tempo until this upper limit is reached, the delay time cannot 43 Delay (DELAY) p. 6 44 Long Dly (LONG DELAY) p. 6 change any further. This upper limit is the maximum value that 45 SerialDly (SERIAL DELAY) p. 6 can be specified when setting the delay time as a numerical 46 Mod Delay (MODULATION DELAY) p. 6 value. 47 3TapDelay (3TAP PAN DELAY) p. 6 48 4TapDelay (4TAP PAN DELAY) p. 6 49 MltTapDly (MULTI TAP DELAY) p. 6 50 Revse Dly (REVERSE DELAY) p. 6 Chorus Send and Reverb Send 51 Sfl Delay (SHUFFLE DELAY) p. 6 The depth of chorus and reverb applied to the sound processed by 52 3D Delay (3D DELAY) p. 6 53 AnalogDly (ANALOG DELAY) p. 7 the multi-effect is determined by the “Effect Edit” settings “MFX 54 AnaLngDly (ANALOG LONG DELAY) p. 7 CHO LVL” and “MFX REV LVL.” 55 Tape Echo (TAPE ECHO) p. 7 For details, refer to “Editing Effect Settings (EFFECTS EDIT)” (Owner’s LO-FI (5 types) Manual: p. 27). 56 LoFiNoise (LO-FI NOISE) p. 7 57 LoFiComp (LO-FI COMPRESS) p. 7 58 LoFiRadio (LO-FI RADIO) p. 7 59 Telephone (TELEPHONE) p. 7 01: Equalizer (EQUALIZER) 60 Phono (PHONOGRAPH) p. 7 This is a three-band stereo equalizer (low, mid, high). PITCH (3 types) 61 Pitch Sft (PITCH SHIFTER) p. 7 Parameter Value Explanation 62 2Voice PS (2VOICE PITCH SHIFTER) p. 7 Low Gain -15–+15 dB Gain of the low range 63 Step PS (STEP PITCH SHIFTER) p. 7 Mid Gain -15–+15 dB Gain of the middle range REVERB (2 types) High Gain -1–+15 dB Gain of the high range 64 Reverb (REVERB) p. 8 Level 0–127 Output Level 65 Gated Rev (GATED REVERB) p. 8 COMBINATION (12 types) 66 OD->Cho (OVERDRIVE"CHORUS) p. 8 Copyright © 2014 ROLAND CORPORATION 01 XPS-10 All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. 1 Effects List Parameter Value Explanation 0.05–10.00 Hz, 02: Spectrum (SPECTRUM) Rate Rate of modulation note This is a stereo spectrum. Spectrum is a type of filter which modifies Level 0–127 Output level the timbre by boosting or cutting the level at specific frequencies. Parameter Value Explanation BND-250Hz BND-1000Hz -15–+15 dB Gain of each frequency band 07: Enhancer (ENHANCER) BND-4000Hz Controls the overtone structure of the high frequencies, adding Level 0–127 Output Level sparkle and tightness to the sound. Parameter Value Explanation Low Gain -15–+15 dB Gain of the low range 03: Isolator (ISOLATOR) High Gain -15–+15 dB Gain of the high range Level 0–127 Output Level This is an equalizer which cuts the volume greatly, allowing you to add a special effect to the sound by cutting the volume in varying ranges. Parameter Value Explanation 08: AutoWah (AUTO WAH) These boost and cut each of the Bst/Cut Lo Cyclically controls a filter to create cyclic change in timbre. High, Middle, and Low frequency ranges. Bst/Cut Md -60–+4 dB Parameter Value Explanation At -60 dB, the sound becomes Sets the direction in which the inaudible. 0 dB is equivalent to the Bst/Cut Hi frequency will change when the input level of the sound. auto-wah filter is modulated. Level 0–127 Output Level Polarity UP, DOWN UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. 04: Low Boost (LOW BOOST) Level 0–127 Output Level Boosts the volume of the lower range, creating powerful lows. Parameter Value Explanation Amount by which the lower range 09: Humanizer (HUMANIZER) Boost Gain 0–+12 dB will be boosted Adds a vowel character to the sound, making it similar to a human Level 0–127 Output level voice. Parameter Value Explanation Vowel1 a, e, i, o, u Selects the vowel 1. 05: Super Flt (SUPER FILTER) Vowel2 a, e, i, o, u Selects the vowel 2. 0.05–10.00 Hz, Frequency at which the two vowels Rate This is a filter with an extremely sharp slope. The cutoff frequency note switch can be varied. Level 0–127 Output level Parameter Value Explanation Filter type Frequency range that will pass through each filter 10: Sp Sim (SPEAKER SIMULATOR) LPF: frequencies below the cutoff LPF, BPF, HPF, Simulates the speaker type. FilterType BPF: frequencies in the region of the NOTCH cutoff Parameter Value Explanation HPF: frequencies above the cutoff (See the table Type Type of speaker NOTCH: frequencies other than the below.) region of the cutoff Level 0–127 Output Level Filter cutoff frequency value Filter Cutoff 0–127 Increasing this setting will raise the frequency. Specifications of each Speaker Type Level 0–127 Output level The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Type Cabinet Speaker Microphone 06: Step Flt (STEP FILTER) SMALL 1 small open-back enclosure 10 dynamic SMALL 2 small open-back enclosure 10 dynamic This is a filter whose cutoff frequency can be modulated in steps. MIDDLE open back enclosure 12 x 1 dynamic You can specify the pattern by which the cutoff frequency will JC-120 open back enclosure 12 x 2 dynamic change. BUILT-IN 1 open back enclosure 12 x 2 dynamic BUILT-IN 2 open back enclosure 12 x 2 condenser Parameter Value Explanation BUILT-IN 3 open back enclosure 12 x 2 condenser Filter type BUILT-IN 4 open back enclosure 12 x 2 condenser Frequency range that will pass BUILT-IN 5 open back enclosure 12 x 2 condenser through each filter BG STACK 1 sealed enclosure 12 x 2 condenser LPF: frequencies below the cutoff BG STACK 2 large sealed enclosure 12 x 2 condenser LPF, BPF, HPF, FilterType BPF: frequencies in the region of the MS STACK 1 large sealed enclosure 12 x 4 condenser NOTCH cutoff MS STACK 2 large sealed enclosure 12 x 4 condenser METAL STACK large double stack 12 x 4 condenser HPF: frequencies above the cutoff 2-STACK large double stack 12 x 4 condenser NOTCH: frequencies other than the 3-STACK large triple stack 12 x 4 condenser region of the cutoff 2 Effects List Parameter Value Explanation 0.05–10.00 Hz, Rate at which the 16-step sequence 11: Phaser (PHASER) Rate note will cycle A phase-shifted sound is added to the original sound and Level 0–127 Output level modulated.
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