Designing a Brave New World: Eugenics, Politics, and Fiction Author(s): JOANNE WOIAK Source: The Public Historian, Vol. 29, No. 3 (Summer 2007), pp. 105-129 Published by: University of California Press on behalf of the National Council on Public History Stable URL: http://www.jstor.org/stable/10.1525/tph.2007.29.3.105 . Accessed: 18/08/2015 23:31 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. University of California Press and National Council on Public History are collaborating with JSTOR to digitize, preserve and extend access to The Public Historian. http://www.jstor.org This content downloaded from 207.62.3.28 on Tue, 18 Aug 2015 23:31:07 PM All use subject to JSTOR Terms and Conditions Designing a Brave New World: Eugenics, Politics, and Fiction Joanne Woiak Abstract: Aldous Huxley composed Brave New World in the context of the Depression and the eugenics movement in Britain. Today his novel is best known as satirical and pre- dictive, but an additional interpretation emerges from Huxley’s nonfiction writings in which the liberal humanist expressed some surprising opinions about eugenics, citizen- ship, and meritocracy.