Edward-Peter Fitzsimmons in 1931 Aldous Huxley Created in Bis Novel
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Point Counter Point"
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1940 Aldous Huxley's use of music in "Point Counter Point" Bennett Brudevold The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brudevold, Bennett, "Aldous Huxley's use of music in "Point Counter Point"" (1940). Graduate Student Theses, Dissertations, & Professional Papers. 1499. https://scholarworks.umt.edu/etd/1499 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. A1D005 HUXLEY'S USE OF MUSIC IB F o m r c o i m m by Bennett BruAevold Presented in P&rtlel Fulfillment of the Requirement for the Degree of Master of Arte State University of Montana 1940 Approveds û&^'rman of Ëxaminl]^^ ttee W- Sfiairraan’ of Graduate Ccmmlttee UMI Number; EP35823 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation RMishing UMI EP35823 Published by ProQuest LLC (2012). Copyright in the Dissertation held by the Author. -
Mysticism and Pacifism
Chapter 4 Mysticism and Pacifism Huxley’s mystical turn in the mid-1930s was intimately associated with paci- fism, and his pacifist convictions were reinforced by the mystical philosophy of Gerald Heard and Jiddu Krishnamurti. As noted in Chapter 1, Huxley’s involve- ment with Ottoline Morrell and the Garsington set during World War i had led him to adopt a pacifist position, and the rise of Mussolini and Hitler and the imperial tensions of the 1930s had done nothing to change his mind. His disparaging article “What Gandhi Fails to See” (1930), would seem to contradict this statement, but Huxley was not objecting to Gandhi as a pacifist but as an “ascetic salvationist” whose spirituality blinded him to inconvenient facts, such as the “distressingly easy passage from non-violence to violence”,1 or the fact that reverting to a pre-industrial civilisation, as Gandhi was advocating, would entail the “death by starvation of millions upon millions of human be- ings” (in other words, the exponential increase in population made possible by industrialisation).2 Huxley’s interest in mysticism had been dampened by his trip to India and south-east Asia in 1925–26. In the article, Gandhi is pilloried as a representative of the kind of Hindu spirituality that Huxley had deplored in Jesting Pilate (1926): “To my mind ‘spirituality’ […] is the primal curse of India and the cause of all her misfortunes. […] A little less spirituality and the Indians would now be free – free from foreign dominion and from the tyranny of their own prejudices and traditions”.3 But as the 1930s progressed, Huxley was compelled by personal circumstances to re-evaluate his opinion of both Gandhi and mysticism and by 1936 he was publicly advocating satyagraha and practising meditation with Gerald Heard and members of the Peace Pledge Union (ppu). -
The Thought of Aldous Huxley M
The Thought of Aldous Huxley M. M. Kirkwood University of Toronto Quarterly, Volume 6, Number 2, January 1937, pp. 189-198 (Article) Published by University of Toronto Press For additional information about this article https://muse.jhu.edu/article/549974 [ Access provided at 12 Oct 2020 10:12 GMT from USP-Universidade de São Paulo ] THE THOUGHT OF ALDOUS HUXLEY M. M . KIRKWOOD N an article which appeared in the London Mercury of January, 1933, G. K. Chesterton placed Huxley I among the young moderns whom he attacked as "witty, brilliant and fashionable bankrupts." This view of Huxley in particular has been a common one, for brilliance and wit animate whatever he writes, and, having written for a world that wanted to be amused, he has become fashionable. Mr. Chester to ~' understood him merely to mock, as one having no religious belief and seeing no purpose in the world or in the will. Whether this be a real aspe.ct of his work or not, readers have not found it easy to resist a writer who remarks in connection wi th one of his characters that "no chameleon can live with comfort on a tartan," and who concludes his descrip tion of his own agonie,s during a first ride on an elephant with the comment, "I returned full of admiration for Hannibal. He crossed the Alps on an elephant." Numerous quips by Huxley include the statement that "Puritans like to wear the fig-leaf over the mouth," while in a serious essay on the evolution of theologies, he uses the astonishing figure, "Men's religious life works on the principle of a hot-water system." Huxley's voca bulary is no less en tertaining than his figures of coml?arison, and we find ourselves stimulated if not always illuminated by "minusculous" and "callipygous," "wamblingly" and "bombinating," "geodesic" and "mixo Iydian." It is as if the creator of "brillig" and "slithy toves" had come to life again, challenging us to under stand as well as to enjoy him. -
Palacký University Olomouc Faculty of Arts Department of English and American Studies Social Reform in Aldous Huxley's Brave
Palacký University Olomouc Faculty of Arts Department of English and American Studies Social Reform in Aldous Huxley’s Brave New World and Island Diploma thesis Bc. Kristína Barkolová English Philology Thesis supervisor: Mgr. Pavlína Flajšarová, Ph.D. Olomouc 2018 Prohlašuji, že jsem magisterskou diplomovou práci vypracovala samostatně a uvedla uplný seznam citované a použité literatury. V Olomouci, dne 2 Mé poděkování patří Mgr. Pavlíně Flajšarové za odborné vedení, trpělivost a ochotu, kterou mi v průběhu zpracování diplomové práce věnovala. 3 Contents 1 Introduction .................................................................................................................... 5 2 Methodology .................................................................................................................. 6 3 Context for Brave New World and Island ...................................................................... 9 4 Brave New World ......................................................................................................... 13 4.1 History .................................................................................................................. 13 4.2 Education .............................................................................................................. 17 4.3 Fordism ................................................................................................................. 19 4.4 Science ................................................................................................................. -
Aldous Huxley, Representative Man Edited by Gerhard Wagner
James Hull Aldous Huxley, Representative Man Edited by Gerhard Wagner LIT TABLE OF CONTENTS General Editors' Preface i Editor's Note ii Foreword by Robin Hull iii List of Abbreviations vi INTRODUCTION 1 PART ONE I. THE PREDESTINATION OF EVENTS 6 The Early Poems 10 II. SACRED AND PROFANE LOVE 24 Limbo 26 Crome Yellow 30 Mortal Coils 35 On the Margin 39 III. GONE ABROAD 45 Antic Hay 46 i) Paradise Lost 52 ii) Betrayal 55 iii) "What's He to Hecuba?" 57 iv) The Monster 58 v) Inferno 61 vi) The Last Ride Together 63 Little Mexican 66 IV. THE SEARCH FOR A NEW DIMENSION 78 Those Barren Leaves 78 i) "An Evening at Mrs Aldwinkle's" 78 ii) "Fragments from the Autobiography of Francis Chelifer" 82 iii) "The Loves of the Parallels" 89 iv) "The Journey" 93 Along the Road 97 Two or Three Graces 104 The Spectator: Jesting Pilate 110 i) Religion 112 ii) Art and Other Matters 114 iii) The Later Stages of the Journey 117 Proper Studies 118 i) The Idea of Equality 120 ii) Varieties of Intelligence 122 iii) The Way of the Solitary 124 iv) Personality and Ideals 126 V. LIFE WORSHIP 130 Point Counter Point 130 i) Philip and Elinor Quarles 132 ii) Returning from India 137 iii) Back Home 138 iv) Predestination 141 v) Rampion and Philip 144 vi) Walter Bidlake and the Siren 146 vii) Rachel Quarles and Marjorie Carling 150 viii) Spandrell 153 ix) Rampion 155 x) The "Spiritual Thermopylae" 160 xi) The Riddle of Burlap 163 xii) The Case of John Middleton Murry 166 xiii) Little Phil's Death 169 Do What You Will 170 i) Unity and Diversity 170 ii) The Two Humilities 174 iii) "Pascal" 176 iv) "Holy Face" 184 VI. -
Pledging Peace in Aldous Huxley's Eyeless in Gaza
109 Pledging Peace in Aldous Huxley’s Eyeless in Gaza Charles Andrews Whitworth University Nineteen thirty-six was a pivotal year for Aldous Huxley. Much of his en- ergy prior to this year was spent writing the satirical novels upon which his reputation still rests, including Crome Yellow (1921), Point Counter Point (1928), and Brave New World (1932). Huxley produced many of his nearly fifty books under contractual obligations to write two or even three books per year, a pace that seemed to cause him little concern. Yet Eyeless in Gaza, his under-read masterpiece, took four years to complete. Begun in 1932, published in 1936, Eyeless is in most ways typical of Huxley’s fiction—eru- dite, philosophical, and semi-autobiographical. His title alludes to Milton’s Samson Agonistes, and his characters each take competing positions on the issues most important to Huxley and his cohort of artists and intellectuals: human relations, mystical spirituality, and radical politics. Eyeless in Gaza also shows off some of Huxley’s most formally adventurous writing, par- ticularly with regard to narrative chronology. Each of the novel’s fifty-four chapters is set on a specific day between November 6, 1902 and February 23, 1935. Lacking any readily discernible regular pattern, the chapters jump back and forth within this thirty-three year range. The earliest dates show our main character Anthony Beavis as a young boy at his mother’s funeral, by the 1910s we see him at Oxford, by the 1920s Anthony is a struggling writer, and by the 1930s he is in a love affair with Helen, is briefly involved in a Mexican revolution, and ultimately converts to pacifism. -
Aldous Huxley” in Connection with His Landmark 1932 Novel
Introduction by David Garrett Izzo Life, Work, Thought Many people know the name “Aldous Huxley” in connection with his landmark 1932 novel, Brave New World . Few know much more than this and that at one time Huxley was one of the most revered and respected figures in 20 th century literature and philosophy. An irony of his present neglect can be found by noting that the day he died—22 November 1963—was the day John F. Kennedy was murdered; hence, Huxley’s passing was ignored. On any other day, his death would have likely been acknowledged with front-page articles and a retrospective of his life and work. The highlight of this work, Brave New World , is often selected as one of the greatest novels in all of literature, but there was much, much more to Huxley as a writer, philosopher, and influence. There is not a writer who came after Huxley that does not owe to him directly or indirectly the new tangent in the history of the novel that his work impelled. There is not a person who learned about Eastern philosophy in the 1960s that is not directly or indirectly indebted to Huxley the philosopher. Anyone who admires the philosophy of Horkheimer and Adorno, particularly their essay, “The Culture Industry,” is actually influenced by Huxley, as these two German refugees from Hitler have said that their ideas came from Huxley. There is an academic Aldous Huxley Society with a home base in Muenster, Germany that does appreciate his impact on our world and spreads the gospel of Huxley through a book length Huxley Annual and a conference every year so that he will not be forgotten. -
Aldous Huxley: When to Be Brave and New Is Not Enough
International Journal of Liberal Arts and Social Science Vol. 8 No. 10 October 2020 Aldous Huxley: When to Be Brave and New Is not Enough Khawla Dwikat1 and Prof. Samira al-Khawaldeh2 1The University of Jordan Email: [email protected] 2The University of Jordan Email: [email protected] Corresponding Author: Prof. Samira al-Khawaldeh P.O.Box 961651 Sports City, Amman, 111 96 Jordan Email: [email protected] / [email protected] Published: 31 October 2020 Copyright © Dwikat et al. Cite this article: Dwikat, K. & Al-Khawaldeh, S. (2020). Aldous Huxley: When to Be Brave and New Is not Enough. International Journal of Liberal Arts and Social Science, 8(10), 7-20. 7 International Journal of Liberal Arts and Social Science ISSN: 2307-924X www.ijlass.org Abstract As a modernist self-exiled intellectual, Huxley composes dystopian Sci-Fi Brave New World (1932), a novel that sketches in a Juvenalian mode a gruesome portrait of the future to satirize the present of modern Western civilization. Written during a period of unparalleled instability in the Western world, the novel comes as a prophecy of a future where man‟s final purpose of life becomes irrelevant; where violence, power, science, progress and technology are forces that rule, manipulate and distract the human race; the race that has already lost touch with its “perennial self” and the unitive knowledge of the “Divine Ground of all being”. This article aims at reading Huxley‟s novel via the lens of his philosophical writings mainly, The Perennial Philosophy (1945), and to present Huxley as the intellectual who advocates the necessity of bridging the gap between science and religio-philosophy. -
May Be Xeroxed
Rl3ASON lN Rl3~fREAT: ffHE NOVEL ' OF .ALDOUS HUXLE T ' CENTRE FOR NEWFOUNDLAND STUDIES TOTAL: OF 10 PAGES ONLY " MAY BE XEROXED (Without Author's Permission) ELI A BETH AN b J\lCGR£ '1 - 7t2, 0 4-Z - · _ otuAL UNIVEJts.r .~~ LIBRARY '1'.;.. OCT 20 1962 0 ~~<:) C_'}> NEWFO~\)\.. J REASON IN RETREAT: THE NOVELS OF ALDOUS HUXLEY by Elizabeth Anne McGra~h, B.A. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts, Memorial University of Newfoundland, 7 April 1961. ii This thesis has been examined and approved by: ABSTRACT Aldous Huxley has been writing on all topics and in most literary genres since 1916. He is particularly well known for his essays and for his novels, which are the satirical classics of the twentieth century. But Huxley the novelist has yet to be definitively placed in literary history. He enjoyed considerable eclat~ in the twenties and thirties and his elegant satires, Crome Yellow (1921) and Antic Hay (1923), both shocked and delighted the young and almost young generation. His later novels shocked too, but for a different reason. Huxley had been considered the typical disappointed rationalist and aesthete of the post -war era. With the publication of Eyeless in Gaza (1936) it became clear that rationalism and aestheticism had,as far as Huxley was concerned, had their day, and for him, at least, the way of the mystic offered greater intellectual and moral rewards. Co-incid,ent with this change _in attitude came a change in Huxley's satirical technique. -
Designing a Brave New World: Eugenics, Politics, and Fiction Author(S): JOANNE WOIAK Source: the Public Historian, Vol
Designing a Brave New World: Eugenics, Politics, and Fiction Author(s): JOANNE WOIAK Source: The Public Historian, Vol. 29, No. 3 (Summer 2007), pp. 105-129 Published by: University of California Press on behalf of the National Council on Public History Stable URL: http://www.jstor.org/stable/10.1525/tph.2007.29.3.105 . Accessed: 18/08/2015 23:31 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press and National Council on Public History are collaborating with JSTOR to digitize, preserve and extend access to The Public Historian. http://www.jstor.org This content downloaded from 207.62.3.28 on Tue, 18 Aug 2015 23:31:07 PM All use subject to JSTOR Terms and Conditions Designing a Brave New World: Eugenics, Politics, and Fiction Joanne Woiak Abstract: Aldous Huxley composed Brave New World in the context of the Depression and the eugenics movement in Britain. Today his novel is best known as satirical and pre- dictive, but an additional interpretation emerges from Huxley’s nonfiction writings in which the liberal humanist expressed some surprising opinions about eugenics, citizen- ship, and meritocracy. -
1 David Izzo 1. Life, Art, Thought There Is Not a Writer Who Came After
David Izzo 1. Life, Art, Thought There is not a writer who came after Aldous Huxley that does not owe to him directly or indirectly the new tangent in the history of the novel that his work impelled. 1928’s Point Counter Point was the surging impetus for this influence. In 1928 his fourth novel made Huxley an international sensation, even if today it is 1932’s Brave New World for which he is chiefly remembered; yet, there was so much more than just Brave New World, and Point Counter Point. Today, there is not a person who learned about Eastern philosophy in the 1960s that is not directly or indirectly indebted to Huxley the philosopher. Anyone who admires the philosophy of Horkheimer and Adorno, particularly their essay, “The Culture Industry,” is actually influenced by Huxley, as these two German refugees from Hitler have said that their ideas came from Huxley. There is an academic Aldous Huxley Society with a home base in Muenster, Germany that does appreciate his impact on our world and spreads the gospel of Huxley through a book length Huxley Annual and a conference every year so that he will not be forgotten. His friend and fellow philosopher, Gerald Heard, called Huxley, “The Poignant Prophet” (101), and he was certainly a godfather of the New Age. With all of his accomplishments, perhaps the most enduring was how endearing he was to those who knew him and adored his wit, his kindness, and, finally, his profound humanity. Aldous Leonard Huxley was born on 26 July 1894 to Leonard Huxley and Julia Francis Arnold Huxley. -
Heaven and Hell by Aldous Huxley
HEAVEN AND HELL BY ALDOUS HUXLEY Scanned by Vortex for #bookz, 2003 Born in 1894, Aldous Huxley belonged to a family of great talent: he was the grandson of the famous Thomas Henry Huxley; the son of Leonard Huxley, the editor of Cornhill Magazine; and the brother of Sir Julian Huxley. He was educated at Eton and Balliol, and before devoting himself entirely to his own writing worked as a journalist and dramatic critic. Aldous Huxley first attracted attention with a volume of stories called Limbo (1920) and followed this up with his novel Crome Yellow (1921). Antic Hay and Those Barren Leaves followed in 1923 and 1925 respectively. His three most outstanding novels are Point Counter Point (1928), Brave New World (1932), and Eyeless in Gaza (1936). His travel books include Jesting Pilate (1926), and Beyond the Mexique Bay (1934). Grey Eminence and The Devils, of Loudun are historical studies, and in The Doors of Perception and Heaven and Hell he discussed the nature and significance of visionary experience. He died in 1963. His last books were Brave New World Revisited (1959), Collected Essays (1960), On Art and Artists (1961), Island (1962), and Literature and Science (1963). Foreword THIS little book is a sequel to an essay on the mescalin experience, published two years ago under the title of The Doors of Perception. For a person in whom 'the candle of vision' never burns spontaneously, the mescalin experience is doubly illuminating. It throws light on the hitherto unknown regions of his own mind; and at the same time it throws light, indirectly, on other minds, more richly gifted in respect to vision than his own.