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Joel Devlin Director of Photography
Joel Devlin Director of Photography Credits include: WILLOW Director: Debs Paterson High Fantasy Action Adventure Drama Series Showrunner: Wendy Mericle Writer/Executive Producer: Jon Kasdan Executive Producers: Ron Howard, Kathleen Kennedy Roopesh Parekh, Michelle Rejwan Producer: Tommy Harper Featuring: Ellie Bamber, Erin Kellyman, Warwick Davis Production Co: Imagine Entertainment / Lucasfilm / Disney+ ALEX RIDER Director: Rebecca Gatward Action Adventure Spy Series Producer: Richard Burrell Featuring: Otto Farrant, Vicky McClure, Stephen Dillane Production Co: Eleventh Hour Films / Amazon ITV Studios / Sony Pictures Television THE BEAST MUST DIE Director: Dome Karukoski Crime Drama Producer: Sarada McDermott Featuring: Jared Harris, Cush Jumbo, Billy Howle Production Co: New Regency Television International / BritBox THE SPANISH PRINCESS Director: Rebecca Gatward Tudor Period Drama Series Showrunner: Matthew Graham Featuring: Charlotte Hope, Ruari O’Connor, Olly Rix Production Co: New Pictures / Starz! HIS DARK MATERIALS: THE SUBTLE KNIFE Director: Leanne Welham Epic Fantasy Adventure Drama Series Series Producer: Roopesh Parekh Adaptation of Philip Pullman’s award-winning novel. Featuring: Dafne Keen, Ruth Wilson, Lin-Manuel Miranda ‘Will’s World’ for HIS DARK MATERIALS: NORTHERN LIGHTS Director Will McGregor Producer: Laurie Borg Production Co: Bad Wolf / HBO / BBC One THE TRIAL OF CHRISTINE KEELER Directors: Andrea Harkin, Leanne Welham Dramatisation of the infamous Profumo Affair Producer: Rebecca Ferguson that rocked the British -
Brave New World & Brave New World Revisited Ebook
BRAVE NEW WORLD & BRAVE NEW WORLD REVISITED PDF, EPUB, EBOOK Aldous Huxley | 340 pages | 01 Jun 2004 | HarperCollins Publishers Inc | 9780060535261 | English | New York, NY, United States Brave New World & Brave New World Revisited PDF Book I Brave New World A difficult book to rate. It will spread, not through government policy but through the choices of individual parents, likely accelerating as the technology becomes cheaper and more efficient. Brave New World A difficult book to rate. He spent the latter part of his life in the United States, living in Los Angeles from until his death in Toward the end of the story, can the reader maintain that safe distance? His letter to Orwell after the younger man sent him a copy of seems touchy The non-fiction work Brave New World Revisited , published in , is a fascinating work in which Huxley uses his tremendous knowledge of human relations to compare the modern-day world with his prophetic fantasy envisioned in Brave New World , including the threats to humanity, such as over-population, propaganda, and chemical persuasion. That's the tragedy of Brave New World Amazing thing being, Huxley extrapolated the contents of this entire book just from a single TV interview which he gave being disillusioned about how his fantasy can easily get real soon. He is unusually short for an Alpha; an alleged accident with alcohol in Bernard's blood- surrogate before his decanting has left him slightly stunted. My own belief is that the ruling oligarchy will find less arduous and wasteful ways of governing and of satisfying its lust for power, and these ways will resemble those which I described in Brave New World'. -
As Late As 1929, Aldous Huxley Had No Interest in and Even No Sympathy for Utopian Or Futuristic Fiction
CHAPTER ONE AROUND THE WORLD IN 264 DAYS As late as 1929, Aldous Huxley had no interest in and even no sympathy for utopian or futuristic fiction. In “Spinoza’s Worm”, an essay whose images and examples he would repeat a number of times, he dismissed it, commenting: My own feeling, whenever I see a book about the Future, is one of boredom and exasperation. What on earth is the point of troubling one’s head with speculation about what men may, but almost certainly will not, be like in A. D. 20,000?1 Earlier in Those Barren Leaves (1925), his character Chelifer dismisses Utopia as a state of total boredom: … in the Utopian state where everybody is well-off, educated and leisured, everybody will be bored; unless for some obscure reason the same causes fail to produce the same effects. Only two or three hundred people out of every million could survive a lifetime in a really efficient Utopian state. The rest would simply die of spleen.2 These words cut ironically across his career, because in 1929 he was but two years away from writing Brave New World, thus creating the best known, most studied, most censored, and most discussed utopian world of the twentieth century. Since the book’s publication in 1932, its British and American publishers have printed over ten million paperback copies. Although Huxley did not recognize it in 1929, he had already gathered most of the materials that would go into the making of Brave New World. From the time he and Maria sailed aboard the S.S. -
Mckinney Macartney Management Ltd
McKinney Macartney Management Ltd AMY ROBERTS - Costume Designer THE CROWN 3 Director: Ben Caron Producers: Michael Casey, Andrew Eaton, Martin Harrison Starring: Olivia Colman, Tobias Menzies and Helena Bonham Carter Left Bank Pictures / Netflix CLEAN BREAK Director: Lewis Arnold. Producer: Karen Lewis. Starring: Adam Fergus and Kelly Thornton. Sister Pictures. BABS Director: Dominic Leclerc. Producer: Jules Hussey. Starring: Jaime Winstone and Samantha Spiro. Red Planet Pictures / BBC. TENNISON Director: David Caffrey. Producer: Ronda Smith. Starring: Stefanie Martini, Sam Reid and Blake Harrison. Noho Film and Television / La Plante Global. SWALLOWS & AMAZONS Director: Philippa Lowthorpe. Producer: Nick Barton. Starring: Rafe Spall, Kelly Macdonald, Harry Enfield, Jessica Hynes and Andrew Scott. BBC Films. AN INSPECTOR CALLS Director: Aisling Walsh. Producer: Howard Ella. Starring: David Thewlis, Miranda Richardson and Sophie Rundle. BBC / Drama Republic. PARTNERS IN CRIME Director: Ed Hall. Producer: Georgina Lowe. Starring: Jessica Raine, David Walliams, Matthew Steer and Paul Brennen. Endor Productions / Acorn Productions. Gable House, 18 –24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 AMY ROBERTS Contd … 2 CILLA Director: Paul Whittington. Producer: Kwadjo Dajan. Starring: Sheridan Smith, Aneurin Barnard, Ed Stoppard and Melanie Hill. ITV. RTS CRAFT & DESIGN AWARD 2015 – BEST COSTUME DESIGN BAFTA Nomination 2015 – Best Costume Design JAMAICA INN Director: Philippa Lowthorpe Producer: David M. Thompson and Dan Winch. Starring: Jessica Brown Findlay, Shirley Henderson and Matthew McNulty. Origin Pictures. THE TUNNEL Director: Dominik Moll. Producer: Ruth Kenley-Letts. Starring: Stephen Dillane and Clemence Poesy. Kudos. CALL THE MIDWIFE (Series 2) Director: Philippa Lowthorpe. -
Mysticism and Pacifism
Chapter 4 Mysticism and Pacifism Huxley’s mystical turn in the mid-1930s was intimately associated with paci- fism, and his pacifist convictions were reinforced by the mystical philosophy of Gerald Heard and Jiddu Krishnamurti. As noted in Chapter 1, Huxley’s involve- ment with Ottoline Morrell and the Garsington set during World War i had led him to adopt a pacifist position, and the rise of Mussolini and Hitler and the imperial tensions of the 1930s had done nothing to change his mind. His disparaging article “What Gandhi Fails to See” (1930), would seem to contradict this statement, but Huxley was not objecting to Gandhi as a pacifist but as an “ascetic salvationist” whose spirituality blinded him to inconvenient facts, such as the “distressingly easy passage from non-violence to violence”,1 or the fact that reverting to a pre-industrial civilisation, as Gandhi was advocating, would entail the “death by starvation of millions upon millions of human be- ings” (in other words, the exponential increase in population made possible by industrialisation).2 Huxley’s interest in mysticism had been dampened by his trip to India and south-east Asia in 1925–26. In the article, Gandhi is pilloried as a representative of the kind of Hindu spirituality that Huxley had deplored in Jesting Pilate (1926): “To my mind ‘spirituality’ […] is the primal curse of India and the cause of all her misfortunes. […] A little less spirituality and the Indians would now be free – free from foreign dominion and from the tyranny of their own prejudices and traditions”.3 But as the 1930s progressed, Huxley was compelled by personal circumstances to re-evaluate his opinion of both Gandhi and mysticism and by 1936 he was publicly advocating satyagraha and practising meditation with Gerald Heard and members of the Peace Pledge Union (ppu). -
Tom Stoppard's "Rosencrantz and Guildenstern Are Dead" As a Creative Reading of "Hamlet"
The Seen and the Unseen in: Tom Stoppard's "Rosencrantz and Guildenstern are Dead" as a Creative Reading of "Hamlet" ا و ا م رد " روز !ا و ن اد ا " آ&اءة إا " ه()" Prepared by: Kavita Jagtap Supervised by: Dr. Sabbar S. Sultan A Thesis Submitted in Partial Fulfillment of the Requirements for Master of Arts in English Language and Literature Department of English Language and Literature Faculty of Arts and Sciences Middle East University July, 2012 IV Acknowledgement All praise and thanks are due to Allah, the Almighty, for supporting me in this work. Without His support, grace and mercy, I would not have finished my thesis. I greatly appreciate the effort, dedication, and support of my advisor Dr. Sabbar S. Sultan. I thank him for his continuous guidance, support and help in completing this thesis. Finally, I would like to express my gratitude to the examining committee members and to the panel of experts for their invaluable inputs and encouragement. Thanks are also extended to the faculty members of the Department of English at the Middle East University. V Dedication I would like to dedicate this work to my father's soul, whose dream was for his children to gain as much knowledge and high degree of education as possible, to my beloved mother, my siblings, my son and my daughter who are a symbol of hope to me. I would specially like to dedicate this work to a very special person, Mohammad Jarrar. Finally, I would like to dedicate this work to every teacher who taught me, because they are distinguished in their specialities. -
Written and Directed by Jeremy Podeswa Produced by Robert Lantos Based Upon the Novel by Anne Michaels Runtime: 105 Minutes to D
Written and Directed by Jeremy Podeswa Produced by Robert Lantos Based upon the novel by Anne Michaels Media Contacts: New York Agency: Los Angeles Agency: IDP/Samuel Goldwyn Films Donna Daniels Lisa Danna New York: Amy Johnson Melody Korenbrot Liza Burnett Fefferman Donna Daniels PR Block-Korenbrot, Inc. Jeff Griffith-Perham 20 West 22nd St., Suite 1410 North Market Building Samuel Goldwyn Films New York, NY 1010 110 S. Fairfax Ave., #310 1133 Broadway – Suite 926 T: 347.254.7054 Los Angeles, CA 90036 New York, NY 10010 [email protected] T: 323.634.7001 T: 212.367.9435 [email protected] [email protected] F: 212.367.0853 [email protected] [email protected] [email protected] LA: Mimi Guethe T: 310.860.3100 F: 310.860.3198 [email protected] Runtime: 105 minutes To download press notes and photography, please visit: www.press.samuelgoldwynfilms.com USER NAME: press LOG IN: golden! 1 FUGITIVE PIECES THE CAST Jakob Stephen Dillane Athos Rade Sherbedgia Alex Rosamund Pike Michaela Ayelet Zurer Jakob (young) Robbie Kay Ben Ed Stoppard Naomi Rachelle Lefevre Bella Nina Dobrev Mrs. Serenou Themis Bazaka Jozef Diego Matamoros Sara Sarah Orenstein Irena Larissa Laskin Maurice Daniel Kash Ioannis Yorgos Karamichos Allegra Danae Skiadi 2 FUGITIVE PIECES ABOUT THE STORY A powerful and unforgettably lyrical film about love, loss and redemption, FUGITIVE PIECES tells the story of Jakob Beer, a man whose life is transformed by his childhood experiences during WWII. The film is based on the beloved and best-selling novel by Canadian poet Anne Michaels. -
The Thought of Aldous Huxley M
The Thought of Aldous Huxley M. M. Kirkwood University of Toronto Quarterly, Volume 6, Number 2, January 1937, pp. 189-198 (Article) Published by University of Toronto Press For additional information about this article https://muse.jhu.edu/article/549974 [ Access provided at 12 Oct 2020 10:12 GMT from USP-Universidade de São Paulo ] THE THOUGHT OF ALDOUS HUXLEY M. M . KIRKWOOD N an article which appeared in the London Mercury of January, 1933, G. K. Chesterton placed Huxley I among the young moderns whom he attacked as "witty, brilliant and fashionable bankrupts." This view of Huxley in particular has been a common one, for brilliance and wit animate whatever he writes, and, having written for a world that wanted to be amused, he has become fashionable. Mr. Chester to ~' understood him merely to mock, as one having no religious belief and seeing no purpose in the world or in the will. Whether this be a real aspe.ct of his work or not, readers have not found it easy to resist a writer who remarks in connection wi th one of his characters that "no chameleon can live with comfort on a tartan," and who concludes his descrip tion of his own agonie,s during a first ride on an elephant with the comment, "I returned full of admiration for Hannibal. He crossed the Alps on an elephant." Numerous quips by Huxley include the statement that "Puritans like to wear the fig-leaf over the mouth," while in a serious essay on the evolution of theologies, he uses the astonishing figure, "Men's religious life works on the principle of a hot-water system." Huxley's voca bulary is no less en tertaining than his figures of coml?arison, and we find ourselves stimulated if not always illuminated by "minusculous" and "callipygous," "wamblingly" and "bombinating," "geodesic" and "mixo Iydian." It is as if the creator of "brillig" and "slithy toves" had come to life again, challenging us to under stand as well as to enjoy him. -
The AJR Response
VOLUME 20 NO.4 APRIL 2020 JOURNAL The Association of Jewish Refugees EXTRAORDINARY How should we TIMES As the AJR Journal went to press the country seemed to be on the verge of total lockdown and all our celebrate VE Day? own events and activities have been cancelled - please read the letter from Next month we should be celebrating the 75th anniversary of the our Chairman and Chief Executive on page 3. end of World War II in Europe. The May Day Bank Holiday has We hope that you and all our readers been moved from Monday 4 May to Friday 8 May, only the second are staying well and positive during this difficult period. Keeping in time ever that the early May Bank Holiday has been moved – the touch with one another is even more first was in 1995 to mark the 50th anniversary of VE Day. But with important than ever and we would love to hear your stories of how you the country currently in crisis, can we actually celebrate? are coping, especially if you have any suggestions for other AJR members who might be affected. Wishing you a happy, kosher and above all healthy Pesach. Coronavirus: the AJR response ..................... 3 From Leopoldstadt to Loudwater ................. 4 The hostel in Lebanon Park .......................... 5 Letters to the Editor ...................................... 6 Looking For .................................................. 7 Art Notes...................................................... 8 Hardly a holiday! .......................................... 9 Holocaust Memorial Day Reflections.....10-11 Safe Haven ................................................. 12 “Have a good day” .................................... 13 Around the AJR .......................................... 14 Notice from the Claims Conference ........... 15 Reviews .................................................16-17 Obituaries ...........................................18 - 19 Letter from Israel ....................................... -
Progress, Elitism and Ideology in Point Counter Point As a Novel of Ideas
Progress, Elitism and Ideology in Point Counter Point as a Novel of Ideas Peter Grosvenor Throughout Huxley’s forty-year career as a novelist there was always an identifiable connection between the ideas he wanted to convey and the literary medium and technique through which he sought to convey them. As his ideas metamorphosed so did his approach to writing. As a result, Huxley is a moving target for those who would categorize his work, either in intellectual or stylistic terms. The challenge confronting students of Huxley is to place any given Huxley work in the context of the author’s evolving worldview at the time. After Brave New World (1932), Point Counter Point (1928) is undoubtedly Huxley’s most widely read and most controversial novel. There is no consensus among critics concerning what the novel tells us about the nature of Huxley’s thoughts as the first decade of the interwar period drew to a close. Neither is there a consensus about its literary merit. The work nonetheless provides an important freeze-frame of a pivotal moment in Huxley’s development as a social and political thinker, and as an experimenter in literary form. The purpose of this essay, therefore, is to examine the ideas contained in Point Counter Point, their mode of expression, and their place in the context of Huxley’s earlier and later work. Ultimately, what kind of novel one judges Point Counter Point to be depends very much upon whom one takes to be its central character. If it is Philip Quarles, the novelist within the novel, the work becomes the reductio ad absurdum of the novel of ideas, in 2 which the central preoccupation is the genre itself—a disengaged, even solipsistic, exercise, and an essentially derivative one at that—having been preempted by André Gide in Les Faux Monnayeurs in 1925. -
Brave New World Essays
Huxley’s Brave New World: Essays Huxley’s Brave New World: Essays edited by DAVID GARRETT IZZO and KIM KIRKPATRICK McFarland & Company, Inc., Publishers Jefferson, North Carolina, and London McFarland has also published the following works: W. H. Auden Encyclopedia (2004), Christopher Isherwood Encyclopedia (2005), and The Writings of Richard Stern: The Education of an Intellectual Everyman (2002), by David Garrett Izzo. Henry James Against the Aesthetic Movement: Essays on the Middle and Late Fiction (2006), edited by David Garrett Izzo and Daniel T. O’Hara. Stephen Vincent Benét: Essays on His Life and Work (2003), edited by David Garrett Izzo and Lincoln Konkle. LIBRARY OF CONGRESS CATALOGUING-IN-PUBLICATION DATA Huxley’s Brave new world : essays / edited by David Garrett Izzo and Kim Kirkpatrick. p. cm. Includes bibliographical references and index. ISBN-¡3 978-0-7864-3683-5 softcover : 50# alkaline paper ¡. Huxley, Aldous, ¡894–¡963. Brave new world. 2. Huxley, Aldous, ¡894–¡963—Political and social views. 3. Huxley, Aldous, ¡894–¡963—Philosophy. 4. Dystopias in literature. I. Izzo, David Garrett. II. Kirkpatrick, Kim, ¡962– PR60¡5.U9B675 2008 823'.9¡2—dc22 20080¡3463 British Library cataloguing data are available ©2008 David Garrett Izzo. All rights reserved No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying or recording, or by any information storage and retrieval system, without permission in writing from the publisher. Cover illustration ©2008 Shutterstock Manufactured in the United States of America McFarland & Company, Inc., Publishers Box 6¡¡, Je›erson, North Carolina 28640 www.mcfarlandpub.com Carol A. -
Cambridge Books Online
Cambridge Books Online http://universitypublishingonline.org/ The Cambridge History of the English Novel Edited by Robert L. Caserio, Clement Hawes Book DOI: http://dx.doi.org/10.1017/CHOL9780521194952 Online ISBN: 9781139013796 Hardback ISBN: 9780521194952 Chapter 38 - Wells, Forster, Firbank, Lewis, Huxley, Compton-Burnett, Green: t he modernist novel's experiments with narrative (II) pp. 612-628 Chapter DOI: http://dx.doi.org/10.1017/CHOL9780521194952.040 Cambridge University Press 38 Wells, Forster, Firbank, Lewis, Huxley, Compton-Burnett, Green: the modernist novel’s experiments with narrative (ii) jonathan greenberg 1 “So much life with (so to speak) so little living” – thus Henry James disparages the fiction of H. G. Wells during a debate about the nature of the novel that helps to establish the canon of modern fiction. Whereas the canonical modernists – Conrad, Ford, Joyce, Woolf, Lawrence – follow James in devel- oping narrative and linguistic innovations to accommodate a newly scrupu- lous attention to epistemology and psychology, the seven writers surveyed here generally spurn stream of consciousness, often appear indifferent to the exploration of the psyche, and sometimes follow Wells in renouncing Jamesian formal unity. Thus E. M. Forster breaks with modernist practice in relying on a prominent, moralizing narrator, Wyndham Lewis attacks his contemporaries’ obsession with interiority, and Wells and Aldous Huxley embrace a didacticism at odds with reigning protocols. Ronald Firbank, Ivy Compton-Burnett, and Henry Green follow James in their attention to style, but they depart from modernist orthodoxy in representing surfaces rather than depths. In voice, structure, style, and characterization, however, a rebellious spirit in all these novelists challenges both inherited and emergent ideas of what a novel is and how a novel’s prose can read.