The Aroostook Times, March 22, 1916
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THE ANN ARBOR REGISTE Xix
THE ANN ARBOR REGISTE xix. NO. ANIS ARBOR, MICHIGAN, THURSDAY, AUGUST 24, 1893. WHOLE M). 974 DOINGS OF THE COUNCIL. Seriously Burned. Laboring Women In Chicago. Hard Times and Tbe Railroad. Oscar Schmid met with a serious Some one has been kind enough to What is the matter with the rail- send THE REGISTER a copy of the bi- roads? is a question one frequently ,D8 OF EIGHT DIFFERENT TILE accided at Jackson last week. Mr. Schmid is chemist in the works of the ennial report of the state bureau of hears asked. The New York Central H1KIIFACTIIREB§ OPENED. A FEARFUL SLAUGHTER Weeks Drug and Chemical Co. Accord- labor statistics of Illinois. We find and other eastern roads have been some statements in the work that can- limiting the number of trains, reduc- T11(. HMl of the Ohio Valley rire Clny ing to his explanation the accident Co. Accepted—The Main Sewer to be occurred in this way: A boy in the not fail to be of interest to women, we ing their working forces and the scale In Constructed Voder Supervision of laboratory was pouring some sort of mean those who desire to earn their of wages of the remaining help from the Board of Public Works—Messrs. own living and not expect their pa- 10 to 30 per cent. THE REGISTER put Bale and Green address tbe Council chemical or acid from one vessel into another and spilled a small quantity rents to do it forever. The statistics the question to a railroad official on tbe Water Works Quest on, etc relating to the wages of women were yesterday. -
Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
Vampires, Werewolves, and Witches, Oh My!
Vampires, Werewolves, and Witches, Oh My! Ilene Lefkowitz, Denville Public Library C.L. Quillen, Old Bridge Public Library Yvonne Selander, SCLS: Bridgewater Public Library Do you (or your patrons!) have a thing for the paranormal? These hot reads are found everywhere in your collection. We'll talk about how the paranormal is invading your stacks in all genres, from romance to mystery, horror to mainstream fiction. Urban Fantasy is everywhere Overview of Genre What is Urban Fantasy? Fantasy is fantasy that features either magical creatures (shapeshifters, vampires, elves, fairies and such) or magical elements (witchcraft, sorcerers, ghosts) and takes place in contemporary settings, usually modern day inner cities. Urban Fantasy is a subset of the traditional Fantasy genre. It began splintering off into its own Genre in the late 1980s and early 1990s. Characteristics of UF books Good vs. Evil Magical Items Mythical Creatures Paranormal Powers Quest for a relic or holy item Recognizable, real world settings May inlcudeTime Travel Set in the real world but not entirely Sense of escapism Strong characters (both male and female) Can feature action, suspense, romance, mystery and more Lean towards series that tell a continuing story. Foundation Authors Emma Bull Charles de Lint Neil Gaiman Is it really selling? Yes - 2004: 1 urban fantasy title in the Top 20. 2005: 4 urban fantasy titles. 2006: 5 urban fantasy titles. 2007: 7 urban fantasy titles. Laurell K. Hamilton's Anita Blake, Vampire Hunter series. Sixteen titles currently out. Skin Trade, #17 is due out in June 2009. The Hollows by Kim Harrison. Book Seven " White Witch, Black Curse was released in Feb. -
Natural History Guide to American Samoa
NATURAL HISTORY GUIDE TO AMERICAN SAMOA rd 3 Edition NATURAL HISTORY GUIDE This Guide may be available at: www.nps.gov/npsa Support was provided by: National Park of American Samoa Department of Marine & Wildlife Resources American Samoa Community College Sport Fish & Wildlife Restoration Acts American Samoa Department of Commerce Pacific Cooperative Studies Unit, University of Hawaii American Samoa Coral Reef Advisory Group National Oceanic and Atmospheric Administration Natural History is the study of all living things and their environment. Cover: Ofu Island (with Olosega in foreground). NATURAL HISTORY GUIDE NATURAL HISTORY GUIDE TO AMERICAN SAMOA 3rd Edition P. Craig Editor 2009 National Park of American Samoa Department Marine and Wildlife Resources Pago Pago, American Samoa 96799 Box 3730, Pago Pago, American Samoa American Samoa Community College Community and Natural Resources Division Box 5319, Pago Pago, American Samoa NATURAL HISTORY GUIDE Preface & Acknowledgments This booklet is the collected writings of 30 authors whose first-hand knowledge of American Samoan resources is a distinguishing feature of the articles. Their contributions are greatly appreciated. Tavita Togia deserves special recognition as contributing photographer. He generously provided over 50 exceptional photos. Dick Watling granted permission to reproduce the excellent illustrations from his books “Birds of Fiji, Tonga and Samoa” and “Birds of Fiji and Western Polynesia” (Pacificbirds.com). NOAA websites were a source of remarkable imagery. Other individuals, organizations, and publishers kindly allowed their illustrations to be reprinted in this volume; their credits are listed in Appendix 3. Matt Le'i (Program Director, OCIA, DOE), Joshua Seamon (DMWR), Taito Faleselau Tuilagi (NPS), Larry Basch (NPS), Tavita Togia (NPS), Rise Hart (RCUH) and many others provided assistance or suggestions throughout the text. -
The Hero and Villain Binary in the Western Film Genre
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. The Hero and Villain Binary in the Western Film Genre A thesis presented in partial fulfilment of the requirements for the Masters of Arts In Media Studies At Massey University Palmerston North, New Zealand Christine Maria Cook 2012 i Abstract The Western hero has been an established film icon since the early 1900s and the particular brand of masculinity he embodies has represented a set of values and beliefs around what it means to be a man in American society. These resonated into other countries such as New Zealand where this representation also became an accepted view of manhood. Based on a colonialist ideology, the cowboy hero’s original role in the frontier of the Hollywood Western was to protect the new settlers and to remove any barriers to their settlement. The first of these was the Native American who was presented as an uncivilised savage to justify conquest. Conflicts such as these created the use of binary oppositions that became an established part of the Western narrative as they provided a contrast between civilisation and wilderness, and good and evil. These oppositions could also take the form of a villain or ideological perspective that didn’t fit the ethos of the frontier life the hero was protecting. Throughout its history, there have been many adaptations and changes made to Western film genre to keep its relevance but the white male figure of the hero has remained a constant presence. -
Introduction
Notes Introduction 1. Robert Stam’s 1989 book Subversive Pleasures: Bakhtin, Cultural Criticism and Film (1989) remains the most coherent attempt to date for the establishment of both a rationale and a methodology for a Bakhtinian approach to fi lm. Stam’s own intellectual agenda, however, leads him more to linguistic matters, both in Bakhtinian theory and in cinematic expression. He is interested both in fi lm as language (invoking, as I do in Chapter 1, the theoretical paradigm of Christian Metz) and in language content and representation within fi lm (issues of translation, dubbing and so on). Thus, the chief Bakhtinian concepts utilized in his study are dialogism, heteroglossia and carnival (with a nod towards matters polyphonic and chronotopic), whereas my more narrative and reception-inclined agenda is concentrated around dialogism, the chronotope and polyphony, ideas which have more to say about narrative as construct and event. Stam has thus been less directly infl uential on the production of the present study than valuable as a dialogically friendly ‘fellow traveller’. R. Barton Palmer’s article (1989) deserves to be fl agged as a piece that carefully and critically sets out ways in which a number of Bakhtinian categories can have salience for fi lm studies. Scholars who have worked, sometimes very effectively, along the lines of deriving from Bakhtin general approaches to broad topics such as dialogic intertextuality or language, and applying them in fi lmic contexts, include Stadler (2003), Thornton (1996) and McWilliams (2001). Two notable essays that fi nd a rich fi t between the chronotope and specifi c time- space confi gurations (early 1990s ‘hood fi lms’ and art cinema, respectively) are Massood (2003) and Alexander (2007). -
Buster Keaton O Mundo É Um Circo
26 set > 14 out 2018 ccbb rj 09 out > 28 out 2018 ccbb brasília 11 out > 05 nov 2018 ccbb são Paulo apresentação 9 artigos O cinema, arte do espaço 17 ÉRIC ROHMER Sobre o filme cômico, e em especial sobre Buster Keaton 21 JUDITH ÉRÈBE O mecânico da pantomima 39 ANDRÉ MARTIN biografia + TRAJETÓRIA Cronologia de Buster Keaton 61 Entrevistas com Buster Keaton 91 Os Estúdios Keaton 111 DAVID ROBINSON análises A mise-en-scène de Keaton 151 JEAN-PIERRE COURSODON Mise-en-scène, visão de mundo e consciência estética 179 JEAN-PIERRE COURSODON A gag 195 JEAN-PATRICK LEBEL FILMOGRAFIA COMENTADA 227 FILMOGRAFIA 251 4 O Banco do Brasil apresenta Buster Keaton – O Mundo é um Circo, a mais completa mostra retrospectiva dedicada ao ator e diretor norte-americano já vista no país. A trajetória de Keaton no cinema mudo foi marcada pela interpretação de personagens impassíveis em suas comédias, característica inovadora que revolucionou o mundo da séti- ma arte. Os trabalhos de atuação e direção do artista serão lembrados por meio da exibição de 70 filmes, em película e formatos digitais, além de sessões com acompanhamento mu- sical ao vivo, com audiodescrição, masterclass, curso, debate e livro-catálogo. Com a realização deste projeto, o CCBB reafirma o seu apoio à arte cinematográfica, mantém o seu compromisso com uma programação de qualidade e oferece ao público a oportu- nidade de imergir na obra de Buster Keaton – um dos nomes mais emblemáticos do cinema mudo. Centro Cultural Banco do Brasil 6 7 apresentação DIOGO CAVOUR (com colaboração de Ruy Gardnier) Buster Keaton faz parte do hall dos grandes atores-autores do cinema silencioso. -
Cass CITY CHR ONICL, E
) .... • Q /i' CaSS CITY CHR ONICL,E. ' ..... -- .......... .2 .... ' : i77 " t-- ........... ....... ITHUMB BOYS ARRIVE business block on the site, though they 10p ~ I Directing machinery f°r ~n ''°wn ~our own home'" campaign should be do not at/present anticipate commen- HOME FROM OVERSEAS a general committee of representative cing building operations until next citizens with the mayor or some one spring. The following soldier boys from y LOAN wh° c°uld represent him as chairman" Thumb counties arrived at New York The committee should be made up of from overseas within the past week: PAS[O NAY BOYS AND GIRLS INTER- men and women who enjoy the confi- Corp. J. C. Anthes, Cass City. i ESTED IN CLUB WORK dence of the community. The commit- Srg~. Chas. Donnelly, Cuss City. CITIZENS OF THIS TOWNSHIP tee should at 0nee begin a drive to get GAGETOWN, OWENDALE, PIG- Joseph B. Theaker, Bad Axe. W. D. RIGGS, BELOVED EDUCA- Eldred Charles, County Y. M. C. A. corporations and individuals to build EON AND CASEVILLE CITI- Donald L. Davidson, Cros;~ell. SUBSCRIBE QUOTA IN - TOR, GAVE VERY SATISFAC- secretary, informs the Chronicle that homes. During the war committees Sidney D. Peter, Ubiy THREE I)AYS. ZENS PRESENT CLAIMS. TORY SERVICE HERE. he has been asked to take charge of have been educated in ways in prose- Elmer W. ~eck, Pigeon. the Boys and Girls Club Work in Tus- Curing the so-called drives. It is easy ~heank Holshoe, Owendale. cola county. This dub work will be to profit by the experience of the Lib- Secure Approval of Legislative Com- A~q~old C. -
July 31,1913
N JOURNAT. BELFAST, MALNE JULY 31.1913. THURSDAY, XEMBEK 31 <■ loumal. was laid to rest in Union ,lti of Today's OBITUARY. cemetery where a WEDDING BELLS. large number of her little schoolmates and The Churches. PERSONAL. PERSONAL. .The associates assembled with a Ball. lituary. Chapman Laura B. Allen, wife of A. beautiful display j __ Bells.The George Hussey % Wedding of floral tributes which decorated the little and im- died at her home on 24th Slugg-Hill. The most interesting Mrs D. S. e5 Transfers in Real Estate. Congress street, July The Mission will have a morning Bailey of Dover is the guest oi Mrs. Annie Canney of Dover is the oi. She was a portant social took Episcopal guest after a brief illness with grave abundantly. bright, active event of the season place Miss Maude E. Barker. Belfast friends. er»onal. typhoid pneumonia. prayer at the North Church vestry next Sun- and attractive child and a favorite Wednesday, 10 a. m., when, in al Day in Buenos Aires., She was the daughter of Albin and the late particular Ju]y 30th, at Mrs. Maria Baker of Dr. and :| the day morning at 11 o’clock. Rockport is the gues! Mrs. 0. S. Vickery were visiters ir the .Facts for of both old and Her was 8 historic old First Parish (Unitarian) of Mr. and Mrs. -rr.;ng Dog Days Minnie C. Moody Allen of Lincolnville and was young. age years George Sweet land. Augusta last Saturday. •; r;> .Washington Whisperings, and 5 months. The have church, with which the bride has been con- Rev. -
Tina Modotti to Ed"Ward "Weston
e CENTER FOR CREATIVE PHOTOGRAPHY• UNIVERSITY OF ARIZONA RESEARCH SERIES NUMBER 22 JANUARY 1986 ��-l-�� �w(�"��-·. THE LETTERS FROM TINA MODOTTI TO ED"WARD "WESTON Contents Director's Statement by James Enyeart 3 The Letters of Tina Modotti to Edward Weston by Amy Stark 4 Introduction 7 Beginnings: Los Angeles, 1921-1923 9 Art and Revolution: Mexico, 1923-1924 17 Divided Loyalties: California and Mexico, 1925-1926 29 New Directions: California and Mexico, 1927-1928 46 Separate Destinies: Carmel and Moscow, 1929-1931 59 Selective Index 79 Acquisitions: July-December 1983 compiled by Sharon Alexandra 82 From the Archives: Nancy Newhall Papers by Roger Myers 94 The Center for Creative Photography is a research museum devoted to twentieth-century photography. Among its extensive collections are complete archives of photographers who have made significant and creative contributions to the field. Each issue of the Center's research series, Tl,e Arc/Jive, is drawn from its extensive collections of photographs, manuscripts, and negatives; most issues include a plate section of facsimile reproductions. Subscribers to TJ,e Arc/Jive also receive announcements of coming exhibitions and copies of the Center's collection guide series as they appear. Subscriptions mailed within the United States are S25 for four issues of The Arc/Jive; foreign mailings are S35. This represents a substantial discount from single copy rates, usually one-third to one-half price. To subscribe, send your check or money order to: Subscriptions, Center for Creative Photography, University of Arizona, 843 E. University Blvd., Tucson, Arizona 85719. Center for Creative Photography University of Arizona Copyright© 1986 Arizona Board of Regents All Rights Reserved Photographs and Texts by Edward Weston Copyright © 1981 Center for Creative Photography Photograph by Nancy Newhall Copyright© 1986 The Estate of Nancy Newhall Designed by Nancy Solomon Bembo Typography by Tiger Typographies Printed by Fabe Litho Ltd. -
BUSTER KEATON Salvador Sáinz
BUSTER KEATON Salvador Sáinz Prólogo La figura del gran Buster Keaton está actualmente un poco olvidada ya que las últimas generaciones de espectadores no es demasiado cinéfila y está más acostumbrada al cine (?) de la última hornada. El cinéfilo refinado, sibarita, está en crisis y los amantes del cine mudo padecen de sequía en los “video-clubs”, donde muy rara vez y con cuentagotas se encuentran aquellos títulos míticos que tanto nos interesan. Años atrás, sobretodo a partir de los años 30, Keaton sufrió un eclipse debido al culto excesivo que se hacía entonces al gran Charles Chaplin. Por si fuera poco, en España, se le conocía por un horrible apodo, “Pamplinas”, del cual prefiero no hablar por que lo considero sumamente vulgar. Después están los falsos mitos que siempre han rodeado la filmografía de Buster Keaton. Por ejemplo, que estuvo encerrado varios años en un manicomio lo cual es completamente falso. Si es cierto que tenía una excesiva afición al juego y a la bebida que terminaron por destruir su reputación y su carrera. Puesto en la “lista negra” por Louis B.Mayer, ningún estudio quería darle trabajo condenándolo a un ostracismo injusto. Aquí se ha escrito mucha (mala) literatura al respecto. Mayer y Keaton tuvieron problemas personales y diferencias respecto a lo que debía ser un buen film cómico sonoro. El tiempo le ha dado la razón a éste, porque los cómicos que el zar Mayer aupó hoy no son más que un recuerdo. ¿Quién se acuerda hoy de Eddie Cantor o de Jimmy Durante por citar a alguien? Al llegar el sonoro a Keaton le reprocharon tener una voz ronca, muy grave, y Mayer le quiso marginar para proteger a Jimmy Durante, quién tenía una voz aún más ronca, y pretendieron encerrarle en las comedias de boulevard importadas desde Broadway en vez de desarrollar películas más estrictamente cinematográficas que los talkies de aquella década. -
The Hollows Begins with Death Kindle
THE TURN : THE HOLLOWS BEGINS WITH DEATH PDF, EPUB, EBOOK Kim Harrison | 560 pages | 31 Oct 2017 | POCKET BOOKS | 9781501108761 | English | none The Turn : The Hollows Begins with Death PDF Book Shouts rose, and the hall exploded into noise. If you have enjoyed The Hollows, The Turn is a must-read! I didn't even know half the story. The E- mail message field is required. Place Hold. Silent, he walked away. New Titles for Adults. And as happy as I was to revisit them, is it bad to hope that we can get even more in the future? One of the things I like about her is that she is tough but also kind, and is still cautious about trusting others. Not everyone thinks humanity should be saved, though, and Trisk must fight the prejudices of two societies to prove not only that humanity does have something to offer but also that long-accepted beliefs against women, dark magic, and humanity itself can turn to understanding; that when people are at their worst, the best show their true strength; and that love can hold the world together as a new balance is found. Mar 14, Janet Robel rated it really liked it. His thin hand, calloused from the security arts, felt rough as he tucked away a strand of her hair that had escaped the clip. Being a huge Hollows fan I was very eager to get the story behind the turn which is why I didn't even hesitate to pick The Turn up. He stood, silent as a special crew began to sweep the crystal into shipping boxes for off-site decontamination.