The Good, the Bad, and the Undead PDF Book
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Nostalgia and the Irish Fairy Landscape
The land of heart’s desire: Nostalgia and the Irish fairy landscape Hannah Claire Irwin BA (Media and Cultural Studies), B. Media (Hons 1) Macquarie University This thesis is presented for the degree of Doctor of Philosophy in Media and Cultural Studies. Faculty of Arts, Department of Media, Music, Communication and Cultural Studies, Macquarie University, Sydney August 2017 2 Table of Contents Figures Index 6 Abstract 7 Author Declaration 8 Acknowledgments 9 Introduction: Out of this dull world 1.1 Introduction 11 1.2 The research problem and current research 12 1.3 The current field 13 1.4 Objective and methodology 14 1.5 Defining major terms 15 1.6 Structure of research 17 Chapter One - Literature Review: Hungry thirsty roots 2.1 Introduction 20 2.2 Early collections (pre-1880) 21 2.3 The Irish Literary Revival (1880-1920) 24 2.4 Movement from ethnography to analysis (1920-1990) 31 2.5 The ‘new fairylore’ (post-1990) 33 2.6 Conclusion 37 Chapter Two - Theory: In a place apart 3.1 Introduction 38 3.2 Nostalgia 39 3.3 The Irish fairy landscape 43 3 3.4 Space and place 49 3.5 Power 54 3.6 Conclusion 58 Chapter Three - Nationalism: Green jacket, red cap 4.1 Introduction 59 4.2 Nationalism and the power of place 60 4.3 The wearing of the green: Evoking nostalgia for Éire 63 4.4 The National Leprechaun Museum 67 4.5 The Last Leprechauns of Ireland 74 4.6 Critique 81 4.7 Conclusion 89 Chapter Four - Heritage: Up the airy mountain 5.1 Introduction 93 5.2 Heritage and the conservation of place 94 5.3 Discovering Ireland the ‘timeless’: Heritage -
Vampires, Werewolves, and Witches, Oh My!
Vampires, Werewolves, and Witches, Oh My! Ilene Lefkowitz, Denville Public Library C.L. Quillen, Old Bridge Public Library Yvonne Selander, SCLS: Bridgewater Public Library Do you (or your patrons!) have a thing for the paranormal? These hot reads are found everywhere in your collection. We'll talk about how the paranormal is invading your stacks in all genres, from romance to mystery, horror to mainstream fiction. Urban Fantasy is everywhere Overview of Genre What is Urban Fantasy? Fantasy is fantasy that features either magical creatures (shapeshifters, vampires, elves, fairies and such) or magical elements (witchcraft, sorcerers, ghosts) and takes place in contemporary settings, usually modern day inner cities. Urban Fantasy is a subset of the traditional Fantasy genre. It began splintering off into its own Genre in the late 1980s and early 1990s. Characteristics of UF books Good vs. Evil Magical Items Mythical Creatures Paranormal Powers Quest for a relic or holy item Recognizable, real world settings May inlcudeTime Travel Set in the real world but not entirely Sense of escapism Strong characters (both male and female) Can feature action, suspense, romance, mystery and more Lean towards series that tell a continuing story. Foundation Authors Emma Bull Charles de Lint Neil Gaiman Is it really selling? Yes - 2004: 1 urban fantasy title in the Top 20. 2005: 4 urban fantasy titles. 2006: 5 urban fantasy titles. 2007: 7 urban fantasy titles. Laurell K. Hamilton's Anita Blake, Vampire Hunter series. Sixteen titles currently out. Skin Trade, #17 is due out in June 2009. The Hollows by Kim Harrison. Book Seven " White Witch, Black Curse was released in Feb. -
Natural History Guide to American Samoa
NATURAL HISTORY GUIDE TO AMERICAN SAMOA rd 3 Edition NATURAL HISTORY GUIDE This Guide may be available at: www.nps.gov/npsa Support was provided by: National Park of American Samoa Department of Marine & Wildlife Resources American Samoa Community College Sport Fish & Wildlife Restoration Acts American Samoa Department of Commerce Pacific Cooperative Studies Unit, University of Hawaii American Samoa Coral Reef Advisory Group National Oceanic and Atmospheric Administration Natural History is the study of all living things and their environment. Cover: Ofu Island (with Olosega in foreground). NATURAL HISTORY GUIDE NATURAL HISTORY GUIDE TO AMERICAN SAMOA 3rd Edition P. Craig Editor 2009 National Park of American Samoa Department Marine and Wildlife Resources Pago Pago, American Samoa 96799 Box 3730, Pago Pago, American Samoa American Samoa Community College Community and Natural Resources Division Box 5319, Pago Pago, American Samoa NATURAL HISTORY GUIDE Preface & Acknowledgments This booklet is the collected writings of 30 authors whose first-hand knowledge of American Samoan resources is a distinguishing feature of the articles. Their contributions are greatly appreciated. Tavita Togia deserves special recognition as contributing photographer. He generously provided over 50 exceptional photos. Dick Watling granted permission to reproduce the excellent illustrations from his books “Birds of Fiji, Tonga and Samoa” and “Birds of Fiji and Western Polynesia” (Pacificbirds.com). NOAA websites were a source of remarkable imagery. Other individuals, organizations, and publishers kindly allowed their illustrations to be reprinted in this volume; their credits are listed in Appendix 3. Matt Le'i (Program Director, OCIA, DOE), Joshua Seamon (DMWR), Taito Faleselau Tuilagi (NPS), Larry Basch (NPS), Tavita Togia (NPS), Rise Hart (RCUH) and many others provided assistance or suggestions throughout the text. -
The Hero and Villain Binary in the Western Film Genre
Copyright is owned by the Author of the thesis. Permission is given for a copy to be downloaded by an individual for the purpose of research and private study only. The thesis may not be reproduced elsewhere without the permission of the Author. The Hero and Villain Binary in the Western Film Genre A thesis presented in partial fulfilment of the requirements for the Masters of Arts In Media Studies At Massey University Palmerston North, New Zealand Christine Maria Cook 2012 i Abstract The Western hero has been an established film icon since the early 1900s and the particular brand of masculinity he embodies has represented a set of values and beliefs around what it means to be a man in American society. These resonated into other countries such as New Zealand where this representation also became an accepted view of manhood. Based on a colonialist ideology, the cowboy hero’s original role in the frontier of the Hollywood Western was to protect the new settlers and to remove any barriers to their settlement. The first of these was the Native American who was presented as an uncivilised savage to justify conquest. Conflicts such as these created the use of binary oppositions that became an established part of the Western narrative as they provided a contrast between civilisation and wilderness, and good and evil. These oppositions could also take the form of a villain or ideological perspective that didn’t fit the ethos of the frontier life the hero was protecting. Throughout its history, there have been many adaptations and changes made to Western film genre to keep its relevance but the white male figure of the hero has remained a constant presence. -
Introduction
Notes Introduction 1. Robert Stam’s 1989 book Subversive Pleasures: Bakhtin, Cultural Criticism and Film (1989) remains the most coherent attempt to date for the establishment of both a rationale and a methodology for a Bakhtinian approach to fi lm. Stam’s own intellectual agenda, however, leads him more to linguistic matters, both in Bakhtinian theory and in cinematic expression. He is interested both in fi lm as language (invoking, as I do in Chapter 1, the theoretical paradigm of Christian Metz) and in language content and representation within fi lm (issues of translation, dubbing and so on). Thus, the chief Bakhtinian concepts utilized in his study are dialogism, heteroglossia and carnival (with a nod towards matters polyphonic and chronotopic), whereas my more narrative and reception-inclined agenda is concentrated around dialogism, the chronotope and polyphony, ideas which have more to say about narrative as construct and event. Stam has thus been less directly infl uential on the production of the present study than valuable as a dialogically friendly ‘fellow traveller’. R. Barton Palmer’s article (1989) deserves to be fl agged as a piece that carefully and critically sets out ways in which a number of Bakhtinian categories can have salience for fi lm studies. Scholars who have worked, sometimes very effectively, along the lines of deriving from Bakhtin general approaches to broad topics such as dialogic intertextuality or language, and applying them in fi lmic contexts, include Stadler (2003), Thornton (1996) and McWilliams (2001). Two notable essays that fi nd a rich fi t between the chronotope and specifi c time- space confi gurations (early 1990s ‘hood fi lms’ and art cinema, respectively) are Massood (2003) and Alexander (2007). -
The Aroostook Times, March 22, 1916
Houlton, Maine, Wednesday, March 22, 1916 V o l. 5 6 No. 12 Auburn hoards of Trade and tin got oil tin- car, into tie pouring ram troge 11 u til) , HM! II Is, as I h e in a r k et d *■ Si I'c;Uiwi>cci an. f.in n, 1 in *ur**»t d u>*1. M a i n r Automobile Association. and a street inches deep in water. Miami-*. Tne (' II i ted Sta tes ( ji olog i As MM illUlvdit-nt nf (t list they Speakers will be arranged for a ho \\ hereupon she found that the per oil Sui w y lias * - x;1111 i!i e< 1 la rge a t eas gef i’lto tin 1111-1■. at and lungs, will outline the objects of the meet son win* had picked up tier note of 11.'' v|);,|m in ('oIoi■ ado, I'ta 11, and causing ciil'ls, -ni'e throat and pneu ing and plans will lx* perfected lor a books and tried to calm the conduc WyenMi.; and ha>. made many dis- monia. Worth Careful Thought state-wide organization which shall tor's bellicose temper had also filiation tests, Smne beds of shale A committee of tin* New York : make its work that of preaching the alighted into tin- Hooded March ev t hat are several feet t hick will vield ^icaih my has reported on the narm Do you read the label to know whether gospel of good roads in (-very corner " n i n g, triumphantly announcing ( more than a. -
The Hollows Begins with Death Kindle
THE TURN : THE HOLLOWS BEGINS WITH DEATH PDF, EPUB, EBOOK Kim Harrison | 560 pages | 31 Oct 2017 | POCKET BOOKS | 9781501108761 | English | none The Turn : The Hollows Begins with Death PDF Book Shouts rose, and the hall exploded into noise. If you have enjoyed The Hollows, The Turn is a must-read! I didn't even know half the story. The E- mail message field is required. Place Hold. Silent, he walked away. New Titles for Adults. And as happy as I was to revisit them, is it bad to hope that we can get even more in the future? One of the things I like about her is that she is tough but also kind, and is still cautious about trusting others. Not everyone thinks humanity should be saved, though, and Trisk must fight the prejudices of two societies to prove not only that humanity does have something to offer but also that long-accepted beliefs against women, dark magic, and humanity itself can turn to understanding; that when people are at their worst, the best show their true strength; and that love can hold the world together as a new balance is found. Mar 14, Janet Robel rated it really liked it. His thin hand, calloused from the security arts, felt rough as he tucked away a strand of her hair that had escaped the clip. Being a huge Hollows fan I was very eager to get the story behind the turn which is why I didn't even hesitate to pick The Turn up. He stood, silent as a special crew began to sweep the crystal into shipping boxes for off-site decontamination.