Armascargadasde'nofuture'

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Armascargadasde'nofuture' 32 LA VANGUARDIA CULTURA MARTES, 22 JULIO 2008 CRÍTICAS Armas cargadas de ‘no future’ ROCK The Sex Pistols Intérpretes: Johnny Rotten, voz; Steve Jones, guitarra; Glen Mat- lock, bajo; Paul Cook, batería. Lugar y fecha: Festival Summer- case. Fòrum (19/VII/2008) KARLES TORRA Hace un par de meses, y a vueltas con la efeméride del mayo fran- cés, el filósofo Agustín García Calvo exponía con su proverbial lucidez que “aquello era (y es) un levantamiento de gente, no del to- do sumisa todavía, contra el Futu- ro que se les venía encima, el Fu- LAURA GUERRERO turo que el Régimen les imponía Johnny Rotten, durante su actuación en el Summercase como necesario”. Nueve años después, los Sex Pistols sacudie- maestro de ceremonias, mientras ron los cimientos del rock y de la que Steve Jones ponía la sal y pi- sociedad bienpensante con su fa- Se les ha querido mienta con sus rudimentarios, moso God save the queen, donde estigmatizar como pero increíblemente contunden- volvían a incidir en lo mismo: tes y resultones riffs de guitarra. “No Future”. Desde entonces, na- unos impostores que En el curso de un temario que die ha vuelto a hablar tan claro. no sabían tocar pero la arrancó con Pretty vacant, no fal- Ya sea por su carga política o taron los bombazos de poder de- por el desgraciado paso de Syd Vi- realidad es muy otra tonante como Liar, Submission, cious por la banda, se ha querido Problems o Bodies. Y cuando estigmatizar a los Sex Pistols co- des éxitos del impagable álbum abrieron hueco a las versiones, lo mo un hatajo de impostores que Never mind the bollocks no les hicieron con resultados dispares. no sabían tocar. Cuando la reali- han salido arrugas, y había que Si bien se marcaron una fantásti- dad es muy otra, como demostra- ver el ímpetu con que la gente co- ca y energética recreación del No ron aquí ante miles de personas. reaba el susodicho No future de fun de los Stooges, su revisita- Sustentados en el poderoso bi- God save the queen o la no menos ción del Silver machine de nomio creativo formado por el célebre Anarchy in the UK. Ata- Hawkwind fue caótica. Pero de cantante Johnny Rotten y el gui- viado con un imposible traje de lo que no cabe duda es que, a día tarrista Steve Jones, dispararon camuflaje bosquimano, ese consi- de hoy, estos Sex Pistols que nos durante hora y media su punk- derable letrista y enorme front- visitaron por primera vez siguen rock simple y primario, con una man, apodado Johnny Rotten, siendo uno de los grupos más re- eficacia demoledora. A sus gran- ejercía de divertido y estrafalario vulsivos del planeta.c Imagine, por favor DANZA JOAQUIM NOGUERO sentan las artes ilusionistas ante el aguacero de las peores realida- Kiosco das almas perdidas Roberto Oliván siempre se mon- des. Y el poder de la imaginación ta un quiosco con los personajes se articula aquí a través del cuer- Dirección: Roberto Oliván de sus obras, los reúne como to- po, puesto que primero no fue el Dramaturgia: R.Magro Tober mando copas, bailando juntos, verbo, la palabra, sino la boca Bailarines: Hannah Shakti Bu- contándose cosas, disfrutando de que aprendió a pronunciarla y el hler, Gabriela Mathé, Kirenia la mutua compañía y a ratos in- cerebro que se atrevió a pensarla. Martínez Acosta, Núria Sotelo cluso compartiendo soledades. Todo fluye. Y la sensación es que Rodríguez, Ana Beatriz Pérez En- Por un lado, la voz gallega en el grupo viene a ser un enorme ríquez, Lenka Bartunkova, Álva- directo de Mercedes Peón, que colmenar del que sólo importa la ro Esteban López, Jordi Villase- expande las raíces tradicionales miel de su vitalismo, la claridad ca Lorite, Anna Calsina Forre- de las que parte con la inmensa de la alegría que les empuja, la vi- llad, Natxo Montero Matia, Hen- copa de sus arreglos musicales; da sincera que desprenden. rique Peón por otro lado, el trabajo de vi- La madurez de la joven compa- Música: Mercedes Peón deocreación que subraya el po- ñía del Centro Coreográfico Gale- Lugar y fecha: Festival Grec. Mer- der de la imaginación y del nece- go da para muy buenos augurios. cat de les Flors (19/VII/2008) sario refugio mágico que repre- Enhorabuena.c Infinitamente Zappa ROCK dia. A partir del segundo tema, Ci- pación, en el que Dweezil y la po- ty of tiny lights, el grupo contó livalente Scheila González (tecla- Zappa plays Zappa con la presencia de Ray White, dos, flauta, saxo y voz) sortearon poderoso vocalista negro que mi- con gracia una guitarra en medio Lugar y fecha: Palau de la Música litó en la banda de Frank Zappa de una versión-río de King Kong. Catalana (18/VII/2008) desde 1976. El repertorio cubrió Tras Inca roads, los músicos la obra rockera de los 70, con un atacaron el material de Joe´s Ga- Para revisitar y descubrir a las pellizco en su obra anterior a rage en la recta final. Alternando nuevas generaciones la obra de cuenta de Idiot bastard son. números humorísticos como Frank Zappa, su hijo Dweezil El grupo enlazó una seguidilla Wet t-shirt (con una divertida apareció rodeado de media doce- de temas, con Cheepnis, Slime e Scheila con peluca y tetas de plás- na de jóvenes y talentosos músi- Illinois enema bandit. Sin caer en tico) y otros de aguda observa- cos que derrocharon entusiasmo la imitación ni la parodia, ción política como Outside now, desde el primer instante con el Dweezil empezó a brillar como el concierto acabó con un atómi- instrumental Treacherous cre- guitarrista y cantante, provocan- co Packard goose. El público se le- tins, y continuaron sin bajar el do una monstruosa ovación. Tam- vantó para despedir a los músi- pistón durante dos horas y me- bién hubo un espacio de partici- cos por todo lo alto. / K.Torra.
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