January 24, 2013 Dear Editor: Thank You So Much for Your Consideration
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The Hilltop 11-10-1995
Howard University Digital Howard @ Howard University The iH lltop: 1990-2000 The iH lltop Digital Archive 11-10-1995 The iH lltop 11-10-1995 Hilltop Staff Follow this and additional works at: https://dh.howard.edu/hilltop_902000 Recommended Citation Staff, Hilltop, "The iH lltop 11-10-1995" (1995). The Hilltop: 1990-2000. 148. https://dh.howard.edu/hilltop_902000/148 This Book is brought to you for free and open access by the The iH lltop Digital Archive at Digital Howard @ Howard University. It has been accepted for inclusion in The iH lltop: 1990-2000 by an authorized administrator of Digital Howard @ Howard University. For more information, please contact [email protected]. IC ol l, - "in ::.11111! 79, No. 10 ll llll"''"• Serving the Howard University community since 1924 November 10, 1995 ~ judent files charges against local carry-out driver _As she opened lhe car door, a Howard University security ncx1coup le days. 8J: F. McKinney Eubanks. who was sitting in the arrived almost 20 minu1cs after lhc said chat actions will definilcly be Staff Writer dri ver from 1he Chinese-owned passenger's scat, said she advised "The thing is 1ha1 my seizures 1aken. -tc George's C.!rry-ou1 was pulling off incident, Hill said, and 1he arc under con1 rol, bul after that I her friend 10 drive off. Rui 1hcn Me1ropolitan Police arrived shortly "My client has suffered d from a delivery. Jordan's opened wcni 10 his ca r and grabbed a Club, incidcnl, I have had them lhrec or subs1an1i~I injur)I'' '?aton said . -
An Autocratic Approach to Music Copyright?: the Means Through Which Frank Zappa Translated and Adapted Both His Own and Other Composers’ Music
Performa ’09 – Conference on Performance Studies University of Aveiro, May 2009 An Autocratic Approach to Music Copyright?: The means through which Frank Zappa translated and adapted both his own and other composers’ music Paul Carr, University of Glamorgan [email protected] Aims In preparation for an examination of how and why such a diverse range of tribute bands and ensembles are so intent on continuing to experiment with Zappa’s music despite the threat of legal challenges, and an investigation into the various philosophical, legal and industrial factors behind why the ZFT are so intent on selectively prohibiting performances of his music, this paper will discuss the ironic means through which Zappa expressed himself consistently through both recorded and live performance during his 27 years in the public eye. Context Since the death of Frank Zappa in 1993, there has been an ongoing legal battle between the Zappa Family Trust (ZFT) and the so called ‘tribute bands’ that are determined to continue translating his music through live and recorded mediums. It could be argued that these ensembles effectively not only pay direct homage to Zappa’s legacy by interpreting his music in numerous innovative ways, but also keep his memory alive by interfacing with both his long standing audience, and with a younger generation who may not be aware of his music. The most famous of the rock-based ensembles is entitled Zappa Plays Zappa and has the unusual credit of being ‘legally’ sanctified to perform his music live. This legality is no coincidence, as the band is headed by Zappa's eldest son Dweezil and features the 'Vault Master' responsible for compiling the legal recordings heralding from the ZFT - Joe Travers on drums. -
Inside the World of Taylor Guitars / Volume 85 Summer 2016
The Taylor Neck Anatomy of a pitch-perfect design Rosewood Revisited The redesigned 700 Series Doobie Brother Pat Simmons Acoustic fingerstyle meets classic rock Dynamic Dreadnoughts 7 must-play models Baritone Basics Expand your musical palette 2 www.taylorguitars.com | dreamed of being involved with forest home I like to play and write with 11s. VOLUME 85 SUMMER 2016 development/management in the way So my answer? Buy another Taylor! I’m Full Recovery Taylor Guitars has been. thinking a new 710e or maybe even Letters The attached photo is of my 2014 First Edition 810e, just as it was Your response to Mr. McKee’s 810e... I’m a sucker for a dreadnought found, 13 days after our home was burglarized and it was stolen. I live in > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars inquiries re-affirmed everything I’ve and love the rosewood/spruce combo. Concord, Vermont, way up in the northeast corner of our state and just ever believed about our inherent I’m very excited for my next purchase! across the Connecticut River from Littleton, New Hampshire. Northern responsibility for good stewardship of Keep making these amazing instru- Lights Music in Littleton is where I fell in love with this guitar and purchased these precious natural resources. Good ments — I’m a fan and Taylor emissary it. Dan and Moocho Salomon at Northern Lights were phenomenal, as stewardship does not mean we — as for life. always, and their beautiful shop is a perfect place for a guitar nut to get lost the human beings whose lives and Kirk O’Brien FEATURES COLUMNS in. -
January 1988
VOLUME 12, NUMBER 1, ISSUE 99 Cover Photo by Lissa Wales Wales PHIL GOULD Lissa In addition to drumming with Level 42, Phil Gould also is a by songwriter and lyricist for the group, which helps him fit his drums into the total picture. Photo by Simon Goodwin 16 RICHIE MORALES After paying years of dues with such artists as Herbie Mann, Ray Barretto, Gato Barbieri, and the Brecker Bros., Richie Morales is getting wide exposure with Spyro Gyra. by Jeff Potter 22 CHICK WEBB Although he died at the age of 33, Chick Webb had a lasting impact on jazz drumming, and was idolized by such notables as Gene Krupa and Buddy Rich. by Burt Korall 26 PERSONAL RELATIONSHIPS The many demands of a music career can interfere with a marriage or relationship. We spoke to several couples, including Steve and Susan Smith, Rod and Michele Morgenstein, and Tris and Celia Imboden, to find out what makes their relationships work. by Robyn Flans 30 MD TRIVIA CONTEST Win a Yamaha drumkit. 36 EDUCATION DRIVER'S SEAT by Rick Mattingly, Bob Saydlowski, Jr., and Rick Van Horn IN THE STUDIO Matching Drum Sounds To Big Band 122 Studio-Ready Drums Figures by Ed Shaughnessy 100 ELECTRONIC REVIEW by Craig Krampf 38 Dynacord P-20 Digital MIDI Drumkit TRACKING ROCK CHARTS by Bob Saydlowski, Jr. 126 Beware Of The Simple Drum Chart Steve Smith: "Lovin", Touchin', by Hank Jaramillo 42 Squeezin' " NEW AND NOTABLE 132 JAZZ DRUMMERS' WORKSHOP by Michael Lawson 102 PROFILES Meeting A Piece Of Music For The TIMP TALK First Time Dialogue For Timpani And Drumset FROM THE PAST by Peter Erskine 60 by Vic Firth 104 England's Phil Seamen THE MACHINE SHOP by Simon Goodwin 44 The Funk Machine SOUTH OF THE BORDER by Clive Brooks 66 The Merengue PORTRAITS 108 ROCK 'N' JAZZ CLINIC by John Santos Portinho A Little Can Go Long Way CONCEPTS by Carl Stormer 68 by Rod Morgenstein 80 Confidence 116 NEWS by Roy Burns LISTENER'S GUIDE UPDATE 6 Buddy Rich CLUB SCENE INDUSTRY HAPPENINGS 128 by Mark Gauthier 82 Periodic Checkups 118 MASTER CLASS by Rick Van Horn REVIEWS Portraits In Rhythm: Etude #10 ON TAPE 62 by Anthony J. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Frankly, It's Dweezil
AI Z BON R. M Frankly, It’s Dweezil By mr. Bonzai he year 2006 has shaped up to be a big one for Dweezil Zappa. He’s releasing his first solo album since 2000’s Automatic (Favored Nations), he completely remodeled the control room T of the renowned Zappa studio—the Utility Muffin Research Kitchen—and he launched a full-scale tour of entirely Frank Zappa compositions, called “Zappa Plays Zappa” (aka the Zappa the “Tour de Frank”). Joining the touring band are Frank Zappa alumni Steve Vai, Terry Bozzio, and Napoleon Murphy Brock (see Fig. 1). younger on Dweezil and I met in the studio as he was finishing two months of rehearsals and putting the final touches on the album,Go with What You Know (Zappa Records, 2006; see Fig. 2), which engineering his comprises Dweezil’s compositions as well as Frank Zappa’s “Peaches en Regalia,” a tune origi- nally recorded in 1969 and altered in 2006 with the Dweezil touch. The album will be released new CD, revamp- during the final leg of the tour, which stretches throughout Europe and America. ing his dad’s I was listening to you playing a part that Frank wrote. Is that in preparation for your tour? studio, and the Yes, we are preparing for the “Zappa Plays Zappa” tour. It’s the first official event that we’ve been able to put together where we’re actually going to go out and play Frank’s “Tour de Frank.” music. We’ll have other elements as well. The 25-minute opening of the concert will include excerpts from a documentary film about Frank’s work as a composer as well as some rare FZ concert footage. -
Linn Lounge Presents... the Rolling Stones
Linn Lounge Presents... The Rolling Stones Welcome to Linn Lounge presents… ‘The Rolling Stones’ Tonight’s album, ‘Grr’ tells the fascinating ongoing story of the Greatest Rock'n'Roll Band In The World. It features re-masters of some of the ‘Stones’ iconic recordings. It also contains 2 brand new tracks which constitute the first time Mick Jagger, Keith Richards, Charlie Watts and Ronnie Wood have all been together in the recording studio since 2005. This album will be played in Studio Master - the highest quality download available anywhere, letting you hear the recording exactly as it left the studio. So sit back, relax and enjoy as you embark on a voyage through tonight’s musical journey. MUSIC – Muddy Waters, Rollin’ Stone via Spotify (Play 30secs then turn down) It all started with Muddy Waters. A chance meeting between 2 old friends at Dartford railway station marked the beginning of 50 years of rock and roll. In the early 1950s, Keith Richards and Mick Jagger were childhood friends and classmates at Wentworth Primary School in Kent until their families moved apart.[8] In 1960, the pair met again on their way to college at Dartford railway station. The Chuck Berry and Muddy Waters records that Jagger carried revealed a mutual interest. They began forming a band with Dick Taylor and Brian Jones from Blues Incorporated. This band also contained two other future members of the Rolling Stones: Ian Stewart and Charlie Watts.[11] So how did the name come about? Well according to Richards, Jones christened the band during a phone call to Jazz News. -
Fr, 15.5. Cadre De La « Semaine De La Créativité Et De L’Innovation »
2 AGENDA woxx | 15 05 2009 | Nr 1006 WAT ASS LASS I 15.05. - 24.05. WAT ASS LASS? Rockapella – der Name ist Programm: Die fünfköpfige Band unterhält ihr Publikum an diesem Freitag, dem 15. Mai im Trifolion in Echternach mit einer explosiven Mischung aus Rock, Pop und Groove, gewürzt mir einem Schuss Virtuosität. (Kirchberg), Luxembourg, 20h. Dans le FR, 15.5. cadre de la « Semaine de la Créativité et de l’innovation ». JUNIOR MUSEK Kidscity - construire la ville de demain, ateliers pour enfants de 6 à Rockapella, Trifolion, Echternach, 12 ans, Luxexpo, stand de la Fondation 20h. Tel. 47 08 95-1. de l’Architecture et de l’Ingénierie, Luxembourg, 14h - 16h. El grito el silencio, rencontre de Tél. 43 62 63-1 ou bien courriel : la musique persane et du cante [email protected] flamenco, Kulturfabrik, Esch, 20h. Tél. 55 44 93-1. Dans le cadre du 4e KONFERENZ Flamenco Festival. Wer hat Angst vor schwulen Ismène, opéra pour voix seule, inspiré Jungs? Homophobie in der par le poème homonyme de Yannis Schule, Podiumsdiskussion mit Ritsos, avec Marianne Pousseur, Grand anschließender Vorführung des Films Théâtre, Luxembourg, 20h. „Get Real“, Broadway-Filmpalast, Trier, Tél. 47 08 95-1. 18h. Im Rahmen des International Day Against Homophobia. Music Maker Blues Foundation Revue, Philharmonie, Salle de WAT ASS LASS LX architecture - au coeur de musique de chambre, Luxembourg, Kalender S. 2 - S. 10 l’Europe, architecture contemporaine 20h. Tél. 26 32 26 32. Zappa plays Zappa S. 4 au Luxembourg, Luxexpo, espace théâtre, Luxembourg, 18h30. Dans le Orchestre Philharmonique du Erausgepickt S. -
Nr. Crt Nume Prenume Pseudonim Artistic Grup 1 Abaribi Diego Diego Abaribi 2 Abatangelo Giulio Klune 3 ABATANTUONO DIEGO 4 ABATE
LISTA MEMBRI UNART Nr. Crt Nume Prenume Pseudonim Artistic Grup 1 Abaribi Diego Diego Abaribi 2 Abatangelo Giulio Klune 3 ABATANTUONO DIEGO 4 ABATEGIOVANNI FRANCA 5 Abbado Claudio 6 Abbiati Giovanni 7 ABBONDATI MANOLO CRISTIAN 8 Abbott Vincent Vinnie Abbott 9 Abbott (Estate) Darrell Dimebag Darrell, Diamond Darrell 10 ABDALLA SAID CAROLA 11 Abeille Riccardo Ronnie Dancing Crap 12 Abela Laura L'Aura 13 Abels Zachary Zachary Abels 14 Abeni Maurizio 15 Abossolo Mbossoro Fabien Sisi / Logobit Gt 16 Abriani Emanuela Orchestra Teatro alla Scala, Filarmonica della Scala 17 Abur Ioana Ioana Abur 18 ACAMPA MARIO 19 Accademia Bizantina 20 Accardo Salvatore 21 Accolla Giuseppe Coro del Teatro La Fenice di Venezia 22 Achenza Paolo 23 Achermann Jerome Jerome Achermann 24 Achiaua Andrei-Marian 25 ACHILLI GIULIA 26 Achoun Sofia Samaha 27 Acierno Salvatore Orchestra Teatro San Carlo di Napoli 28 ACQUAROLI FRANCESCO 29 Acquaviva Battista Battista Acquaviva, 30 Acquaviva Jean-Claude Jean-Claude Acquaviva 31 Acquaviva John John Acquaviva 32 Adamo Cristian Christian Adamo 33 Adamo Ivano New Disorder 34 Addabbo Matteo 35 Addea Alessandro Addal 36 ADEZIO GIULIANA 37 Adiele Eric Sporting Life 38 Adisson Gaelle Gaelle Adisson 39 ADORNI LORENZO 40 ADRIANI LAURA 41 Afanasieff Walter Walter Afanasieff 42 Affilastro Giuseppe Orchestra Fondazione Arturo Toscanini 43 Agache Alexandrina Dida Agache 44 Agache Iulian 45 Agate Girolamo Antonio 46 Agebjorn Johan Johan Agebjorn 47 Agebjorn Hanna Sally Shapiro 48 Agliardi Niccolò 49 Agosti Riccardo Orchestra Teatro Carlo -
Press Release Weather Report Live in Cologne 1983 DVD & 2CD-SET
PRESS RELEASE WEATHER REPORT LIVE IN COLOGNE 1983 DVD & 2CD-SET RELEASE : 16. 09. 2011 RELEASE : 16. 09. 2011 DVD CAT. NO.: MIG 80057 DVD CD CAT. NO.: MIG 80592 2CD FOrmat: DVD FOrmat: 2 CD GENRE : JAZZ GENRE : JAZZ LABEL: ART OF GROOVE LABEL: ART OF GROOVE JOE ZAWINUL, KEYBOARDS & VOCODER WAYNE SHORTER, TENOR & SOPRANO SAX VICTOR BAILEY, ELECTRIC BASS JOSE ROSSY, PERCUSSION OMAR HAKIM, DRUMS 01. PROCESSION 02. FAST CITY 03. THE PEASANT 04. D FLAT WALTZ 05. BLUE SOUND NOTE 3 06. DUET JOSE ROSSY & OMAR HAKIM 07. TWO LINES 08. PLAZA REAL 09. MEDLEY 8:30 · BLACK MARKET · ELEGANT PEOPLE · BADIA / BOOGIE WOOGIE WALTZ · A REMARK YOU MADE · BIRDLAND 10. THE DUET 11. WHERE THE MOON GOES RECORDED AT SARTORY SÄLE COLOGNE / GERMANY, MAY 13, 1983 Weather Report Live in Cologne 1983 by Brian Glasser (Author of ‘In A Silent Way: A Portrait of Joe Zawinul’) Beware! This Double-CD or DVD package you’ve just acquired is dynamite, and it will detonate when placed in a tray and read by a laser. The Moment In Time The year is 1983, and Weather Report are out on the road, in Europe for the first time in their new incarnati- on. Pastorius? Erskine? Robert Thomas? All are Mr. Gone. Big shoes to fill, and who’s stepped into them but a bunch of kids hardly anyone’s heard of. Hell, even Joe and Wayne hadn’t heard of a couple of them when they hired them less than a year earlier: it was the new drummer, Omar Hakim (23) who had recruited bassist Victor Randall Bailey (22) and percussionist Jose Rossy, because a batch of US gigs were imminent and Zawinul understood that if the sidemen were comfortable with one another, then things would be cool, “because me and Wayne, we can play with anybody …..”. -
Workplace Harassment in the Contemporary Music Industries of Australia and New Zealand
TUNESMITHS AND TOXICITY: WORKPLACE HARASSMENT IN THE CONTEMPORARY MUSIC INDUSTRIES OF AUSTRALIA AND NEW ZEALAND by Jeffrey Robert Crabtree Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy under the supervision of Professor Mark Evans and Doctor Susie Khamis University of Technology Sydney Faculty of Arts and Social Sciences August, 2020 CERTIFICATE OF ORIGINAL AUTHORSHIP I, Jefrey Robert Crabtree, declare that this thesis is submitted in fulfillment of the requirements for the award of Doctor or Philosophy in the School of Communications at the University of Technology Sydney. This thesis is wholly my own work unless otherise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: ii ACKOWLEDGEMENTS I wish to acknowledge the incredible support of my wife, who was not only very encouraging but also incredibly understanding whilst in the throes of completing her own doctorate at the same time as this study. I acknowledge my two highly talented daughters who inspire me with their creativity. Both of them have followed music careers and this research was undertaken in the hope that the working environment of the music industry will become a more welcoming space for women. I also wish to recognise my extraordinary supervisors, Professor Mark Evans and Doctor Susie Khamis, whose wise counsel and steady hands have guided this work. -
TOTO Bio (PDF)
TOTO Bio Few ensembles in the history of recorded music have individually or collectively had a larger imprint on pop culture than the members of TOTO. As individuals, the band members’ imprint can be heard on an astonishing 5000 albums that together amass a sales history of a HALF A BILLION albums. Amongst these recordings, NARAS applauded the performances with 225 Grammy nominations. Band members were South Park characters, while Family Guy did an entire episode on the band's hit "Africa." As a band, TOTO sold 35 million albums, and today continue to be a worldwide arena draw staging standing room only events across the globe. They are pop culture, and are one of the few 70s bands that have endured the changing trends and styles, and 35 years in to a career enjoy a multi-generational fan base. It is not an exaggeration to estimate that 95% of the world's population has heard a performance by a member of TOTO. The list of those they individually collaborated with reads like a who's who of Rock & Roll Hall of Famers, alongside the biggest names in music. The band took a page from their heroes The Beatles playbook and created a collective that features multiple singers, songwriters, producers, and multi-instrumentalists. Guitarist Steve Lukather aka Luke has performed on 2000 albums, with artists across the musical spectrum that include Michael Jackson, Roger Waters, Miles Davis, Joe Satriani, Steve Vai, Rod Stewart, Jeff Beck, Don Henley, Alice Cooper, Cheap Trick and many more. His solo career encompasses a catalog of ten albums and multiple DVDs that collectively encompass sales exceeding 500,000 copies.