Mangel-Bytte-Købe-Liste Fra Ulrik Birk Lauridsen
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Emilie Ulrich
Kgl. kammersanger Emilie Ulrich Sopran En illustreret diskografi Emilie Ulrich i ”Barberen i Sevilla” Samlet af René Aagaard 2011 PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com Fra Kvinde Biografisk Leksikon: http://www.kvinfo.dk/ Emilie Ulrich (26.11.1872 i Freerslev sg.- 31.1.1952 i Kbh.) født Boserup. Forældre: læge Otto Christian Haaber Boserup (1841-1923) og Anna Thomine Faaborg (1848- 1930). Gift 21.7.1899 med oberstløjtnant Kay Justus Sigismund Ulrich (født 21.12.1866 på Juellinge, Hel- lested sogn., (død 18.7.1926 i Kbh.), søn af forstinspektør Georg Alexander Ulrich og Doris Kemp. Børn: Aase (1900), Birthe (1913). Den feterede, danske verdenstenor Vilhelm Herold blev en gang spurgt om, hvad der gjorde Emilie Ulrich til den store kunstner, hun var. Han svarede: “Stemmens Skønhed, – jeg har ikke hørt den skønnere ude i Verden, – saa hendes dramatiske Skaberkraft, og saa at hun er saa velsignet Menne- skelig i alt.” Sammen med Herold og barytonen Helge Nissen dannede Emilie Ulrich en stjernetrio, der i begyndelsen af 1900-årene var et trækplaster, der skaffede Det Kgl. Teater store indtægter. Med sin “varme skønhedsmættede” stemme var hun den første danske Mimi i "La Bohème". Blandt de grammofonindspilninger Emilie Ulrich har efterladt sig, er der flere duetter med Herold. Særlig fin er havescenen fra Faust. Emilie Ulrichs liv og karriere formede sig i usædvanlig grad harmonisk. Hun voksede op omgivet af en stor søskendeflok i et “godt dansk” hjem, fyldt med musik. Moderen havde en prægtig sangstem- me og var datter af Christian Faaborg, der i mange år havde været en fremtrædende dramatisk tenor på Det Kgl. -
Werner Alberti Jerzy S. Adamczewski Martin Abendroth Bessie Abott
Martin Abendroth Sinfonie Orchester, dir. Felix Günther Die Zauberflöte Mozart 1929, Berlín 52434 In diesen heiligen Hallen Hom. A 8030 5101 52435 O Isis und Osiris Hom. A 8030 5101 Bessie Abott, Enrico Caruso, Louise Homer, Antonio Scotti orchestra Rigoletto Verdi 20.2.1907, New York A 4259 Bella figlia dell´amore HMV DO 100 6823 Jerzy S. Adamczewski Orkiestra symfoniczna, dir. Olgierd Straszyński Halka Stanisław Moniuszko / Włodzimierz Wołski 1955±, Varšava WA 1489 Racitativ i ariaJanusza Muza 1717 P 1321 Auguste Affre, Etienne Billot Orchestre Faust Gounod x.5.1907, Paříž XP 3362 Duo du 1er Acte – 2 Disque Odeon 60329 X 40 Werner Alberti klavír Martha Flotow x.9.1905, Berlín xB 675 Mag der Himmel euch vergeben Odeon Record 34296, 1/10 okraj X 15 Postillion von Lonjumeau Adam x.9.1905, Berlín Bx 679 Postillionslied Odeon Record 34296, 1/10 okraj X 15 Orchester Troubadour Verdi x.2.1906, Berlín 1001 Ständchen Hom. B. 838 P 11261 14.5.1906, Berlín 1701 Stretta Hom. B. 838 P 11261 Bajazzo Leoncavallo x.7.1912, Berlín 14281 Nein, bin Bajazzo nichr bloss! Beka B. 3563 P 10964 14285 Hüll´ dich in Tand Beka B. 3563 P 10964 Odeon-Orchester, dir. Friedrich Kark Troubadour Verdi x.9.1906, Berlín Bx 1641 Ständchen Odeon Record 50152 X 65 Lohengrin Wagner x.9.1906, Berlín Bx 1659 Nun sei bedankt, mein lieber Schwann Odeon Record 50161 X 65 Frances Alda, Enrico Caruso, Josephine Jacoby, Marcel Journet Victor Orchestra, dir. Walter B. Rogers Martha Flotow 7.1.1912, New York A 11437 Siam giunti, o giovinette HMV DM 100 5420 A 11438 Che vuol dir cio HMV DM 100 5420 A 11439 Presto, presto andiam HMV DM 104 5422 A 11440 T´ho raggiunta sciagurata HMV DM 104 5422 Frances Alda, Enrico Caruso, Marcel Journet Victor Orchestra, dir. -
Bibliography 2010 Anne Ørbæk Jensen the Bibliography Is Primarily Based on Questionnaires
Bibliography 2010 Anne Ørbæk Jensen The bibliography is primarily based on questionnaires. It has a dual purpose: to register on the one hand the scholarly work of Danish musicologists, and on the other the publications of music researchers from abroad dealing with Danish music. It includes only titles published in the year with which the bibliography is concerned, as well as addenda to the bibliography for the preceding year. As a rule the following types of work are not included: unprinted university theses, newspaper articles, reviews, CD booklets, and encyclopedia entries. I. BIBLIOGRAPHICAL PUBLICATIONS Hauge, Peter, Bibliografi over musikfi lologisk litteratur (København: Dansk Center for Musik- udgivelse, Det Kongelige Bibliotek, 2010). Online publication: http://www.kb.dk/da/kb/ nb/mta/dcm/udgivelser/bibliografi .html Jensen, Anne Ørbæk, ‘Bibliography 2009’, Danish Yearbook of Musicology, 37 (2009), 129–41. Aagaard, René, website http://the-discographer.dk/, contains illustrated discographies on Danish artists such as Børge Roger Henrichsen, 92 pp.; Carl Madsen, 24 pp.; Danske kunstnere på Colum- bia Records udgivet i USA, 67 pp.; Danske kunstnere på Victor Records udgivet i USA, 68 pp.; Dis- kografi over det kristne pladeselskab Felix, 111 pp.; Ellen Gottschalch, 57 pp.; Frans Andersson, 59 pp.; Gustav Wincker, 96 pp.; Holger Hansen, 27 pp.; Johannes Fønss, 27 pp.; Bruno Henriksen, 117 pp.; Albert Høeberg, 49 pp.; Einar Nørby, 49 pp.; Helge Nissen, 102 pp.; Helge Rosvænge, 23 pp.; Niels Juel Simonsen, 21 pp.; Marius Jacobsen, 61 pp.; Niels Hansen, 100 pp.; Tenna Frederiksen, 72 pp.; Lauritz Melchior, 36 pp.; Mascot Records, 114 pp.; Odeon, 128 pp.; Birgit Engell, 23 pp.; Immanuel Franksen, no pag.; Poul Hansen/Paul Hansen, 60 pp.; Vilhelm Herold, no pag.; Aage Wang Holm, 52 pp.; The Red Bird Label, 67 pp.; Poul Olsen, 66 pp.; Svend Asmussen, no pag. -
Postkort, Udklip, Statistik
PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com Illustreret Tidende fra 21. marts 1915 gav Herold en flot afsked. Forsiden på et svensk pladekatalog fra Sept.-Okt. 1922 – syv år efter Herold var stoppet! PDF Created with deskPDF PDF Writer - Trial :: http://www.docudesk.com Lidt Statistik af Edvard Agerholm (fra et sær-tidsskrift udgivet i 1915) Vilhelm Herold debuterede den 10. februar 1893 som Faust i Gounod’s opera af samme navn, og ansattes fast ved teatret den 1. juli s.å. Den 30. juni 1903 tog han sin af- sked og optrådte for fremtiden som gæst. Herold har på den danske skueplads sunget 29 roller i alt 707 gange; desuden har han sunget enkelte akter af ”Troubadouren”, ”Faust” og ”Mestersangerne i Nürnberg”, ligesom han har medvirket i epilogen i anled- ning af 150 årsdagen for indvielsen af teatret på Kongens Nytorv (18. december 1898), ved Det kgl. Theaters Jubilæumsfest på Skydebanen den 1. februar 1899, og sunget romancer ved Emil Poulsens afskedsforestilling (d. 4. nov. 1900)(Ligesom han sang ”Lær mig Nattens Stjerne” ved Emil Poulsens begravelse i juni 1911 fra Frue Kirke). Den 2. maj 1901 udnævntes han til kgl. kammersanger. I sæsonen 1910-11 optrådte Vilhelm Herold 61 gange som gæst på Dagmarteatret med sit eget operaensemble. Med bl.a. Ida Møller og Holger Bruusgaard. I. Det kgl. Teater Rolle Opført 1. gang Antal gange Faust i ”Faust” 10. februar 1893. 95 gange. Grev Vaudemont i ”Jolanthe”. 29. september 1893. 9 gange Oluf i ”Oluf”. -
DACOCD 351 Symphony No. 1 G Minor, Op. 7 FS 16
DACOCD 351 Symphony No. 1 G minor, Op. 7 FS 16 (1891-92) 31:16 [ 1 ] Allegro orgoglioso 9:16 [ 2 ] AndAnte 6:28 [ 3 ] Allegro Comodo 8:36 [ 4 ] FinAle. Allegro Con fuoCo 6:54 Live ConCert, June 6, 1957 Denmark's RAdio, Studio 1 Erik Tuxen, conductor Symphony No. 2 (The Four Temperaments), Op. 16 FS 29 (1901-02) 34:26 [ 5 ] Allegro ColleriCo 10:17 [ 6 ] Allegro Comodo e flemmatiCo 4:57 [ 7 ] AndAnte malinColiCo 11:17 [ 8 ] Allegro sAnguineo 7:53 Live ConCert, June 7, 1956 Denmark's RAdio, Studio 1 Grøndahl's Farewell Concert Launy Grøndahl, conductor DACOCD 352 Symphony No. 3 (Sinfonia espansiva) Op. 27 FS 60 (1910-11) 34:53 [ 1 ] Allegro espAnsivo 11:04 [ 2 ] AndAnte pAstorAle 8:39 (Solo soprAno: Kirsten Hermansen, Solo bAritone: Erik Sjøberg) [ 3 ] Allegretto un poCo 5:57 [ 4 ] FinAle. Allegro 9:11 Live ConCert, June 20, 1959 Denmark's RAdio, Studio 1 Thomas Jensen, conductor Symphony No. 4 (The Inextinguishable) Op. 29 FS 76 (1914-16) 33:16 [ 5 ] Allegro - [ 6 ] Poco allegretto - [ 7 ] Poco adagio quasi andante - [ 8 ] Allegro Live ConCert, September 2, 1952 Denmark's RAdio, Studio 1 Thomas Jensen, Conductor DACOCD 353 Symphony No. 5 Op. 50 FS 97 (1921-22) 36:18 [ 1 ] Tempo giusto - [ 2 ] AdAgio non troppo 20:45 [ 3 ] Allegro - Presto - AndAnte un poCo tranquillo - Allegro (Tempo 1) 15:33 Live ConCert, PAris, April 22, 1955 Erik Tuxen, conductor Symphony No. 6 (Sinfonia Semplice) FS 116 (1924-25) 32:44 [ 4 ] Tempo giusto 12:41 [ 5 ] Humoreske. Allegretto 4:07 [ 6 ] PropostA seriA. -
AUTOGRAPHEN-AUKTION 1. April 2017
37. AUTOGRAPHEN-AUKTION A U 1. April 2017 T O G R A P H E N - A U K T I O N 1.4. 2017 A X E L Los 386 | Johann Wolfgang von GOETHE S C Axel Schmolt | Autographen-Auktionen H Los 256 | NAPOLÉON I. u. a. M 47807 Krefeld | Steinrath 10 O Telefon (02151) 93 10 90 | Telefax (02151) 93 10 9 99 L T E-Mail: [email protected] AUTOGRAPHEN-AUKTION Hier die genaue Anschrift für Ihr Autographen-Auktionen Autographen Navigationssystem: Bücher Inhaltsverzeichnis Dokumente 47807 Krefeld | Steinrath 10 Fotos Los-Nr. Geschichte – Deutsche Länder (ohne Preußen) 1 - 19 – Preußen und Kaiserreich bis 1918 20 - 43 Krefeld A 57 – I. Weltkrieg und Deutsche Marine 44 - 53 Auktionshaus Schmolt Richtung Richtung am besten über die A 44 Abfahrt Essen – Deutsche Marine 1890-1945 54 - 57 Venlo Krefeld-Fischeln ✘ – Weimarer Republik 58 - 68 Meerbusch-Osterath – Nationalsozialismus und II. Weltkrieg 69 - 135 A 44 – Deutsche Geschichte seit 1945 136 - 199 A 44 – Britische Premierminister 18.-20. Jahrhundert 200 - 229 – Geschichte des Auslands bis 1945 230 - 263 A 61 – Geschichte des Auslands seit 1945 264 - 343 A 52 A 52 – Kirche-Religion 344 - 364 Düsseldorf Liter atur 365 - 455 Mönchengladbach Neuss Richtung A 57 Musik 456 - 633 Roermond – Oper-Operette (Sänger/-innen) 634 - 753 Bühne - Film - Tanz 754 - 978 Richtung Richtung Koblenz Köln Bildende Kunst 979 - 1177 Wissenschaft 1178 - 1223 A 57 – Forschungsreisende und Geographen 1224 - 1230 Autographen-Auktionen Axel Schmolt Luftfahrt 1231 - 1237 Steinrath 10 Weltraumfahrt 1238 - 1256 ✘ Kölner Straße A 44 Sport 1257 - 1303 Ausfahrt Osterath Widmungsexemplare - Signierte Bücher 1304 - 1316 A 44 Kreuz Meerbusch Sammlung en - Konvolute 1317 - 1345 Richtung Krefelder Straße Mönchengladbach A 57 Autographen-Auktion am Samstag, den 1. -
THE RECORD COLLECTOR MAGAZINE Given Below Is the Featured Artist(S) of Each Issue (D=Discography, B=Biographical Information)
PRINTED MATERIAL DISCOGRAPHICAL & REFERENCE BOOKS, BIOGRAPHIES; RECORD CATALOGUES & SUPPLEMENTS Books are all in good, used condition (no damage unless described). DJ = includes Paper Dust Jacket This year’s book list includes a number of important and desirable items. The minimum bids have been kept very low, considering the scarcity of some items and the cost of others which still might be in print. While bargains are indeed possible, I’d suggest, as usual, to bid realistically for those items of particular interest. Bids of any amount are, of course, welcomed. MUSICIAN BIOGRAPHIES/AUTOBIOGRAPHIES 3574. [FRANCES ALDA]. MEN, WOMEN AND TENORS. Autobiography. Riverside Press, Cambridge, MA. 1937. 307 pp. Illustrated. Quite candid jottings for the period. Fun and informative reading. Blank front page removed. Cons. 2. $7.00. 3622. MARIAN ANDERSON – A PORTRAIT (Kosti Vehanen). Whittlesey House, NY. 1941. 270 pp. Blank book plate on inside cover. Just about 1-2. $10.00. 3535. [MARIAN ANDERSON]. MY LORD, WHAT A MORNING. Autobiography. Viking Press, NY. 1956. DJ. Illustrated. 312 pp. Light DJ wear. Book gen. 1-2. $7.00. 3581. MARIAN ANDERSON – A SINGER’S JOURNEY (Allan Keiler). Scribner, NY. 2000. 447 pp. DJ. Just about 1-2. $10.00. 3542. [Sir THOMAS] BEECHAM – A CENTENARY DISCOGRAPHY (Michael Gray). Duckworth, Norwich. 1979. DJ. 129 pp. Light signs of use on DJ. Book is just about 1-2 except for numerous pencil check marks. $6.00. 3550. THE ACCOMPANIST – AN AUTOBIOGRAPHY OF ANDRÉ BENOIST (ed. John Anthony Maltese). Paganiniana Pub., Neptune City, NJ. 1978. 383 pp. Profusely illustrated. A fascinating and extremely candid look at dozens of the vocal and instrumental celebrities with whom Benoist was associated. -
GEORGE HAMLIN [T] 3941
VOCAL 78 rpm Discs CHARLES HACKETT [t] 1974. 10” Purple acous. Columbia 4013-M [79287-2/79879-2]. A DREAM (Bartlett)/ BECAUSE (d’Hardelot). Just about 1-2. $12.00. 3078. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. TOSCA: Recondita armonia (Puccini)/BAR- BIERE DI SIVIGLIA: Se il mio nome (Rossini). Just about 1-2. $8.00. 2280. 10” Purple elec. Columbia 4034-M [W140985-7/140939-4]. Same as previous listing (#3078). Small harmless mk. (rub) side two, few lightest rubs. Cons. 2. $7.00. 3316. 12” TC Columbia 49666. FORZA DEL DESTINO: Solenne in quest’ ora (Verdi). With RICCARDO STRAC- CIARI [b]. Label autographed by Hackett. Couple small PBs. 3. $12.00. 3318. 12” TC Columbia 98003. PARTED (Tosti). Excellent quiet pressing, cons. 1-2. $12.00. 1685. 12” Purple acous. Columbia 9016-M [49604-4/98045-3]. BARBIERE DI SIVIGLIA: Ecco ridente (Rossini)/ ROMÉO ET JULIETTE: Ah! lève-toi CHARLES HACKETT soleil (Gounod). Wonderful pressing. Just about 1-2. $20.00. 1775. 12” Purple acous. Columbia 9017-M [49645-1/49895-10]. BOHÊME: Che gelida manina (Puccini)/ELISIR D’AMORE: Una furtiva lagrima (Donizetti). 1” crk. side one from rim into grooves, likely superficial. Otherwise just about 1-2. $8.00. 1776. 12” Purple acous. Columbia 9018-M [49947-7/98047-2]. CARMEN: Air de la fleur (Bizet)/DON GIOVANNI: Il mio tesoro (Mozart). Just about 1-2. $15.00. 3255. 12” Purple acous. Columbia 9020-M [98094-3/98095-3]. FAVORITA: Spirto gentil (Donizetti)/MANON: Ah, fuyez, douce image (Massenet). Just about 1-2. -
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00
AUTOGRAPH AUCTION Sunday 27 November 2011 10:00 International Autograph Auctions (IAA) Office address Foxhall Business Centre Foxhall Road NG7 6LH International Autograph Auctions (IAA) (AUTOGRAPH AUCTION) Catalogue - Downloaded from UKAuctioneers.com Lot: 877 beneath the quotation. VG ELGAR EDWARD: (1857-1934) English Composer. A good Estimate: £80.00 - £100.00 printed score signed for The Dream of Gerontius (Op.38, 1900), First Edition published by Novello and Company Ltd., London, 1900. The tall 8vo edition has been specially bound in half blue Lot: 883 morocco with gilt title ('Nesta') to cover and gilt lettering to COATES ERIC: (1886-1957) English Composer, composed the spine. Signed by Elgar in dark fountain pen ink to the famous main title march of the film score to The Dam Busters preliminary blank with an A.M.Q.S. in his hand, two bars with (1954). Vintage signed and inscribed 4 x 6 photograph, a head words ('Praise etc.') beneath his signature. Dated Hereford, and shoulders study of Coates. Signed in dark fountain pen ink 1924, in his hand. Bearing two ownership signatures of N[esta]. to a light area of the image and dated February 1933 in his J. R. Clarke of Gloucester and Chester, one to the title page. hand. VG Rare in this form. Some light discoloration to the head of the Estimate: £100.00 - £120.00 covers and the spine faded, about VG Estimate: £400.00 - £600.00 Lot: 884 BRITTEN BENJAMIN: (1913-1976) English Composer. Vintage Lot: 878 signed postcard photograph of Britten in a head and shoulders SULLIVAN ARTHUR: (1842-1900) English Composer. -
Autographen-Auktion 1
AUTOGRAPHEN-AUKTION 1. April 2006 47807 Krefeld, Steinrath 10 Los 1581 Sigmund Freud Axel Schmolt Autographen-Auktionen 47807 Krefeld Steinrath 10 Telefon 02151-93 10 90 Telefax 02151-93 10 9 99 E-Mail: [email protected] AUTOGRAPHEN-AUKTION Inhaltsverzeichnis Los-Nr. ! Geschichte - Bayern - Haus Wittelsbach 1 - 6 - Deutsche Geschichte ohne Bayern und Preußen 7 - 16 - Preußen 17 - 57 - I. Weltkrieg 58 - 81 - Weimarer Republik 82 - 110 - Deutschland 1933-1945 111 - 216 - Deutsche Geschichte seit 1945 217 - 304 - Geschichte des Auslands bis 1945 305 - 345 - Geschichte des Auslands seit 1945 346 - 482 - Kirche-Religion 483 - 513 ! Literatur 514 - 660 ! Musik 661 - 936 - Oper-Operette (Sänger/- innen) 937 - 1106 ! Bühne - Film - Tanz 1107 - 1365 ! Bildende Kunst 1366 - 1557 ! Wissenschaft 1558 - 1646 - Forschungsreisende und Geographen 1647 - 166 ! Luftfahrt 1663 - 1674 ! Weltraumfahrt 1675 - 1705 ! Sport 1706 - 1764 ! Widmungsexemplare - Signierte Bücher 1765 - 1880 ! Sammlungen - Konvolute 1881 - 1903 Autographen – Auktion am Samstag, den 01. April 2006 47807 Krefeld, Steinrath 10 Die Versteigerung beginnt um 10.00 Uhr. Pausen nach den Gebieten Literatur und Bühne-Film-Tanz Im Auktionssaal sind wir zu erreichen: Telefon (02151) 93 10 90 und Fax (02151) 93 10 999 Während der Auktion findet im Auktionssaal keine Besichtigung statt. Die Besichtigung in unseren Geschäftsräumen kann zu den nachfolgenden Terminen wahrgenommen werden oder nach vorheriger Vereinbarung. 25.03.2006 (Samstag) von 10.00 bis 16.00 Uhr 27.03.2006 – 31.03.2006 von 10.00 bis 17.00 Uhr Bei Überweisung der Katalogschutzgebühr von EUR 10,- senden wir Ihnen gerne die Ergebnisliste der Auktion zu. Autographen - Auktionen Axel Schmolt Steinrath 10, 47807 Krefeld Tel. -
Booklet DACOCD351-353 . Kopi
CARL NIELSEN ON RECORD VINTAGE AND HISTORIC RECORDINGS DACOCD 801-830 30 CD Thomas Jensen Launy Grøndahl Erik Tuxen Carl Nielsen (1865-1931) is the central figure in Wagner’s operas. Danish music after the Romantic period. Through Similarly, his approach to thematic development his music, his writings and his strong personality and to structure seems to have been strongly he exerted a decisive influence on 20th-century influenced by his admiration for Beethoven’s and Danish music and musical aesthetics, and he was, Franck’s chamber music and symphonies. Fairly moreover, a source of inspiration for composers early on, however, he discovered his own in the other Scandinavian countries. He absorbed personal and unmistakable style, which he later and reformulated the best features of the musical developed relatively undisturbed within its own heritage, and he composed in nearly all genres. premises. His six symphonies are milestones in his Nielsen started out from the Classical harmony of compositorial output. the 18th and early 19th centuries, with its In the 20th-century Nielsen’s music has often preference for triads in the tonic and related keys been described as a reaction against the high and and for a relatively fast harmonic rhythm, and late Romantic style; but this description is these elements clearly marked his entire output. incorrect, since it throws less light on the music But during the 1890s he developed his harmony, than on the fact that later generations adopted the apparently independently, to what might be called stylistic ideals of Nielsen, and since Nielsen “extended tonality”, where all 12 semitones could himself denied the possibility of revolution in art. -
221 April 2016 Number 221 April 2016
No: 221 April 2016 Number 221 April 2016 CONTENTS 3 Editor’s and Chairman’s notes Andrea Buchanan Richard Miles 5 From the Treasurer Neil King 7 New Committee Members 8 Memories of Pierre Boulez Dame Gwyneth Jones 9 A Tribute to Pierre Boulez John Crowther 11 Hans Knappertsbusch – A Celebration Paul Dawson-Bowling 21 Anton Seidl Peter West 23 Wagner and the Jews Professor Derek Hughes 25 Debussy’s Journey from Pro-Wagner to Anti-Wagner John Crowther 28 A Visit to the Nibelunghalle Richard and Sylvia Lemon 30 Thank You to the Wagner Society Kirstin Sharpin 32 Wagner and Shakespeare John Crowther 34 Review – The Rinse Cycle Katie Barnes 36 Review – Die Walküre in Dresden James Flattery 37 Review – Fulham Opera’s Der fliegende Holländer Katie Barnes 41 Review – A Recent Concert at the Liceu, Barcelona Jeremy Rowe 42 Review – Tristan und Isolde in Baden-Baden Andrea Buchanan 43 Wagner Society Contacts 44 Forthcoming Events Cover photo: Stuart Skelton in Tristan and Isolde, Festspielhaus Baden-Baden Copyright Monika Rittershaus Printed by Rap Spiderweb – www.rapspiderweb.com 0161 947 3700 Editor’s Note Andrea Buchanan Taking over from Roger Lee, albeit temporarily, was never going to be an easy task and I have discovered just how true this is in putting together this edition of Wagner News. It has deepened my respect and admiration for Roger in performing the role so competently and creatively for so long. I have done my best to make a decent job of editing this magazine. You wilI note that it is slightly shorter than usual and I trust you will forgive me for this.