Kansetsu Waza (Joint Lock Techniques) Juji Gatame (Cross Lock)

Total Page:16

File Type:pdf, Size:1020Kb

Kansetsu Waza (Joint Lock Techniques) Juji Gatame (Cross Lock) THUNDER BAY JUDO DOJO - 5th KYU REQUIREMENTS (Junior Green Belt) Going from Green Stripe to Solid Green Belt NAGE WAZA (Throwing techniques) Performed to an acceptable standard, based on age/ability. Uki Otoshi (Floating Drop) Shown left and right Tomoe Nage (Stomach Throw) Shown left and right Sukui Nage (Scooping Throw) Uki Waza (Floating technique) Shown left and right Harai Goshi Gaeshi (Sweeping Hip Counter) Renwaku Waza (Combination Techniques) Kaeshi Waza (Counter Techniques) Seoi Nage Kesa gatame Harai Goshi to counter Osoto Gari Ouchi gari Seoi Nage Tani Otoshi as a counter *2 random techniques from previous grades. *Demonstration of randori Newaza (Ground techniques) Shime Waza (14+) Ushiro Kesa Gatame (Reverse Scarf Hold) & Kataha Jime (Single Wing Choke) escape Sode Guruma Jime (Sleeve Wheel Choke) Kansetsu Waza (Joint Lock Techniques) Juji Gatame (Cross Lock) Nage no Kata (Forms of Throwing) 2nd Set - Koshi Waza Perform as Uke and Tori (Uki Goshi, Harai Goshi, Tsurikomi Goshi) General Other Skills - Continuous respect for dojo rules. Judo specific games, used to develop judo skills. -Continuous respect for instructors and peers. Competition terminology and rules. History of Judo in Canada Who was the “father of Canadian Judo”? Steve Sasaki, founder of Vancouver Judo Club. Who was Canada’s first male judo Olympian? Doug Rogers, in the Tokyo Olympics of 1964 Who was Canada’s first female judo Olympian? Sandra Greaves, in the Seoul Olympics of 1988 The judoka should attend 36 practices and be able to perform 17 full push-ups, 25 burpees and 30 modified sit-ups. All 3 of these exercise requirements may be easily practiced at home! Minimum 10 years old to be promoted to green belt. .
Recommended publications
  • WPB Judo Academy Parents and Judoka Handbook
    WPB Judo Academy 2008 Parents and Judoka Handbook Nage-Waza - Throwing Techniques O-soto-otoshi O-soto-gari Ippon-seio-nage De-ashi-barai Tai-otoshi Major Outer Drop Major Outer One Arm Shoulder Advancing Foot Body Drop Throw Sweep O-uchi-gari Ko-uchi-gari Ko-uchi-gake Ko-soto-gake Ko-soto-gari Major Inner Reaping Minor Inner Reaping Minor Inner Hook Minor Outer Hook Minor Outer Reap Uki-goshi O-goshi Tsuri-goshi Floating Hip Throw Major Hip Throw Lifting Hip Throw Osae-Waza - Holding Techniques Kesa-gatame Yoko-shiho-gatame Kuzure-kesa-gatme Scarf Hold Side 4 Quarters Broken Scarf Hold Nage-Waza - Throwing Techniques Morote-seio-nage O-goshi Uki-goshi Tsuri-goshi Koshi-guruma Two Arm Shoulder Major Hip Throw Floating Hip Throw Lifting Hip Throw Hip Whirl Throw Sode-tsuri-komi-goshi Tsuri-komi-goshi Sasae-tsuri-komi-ashi Tsubame-gaeshi Okuri-ashi-barai Sleeve Lifting Pulling Lifting Pulling Hip Lifting Pulling Ankle Swallow’s Counter Following Foot Hip Throw Throw Block Sweep Shime-Waza - Strangulations Nami-juji-jime Normal Cross Choke Ko-soto-gake Ko-soto-gari Ko-uchi-gari Ko-uchi-gake Minor Outer Hook Minor Outer Reap Minor Inner Reap Minor Inner Hook Osae-Waza - Holding Techniques Kansetsu-Waza - Joint Locks Gyaku-juji-jime Reverse Cross Choke Kami-shiho-gatame Kuzure-kami-shiho-gatame Upper 4 Quarters Hold Broken Upper 4 Quarters Hold Ude-hishigi-juji-gatme Cross Arm Lock Tate-shiho-gatame Kata-juji-jime Mounted Hold Half Cross Choke Nage-Waza - Throwing Techniques Harai-goshi Kata-guruma Uki-otoshi Tsuri-komi-goshi Sode-tsuri-komi-goshi
    [Show full text]
  • Tales of a Canadian Judoka Michelle Marrian Anna
    Twentieth Century Travels: Tales of a Canadian Judoka Michelle Marrian Anna Rogers B.A., University of British Columbia, 2000 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS in the Department of Anthropology O Michelle Marrian Anna Rogers, 2005 University of Victoria All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without the permissions of the author ABSTRACT Supervisor: Dr. Andrea Walsh In 1960, Doug Rogers, my father, travelled to Japan to study the martial art of judo. In Japan, Rogers was able to hone his abilities in judo, which enabled him to succeed in competition at both the national and international level. Using photographs belonging to Rogers that were taken during the time he went to Japan (1960-1965), I was able to enter into a series of conversations with him about his reasons for travelling to Japan and his experiences during his stay there. Rogers' early life provides an opportunity to not only explore the unique experiences of an important individual in Canadian and Japanese sports history, but a chance to investigate specific examples of how large-scale, 'global' processes (the circulation of media, culture 'flows', and historical processes and events) can influence at the level of the individual. I examine how Rogers' original decision to travel to 'traditional' and 'exotic' Japan, and his actual stay in Japan, were contingent upon a revised cultural heritage that Japan was trying to project after the Second World War, which displayed Japan as a peaceful, proper, ethnically homogenous, and aesthetically-oriented nation.
    [Show full text]
  • Nage-No-Kata.Pdf (142
    NAGE NO KATA TORI: Jussi Nikander 1D UKE: Jouni Lahtinen 1D Judge Judge Judge Judge Judge Total TECHNIQUES 1 2 3 4 5 1 OPENING CEREMONY 7 8 8 8 8 24 2 UKI OTOSHI 7 8 8 7 7 22 3 SEOI NAGE Te-waza 8 7 7 7 8 22 4 KATA GURUMA 8 8 8 8 7 24 5 UKI GOSHI 8 7 8 7 8 23 6 HARAI GOSHI 8 7 7 7 7 21 Koshi-waza 7 TSURIKOMI GOSHI 8 7 8 8 8 24 8 OKURI ASHI HARAI 7 7 8 7 7 21 9 SASAE TSURIKOMI ASHI 8 7 8 8 7 23 Ashi-waza 10 UCHIMATA 7 6 7 7 6 20 11 TOMOE NAGE 7 6 8 7 7 21 12 URA NAGE 8 7 8 7 7 22 13Masutemi-waza SUMI GAESHI 7 7 8 7 8 22 14 YOKOGAKE 8 6 7 7 6 20 15 YOKO GURUMA 7 6 8 7 7 21 16Yokosutemi-waza UKI WAZA 8 7 8 7 7 22 17 CLOSING CEREMONY 8 8 8 8 8 24 TOTAL 129 119 132 124 123 376 NAGE NO KATA TORI: Pasi Oinas 3D UKE: Mika Salsoila 4D Judge Judge Judge Judge Judge Total TECHNIQUES 1 2 3 4 5 1 OPENING CEREMONY 7 6 8 7 7 21 2 UKI OTOSHI 8 7 8 8 7 23 3 SEOI NAGE Te-waza 7 7 7 8 7 21 4 KATA GURUMA 8 7 8 8 8 24 5 UKI GOSHI 8 7 8 8 7 23 6 HARAI GOSHI 8 7 8 7 8 23 Koshi-waza 7 TSURIKOMI GOSHI 7 6 9 8 8 23 8 OKURI ASHI HARAI 8 7 7 7 8 22 9 SASAE TSURIKOMI ASHI 7 6 7 8 8 22 Ashi-waza 10 UCHIMATA 7 6 9 8 7 22 11 TOMOE NAGE 7 6 8 8 7 22 12 URA NAGE 7 7 8 8 7 22 13Masutemi-waza SUMI GAESHI 8 6 8 7 7 22 14 YOKOGAKE 8 6 8 7 8 23 15 YOKO GURUMA 7 7 8 8 7 22 16Yokosutemi-waza UKI WAZA 7 7 7 7 7 21 17 CLOSING CEREMONY 8 6 8 7 7 22 TOTAL 127 111 134 129 125 378 NAGE NO KATA TORI: Ossi Tauriainen 4D UKE: George Vuger 3D Judge Judge Judge Judge Judge Total TECHNIQUES 1 2 3 4 5 1 OPENING CEREMONY 7 7 7 7 8 21 2 UKI OTOSHI 8 8 8 8 7 24 3 SEOI NAGE Te-waza 8 7 8 8 8
    [Show full text]
  • Thesis – LW Womens Judo – Ammended Copy
    ANGLIA RUSKIN UNIVERSITY FACULTY OF SCIENCE AND TECHNOLOGY A TIME-MOTION, TECHNICAL AND TACTICAL ANALYSIS OF LIGHTWEIGHT WOMEN’S JUDO DARREN G CHALLIS A thesis in pArtiAl fulfilment of the requirements of AngliA Ruskin University for the degree of PhD in Science Submitted: September 2017 i Acknowledgements Firstly, to my supervisory teAm of Professor Mike Cole, Dr Mike CAllAn And AdriAn Scruton, your guidAnce And pAtience throughout hAs been so vitAl to my development As A reseArcher And As A person. You hAve not only been fAntAstic Academic supervisors but hAve been friends throughout. Secondly, thAnk you of course to my PhD sponsors, AngliA Ruskin University (ARU). ARU is the only university thAt gAve me A chAnce All those yeArs Ago As A budding undergrAduate. Of course, this Also includes All the members of the newly formed DepArtment of Sport And Exercise Science who mAke working life unconventionAl And effervescent. My fAmily hAve AlwAys been there for me, my mother hAs AlwAys tAught me thAt hArd work will prevail, she hAs been An inspirAtion And A rock throughout my life, I hAve never met A more tenAcious person. My sister, EmmA, hAs AlwAys provided me with the competition I hAve needed in life to excel And hAs given me the greAtest niece And nephew Anyone could hope for. I love you All. I would like to thAnk the members of Comberton Judo Club who hAve supported me throughout this process with proof reAding, dAtA collection And A lot of pAtience. I would pArticulArly like to mention TArA Fitzjohn for her AssistAnce in coding And NAtAshA Collins who hAs been A true friend for mAny yeArs And counsellor for life.
    [Show full text]
  • I ANGLIA RUSKIN UNIVERSITY FACULTY of SCIENCE AND
    ANGLIA RUSKIN UNIVERSITY FACULTY OF SCIENCE AND TECHNOLOGY A TIME-MOTION, TECHNICAL AND TACTICAL ANALYSIS OF LIGHTWEIGHT WOMEN’S JUDO DARREN G CHALLIS A thesis in pArtiAl fulfilment of the requirements of AngliA Ruskin University for the degree of PhD in Science Submitted: September 2017 i Acknowledgements Firstly, to my supervisory teAm of Professor Mike Cole, Dr Mike CAllAn And AdriAn Scruton, your guidAnce And pAtience throughout hAs been so vitAl to my development As A reseArcher And As A person. You hAve not only been fAntAstic Academic supervisors but hAve been friends throughout. Secondly, thAnk you of course to my PhD sponsors, AngliA Ruskin University (ARU). ARU is the only university thAt gAve me A chAnce All those yeArs Ago As A budding undergrAduate. Of course, this Also includes All the members of the newly formed DepArtment of Sport And Exercise Science who mAke working life unconventionAl And effervescent. My fAmily hAve AlwAys been there for me, my mother hAs AlwAys tAught me thAt hArd work will prevail, she hAs been An inspirAtion And A rock throughout my life, I hAve never met A more tenAcious person. My sister, EmmA, hAs AlwAys provided me with the competition I hAve needed in life to excel And hAs given me the greAtest niece And nephew Anyone could hope for. I love you All. I would like to thAnk the members of Comberton Judo Club who hAve supported me throughout this process with proof reAding, dAtA collection And A lot of pAtience. I would pArticulArly like to mention TArA Fitzjohn for her AssistAnce in coding And NAtAshA Collins who hAs been A true friend for mAny yeArs And counsellor for life.
    [Show full text]
  • Attilio Sacripanti Uchi Mata Family Analysis for Coaches and Teachers
    Attilio Sacripanti Uchi Mata Family analysis for coaches and teachers Abstract In this paper it is performed the biomechanical analysis of Uchi Mata family, the unifying vision of biomechanics let coaches and teachers to approach competition and lessons in different way. Uchi Mata and all throws that are in the biomechanical group of Couple applied by trunk – leg showed that these most effective techniques in high level competition , are in fact also energetically less expensive than those of the Lever group. The overview of the sportive judo books that show the different kind of Uchi Mata ( for example) are in term of Biomechanics always the same movement. The Japanese different vision informed also the studies among the world that never analyzed the unifying vision. The complementary tools to increase the effectiveness are also analyzed and few New or Chaotic application of trunk-leg family. The Physical and biomechanical background is analyzed showing that these throws are also bio-mechanically simpler, relying only on closing the distance and Couple application.( GAI + Couple). Their intrinsic simplicity, however, hides a different complexity from those of the Lever which, remember, they need a high motor coordination to be effective. In fact, being able to apply these techniques of Couple require a particular timing ability. 1. Introduction 2. General Biomechanics of Uchi Mata Family 3. Uchi Mata and Others in books. 4. Worldwide researches on Uchi Mata family 5. Direct Attack: complementary tactical tools. 6. New ways: Inverse applications and Chaotic variation 7. Uchi Mata Family: Physic-Biomechanical framework Interaction Grips Trajectories (rectilinear or inward rotation) Lift-up Almost plastic collision of extended bodies 8.
    [Show full text]
  • The Second Eight Judo Throws
    DC JUDO The Second Eight Judo Throws (Dai Nikkyo from the Gokyo No Waza) DC JUDO Second Eight Throws Page 1 of 5 KOSOTO GARI Tori breaks uke’s balance towards his rear or his right rear corner, then he reaps uke’s right heel (which carries his weight) from behind with his left foot so that he falls on his back. KOUCHI GARI Tori reaps the inside of uke’s right heel with the sole of his right foot so that he falls backwards. DC JUDO Second Eight Throws Page 2 of 5 KOSHI GURUMA Tori holds and controls uke’s neck with his right (left) arm, enters his waist deep, and, loading uke onto it, throws him in a circle around the fulcrum of his torso. (Illustrated on the right side) TSURIKOMI GOSHI Tori breaks uke’s balance straight forward, or to his right (left) front corner, lifts and pulls him onto the back of his waist, and throws him. (Illustrated on the right side in the picture) DC JUDO Second Eight Throws Page 3 of 5 OKURI ASHI HARAI Tori sweeps (or sends) uke’s right (left) foot to uke’s left (right) with his left (right) foot, and sweeps both legs up to complete the throw. (Illustrated on the left side) TAI OTOSHI Tori breaks uke’s balance to his right (or left) front corner, opens his body to the left, steps his right (left) foot in front of uke’s right (left) foot, pulls uke forward, and throws him down. (Illustrated on the right side) DC JUDO Second Eight Throws Page 4 of 5 HARAI GOSHI Tori breaks uke’s balance straight forwards, or to his right (left) front corner, pulls him onto the back of his his right (left) hip, and sweeps him up with the right (left) leg.
    [Show full text]
  • Shime Waza (14+) 1 Counter Technique Hadaka Jime (Naked Choke) Okuri-Eri Jime (Sliding Collar Choke) *Random Techniques from Previous Grades
    THUNDER BAY JUDO DOJO - 6th KYU REQUIREMENTS (Junior Green Stripe Belt) Going from Solid Orange belt to Green Stripe NAGE WAZA (Throwing techniques) Performed to an acceptable standard, based on age/ability. Harai Goshi (Sweeping Hip Throw) Shown left and right Hiza Guruma (Knee Wheel) Shown left and right O soto Guruma (Major Outer Wheel) Shown in motion Tani Otoshi (Valley Drop) Shown left and right Kata guruma (Shoulder Wheel) Shown left and right Sode Tsurikomi Goshi (Sleeve Pull Hip) Shown left and right Seoi Otoshi (Shoulder Drop) Renwaku Waza (Combination Techniques) Newaza (Ground techniques) 1 combination technique Kata Gatame (Shoulder Hold) & escape Kaeshi Waza (Counter Techniques) Shime Waza (14+) 1 counter technique Hadaka Jime (Naked Choke) Okuri-eri Jime (Sliding Collar Choke) *Random techniques from previous grades. Other Skills Judo specific games, used to develop judo skills. Basic Competition terminology History of Judo in Canada Who was the “father of Canadian Judo”? Steve Sasaki, founder of Vancouver Judo Club. Who was Canada’s first male judo Olympian? Doug Rogers, in the Tokyo Olympics of 1964 Who was Canada’s first female judo Olympian? Sandra Greaves, in the Seoul Olympics of 1988 General - Continuous respect for dojo rules. -Tournament rules, terms for points, penalties -Continuous respect for instructors and peers. The judoka should attend 45 practices and be able to perform 13 full push-ups, 15 burpees and 25 modified sit-ups. All 3 of these exercise requirements may be easily practiced at home! .
    [Show full text]
  • WD PG Kyu Grading Syllabus
    Western University Judo Club Kyu Grading Syllabus A Trail Form White Belt To Brown Belt Western University Judo Club Kyu Grading Syllabus 5th Kyu YELLOW Belt KIHON (Basics) REI (Bow) Ritsu-rei: Standing bow Za-rei: Sitting bow SHISEI (Postions) Shizen-hon-tai: Basic natural guard (Migi/Hidari-shizen-tai: Right/Left) Jigo-hon-tai: Basic defensive guard (Migi/Hidari-jigo-tai: Right/Left) SHINTAI (walks, movements) Tsuri-ashi: Feet shuffling (in common with Ayumi-ashi, Tsugi-ashi and Tai-sabaki) Ayumi-ashi: Normal walk, “foot passes foot” (Mae/Ushiro: Forwards/Backwards) Tsugi-ashi: Walk “foot chases foot” (Mae/Ushiro, Migi/Hidari) Tai-sabaki: Pivot (90/180°, Mae-Migi/Hidari, Ushiro-Migi/Hidari); KUMI-KATA: Grips (Hon-Kumi-Kata, Basic grip, Migi/Hidari-K.-K., Right/Left) WAZA: Technique KUZUSHI, TSUKURI, KAKE: Unbalancing, Positioning, Throw (Phases of the techniques) HAPPO-NO-KUZUSHI: The eight directions of unbalancing UKEMI (Break-falls) Ushiro-ukemi: Backwards break-fall Yoko-ukemi: Side break-fall (Migi/Hidari-yoko-ukemi) Mae-ukemi: Forward break-fall Mae-mawari-ukemi: Rolling break-fall Zempo-kaiten-ukemi: Leaping rolling break-fall KEIKO (Training exercises) Uchi-komi: Repetitions of entrances (lifting) Butsukari: Repetitions of impacts (no lifting) Kakke-ai: Repetitions of throws Yakusoku-geiko: One technique each without any reaction from Uke Kakari-geiko: One attacking, the other defending using the gentle way Randori: Free training exercise Shiai: Competition fight 2 Western University Judo Club Kyu Grading Syllabus NAGE-WAZA
    [Show full text]
  • Go Kyo No Waza.Wps
    KODOKAN GO KYO NO WAZA As revised in 1982 / 1997 De Ashi Harai Forward Foot Sweep Hiza Guruma Knee Wheel Sasae Tsuri Komi Ashi Propping Lift Pull Ankle Uki Goshi Floating Hip Throw O Soto Gari Major Outer Reap O Goshi Major Hip Throw O Uchi Gari Major Inner Reap Morote Seoi Nage Two Handed Shoulder Throw Ko Soto Gari Minor Outer Reaping Ko Uchi Gari Minor Inner Reaping Koshi Guruma Hip Wheel Tsuri Komi Goshi Lift Pull Hip Throw Okuri Ashi Harai Side Foot Sweep Tai Otoshi Body Drop Harai Goshi Hip Sweep Uchi Mata Inner Thigh Ko Soto Gake Minor Outer Hook Tsuri Goshi Lifting Hip Throw Yoko Otoshi Side Drop Ashi Guruma Leg Wheel Hane Goshi Spring Hip Harai Tsuri Komi Ashi Lift Pull Foot Sweep Tome Nage Circular Throw Kata Guruma Shoulder Wheel Sumi Gashi Corner Throw Tani Otoshi Valley Drop Hane Maki Komi Springing Wraparound Throw Sukui Nage Scooping Throw Utsuri Goshi Shifting Hip O Guruma Major Wheel Soto Maki Komi Outer Wraparound Throw Uki Otoshi Floating Drop Osoto Guruma Major Outer Wheel Uki Waza Floating Throw Yoko Wakare Side Separation Yoko Guruma Side Wheel Ushiro Goshi Back Hip Throw Ura Nage Back Throw Sumi Otoshi Corner Drop Yoko Gake Side Body Drop The eight techniques of the Go Kyo No Waza of 1885 which were excluded in 1920 and put back in Kodokan Judo in 1982. Obi Otoshi Belt Drop Seoi Otoshi Shoulder Drop Yama Arashi Mountain Storm O Soto Otoshi Major Outside Drop Daki Wakara Gut Wrench Hiki Komi Gaeshi Belt Sumi Gaeshi Tawara Gaeshi Straw Bale Counter Uchi Maki Komi Inner Wraparound Throw The 17 techniques of the Shinmeisho No Waze / Newly Accepted Techniques.
    [Show full text]
  • Kyu Grading Syllabus Summary
    Western University Judo Club Kyu Grading Syllabus 5th Kyu 4th Kyu 3rd Kyu 2nd Kyu 1st Kyu Extra MOROTE SEOI NAGE KUCHIKI DAOSHI MOROTE GARI KATA GURUMA UKI OTOSHI UCHI MATA SUKASHI ERI SEOI NAGE KIBISU GAESHI SEOI OTOSHI SUKUI NAGE SUMI OTOSHI YAMA ARASHI TE WAZA KATA SEOI NAGE TAI OTOSHI TE GURUMA OBI OTOSHI IPPON SEOI NAGE O GOSHI HARAI GOSHI HANE GOSHI TSURI GOSHI DAKI AGE KOSHI WAZA UKI GOSHI TSURIKOMI GOSHI KOSHI GURUMA UTSURI GOSHI USHIRO GOSHI SODE TSURIKOMI GOSHI DE ASHI BARAI SASAE TSURIKOMI ASHI UCHI MATA ARAI TSURIKOMI ASHI O GURUMA O UCHI GAESHI HIZA GURUMA OKURI ASHI BARAI ASHI GURUMA O SOTO GURUMA O SOTO GAESHI ASHI WAZA KO UCHI GARI KO SOTO GARI O SOTO OTOSHI KO SOTO GAKE UCHI MATA GAESHI O UCHI GARI O SOTO GARI TOMOE NAGE HIKIKOMI GAESHI URA NAGE MA SUTEMI WAZA SUMI GAESHI TAWARA GAESHI UCHI MAKIKOMI UKI WAZA YOKO GAKE O SOTO MAKIKOMI SOTO MAKIKOMI TANI OTOSHI KANI BASAMI * UCHI MATA MAKIKOMI YOKO OTOSHI KAWAZU GAKE * DAKI WAKARE YOKO SUTEMI WAZA YOKO GURUMA HARAI MAKIKOMI YOKO WAKARE YOKO TOMOE NAGE HON KESA GATAME KATA GATAME SANKAKU GATAME KUZURE KESA GATAME KAMI SHIHO GATAME YOKO SHIHO GATAME KUZURE KAMI SHIHO GATAME OSAE KOMI WAZA KUZURE YOKO SHIHO GATAME USHIRO KESA GATAME TATE SHIHO GATAME MAKURA KESA GATAME KUZURE TATE SHIHO GATAME KATA JUJI JIME HADAKA JIME OKURI ERI JUME TSUKKOMI JIME RYO TE JIME NAMI JUJI JIME KATA HA JIME SODE GURUMA JIME KATA TE JIME SHIME WAZA GYAKU JUJI JIME SANKAKU JIME DO JIME * UDE HISHIGI JUJI GATAME UDE HISHIGI HARA GATAME UDE GARAMI UDE HISHIGI UDE GATAME UDE HISHIGI ASHI GATAME UDE
    [Show full text]
  • 2Nd) KYU – BROWN BELT REQUIREMENTS
    Lehi Judo Club 155 West Main Street Lehi, UT 84043 (801)592-7318 www.lehijudo.com Sr. Syllabus NIKYU (2nd) KYU – BROWN BELT REQUIREMENTS NAGEWAZA (THROWING TECHNIQUES) Demonstrate 5 but know all 8 Japanese Term English Translation Specific Type of Technique 1. Sumi gaeshi corner throw Ma Sutemiwaza (Rear Body 2. Tani otoshi valley drop Yoko Sutemiwaza (Side Body D) 3. Hane makikomi outer winding spring hip Yoko Sutemiwaza (Side Body D) 4. Sukui nage scooping throw Tewaza (Hand) 5. Utsuri goshi switching hip throw Koshiwaza (Hip) 6. O guruma major wheel Ashiwaza (Leg) 7. Soto makikomi outer winding throw Yoko Sutemiwaza (Side Body D) 8. Uki otoshi floating drop Tewaza (Hand) 9. 2 Combination Throws OSAEKOMIWAZA (HOLDING TECHNIQUES) 1. All Previous SHIMEWAZA (CHOKING TECHNIQUES) 1. Okuri eri jime sliding collar choke 2. Kataha jime single wing choke 3. Hadaka jime naked choke KANSETSUWAZA (ARM LOCKS) 1. Ude garami entangled arm lock 2. Ude gatame arm armlock 3. Hiza gatame Knee armlock NAGE NO KATA 1. Set 2 uki goshi, harai goshi, tsurikomi goshi Page 1 of 2 Lehi Judo Club 155 West Main Street Lehi, UT 84043 (801)592-7318 www.lehijudo.com Sr. Syllabus NIKYU (2nd) KYU – BROWN BELT REQUIREMENTS VOCABULARY/GENERAL INFO 1. Kata prearranged forms 2. Mudansha non black belt holder 3. Kyu grade (in mudansha) 4. Yudansha black belt holder 5. Dan degree (in yudansha) 6. Tachi waza standing (throwing) 7. Te waza hand technique 8. Ashi waza foot technique 9. Koshi waza hip technique 10. Sutemi waza sacrifice technique 11. Ne waza grappling (groundwork) 12.
    [Show full text]