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2017 America's Grasslands Conference Proceedings
AmericA’s GrAsslAnds conference UNITED FOR GRASSLAND CONSERVATION PROCEEDINGS OF THE FOURTH BIENNIAL CONFERENCE on the Conservation of ameriCa’s Grasslands novemBer 15-17, 2017 • fort Worth, texas FOURTH BIENNIAL CONFERENCE ON THE CONSERVATION OF AMERICa’s Grasslands: Conference Proceedings 1 AmericA’s GrAsslAnds conference: United for GrAsslAnd conservAtion PROCEEDINGS OF THE FOURTH BIENNIAL CONFERENCE ON THE CONSERVATION OF AMERICa’s Grasslands November 15-17, 2017 Fort Worth, Texas Edited by Lekha Knuffman, National Wildlife Federation Published September 2018 by National Wildlife Federation Suggested citation: Knuffman, L., ed. 2018. America’s Grasslands Conference: United for Grassland Conservation. Proceedings of the 4th Biennial Conference on the Conservation of America’s Grasslands. November 15-17, 2017, Fort Worth, TX. Washington, DC: National Wildlife Federation. Cover photo: Jaime Gonzalez National Wildlife Federation 1200 G Street, NW, Suite 900 Washington, D.C. 20005 www.nwf.org 2 FOURTH BIENNIAL CONFERENCE ON THE CONSERVATION OF AMERICa’s Grasslands: Conference Proceedings CONTENTS INTRODUCTION TO THE PROCEEDINGS.................................................1 Organizing Committee, Texas Planning Committee, Conference Co-chairs, Co-hosts, Sponsors........................... 2 KEYNOTE AND PLENARY SPEAKERS.....................................................3 State of America’s Grasslands: Recent Conversion and Research Frontiers........................................................3 Tyler J. Lark, University of Wisconsin-Madison -
Primetime • Tuesday, April 3, 2012 Early Morning
Section D, Page 4 THE TIMES LEADER—Princeton, Ky.—March 31, 2012 PRIMETIME • TUESDAY, APRIL 3, 2012 6 PM 6:30 7 PM 7:30 8 PM 8:30 9 PM 9:30 10 PM 10:30 11 PM 11:30 ^ 9 Eyewitness News Who Wants to Be a Last Man Standing (7:31) Cougar Town Dancing With the Stars (N) (S) (Live) (9:01) Body of Proof “Going Viral” Eyewitness News Nightline (N) (CC) (10:55) Jimmy Kimmel Live Actress Edie WEHT at 6pm (N) (CC) Millionaire (CC) (N) (CC) (N) (CC) (CC) Searching for the source of the virus. at 10pm (N) (CC) Falco; comic Amy Schumer. (N) # # News (N) (CC) Entertainment To- Last Man Standing (7:31) Cougar Town Dancing With the Stars (N) (S) (Live) (9:01) Body of Proof “Going Viral” News (N) (CC) (10:35) Nightline Jimmy Kimmel Live Actress Edie Falco; WSIL night (N) (CC) (N) (CC) (N) (CC) (CC) Searching for the source of the virus. (N) (CC) comic Amy Schumer. (N) (CC) $ $ Channel 4 News at Channel 4 News at The Biggest Loser The contestants re- The Voice “Live Results, 4 Go Home” Four Fashion Star Creating a high-end gar- Channel 4 News at (10:35) The Tonight Show With Jay Leno (11:37) Late Night WSMV 6pm (N) (CC) 6:30pm (N) (CC) ceive makeovers. (N) (CC) vocalists are sent home. (N) (CC) ment. (N) 10pm (N) (CC) Maya Rudolph; Jason Biggs. (N) With Jimmy Fallon % % Newschannel 5 at 6PM (N) (CC) NCIS “Engaged, Part 1” The team investi- NCIS: Los Angeles “Sacrifice” A drug car- Unforgettable “Lost Things” A public de- NewsChannel 5 at (10:35) Late Show With David Letterman Late Late Show/ WTVF gates a plane crash. -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
A Textual Analysis of the Closer and Saving Grace: Feminist and Genre Theory in 21St Century Television
A TEXTUAL ANALYSIS OF THE CLOSER AND SAVING GRACE: FEMINIST AND GENRE THEORY IN 21ST CENTURY TELEVISION Lelia M. Stone, B.A., M.P.A. Thesis Prepared for the Degree of MASTER OF ARTS UNIVERSITY OF NORTH TEXAS December 2013 APPROVED: Harry Benshoff, Committee Chair George Larke-Walsh, Committee Member Sandra Spencer, Committee Member Albert Albarran, Chair of the Department of Radio, Television and Film Art Goven, Dean of the College of Arts and Sciences Mark Wardell, Dean of the Toulouse Graduate School Stone, Lelia M. A Textual Analysis of The Closer and Saving Grace: Feminist and Genre Theory in 21st Century Television. Master of Arts (Radio, Television and Film), December 2013, 89 pp., references 82 titles. Television is a universally popular medium that offers a myriad of choices to viewers around the world. American programs both reflect and influence the culture of the times. Two dramatic series, The Closer and Saving Grace, were presented on the same cable network and shared genre and design. Both featured female police detectives and demonstrated an acute awareness of postmodern feminism. The Closer was very successful, yet Saving Grace, was cancelled midway through the third season. A close study of plot lines and character development in the shows will elucidate their fundamental differences that serve to explain their widely disparate reception by the viewing public. Copyright 2013 by Lelia M. Stone ii TABLE OF CONTENTS Chapters Page 1 INTRODUCTION .............................................................................................. -
Friday the 13Th: Resurrection Table of Contents TABLE of CONTENTS
Friday the 13th Resurrection V0.5 By Michael Tresca D20 System and D&D is a trademark of Wizards of the Coast, Inc.©. All original Friday the 13th images and logos are copyright of their respected companies: © 2000/2001 Crystal Lake Entertainment / New Line Cinema. All Rights Reserved. Trademarks and copyrights are cited in this document without permission. This usage is not meant in any way to challenge the rightful ownership of said trademarks/copyrights. All copyrights are acknowledged and remain the property of the owners. Epic Undead Jason Voorhees, Corpse template, and the Slasher class were created by DarkSoldier's D20 Modern Netbook of Famous Characters. This game is for entertainment only. This document utilizes the Friday the 13th and Ghosttown fonts. You can get the latest version of this document at Talien's Tower, under the Freebies section. WARNING: This document contains spoilers of the movies and games. There. You've been warned! 2 - Friday the 13th: Resurrection Table of Contents TABLE OF CONTENTS................................................................................................................................3 INTRODUCTION...........................................................................................................................................6 SUMMARY ....................................................................................................................................................6 CAMPAIGN IN BRIEF......................................................................................................................................6 -
Patrolling the Homefront: the Emotional Labor of Army Wives Volunteering in Family Readiness Groups
PATROLLING THE HOMEFRONT: THE EMOTIONAL LABOR OF ARMY WIVES VOLUNTEERING IN FAMILY READINESS GROUPS By Copyright 2010a Jaime Nicole Noble Gassmann B.A., Southern Methodist University, 2002 M.A., University of Kansas, 2004 Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Chairperson: _________________________________ Brian Donovan Committee Members: _________________________________ Norman R. Yetman _________________________________ Robert J. Antonio _________________________________ Joane Nagel _________________________________ Ben Chappell Date Defended: 30 August 2010 The Dissertation Committee for Jaime Nicole Noble Gassmann certifies that this is the approved version of the following dissertation: PATROLLING THE HOMEFRONT: THE EMOTIONAL LABOR OF ARMY WIVES VOLUNTEERING IN FAMILY READINESS GROUPS By Jaime Nicole Noble Gassmann Chairperson: _________________________________ Brian Donovan Committee Members: _________________________________ Norman R. Yetman _________________________________ Robert J. Antonio _________________________________ Joane Nagel _________________________________ Ben Chappell Date Approved: 30 August 2010 ii ABSTRACT This dissertation examines the emotional labor of Army wives as they volunteer in Army-mandated family-member support groups in each unit called Family Readiness Groups (FRGs). Since its inception, the Army has relied unofficially on soldiers’ wives’ contributions to the success of their husbands’ careers in a two-for-one career pattern—two workers for one paycheck. The Army made such expectations official when in 1988 it began to require volunteer labor to run each unit’s FRG. The Army tasks FRGs with connecting members to resources and relaying official information to soldiers’ family members. These support groups also serve a vital socializing function, though not all soldiers’ spouses participate in the information-dispensing and community-building groups. -
REPRESENTATION of LATINAS1 AS MAIDS on DEVIOUS MAIDS (2013) Fitria Afrianty Sudirman
42 Paradigma, Jurnal Kajian Budaya Representation of Latinas as Maids on Devious Maids, Fitria Afrianty Sudirman 43 REPRESENTATION OF LATINAS1 AS MAIDS ON DEVIOUS MAIDS (2013) Fitria Afrianty Sudirman Abstract This article aims to analyze the representation of Latinas as maids by examining the first season of US television drama comedy, Devious Maids. The show has been a controversy inside and outside Latina community since it presents the lives of five Latinas working as maids in Beverly Hills that appears to reinforce the negative stereotypes of Latinas. However, a close reading on scenes by using character analysis on two Latina characters shows that the characters break stereotypes in various ways. The show gives visibility to the Latinas by putting them as main characters and portraying them as progressive and independent women who also refuse the notion of white supremacy. Keywords Latina, stereotypes, television, Devious Maids. INTRODUCTION Latin Americans have grown to be the largest minority group in the United States (US). According to the 2010 US Census, those identifying themselves as Hispanic/Latino Americans increased by 43% from the 2000 US Census, comprising 16% of the U.S total population. The bureau even expected that by 2050, the Hispanic/Latino population in the U.S. will be 132.8 million or 30% of the total population, which means one out of three Americans is a Hispanic/Latino. However, the increasing number of Latin Americans does not seem to go along with the portrayal of them in the US television. Research shows that they remain significantly under-represented on TV, only 1%-3% of the primetime TV population (Mastro-Morawitz, 2005). -
{DOWNLOAD} Jason
JASON PDF, EPUB, EBOOK Laurell K. Hamilton | 304 pages | 06 Feb 2015 | Headline Publishing Group | 9781472226983 | English | London, United Kingdom Jason Voorhees | Friday the 13th Wiki | Fandom Jason fathered twins with the queen. Heracles pressured them to leave as he was disgusted by the antics of the Argonauts. He had not taken part, which is truly unusual considering the numerous affairs he had with other women. After Lemnos the Argonauts landed among the Doliones , whose king Cyzicus treated them graciously. He told them about the land beyond Bear Mountain, but forgot to mention what lived there. What lived in the land beyond Bear Mountain were the Gegeines , which are a tribe of Earthborn giants with six arms and wore leather loincloths. While most of the crew went into the forest to search for supplies, the Gegeines saw that few Argonauts were guarding the ship and raided it. Heracles was among those guarding the ship at the time and managed to kill most of them before Jason and the others returned. Once some of the other Gegeines were killed, Jason and the Argonauts set sail. The Argonauts departed, losing their bearings and landing again at the same spot that night. In the darkness, the Doliones took them for enemies and they started fighting each other. The Argonauts killed many of the Doliones, among them the king Cyzicus. Cyzicus' wife killed herself. The Argonauts realized their horrible mistake when dawn came and held a funeral for him. Soon Jason reached the court of Phineus of Salmydessus in Thrace. Zeus had sent the harpies to steal the food put out for Phineas each day. -
Challenging Stereotypes
Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 I II Challenging Stereotypes How the stereotypical portrayals of Muslims and Islam are challenged through the enemies in Homeland Gunhild-Marie Høie A Thesis Presented to the Departure of Literature, Area Studies and European Languages in partial fulfillment of the Requirements for the MA degree University of Oslo Spring 2014 III © Gunhild-Marie Høie 2014 Challenging Stereotypes: How the stereotypical portrayals of Muslims and Islam are challenged in Homeland. http://www.duo.uio.no Print: Reprosentralen, University of Oslo IV V Abstract Following the terrorist attack on 9/11, actions and practices of the United States government, as well as the dominant media discourse and non-profit media advertising, contributed to create a post-9/11 climate in which Muslims and Arabs were viewed as non-American. This established a binary paradigm between Americans and Muslims, where Americans represented “us” whereas Muslims represented “them.” Through a qualitative analysis of the main characters in the post-9/11 terrorism-show, Homeland, season one (2011), as well as an analysis of the opening sequence and the overall narrative in the show, this thesis argues that this binary system of “us” and “them” is no longer black and white, but blurred, and hard to define. My analysis indicates that several of the enemies in the show break with the stereotypical portrayal of Muslims as crude, violent fanatics. -
A Complete Television Shows List Europe & Asia North America
A Complete Television Shows List Europe & Asia Alpha 0.7 - Der Feind in dir Liebe und Wahn Dangerous Liaisons Lüthi und Blanc Der Bestatter Polizeiruf 110 Die Snobs Stunthero Dr. Klein Stuttgart Homicide Eine für alle - Frauen können's besser Supermodel Geld oder Leben Tanzalarm! Lasko - The Fist of God Tatort North America 24 Banshee Burn Notice 90210 Barnaby Jones Californication $#*! My Dad Says Baywatch Carpoolers 10 Things I Hate About You Baywatch Nights Castle 12 Miles of Bad Road Beauty and the Beast Chaos 24: Redemption Beverly Hills, 90210 Charlie's Angels A to Z Big Time Rush Charmed Agents of S.H.I.E.L.D. Black Scorpion Chicago Hope Airwolf Body of Proof Chiefs Alias Bones Chop Shop Amen Boomtown Chuck American Horror Story Bosch Cleopatra 2525 Angel Brooklyn Bridge Cold Case Awake Brother's Keeper CollegeHumor Originals B.J. and the Bear Brothers & Sisters Cover Up Bad Judge Buffy the Vampire Slayer Crime Story Bad Teacher Bunheads Criminal Minds Crossing Jordan Hardball Last Resort Crumbs Hardcastle and McCormick Lauren CSI: Crime Scene Investigation Harry O LAX CSI: Miami Hart of Dixie Legends CSI: NY Hart to Hart Leo & Liz in Beverly Hills Curb Your Enthusiasm Hawaii Level 9 Dark Skies Hawaii Five-0 Leverage Day Break Hawaiian Heat Life Days of Our Lives Heroes Limestreet Designing Women Highway to Heaven Logan's Run Desperate Housewives Hit the Floor Longmire Dexter Hollywood Beat Lost Downtown House MacGruder and Loud Dynasty Houston Knights Magic City E-Ring How to Get Away with Murder Major Crimes Eagleheart Hunter -
Levin 1 Representations of Victims, Suspects and Offenders: a Content
Levin 1 Representations of Victims, Suspects and Offenders: A Content Analysis of Four Television Crime Shows Jessica Levin University of Colorado at Boulder Sociology Department Spring 2013 Honors Committee Members: Dr. Joanne Belknap, Sociology (Chair) Dr. Liam Downey, Sociology Dr. Tracy Ferrell, Program for Writing and Rhetoric Levin 2 ABSTRACT This study draws on Social Learning Theory and uses a content analysis to critically examine the representations of victims, suspects and offenders on fictional crime television shows. Specifically, four such shows were studied: Law and Order: Special Victims Unit, Criminal Minds, Body of Proof and Rizzoli & Isles. Although some previous research assessed the representations of suspects and offenders on fictional crime television series, examination of the representations of victims is rare, and to date, no study has included such an extensive list of variables. There were two units of analysis used while coding. Coding of the entire show included the year of the episode, number of victims, number of suspects, number of offenders, type of crime and time of the crime. The second unit of analysis included individual victims, suspects and offenders. An extensive range of demographic data was recorded for each victim, suspect and offender. The results from this study indicate that a very narrow lens is used in television fictional crime show portrayals of victims, suspects and offenders. The findings include a relationship between the type of crime and the television show, the victims’ gender and survival rate, the victims’ race/ethnicity and socioeconomic status, the victims’ hair color and whether they were drugged, and the victims’ survival and whether they had children with the defendant. -
Mayor's Message: New ABC Series to Be Shot in Warwick
Mayor's message: New ABC series to be shot in Warwick September 09, 2010 - Rhode Island I recently had the opportunity to join Steven Feinberg, executive director of the state Film and TV office, and others on a tour of the cavernous Warwick facility where interior scenes of the new ABC series, "Body of Proof," will be shot. With the smell of sawdust and fresh paint in the air, crews - up to 80 local tradespeople per day - were working feverishly to meet construction deadlines before filming was to begin at the end of July on set and in locations throughout Rhode Island. Since then, a small slice of Hollywood has arrived at several locations throughout Warwick - Twist Restaurant, refurbished and gleaming after the March flood; Ironworks Tavern; St. Peter's Church, where food service set up for hungry crew and cast members; a local doctor's home in Governor Francis Farms; and Pawtuxet Cemetery, along with other scenic spots in our community. In every instance, owners were paid for the use of their properties - an unexpected bonus in a troubled economy. Local and statewide tourism and economic development officials are also hoping that the exposure that businesses and local attractions will have once the show begins airing in the fall will bring new visitors to Rhode Island. In addition, the state Film and Television Office notes that production crews are using local vendors for everything from catering, to office equipment rental, to trash removal. The fact that hundreds of square feet of formerly empty commercial space are now being leased is good news as well.