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Georgetown Day.Pdf
Round 2 JCV7 Tossups by Georgetown Day School 1. The painting that most attracted public attention at it was renamed by one critic "explosion in a shingle factory". Among the organizers and contributors were Arthur Davies, John Sloan and Walt Kuhn. At this show, Americans got their first look at the revolutionary work of such artists as Matisse, Kandinsky, Brancusi, and Picasso. For ten points, name this exhibition, featuring the aforementioned Nude Descending a Staircase, held in 1913 in a New York City military installation. Answer: The Armory Show 2. Walt Duncan, an Orthodontist, Connie, his wife, and their perpetually sloppy 15-year old, Jeremy live in a white clapboard house that is occasionally home to Jeremy's love interest Sara Toomy, best friend, Hector, and a rock band named Goat Cheese Pizza. Jeremy's older brother Chad is the perfect student, away at college. For ten points, name this Best Comic Strip of the Year for 1999, syndicated in over 900 newspapers and authored by Jerry Scott and Jim Borgman. Answer: Zits 3. Subtle, a clever quack, and his whorish colleague, Doll Common, set up shop in the house of Lovewit while the latter is away. With the help of Lovewit's servant, Face, they succeed in tricking a whole series of gullible scoundrels, such as Abel Drugger, who seeks charms and advice on how to set up his tobacco shop for maximum good fortune. For ten points, name this 1610 comedy by Ben Jonson, a satirical look at the medical profession of 1i h century England. Answer: The Alchemist 4. -
Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia). -
THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music. -
Neal R. Gross 1 United States of America + + + + + Federal Communications Commission + + + + + Field Hearing + + + + + Broadcast
1 UNITED STATES OF AMERICA + + + + + FEDERAL COMMUNICATIONS COMMISSION + + + + + FIELD HEARING + + + + + BROADCAST OWNERSHIP EN BANC + + + + + RICHMOND, VIRGINIA + + + + + CHAIRMAN POWELL PRESIDING This transcript was produced from audio tapes. Inconsistencies may occur between the actual spoken word and the transcription due to recording impediments. NEAL R. GROSS COURT REPORTERS AND TRANSCRIBERS 1323 RHODE ISLAND AVE., N.W. (202) 234-4433 WASHINGTON, D.C. 20005-3701 www.nealrgross.com 2 I-N-D-E-X Morning Session Official Opening, Marlene Dortch, Secretary ....... 3 Welcome, K. Dane Snowden, Chief, Consumer & Governmental Affairs Bureau ............... 5 Opening Statements: Michael K. Powell, Chairman ................. 7 Kathleen Q. Abernathy, Commissioner ........ 12 Michael J. Copps, Commissioner ............. 18 Kevin J. Martin, Commissioner .............. 25 Jonathan S. Adelstein, Commissioner ........ 29 Summary of Broadcast Ownership Rules and Key Issues, Thomas G. Krattenmaker (Moderator) Mintz, Levin, Cohn, Ferris, Glovsky & Popeo ...................................... 38 Panel Discussion: Diversity Issues L. Brent Bozell III, Parents Television Council .............................. 49 Robert Corn-Revere, Hogan & Hartson ......... 54 Jay Ireland, NBC Television Stations ....... 59 Alfred C. Liggins, Radio One, Inc. ......... 65 Victoria Riskin, Writers Guild of America, West ........................ 70 Andrew Jay Schwartzman, Media Access Project .............................. 75 Wendy Thompson, ZGS Broadcast Holdings, Inc. -
The Argonauts 1St Edition Ebook, Epub
THE ARGONAUTS 1ST EDITION PDF, EPUB, EBOOK Maggie Nelson | 9781555973407 | | | | | The Argonauts 1st edition PDF Book Huffington Post Nelson's vibrant, probing and, most of all, outstanding book is also a philosophical look at motherhood, transitioning, partnership, parenting, and family-an examination of the restrictive way we've approached these terms in the past and the ongoing struggle to arrive at more inclusive and expansive definitions for them. Many years ago he had angered Hera by committing the despicable act of killing his stepmother Sidero at the goddess's altar and by prohibiting the people from worshipping the Goddess. But in "The Argonauts," the gifted critic and scholar breaks generic ground with her work of 'auto theory, ' which offers a glimpse into the writer's mind, body, and home. So much writing about motherhood makes the world seem smaller after the child arrives, more circumscribed, as if in tacit fealty to the larger cultural assumptions about moms and domesticity; Nelson's book does the opposite The New York Times Book Review Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation. Condition: Good - Very Good. Share This Book Share on Twitter. Los Angeles Times. This was the home of the Doliones and ruled over by King Cyzicus, a kind and noble man who greeted the Argonauts warmly. On the way home Suspecting her father would do something evil, Medea informed Jason and agreed to help him steal the Golden Fleece, only if he took her away with him. -
Distribution Agreement in Presenting This Thesis As A
Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter now, including display on the World Wide Web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Maron Tate March 6, 2019 Maternity and the Aging Female Body in Postmodern Hollywood Horror Film by Maron Tate Michele Schreiber Adviser Media Studies Michele Schreiber Adviser Tanine Allison Committee Member Amy Aidman Committee Member Joseph Skibell Committee Member 2019 Maternity and the Aging Female Body in Postmodern Hollywood Horror Film By Maron Tate Michele Schreiber Adviser An abstract of a thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Media Studies 2019 Abstract Maternity and the Aging Female Body in Postmodern Hollywood Horror Film By Maron Tate Beginning in the 1960s and progressing rapidly with the closure of the classical period in 1968, Hollywood departed from the supernatural “thing” theme of the horror genre and became fascinated with the familiar, and specifically, the familial. An era of maternity-coded films emerged, specifically with the debut of Psycho (1960), progressing to where Hollywood horror cinema stands now: a conglomeration of remakes, reinventions, and revisitations to recognizable themes entrenched in white (and often female) victimhood, paranormal visits, inexplicably violent strangers, and disease. -
THE FILMS 041916.Pages
2016 - THE FILMS BLOCK RUNTITLE AWARD CATEGORY A 95 Thane of East County (BEST Drama) Dark Drama / Noir / Supernatural / Thriller B 91 Death on a Rock Drama (Feature Film) C 114 One Toy at a Time Documentary (Feature Film) D 108 The Hunting Ground Documentary (Feature Film) E 99 The Things My Father Never Taught Me / Australia (BEST Comedy) Comedy Right Person for the Job / France Comedy Fixed / Australia Comedy / Student Another Empty Space / Germany Drama The Telegraph Man / Australia (BEST Foreign) Drama Sprint to the Past / Russia Docudrama Just a Piece of Cloth Documentary - Ethnic F 100 A Struggle for Home: The Crimean Tatars (BEST Documentary) Doc. / History Curly Documentary / Latino G 80 The Chase Student / Gavilan Nova-Amor-Cold (BEST Music) Music Video / Student / Gavilan Rise Animation / Music The Making of a Ford Commercial Music Video In the Dismal Night Hours Comedy / Horror The Genre Experiment Student / Gavilan The Elevator Diaries (BEST Student) Student / Gavilan A Cautionary Tale Drama / Student / Gavilan Brothers / Australia Student / Drama Titanium Drama H 71 Night of the Living Dead: Darkest Dawn Horror I 96 48 Hour Film Project Special Film Event J 67 Pirate Theater Out-takes Pilot Show Out-takes The Confessional Horror I Can Feel Another Planet in My Soul Documentary / Religion K 77 Deep in the Woods Animated Hummingbird Wings Stop Motion Noir Animation Rise Animation / Music Video Hansel & Gretel Animation The Night Witch Animated Documentary Lift (BEST Children) Stop Motion Mother's Day Drama Baits & Hooks / -
Region 2 Summit Attracts a Crowd!
REGION 2 SUMMIT ATTRACTS A CROWD! The 2002 Region 2 Summit was a spectacular success, with attendees coming from far and wide for a good time! Our coverage begins on page 33! Above: A groupshot of all attendees. Left: Region 2 Regional Coordinator Pete Mohney recieves a from Sandy Dolan. Right: Fleet Admiral Les Rickard shares a moment of levity with SFI Morale offi cer, Jimmy Whatley. Photos courtesy of John Adcock and Jill Rayburn USPS 017-671 A HISTORY OF STARFLEET ACADEMY, PART I BEGINS ON PAGE 20 THE STARFLEET COMMUNIQUÉ ISSUE 110 – APRIL/MAY 2002 PAGE 1 STARFLEET Communiqué Volume I, No. 110 Don’t Call Me Edwin!...................................................3 Publisher: STARFLEET, The International Star Trek STARFLEET Treasurer Report....................................5 Fan Association, Inc. Second To One...............................................................5 P.O. Box 30341 STARFLEET Operations.............................................6 Winston-Salem, NC 27130-0341 COMM-ING Up Next..................................................7 Manager: Membership Processing Update................................7 Greg Trotter STARFLEET Diplomatic Corps Update....................8 Starting Pitcher: The Shuttlebay.............................................................9 Kurt Roithinger Computer Operations................................................10 Lead-off Hitter: Ex Astra, Scientia.........................................................11 David Pipgras Bits and Pieces From Around the Academy............11 VAS Profi -
Gorinski2018.Pdf
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Automatic Movie Analysis and Summarisation Philip John Gorinski I V N E R U S E I T H Y T O H F G E R D I N B U Doctor of Philosophy Institute for Language, Cognition and Computation School of Informatics University of Edinburgh 2017 Abstract Automatic movie analysis is the task of employing Machine Learning methods to the field of screenplays, movie scripts, and motion pictures to facilitate or enable vari- ous tasks throughout the entirety of a movie’s life-cycle. From helping with making informed decisions about a new movie script with respect to aspects such as its origi- nality, similarity to other movies, or even commercial viability, all the way to offering consumers new and interesting ways of viewing the final movie, many stages in the life-cycle of a movie stand to benefit from Machine Learning techniques that promise to reduce human effort, time, or both. -
Friday the 13Th: Resurrection Table of Contents TABLE of CONTENTS
Friday the 13th Resurrection V0.5 By Michael Tresca D20 System and D&D is a trademark of Wizards of the Coast, Inc.©. All original Friday the 13th images and logos are copyright of their respected companies: © 2000/2001 Crystal Lake Entertainment / New Line Cinema. All Rights Reserved. Trademarks and copyrights are cited in this document without permission. This usage is not meant in any way to challenge the rightful ownership of said trademarks/copyrights. All copyrights are acknowledged and remain the property of the owners. Epic Undead Jason Voorhees, Corpse template, and the Slasher class were created by DarkSoldier's D20 Modern Netbook of Famous Characters. This game is for entertainment only. This document utilizes the Friday the 13th and Ghosttown fonts. You can get the latest version of this document at Talien's Tower, under the Freebies section. WARNING: This document contains spoilers of the movies and games. There. You've been warned! 2 - Friday the 13th: Resurrection Table of Contents TABLE OF CONTENTS................................................................................................................................3 INTRODUCTION...........................................................................................................................................6 SUMMARY ....................................................................................................................................................6 CAMPAIGN IN BRIEF......................................................................................................................................6 -
What Does It Mean to Be a Woman in Horror?
What Does it Mean to be a Woman in Horror? Presentation by Maya Hendl CONTENT WARNING This presentation contains descriptions of violence, torture, kidnapping, and murder. There are no explicit images of these acts taking place, but these acts are mentioned and (briefly) described. Table of Contents 1 2 Final Girls Female Antagonists Exploring examples of female villains, why they are Exploring what they & so scary, and their ability to are, why they exist, justify their motivations in and the contexts in comparison to male which they exist antagonists 1 Final Girls Exploring what they are, why they exist, and the contexts in which they exist What Does it Mean to be a “Final Girl”? The term “final girl” was coined by Carol J. Clover in her 1993 book Men, Women and Chain Saws: Gender in the Modern Horror Film. The “final girl” is the last woman or girl left alive in a horror movie, most often within the slasher genre, that must confront the killer. Clover describes final girls as typically being sexually unavailable at the start of the film, as having sex in a horror movie is a common trope that will most likely get you killed (Alternative Press Magazine). Clover goes on to describe how, once the final girl survives, she “is ‘purged’...of undesirable characteristics, such as pursuit of pleasure in her own right. An interesting feature of the genre is the ‘punishment’ of beauty and sexual availability” (Horror Fandom Wiki). Why Do Final Girls Exist? In horror films, women are more often than not left to fight the big bad all on their own. -
Jeff Kirkendall's Thoughts for the Month Column Thoughts
Jeff Kirkendall’s Thoughts For The Month Column Thoughts, Opinions, Reviews, Commentary & More! Hello and Welcome! My name is Jeff Kirkendall and I'm an independent filmmaker and actor from the Upstate New York area. This is the section of the Very Scary Productions website where I write about topics related to independent filmmaking, digital video production, acting, movies in general, horror movies in particular, my own indie movies, as well as anything and everything related or in between. I decided to create this commentary page because I find that I often come across things that either interest me, excite me, intrigue me, or maybe just bug me. Any topic related to movies and cinema is fair game, from the most mainstream to the most controversial. For example I'll often read about movie projects that I have a strong interest in or opinion on, for one reason or another. This page gives me a forum to discuss these things. It's all about discussion and furthering understanding of our pop culture. Anyone who has feedback concerning what I have to say here, feel free to contact me (see the contact link at http://www.veryscaryproductions.com/). I'd also like to point out that the following is just my opinion, and everyone is free to agree or disagree with what I have to say. Enjoy, and to all the Indies out there: Keep on Filming! SUBJECT: Freddy vs. Jason – Will it work? - December 2002 As of this writing, the long talked-about clash of the horror titans Freddy vs.