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Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia). -
THE ARGONAUTIKA He'd Gone on His Vain Quest with Peirithoos: That Couple Would Have Made Their Task's Fulfillment Far Easier for Them All
Book I Starting from you, Phoibos, the deeds ofthose old-time mortals I shall relute, who by way ofthe Black Sea's mouth and through the cobalt-dark rocks, at King Pelias 's commandment, in search of the Golden Fleece drove tight-thwarted Argo. For Pelias heard it voiced that in time thereafter a grim fate would await him, death at the prompting of the man he saw come, one-sandaled, from folk in the country: and not much later-in accordance with your word-Jason, fording on foot the Anauros's wintry waters, saved from the mud one sandal, but left the other stuck fast in the flooded estuary, pressed straight on to have his share in the sacred feast that Pelias was preparing for Poseidon his father, and the rest of the gods, though paying no heed to Pelasgian Hera. The moment Pelias saw him, he knew, and devised him a trial of most perilous seamanship, that in deep waters or away among foreign folk he might lose his homecoming. ,\row singers before 7ny time have recounted how the vessel was fashioned 4 Argos with the guidance of Athena. IW~cctIplan to do now is tell the name and farnib of each hero, describe their long voyage, all they accomplished in their wanderings: may the Muses inspire mnj sinpng! First in our record be Orpheus, whom famous Kalliope, after bedding Thracian Oikgros, bore, they tell us, 44 THE XRGONAUTIKA hard by Pimpleia's high rocky lookout: Orpheus, who's said to have charmed unshiftable upland boulders and the flow of rivers with the sound of his music. -
The Argonauts 1St Edition Ebook, Epub
THE ARGONAUTS 1ST EDITION PDF, EPUB, EBOOK Maggie Nelson | 9781555973407 | | | | | The Argonauts 1st edition PDF Book Huffington Post Nelson's vibrant, probing and, most of all, outstanding book is also a philosophical look at motherhood, transitioning, partnership, parenting, and family-an examination of the restrictive way we've approached these terms in the past and the ongoing struggle to arrive at more inclusive and expansive definitions for them. Many years ago he had angered Hera by committing the despicable act of killing his stepmother Sidero at the goddess's altar and by prohibiting the people from worshipping the Goddess. But in "The Argonauts," the gifted critic and scholar breaks generic ground with her work of 'auto theory, ' which offers a glimpse into the writer's mind, body, and home. So much writing about motherhood makes the world seem smaller after the child arrives, more circumscribed, as if in tacit fealty to the larger cultural assumptions about moms and domesticity; Nelson's book does the opposite The New York Times Book Review Maggie Nelson is one of the most electrifying writers at work in America today, among the sharpest and most supple thinkers of her generation. Condition: Good - Very Good. Share This Book Share on Twitter. Los Angeles Times. This was the home of the Doliones and ruled over by King Cyzicus, a kind and noble man who greeted the Argonauts warmly. On the way home Suspecting her father would do something evil, Medea informed Jason and agreed to help him steal the Golden Fleece, only if he took her away with him. -
Sailing Into the Past: Encountering the Monstrous in Apollonius’ Argonautica
Sailing into the Past: Encountering the Monstrous in Apollonius’ Argonautica by Edgar Adrian García, B.A. A Thesis In Classics Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved Dr. David Larmour Chair of Committee Dr. Donald Lavigne Mark Sheridan Dean of the Graduate School May, 2015 Copyright 2015, Edgar García Texas Tech University, Edgar A. García, May 2015 ACKNOWLEDGMENTS There are a number of people who have offered me invaluable support over the course of completing this study. First of all, I would like to thank the members of my committee for their guidance and enthusiasm. David Larmour has provided feedback on numerous versions of this thesis. His seminars on both Archaic Greek Lyric and Hellenistic poetry allowed me to gain a deeper appreciation for poetry and an understanding of intertextuality, narratology, and other literary techniques that have been invaluable to both this thesis and my growth as a scholar. Don Lavigne provided many brilliant comments on the metapoetic elements at play in Hellenistic poetry. Don was always kind enough to bring a critical and encouraging attitude to my work. I would like to thank Corby Kelly for his support and encouragement. His seminars on Tibullus and Oidipous Tyrannos my first semester in the program introduced me to the world of literary scholarship. Despite the initial growing pains, Corby was always very supportive and I believe his seminars provided the groundwork that allowed my time in the program to be academically and personally successful. I would also like to thank Christopher Witmore whose seminar on the chorography of the Argolid and Corinthia completely my theoretical views and interests. -
{DOWNLOAD} Jason
JASON PDF, EPUB, EBOOK Laurell K. Hamilton | 304 pages | 06 Feb 2015 | Headline Publishing Group | 9781472226983 | English | London, United Kingdom Jason Voorhees | Friday the 13th Wiki | Fandom Jason fathered twins with the queen. Heracles pressured them to leave as he was disgusted by the antics of the Argonauts. He had not taken part, which is truly unusual considering the numerous affairs he had with other women. After Lemnos the Argonauts landed among the Doliones , whose king Cyzicus treated them graciously. He told them about the land beyond Bear Mountain, but forgot to mention what lived there. What lived in the land beyond Bear Mountain were the Gegeines , which are a tribe of Earthborn giants with six arms and wore leather loincloths. While most of the crew went into the forest to search for supplies, the Gegeines saw that few Argonauts were guarding the ship and raided it. Heracles was among those guarding the ship at the time and managed to kill most of them before Jason and the others returned. Once some of the other Gegeines were killed, Jason and the Argonauts set sail. The Argonauts departed, losing their bearings and landing again at the same spot that night. In the darkness, the Doliones took them for enemies and they started fighting each other. The Argonauts killed many of the Doliones, among them the king Cyzicus. Cyzicus' wife killed herself. The Argonauts realized their horrible mistake when dawn came and held a funeral for him. Soon Jason reached the court of Phineus of Salmydessus in Thrace. Zeus had sent the harpies to steal the food put out for Phineas each day. -
Heracles in Homer and Apollonius: Narratological Character Analysis in a Diachronic Perspective
Heracles in Homer and Apollonius: Narratological Character Analysis in a Diachronic Perspective Silvio Bär Department of Philosophy, Classics, History of Art and Ideas, University of Oslo, Norway For Winnie 1. Introduction Aristotle in his Poetics (1451a 16–22) mentions epics on the life and deeds of Heracles as a negative example of what he considers to be imperative for good dramatic progress and coherence, namely, the unity of action.1 According to Aristotle, unity of action is not automatically constituted by the sum of all the single events that occur in one and the same character’s lifetime. This verdict encapsulates two parameters that are going to be of eminent importance in this article. First, it shows that Aristotle did not see an inherent connection between a literary character and the idea of unity, but indeed rather viewed these two aspects as contradictory. As will be demonstrated, plausible as it sounds, this methodological proposition is often not taken for granted in literary character studies in classical scholarship. Secondly, the Aristotelian passage testifies to the fact that Heracles was indeed popular as an 1 µῦθος δ᾿ ἐστὶν εἷς οὐχ ὥσπερ τινὲς οἴονται ἐὰν περὶ ἕνα ᾖ· πολλὰ γὰρ καὶ ἄπειρα τῷ ἑνὶ συµβαίνει, ἐξ ὧν ἐνίων οὐδέν ἐστιν ἕν· οὕτως δὲ καὶ πράξεις ἑνὸς πολλαί εἰσιν, ἐξ ὧν µία οὐδεµία γίνεται πρᾶξις. διὸ πάντες ἐοίκασιν ἁµαρτάνειν ὅσοι τῶν ποιητῶν Ἡρακληίδα καὶ Θησηίδα καὶ τὰ τοιαῦτα ποιήµατα πεποιήκασιν· οἴονται γάρ, ἐπεὶ εἷς ἦν ὁ Ἡρακλῆς, ἕνα καὶ τὸν µῦθον εἶναι προσήκειν. (“A plot is not one coherent thing, as some believe, if it is centred around one single [person]. -
Travel Descriptions in the Argonautica of Apollonius Rhodius
TRAVEL DESCRIPTIONS IN THE ARGONAUTICA OF APOLLONIUS RHODIUS M. A. HARDER* 1. INTRODUCTION In the third century BC, the Alexandrian poet Apollonius Rhodius wrote his Argonautica, an epic in four books, in which he told of Jason's journey to Colchis to bring back the Golden Fleece. This journey was long and full of perils and adventures. On the outward journey the Argonauts followed the traditional route across the Aegean Sea and into the Black Sea. On the homeward journey, after securing the Golden Fleece with the assistance of the Colchian princess Medea, they took a different route to escape from the Colchians who chased after them. They went along the Ister and passed through many strange and distant places in the far West, and in North-Africa before they eventually reached their home in Iolcus again. This story, in which travel descriptions obviously play a part, is placed in the distant mythical past, before the Trojan War, and told by an external narrator long after the event. In this article I wish to investigate some aspects of the nature and importance of the travel descriptions in the Argonautica and the way in which they are presented to the reader.1 2. TRAVEL DESCRIPTIONS IN THE ARGONAUTICA Generally speaking, Apollonius' travel descriptions are a bookish mixture of scientific Alexandrian geography and the fabulous geography of Homer.2 Apollonius concentrates on description of the features of the landscape and peoples. Other items which might figure in a travel description, like towns, buildings or monuments receive little attention.3 * Department of Greek and Latin, University of Groningen, The Netherlands. -
Apollonius Rhodius Argonautica 4 and the Epic Gaze: There and Back Again
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Nottingham ePrints Helen Lovatt Apollonius Rhodius Argonautica 4 and the epic gaze: There and back again The visuality of Apollonius Argonautica is complex and fascinating, and impor- tant for understanding that of later Greek and Roman epic.1 The Argonautica features in The Epic Gaze as the epic that wouldn’t, a refusenik of the epic genre, a counterexample.2 This chapter explores the particular visuality of Apollonius in more depth, by focusing on book 4 and its continuities and diver- gences from the previous books.3 William Thalmann, using the poetics of space, produces a reading of the Argonauts as a force for order, a representa- tion of Greekness, closely interlinked with Greek colonisation.4 Although he is careful to bring out the negatives, the difficulties and the confusions, this is an unusually positive reading of the Argonautica, rather in the same vein as Tim Stover’s reading of Valerius Flaccus.5 Space and visuality are closely relat- ed, and Thalmann illuminates processes of gazing in Apollonius, partly draw- ing on, or parallelling, the work of Alex Purves.6 In contrast Sistakou’s evoca- tion of the Argonautica as “dark epic” calls up a different visuality, one centred on darkness, fantasy and horror.7 In this chapter I re-examine gaze and vision in Apollonius by thinking about the difference between the explorers’ gaze and 1 See also Kampakoglou, this volume. On the importance of Apollonius for Virgil, see Nelis 2001. Apollonius in Lucan: Murray 2011; in Valerius (two recent interventions): Finkmann 2014, Seal 2014; in Claudian: Schindler 2005. -
ATINER's Conference Paper Series LIT2012-0298 Mocking Epic And
ATINER CONFERENCE PAPER SERIES No: LIT2012-0298 Athens Institute for Education and Research ATINER ATINER's Conference Paper Series LIT2012-0298 Mocking Epic and Tragic Patterns in Apollonius of Rhodes’ Argonautica Maria-Luiza Dumitru Oancea Lecturer Dr., Department of Classical Philology University of Bucharest Romania 1 ATINER CONFERENCE PAPER SERIES No: LIT2012-0298 Athens Institute for Education and Research 8 Valaoritou Street, Kolonaki, 10671 Athens, Greece Tel: + 30 210 3634210 Fax: + 30 210 3634209 Email: [email protected] URL: www.atiner.gr URL Conference Papers Series: www.atiner.gr/papers.htm Printed in Athens, Greece by the Athens Institute for Education and Research. All rights reserved. Reproduction is allowed for non-commercial purposes if the source is fully acknowledged. ISSN 2241-2891 15/11/2012 2 ATINER CONFERENCE PAPER SERIES No: LIT2012-0298 An Introduction to ATINER's Conference Paper Series ATINER started to publish this conference papers series in 2012. It includes only the papers submitted for publication after they were presented at one of the conferences organized by our Institute every year. The papers published in the series have not been refereed and are published as they were submitted by the author. The series serves two purposes. First, we want to disseminate the information as fast as possible. Second, by doing so, the authors can receive comments useful to revise their papers before they are considered for publication in one of ATINER's books, following our standard procedures of a blind review. Dr. Gregory T. Papanikos President Athens Institute for Education and Research 3 ATINER CONFERENCE PAPER SERIES No: LIT2012-0298 This paper should be cited as follows: Dumitru Oancea, M-L. -
Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable). -
APOLLONIUS and CALLIMACHUS on HERACLES and THEIODAMAS: a METAPOETICAL INTERPRETATION* Mark Heerink
APOLLONIUS AND CALLIMACHUS ON HERACLES AND THEIODAMAS: A METAPOETICAL INTERPRETATION* Mark Heerink Abstract Apollonius of Rhodes’ digression on Heracles and Theiodamas (Arg. 1, 1211-1220) al- ludes to Callimachus’ version of the story in his Aetia (frr. 24-25 Pf.). This article provides a metapoetical interpretation of the intertextual contact. The ways in which both poets deal with Heracles reveal the similar but different reactions of these “Callimachean” poets to the heroic-epic literary tradition. Introduction n the Argonautica of Apollonius of Rhodes the greatest hero Heracles I joins the expedition together with the boy Hylas, as is stated at the begin- ning of the epic (Arg. 1, 131-132): ÛfÓ Î·› Ôî ≠YÏ·˜ ΛÂÓ, âÛıÏe˜ 翈Ó/ Úˆı‹‚˘, åáÓ Ù ÊÔÚÂf˜ ʇϷÎfi˜ Ù ‚ÈÔÖÔ. “And with him [Heracles] went his noble squire Hylas, in the first bloom of youth, to be the bearer of his arrows and guardian of his bow”.1 Later in the first book Apollonius tells the story of how the two met, before abruptly ending his digression (Arg. 1, 1211-1220): ‰c Á¿Ú ÌÈÓ ÙÔ›ÔÈÛÈÓ âÓ õıÂÛÈÓ ·éÙe˜ öÊÂÚ‚ÂÓ, ÓË›·¯ÔÓ Ùa ÚáÙ· ‰fiÌˆÓ âÎ ·ÙÚe˜ àÔ‡Ú·˜, ‰›Ô˘ £ÂÈÔ‰¿Ì·ÓÙÔ˜, nÓ âÓ ¢Ú˘fiÂÛÛÈÓ öÂÊÓÂÓ ÓËÏÂÈᘠ‚Ôe˜ àÌÊd ÁˆÌfiÚÔ˘ àÓÙÈfiˆÓÙ·. õÙÔÈ ï ÌbÓ ÓÂÈÔÖÔ Á‡·˜ Ù¤ÌÓÂÛÎÂÓ àÚfiÙÚÅ £ÂÈÔ‰¿Ì·˜ àÓ›– ‚‚ÔÏË̤ÓÔ˜Ø ·éÙaÚ ï ÙfiÓ Á ‚ÔÜÓ àÚfiÙËÓ õÓˆÁ ·Ú·Û¯¤ÌÂÓ ÔéÎ âı¤ÏÔÓÙ·. ¥ÂÙÔ ÁaÚ ÚfiÊ·ÛÈÓ ÔϤÌÔ˘ ¢Ú˘fiÂÛÛÈ ‚·Ï¤Ûı·È Ï¢Á·Ï¤ËÓ, âÂd Ôû ÙÈ ‰›Î˘ àϤÁÔÓÙ˜ öÓ·ÈÔÓ. -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia