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PHILIP ROTH and the STRUGGLE of MODERN FICTION by JACK
PHILIP ROTH AND THE STRUGGLE OF MODERN FICTION by JACK FRANCIS KNOWLES A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (English) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) July 2020 © Jack Francis Knowles, 2020 The following individuals certify that they have read, and recommend to the Faculty of Graduate and Postdoctoral Studies for acceptance, the dissertation entitled: Philip Roth and The Struggle of Modern Fiction in partial fulfillment of the requirements submitted by Jack Francis Knowles for the degree of Doctor of Philosophy in English Examining Committee: Ira Nadel, Professor, English, UBC Supervisor Jeffrey Severs, Associate Professor, English, UBC Supervisory Committee Member Michael Zeitlin, Associate Professor, English, UBC Supervisory Committee Member Lisa Coulthard, Associate Professor, Film Studies, UBC University Examiner Adam Frank, Professor, English, UBC University Examiner ii ABSTRACT “Philip Roth and The Struggle of Modern Fiction” examines the work of Philip Roth in the context of postwar modernism, tracing evolutions in Roth’s shifting approach to literary form across the broad arc of his career. Scholarship on Roth has expanded in both range and complexity over recent years, propelled in large part by the critical esteem surrounding his major fiction of the 1990s. But comprehensive studies of Roth’s development rarely stray beyond certain prominent subjects, homing in on the author’s complicated meditations on Jewish identity, a perceived predilection for postmodern experimentation, and, more recently, his meditations on the powerful claims of the American nation. This study argues that a preoccupation with the efficacies of fiction—probing its epistemological purchase, questioning its autonomy, and examining the shaping force of its contexts of production and circulation— roots each of Roth’s major phases and drives various innovations in his approach. -
2015 23Rd Annual Poets House Showcase Exhibition Catalog
2015 23rd Annual Poets House Showcase Exhibition Catalog |Poets House|10 River Terrace|New York, NY 10282|poetshouse.org| 5 The 2015 Poets House Showcase is made possible through the generosity of the hundreds of publishers and authors who have graciously donated their works. We are deeply grateful to Deborah Saltonstall Pease (1943 – 2014) for her foundational support. Many thanks are also due to the National Endowment for the Arts, the New York State Council on the Arts, the NYC Department of Cultural Affairs, the Leon Levy Foundation, and the many members of Poets House for their support of this project. 6 I believe that poetry is an action in which there enter as equal partners solitude and solidarity, emotion and action, the nearness to oneself, the nearness to mankind and to the secret manifestations of nature. – Pablo Neruda Towards the Splendid City Nobel Lecture, 1971 WELCOME to the 2015 Poets House Showcase! Each summer at Poets House, we celebrate all of the poetry published in the previous year in an all-inclusive exhibition and festival of readings from new work. In this year’s Showcase, we are very proud to present over 3,000 poetry books, chapbooks, broadsides, artist’s books, and multimedia projects, which represent the work of over 700 publishers, from commercial publishers to micropresses, both domestic and foreign. For twenty-three years, the annual Showcase has provided foundational support for our 60,000-volume library by helping us keep our collection current and relevant. With each Showcase, Poets House—one of the most extensive poetry collections in the nation—continues to build this comprehensive poetry record of our time. -
Yaddo News Release
Yaddo News Release Contact: Tristan Kirvin ▪ 518-584-0746 ▪ [email protected] YADDO RECEIVES $250,000 GIFT FROM HELEN FRANKENTHALER FOUNDATION FOR FUNDING OF NEW LIVE-WORK VISUAL ARTS STUDIO Saratoga Springs, NY, December 3, 2015 …Yaddo, one of the nation’s oldest artist communities, announced today that it has received a $250,000 gift from the Helen Frankenthaler Foundation to underwrite the cost of a new live-work studio for a visual artist. The studio is one of five currently under construction on the 400-acre estate, a National Historic Landmark that welcomes over 200 artists working in a variety of disciplines each year. The visual arts studio will be named in Frankenthaler’s honor. “This gift is deeply meaningful to us in a number of ways,” said Yaddo President Elaina Richardson. “It helps to underscore our rich legacy of hosting incredibly talented visual artists at various stages in their careers, from emerging artists to those who are world-renowned, such as Helen Frankenthaler. The gift also confirms a core fact—the artists who know us best have been remarkable supporters of Yaddo and are the reason we’re poised for a vibrant second century. We are grateful to the Frankenthaler Foundation’s Board and leadership for their generosity, and honored by the trust they have placed in us.” Helen Frankenthaler’s association with Yaddo extended over many years, and included serving on the community’s Board of Trustees from 1973 to 1978. In addition to providing generous financial support for Yaddo, she additionally served on visual arts admissions panels and was actively involved in the recruitment of artists. -
Homeland Emergency Response Operational and Equipment Systems
Disclaimer: This report was prepared by the International Association of Fire Fighters (IAFF) under contract with NIOSH. It should not be considered a statement of NIOSH policy or of any agency or individual who was involved. PROJECT HEROES Homeland Emergency Response Operational and Equipment Systems Task 1: A Review of Modern Fire Service Hazards and Protection Needs Presented to: National Personal Protective Technology Laboratory National Institute for Occupational Safety and Health (NIOSH) Post Office Box 18070 626 Cochrans Mill Road Pittsburgh, Pennsylvania 15236 Presented by: Occupational Health and Safety Division International Association of Fire Fighters (IAFF) 1750 New York Avenue, N.W. Washington, DC 20006 13 October 2003 EXECUTIVE SUMMARY The first task of Project HEROES was undertaken by the International Association of Fire Fighters (IAFF) to examine and define the protection needs of fire fighters and other first responders during a broad array of different missions. This task began with a review for how the fire service and its responsibilities have changed over the past 20 years since personal protective equipment (PPE) was then affected by Project FIRES. In that 20 year period, the fire service has evolved to gain responsibility for a larger number of missions. Fire suppression is no longer the chief responsibility for most fire departments, but rather responses to a wide range of missions, including emergency medical aid, technical rescue, and more recently the prospect for terrorism events involving weapons of mass destruction. As America’s fire fighters attempt to keep up with these changing roles, it is noted that the level of preparedness and PPE needed to safety carry out the different missions is often lacking. -
"Dazzling Hybrids" the Poetry of Anne Carson
a n Rae "Dazzling Hybrids" The Poetry of Anne Carson The subtitle of A n n e Carson's Autobiography of Red: A Novel in Verse only hints at t h e variety of g e n r e s that the Montreal poet employs. In Autobiography of Red, Carson brings together seven distinct sec- tions—a "proemium" (6) o r preface on t h e Greek poet Stesichoros, trans- lated fragments of S t e s i c h o r o s ' s Geryoneis, three appendices on t h e blinding of Stesichoros by Helen, a l o n g romance-in-verse recasting Stesichoros's Geryoneis as a c o n t e m p o r a r y gay love affair, and a mock-interview with the "choir-master"—each with its o w n style and story to tell. Carson finds fresh combinations for g e n r e s much as s h e presents myth and gender in a new guise. Although men appear to b e t h e subject of both the romance and the academic apparatus that comes with it, C a r s o n sets the stories of Stesichoros, Geryon, and Herakles within a framework of e p i g r a m s and citations from Gertrude Stein and Emily Dickinson that, far from being subordinate, assumes equal importance with the male-centred narrative when Stein supplants Stesichoros in t h e concluding interview. The shift in speakers and time-frames in t h e interview, as well as the allusions to the myth of I s i s , emphasize Carson's manipulation of m y t h i c forms. -
The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson's Autobiography Of
The Autobiographical Self: Phenomenology and the Limits of Narrative Self-Possession in Anne Carson’s Autobiography of Red Stuart J. Murray Ryerson University Philosophic Problems. “I will never know how you see red and you will never know how I see it. But this separation of consciousness is recognized only after a failure of communication, and our first movement is to believe in an undivided being between us.” Anne Carson, Autobiography of Red ’ phenomenological insight to Aparse terms etymologically,¹ we find the following Greek roots when we read into the meaning of “autobiography”: auto- (oneself) + bio- (life) + graphia (writing; from the verb graphein, to write). us, autobiography is the written story of one’s life, one’s life story. And yet, this act of “self”- writing frames “life” (bios) in such a way that the meaning of each term is obscured. “Life” interrupts the act of self-writing, exceeds it, even though the writing is about that life, and occurs within it, necessarily prior to that life’s completion. Is “life” here closer to the act of writing (graphein), closer to the sense of oneself (autos), or something else altogether escaping the autobiography that strives to contain or convey it? And will that “life” be legible?² Is it the case, as Heidegger maintains, that what is closest to us experientially is furthest from us intellectually, least susceptible to analysis ESC . (December ): – Murray.indd 101 5/16/2007, 1:21 PM or storytelling, and most resistant to representation and linguistic conven- tion? If “life” holds this place for us, between writing and being, then auto- biographical criticism ought to consider the insights of phenomenology, S J. -
Kenneth Bonert: Balancing Insight, Poetry and a Ripping Good Story
Wednesday, September 4, 2013 | Volume 2 | Issue 67 Kenneth Bonert: Balancing Insight, Poetry and a Ripping Good Story Kenneth Bonert's fiction has appeared in McSweeney's, Grain and the Fiddlehead, and his journalism has appeared in the Globe and Mail, the National Post and other publications. His story "Packers and Movers" was shortlisted for Canada's Journey Prize. Born in South Africa, Bonert is the grandson of Lithuanian immigrants. He lives in Toronto. Prior to this novel you wrote some short stories. How did they prepare you to write your first novel? When I began to write fiction, I wrote many short, fantastical, allegorical pieces in the style of Kafka. I experimented with language and form; some of these came close to being published but ultimately were not. I gradually began to write longer, more realistic stories drawn more directly from my own life's experiences. This wasn't a conscious or strategic decision, just a progression that flowed naturally from the work. photo: Richard Dubois The first story I published was about a Jewish family leaving South Africa, set in the late '80s. I think the story worked because the characters were very real to me; the story showed how wider political forces were squeezing one family, moulding the life of the young protagonist. It had a harsh energy and raw feel to it that I liked. I had become very interested in voice and dialogue and I began to see the potential in making use of the slangy mishmash of languages that I had grown up with. -
Gurps: Fallout
GURPS: FALLOUT by VARIOUS AUTHORS compiled, EDITED AND UPDATED BY Nathan Robertson GURPS Fallout by VARIOUS AUTHORS compiled, EDITED AND UPDATED BY Nathan Robertson GURPS © 2008 – Steve Jackson Games Fallout © 2007 Bethesda Softworks LLC, a ZeniMax Media company All Rights Reserved 2 Table of Contents PART 1: CAMPAIGN BACKGROUND 4 Chapter 1: A Record of Things to Come 5 Chapter 2: The Brotherhood of Steel 6 Chapter 3: The Enclave 9 Chapter 4: The Republic of New California 10 Chapter 5: The Vaults 11 Chapter 6: GUPRS Fallout Gazetteer 12 Settlements 12 Ruins 17 Design Your Own Settlement! 18 Chapter 7: Environmental Hazards 20 PART 2: CHARACTER CREATION 22 Chapter 8: Character Creation Guidelines for the GURPS Fallout campaign 23 Chapter 9: Wasteland Advantages, Disadvantages and Skills 27 Chapter 10: GURPS Fallout Racial Templates 29 Chapter 11: GURPS Fallout Occupational Templates 33 Fallout Job Table 34 Chapter 12: Equipment 36 Equipment 36 Vehicles 42 Weapons 44 Armor 52 Chapter 13: A Wasteland Bestiary 53 PART 3: APPENDICES 62 Appendix 1: Random Encounters for GURPS Fallout 63 Appendix 2: Scavenging Tables For GURPS Fallout 66 Appendix 3: Sample Adventure: Gremlins! 69 Appendix 4: Bibliography 73 3 Part 1: Campaign Background 4 CHAPTER 1: A Record of Things to Eventually, though, the Vaults opened, some at pre-appointed times, Come others by apparent mechanical or planning errors, releasing the inhabitants to mix with surface survivors in a much-changed United States, It’s all over and I’m standing pretty, in the dust that was a city. on a much-changed planet Earth: the setting for Fallout Unlimited. -
Visions of Vietnam in Women's Short Fiction Susanne Carter
Vietnam Generation Volume 1 Number 3 Gender and the War: Men, Women and Article 8 Vietnam 10-1989 Visions of Vietnam in Women's Short Fiction Susanne Carter Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation Carter, Susanne (1989) "Visions of Vietnam in Women's Short Fiction," Vietnam Generation: Vol. 1 : No. 3 , Article 8. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol1/iss3/8 This Article is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. VisioNs of ViETNAM iN Women's SHort FicTioN S usanne C arter During World War II, British Writer Elizabeth Bowen recognized the short story as the “ideal prose medium for war-time creative writing.” To her it seemed the only genre “capable of conveying the immediacy of her experiences.” Both a novelist and a short story writer, Bowen discovered the “disjointed nature of wartime experience was exhilarating for the short story writer” while it “created serious impediments for the novelist who wished to portray these years in fiction.” The short story seemed better suited than the novel to capture the “fragmentary and abrupt quality of life” characteristic of wartime.1 The Vietnam war fictional writings of contemporary women authors would seem to corroborate Bowen’s assertions, for the majority of these women have elected the short story genre to express their individual interpretations of the Vietnam experience rather than the novel form, although there are noteworthy exceptions in Jayne Anne Phillips’ Machine Dreams, Elizabeth Ann Scarborough’s The Healer’s War, Patricia Walsh’s Forever Sad the Hearts, and Susan Schaeffer’s Buffalo Afternoon. -
Dog Soldiers 5.Indd
www.elboomeran.com Dog Soldiers Robert Stone Prólogo de Rodrigo Fresán Traducción de Mariano Antolín e Inga Pellisa Miradas Título de la edición original: Dog Soldiers Primera edición en Libros del Silencio: octubre de 2010 © Robert Stone, 1973, 1985 © de la traducción, Mariano Antolín Rato e Inga Pellisa, 2010 © del prólogo, Rodrigo Fresán, 2010 © de la presente edición, Editorial Libros del Silencio, S. L. [2010] Provença, 225, entresuelo 3.ª 08008 Barcelona +34 93 487 96 37 +34 93 487 92 07 www.librosdelsilencio.com Diseño colección: Nora Grosse, Enric Jardí Diseño cubierta: Opalworks ISBN: 978-84-937856-5-9 Depósito legal: B-33.746-2010 Impreso por Romanyà Valls Impreso en España - Printed in Spain Todos los derechos reservados. Quedan rigurosamente prohibidas, sin la autorización es- crita de los titulares del copyright, bajo las sanciones establecidas en las leyes, la reproduc- ción parcial o total de esta obra por cualquier medio o procedimiento, comprendidos la reprografía y el tratamiento informático, y la distribución de ejemplares mediante alquiler o préstamo públicos. Apuntes para una teoría de Vietnam como virus y droga Rodrigo Fresán uno. «Saigon... Shit, I’m still only in Saigon. Everytime, I think I’m gonna wake up back in the jungle»1 es lo primero que oímos —luego de un rumor de helicópteros y un estallido de napalm— en una película magistral llamada Apocalypse Now (1979). Nos lo dice una voz en off —seguimos en Saigón, la jungla crece al otro lado de los párpados cerrados— que es la voz de quien escribió esas palabras para el film de Francis Ford Coppola: la del perio- dista bélico Michael Herr, autor de Despachos (1977), seguramen- te el mejor libro sobre la guerra de Vietnam e incuestionable obra maestra del Nuevo Periodismo. -
Our Playwrights in the Spotlight Tony Nods, Rave Reviews, and The
NEWS | SUMMER 2017 inside: Our Playwrights in the Spotlight James Baldwin is Having a Moment The Yaddo Summer Reading List Tony nods, rave reviews, and the premieres Thirty years after his death, the radical prophet of a With a bumper crop of new releases, our we’re looking forward to this fall generation is the hottest writer in America authors have you covered for beach season Our Playwrights Step Into the Spotlight t has been a banner year thus far for Yaddo dramatists both on and off Broadway. Leading the pack is J.T. Rogers, whose magnificent Oslo JENNY ANDERSON JENNY opened at Lincoln Center’s Vivian IBeaumont Theater in April to rave reviews and went on to win the 2017 Tony for Best Play. Directed by Bartlett Scher and starring Broadway vets Jennifer Ehle and Jefferson Mays, Rogers’s “colossus” of a play (so labeled by New York Times theater critic Ben Brantley) depicts the behind-the-scenes intrigue of the secret peace talks between Israel and the Palestine Liberation Organization that led to the 1993 Oslo Accords. Another late-season standout was War Paint, a triumphant collaboration between three Yaddo alums — Doug Wright (book), Scott Frankel (music) and Michael Korie (lyrics) — that garnered nominations ABOVE: J.T. Rogers and the cast of his Tony-award winning Oslo for best leading actress in a musical (double honor to Tony-Award grand dames Patti legend Paula Vogel’s elegiac Indecent writer Danny Rubin celebrated his first Tony LuPone and Christine Ebersole, playing (first staged at the Yale Repertory Theater nomination, for Best Book of a Musical, cosmetic industry rivals Helena Rubinstein in 2015) picked up a Best Play Tony for Groundhog Day, his adaptation of the and Elizabeth Arden), best costume design, nomination as well as awards for screenplay he co-wrote with Harold and best scenic design. -
Marvel Heroes Handbook Update Blank Page
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