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Philadelphia Young Playwrights Launches Paula Vogel Mentors Project
Press Representatives: Canary Promotion | Office: (215) 690-4065 Rose Mineo, [email protected] More info at: http://canarypromo.com/youngplaywrights http://www.phillyyoungplaywrights.org FOR IMMEDIATE RELEASE June 5, 2013 Philadelphia Young Playwrights Launches Paula Vogel Mentors Project Living Honor Extends Legacy of Mentorship to Next Generation of Playwrights PHILADELPHIA (June 5, 2013) — Philadelphia Young Playwrights has kicked off its 25th anniversary celebration by announcing the launch of the Paula Vogel Mentors Project, a living award honoring the Pulitzer Prize-winning playwright and teacher and extending her mentorship legacy. The three-year pilot program will bring together five acclaimed professional playwrights as mentors for five promising young playwright fellows, who will embark on yearlong playwriting journeys. Mentors in the inaugural year of the program are Christina Anderson, Marcus Gardley, Aaron Jafferies, Lucy Thurber and project curator Quiara Alegría Hudes, a Young Playwrights alumna and the first Latina and only Philadelphia public school student to have been awarded the Pulitzer Prize (2012, Water by the Spoonful). The final selection process for the fellows is currently underway as Hudes and Young Playwrights’ Resident Director David O'Connor work together to make this year’s five mentorship pairings, to be announced later in this month. “The power of this multi-generational dialogue and interaction in stimulating and stewarding creativity is undeniable,” says Hudes. “As I find time and again, the authenticity, -
A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
Yaddo News Release
Yaddo News Release Contact: Tristan Kirvin ▪ 518-584-0746 ▪ [email protected] YADDO RECEIVES $250,000 GIFT FROM HELEN FRANKENTHALER FOUNDATION FOR FUNDING OF NEW LIVE-WORK VISUAL ARTS STUDIO Saratoga Springs, NY, December 3, 2015 …Yaddo, one of the nation’s oldest artist communities, announced today that it has received a $250,000 gift from the Helen Frankenthaler Foundation to underwrite the cost of a new live-work studio for a visual artist. The studio is one of five currently under construction on the 400-acre estate, a National Historic Landmark that welcomes over 200 artists working in a variety of disciplines each year. The visual arts studio will be named in Frankenthaler’s honor. “This gift is deeply meaningful to us in a number of ways,” said Yaddo President Elaina Richardson. “It helps to underscore our rich legacy of hosting incredibly talented visual artists at various stages in their careers, from emerging artists to those who are world-renowned, such as Helen Frankenthaler. The gift also confirms a core fact—the artists who know us best have been remarkable supporters of Yaddo and are the reason we’re poised for a vibrant second century. We are grateful to the Frankenthaler Foundation’s Board and leadership for their generosity, and honored by the trust they have placed in us.” Helen Frankenthaler’s association with Yaddo extended over many years, and included serving on the community’s Board of Trustees from 1973 to 1978. In addition to providing generous financial support for Yaddo, she additionally served on visual arts admissions panels and was actively involved in the recruitment of artists. -
NETC News, Vol. 15, No. 3, Summer 2006
A Quarterly Publication of the New England Theater NETCNews Conference, Inc. volume 15 number 3 summer 2006 The Future is Now! NETC Gassner Competition inside Schwartz and Gleason Among 2006 a Global Event this issue New Haven Convention Highlights April 15th wasn’t just income tax day—it was also the by Tim Fitzgerald, deadline for mailing submissions for NETC’s John 2006 Convention Advisor/ Awards Chairperson Gassner Memorial Playwrighting Award. The award Area News was established in 1967 in memory of John Gassner, page 2 Mark your calendars now for the 2006 New England critic, editor and teacher. More than 300 scripts were Theatre Conference annual convention. The dates are submitted—about a five-fold increase from previous November 16–19, and the place is Omni New Haven years—following an extensive promotional campaign. Opportunities Hotel in the heart of one of the nation’s most exciting page 5 theatre cities—and just an hour from the Big Apple itself! This promises to be a true extravanganza, with We read tragedies, melodramas, verse Ovations workshops and inteviews by some of the leading per- dramas, biographies, farces—everything. sonalities of current American theatre, working today Some have that particular sort of detail that page 6 to create the theatre of tomorrow. The Future is Now! shows that they’re autobiographical, and Upcoming Events Our Major Award recipient this others are utterly fantastic. year will be none other than page 8 the Wicked man himself, Stephen Schwartz. Schwartz is “This year’s submissions really show that the Gassner an award winning composer Award has become one of the major playwrighting and lyricist, known for his work awards,” said the Gassner Committee Chairman, on Broadway in Wicked, Pippin, Steve Capra. -
Patti Lupone and Christine Ebersole to Star in World Premiere Musical
CONTACT: Denise Schneider/Kiana Harris/Ramsey Carey FOR IMMEDIATE RELEASE 312.443.5151 or [email protected] November 12, 2015 IMAGERY: PressRoom.GoodmanTheatre.org TWO-TIME TONY AWARD WINNERS PATTI LUPONE AND CHRISTINE EBERSOLE STAR IN WAR PAINT, A NEW MUSICAL ABOUT TWO BUSINESS TITANS—AND THEIR INFAMOUS RIVALRY—AT GOODMAN THEATRE, STARTING JUNE 28, 2016 ***WAR PAINT IS A WORLD PREMIERE PRODUCTION FROM THE CREATORS OF GREY GARDENS: MUSIC BY SCOTT FRANKEL, LYRICS BY MICHAEL KORIE, BOOK BY DOUG WRIGHT, DIRECTED BY MICHAEL GREIF*** (Chicago, IL) They were the brand name on every woman’s lips. Goodman Theatre announces it will produce the world premiere of War Paint, a new musical that charts the ascent and arch-rivalry of cosmetics entrepreneurs Helena Rubinstein and Elizabeth Arden. Patti LuPone, who “generates more raw excitement than any other performer on Broadway” (The New York Times), and Christine Ebersole, a “first-class, revitalizing master of period style” (The New York Times), respectively star as Rubinstein and Arden, the brilliant innovators with humble roots who shrewdly navigated the 1930s male-dominated business world to forever change the business of beauty. Directed by Michael Greif (Rent, Next to Normal, If/Then, Grey Gardens), War Paint reunites Scott Frankel and Michael Korie—the acclaimed composer and lyricist team of Grey Gardens and Far From Heaven—with Tony Award and Pulitzer Prize-winning playwright Doug Wright (Grey Gardens, I Am My Own Wife, The Little Mermaid). The musical is inspired by the book, War Paint, by Lindy Woodhead and the documentary film, The Powder & the Glory, by Ann Carol Grossman and Arnie Reisman. -
Rethinking Complicity and Survival in Paula Vogel's How I Learned to Drive
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 5-8-2020 “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE Mary Ann Barfield Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Recommended Citation Barfield, Mary Ann, "“SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/english_theses/252 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “SHE’S A SLY ONE:” RETHINKING COMPLICITY AND SURVIVAL IN PAULA VOGEL’S HOW I LEARNED TO DRIVE by MARY ANN BARFIELD Under the Direction of Matthew Roudané ABSTRACT In an early 1998 interview, playwright, Paula Vogel, sat in conversation with Arthur Holmberg to discuss the ambivalent victim-perpetrator power dynamics in her critically- acclaimed play, How I Learned to Drive, explaining that “there are two forgivenesses in the play. one forgiveness for Peck, but the most crucial forgiveness would be Li’l Bit’s forgiving Li’l Bit. Li’l Bit as an adult looking at and understanding her complicity.” Since the Holmberg interview, critics have made only passing references to Vogel’s discussion of complicity in play reviews and critical essays. This thesis represents the first sustained engagement with complicity as an ethical subject to argue that Li’l Bit’s dependence upon her uncle for emotional and sometimes physical survival exempts her from moral scrutiny in the course of his abuse. -
OSLO Casting Announcement
MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords. -
32103371-0-AFA2017-Program.Pdf
A WORD FROM THE PRODUCERS Michael Holzer Jacque Carnahan One year ago, we came together at the Gershwin Theatre for the very first Arts for Autism concert. Dozens of Broadway actors joined more than 150 young performers to take part in a show that inspired, educated and entertained us. It was uplifting to see so many passionate artists collaborate to raise awareness, encourage acceptance and to celebrate the power of the arts. We also witnessed the Broadway debut of Gina Hitsos, a young singer with autism who found her voice through the magic of music. There was an infectious feeling of love, excitement and optimism as everyone left the theatre that night. After a year of planning and projects we are back! We have many new and exciting developments since last June. After debuting a special arrangement of “Defying Gravity” in last year’s concert, we released a music video to share the beautiful message with an even wider audience. In February, we ventured out to the Ice Plant Recording studios in Queens with three former Broadway Elphabas from Wicked to reimagine the song we know and love. You can find the video on our website at ArtsForAutism.net. In May, we joined Autism Speaks at MetLife Stadium for the Northern New Jersey Walk. We were thrilled to be there and show our support. Jacque and our talented musicians serenaded and entertained the walkers; it was wonderful to see firsthand the positive impact that music can have. Now it’s June, and here we are again at the Gershwin Theatre. -
For Quiara Alegría Hudes, a Soldier's Story Leads to This Remarkable Feat: 3 Plays on 3 L.A. Stages
For Quiara Alegría Hudes, a soldier's story leads to this remarkable feat: 3 plays on 3 L.A. stages latimes.com/entertainment/arts/la-ca-cm-quiara-alegria-hudes-20180202-story.html By Daryl H. Miller "I’m the griot, I’m the storyteller," Quiara Alegría Hudes says of her role in the sprawling family that inspires her writing. (Katie Falkenberg / Los Angeles Times) Pulitzer Prize-winning playwright Quiara Alegría Hudes learned storytelling among a sprawl of aunts, uncles and cousins. When her mother's talkative Puerto Rican family got together, Hudes not only picked up the art of entertaining an audience with a story, but also accumulated many of the details — and characters — now filling her tales. She learned so well that at just 29 she had her first brush with a Pulitzer. In 2007, she was a drama prize finalist for "Elliot, A Soldier's Fugue," which was inspired by a Marine cousin serving in Iraq during the first days of fighting there. As that story grew into what would become three plays brimming with other family members, she won the 2012 drama Pulitzer for the second tale, "Water by the Spoonful," in which the cousin reacclimates to civilian life after sustaining a grievous leg injury in the war. In between, she was a 2009 finalist with Lin-Manuel Miranda for writing the script to his musical "In the Heights," about life in a vibrant Latin American neighborhood in New York. Her writing for the musical also earned a Tony nomination, and the show was named best musical. -
Diretto Da Craig Gillespie Cast Emma Stone Emma Thompson Joel
Diretto da Craig Gillespie Cast Emma Stone Emma Thompson Joel Fry Paul Walter Hauser Emily Beecham Kirby Howell-Baptiste Mark Strong Sceneggiatura di Dana Fox e Tony McNamara Soggetto di Aline Brosh McKenna e Kelly Marcel & Steve Zissis Prodotto da Andrew Gunn, Marc Platt, Kristin Burr, p.g.a. Produttori esecutivi Emma Stone, Michelle Wright, Jared LeBoff, Glenn Close Direttore della fotografia Nicolas Karakatsanis Scenografie di Fiona Crombie Montaggio di Tatiana S. Riegel Costumi di Jenny Beavan Hair and Makeup Design di Nadia Stacey Visual Effects Supervisor Max Wood Colonna Sonora Originale di Nicholas Britell Music Supervisor Susan Jacobs Set Decorator Alice Fellton Social Network https://www.facebook.com/WaltDisneyStudiosIT/ https://www.instagram.com/waltdisneystudiosit/ https://twitter.com/disneystudiosit https://www.youtube.com/user/WaltDisneyStudiosIT Hashtag #Crudelia 1 NOTE DI PRODUZIONE La vincitrice dell'Academy Award® Emma Stone (La La Land) è la protagonista del nuovo film Disney live action Crudelia, che racconta gli esordi ribelli di una delle antagoniste più celebri, e alla moda, del mondo del cinema: la leggendaria Cruella de Vil (Crudelia De Mon). Ambientato durante la rivoluzione punk rock nella Londra degli anni Settanta, Crudelia segue le vicende di una giovane truffatrice di nome Estella, una ragazza intelligente e creativa determinata a farsi un nome con le sue creazioni. Fa amicizia con una coppia di giovani ladri che apprezzano la sua inclinazione alla cattiveria e insieme riescono a costruirsi una vita per le strade di Londra. Un giorno, il talento di Estella per la moda cattura l'attenzione della Baronessa von Hellman, una leggenda della moda incredibilmente chic e terribilmente raffinata, interpretata dall'attrice due volte premio Oscar® Emma Thompson (Casa Howard, Ragione e Sentimento). -
INTRODUCTION in Her Play the Long Christmas Ride Home, Paula
INTRODUCTION In her play The Long Christmas Ride Home, Paula Vogel creates her own narrative by borrowing metanarratives from existing texts. She uses both the works of Thornton Wilder and Japanese Bunraku Puppet Theater in order to construct a socially and culturally conscious piece of theater. Vogel discusses this use of intertextuality in the preface to The Long Christmas Ride Home. Because she is forthcoming about her use of Thornton Wilder and Bunraku, readers do not challenge the origins from which the narratives and techniques are drawn. However, the playwright does not openly divulge the catalyst behind her collecting of previous narratives. Through the careful analysis of Vogel’s use of Wilder and Bunraku in The Long Christmas Ride Home, the reasons behind her use of these specific plays, genres, and styles, as well as Brecht’s verfremdungseffekt, will be deciphered. In order to utilize The Long Christmas Ride Home as medium for provoking social awareness on behalf of the non-traditional American family, Vogel uses various postmodern theatrical styles and techniques throughout the play. By examining and dissecting both Vogel’s play and the metenarratives within the text we may gain an understanding of the playwright’s reasons for using intertextuality. The concept of postmodernism is multifaceted and there is no official overriding definition of the word; however, this paper will focus on Linda Hutcheon’s description. She calls postmodernism “fundamentally contradictory, resolutely historical, and inexplicably political” (Shirvani 293). Narrowing a concrete description of postmodern drama is specifically challenging because it is often blurred by both modern and avant- garde texts and performances. -
Broadway Bound #305, 6/15/19, 2019 Tony Awards Wrap-Up, Garrett Stack
Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:16 Alan J Lerner/Frederick Lowe Overture My Fair Lady Orchestra My Fair Lady: 2018 Broadway Cast Recording Broadway Records 2018 Opened on Broadway April 2018 starring Lauren Ambrose as Eliza, Harry Haden-Paton as CDS My Fair Lad 1 2018 6/15/19 Prof Higgens. 02 3:46 Steven Lutvak/Robt. Freedman I Don't Understand the Poor Jefferson Mays; Ensemble A Gentleman's Guide to Love and Murder (Original Ghostlight 2014 Opened 11/14/13 CDS Gentleman's 6 2014 6/15/19 Broadway Cast Recording) 03 1:38 Gerry Goffin/Carole King Take Good Care of My Baby Jake Epstein & Jessie Mueller Beautiful - The Carole King Musical (Original Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 07 2014 9/13/14 6/15/19 Broadway Cast) 04 2:47 Carole King It's Too Late Jessie Mueller, Douglas Lyons, E. Clayton Beautiful: The Carole King Musical (Broadway Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 0:08 21 2014 5/24/14 6/7/14 6/15/19 Cast) 05 3:24 Menken|Ashman|Rice|Beguelin Somebody's Got Your Back JCaomrneesl ioMuosn &ro eJ oIgshle hDaarvti,s Adam Jacobs & Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 15 2014 8/16/14 12/6/14 1/7/17 5/27/17 6/15/19 06 2:21 Jeanine Tesori/Lisa Kron Party Dress M“firciheanedl sC”erveris, Sydney Lucas, Beth Fun Home - Original Broadway Cast PS Classics 2015 Transfer from off-Broadway.