Analysis of Microbial Diversity and Variation Law During Xiaoqu Baijiu Fermentation Using High- Throughput Sequencing Technology
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Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Maria Khayutina • [email protected] the Tombs
Maria Khayutina [email protected] The Tombs of Peng State and Related Questions Paper for the Chicago Bronze Workshop, November 3-7, 2010 (, 1.1.) () The discovery of the Western Zhou period’s Peng State in Heng River Valley in the south of Shanxi Province represents one of the most fascinating archaeological events of the last decade. Ruled by a lineage of Kui (Gui ) surname, Peng, supposedly, was founded by descendants of a group that, to a certain degree, retained autonomy from the Huaxia cultural and political community, dominated by lineages of Zi , Ji and Jiang surnames. Considering Peng’s location right to the south of one of the major Ji states, Jin , and quite close to the eastern residence of Zhou kings, Chengzhou , its case can be very instructive with regard to the construction of the geo-political and cultural space in Early China during the Western Zhou period. Although the publication of the full excavations’ report may take years, some preliminary observations can be made already now based on simplified archaeological reports about the tombs of Peng ruler Cheng and his spouse née Ji of Bi . In the present paper, I briefly introduce the tombs inventory and the inscriptions on the bronzes, and then proceed to discuss the following questions: - How the tombs M1 and M2 at Hengbei can be dated? - What does the equipment of the Hengbei tombs suggest about the cultural roots of Peng? - What can be observed about Peng’s relations to the Gui people and to other Kui/Gui- surnamed lineages? 1. General Information The cemetery of Peng state has been discovered near Hengbei village (Hengshui town, Jiang County, Shanxi ). -
Title <Translated Article> Western Zhou History in the Collective
<Translated Article> Western Zhou History in the Collective Title Memory of the People of the Western Zhou: An Interpretation of the Inscription of the "Lai pan" Author(s) MATSUI, Yoshinori Citation 東洋史研究 (2008), 66(4): 712-664 Issue Date 2008-03 URL https://doi.org/10.14989/141873 Right Type Journal Article Textversion publisher Kyoto University 712 WESTERN ZHOU HISTORY IN THE COLLECTIVE MEMORY OF THE PEOPLE OF THE WESTERN ZHOU: AN INTERPRETATION OF THE INSCRIPTION OF THE "LAI PAN" MATSUI Y oshinori Introduction On January 19, 2003, twenty-seven bronze pieces were excavated from a hoard at Yangjiacun (Meixian county, Baoji city, Shaanxi province).l All the bronzes, which include twelve ding ~, nine Ii rn, two fanghu 11 if., one pan ~, one he :ii\'t, one yi [ffi, and one yu k, have inscriptions. Among them, the bronzes labeled "Forty-second-year Lai ding" ~ ~ (of which there are two pieces), "Forty-third-year Lai ding" (ten pieces), and "Lai pan" ~~ (one piece) have in scriptions that are particularly long for inscriptions from the Western Zhou period and run respectively to 281, 316 and 372 characters in length. The inscription of the "Lai pan," containing 372 characters, is divided into two parts, the first part is narrated from Lai's point of view but employs the third-person voice, opening with the phrase, "Lai said." The second part records an appointment (ceming :IlJt frJ) ceremony that opens, "The King said." The very exceptional first part records the service of generations of Lai's ancestors to successive Zhou Kings. The inscription mentions eleven former kings, King Wen X3:., King Wu TIk3:., King Cheng JIlG3:., King Kang *3:., King Zhao BR3:., King Mu ~~3:., King Gong *3:., King Yi i~3:., King Xiao ~(~)3:., King Yi 1J$(~)3:., King Li Jj1U (J~)3:. -
Piece Mold, Lost Wax & Composite Casting Techniques of The
Piece Mold, Lost Wax & Composite Casting Techniques of the Chinese Bronze Age Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2006 Table of Contents Abstract Approximate timeline 1 Introduction 2 Bronze Transition from Clay 4 Elemental Analysis of Bronze Alloys 4 Melting Temperature 7 Casting Methods 8 Casting Molds 14 Casting Flaws 21 Lost Wax Method 25 Sanxingdui 28 Environmental Effects on Surface Appearance 32 Conclusion 35 References 36 China can claim a history rich in over 5,000 years of artistic, philosophical and political advancement. As well, it is birthplace to one of the world's oldest and most complex civilizations. By 1100 BC, a high level of artistic and technical skill in bronze casting had been achieved by the Chinese. Bronze artifacts initially were copies of clay objects, but soon evolved into shapes invoking bronze material characteristics. Essentially, the bronze alloys represented in the copper-tin-lead ternary diagram are not easily hot or cold worked and are difficult to shape by hammering, the most common techniques used by the ancient Europeans and Middle Easterners. This did not deter the Chinese, however, for they had demonstrated technical proficiency with hard, thin walled ceramics by the end of the Neolithic period and were able to use these skills to develop a most unusual casting method called the piece mold process. Advances in ceramic technology played an influential role in the progress of Chinese bronze casting where the piece mold process was more of a technological extension than a distinct innovation. Certainly, the long and specialized experience in handling clay was required to form the delicate inscriptions, to properly fit the molds together and to prevent them from cracking during the pour. -
Of the Chinese Bronze
READ ONLY/NO DOWNLOAD Ar chaeolo gy of the Archaeology of the Chinese Bronze Age is a synthesis of recent Chinese archaeological work on the second millennium BCE—the period Ch associated with China’s first dynasties and East Asia’s first “states.” With a inese focus on early China’s great metropolitan centers in the Central Plains Archaeology and their hinterlands, this work attempts to contextualize them within Br their wider zones of interaction from the Yangtze to the edge of the onze of the Chinese Bronze Age Mongolian steppe, and from the Yellow Sea to the Tibetan plateau and the Gansu corridor. Analyzing the complexity of early Chinese culture Ag From Erlitou to Anyang history, and the variety and development of its urban formations, e Roderick Campbell explores East Asia’s divergent developmental paths and re-examines its deep past to contribute to a more nuanced understanding of China’s Early Bronze Age. Campbell On the front cover: Zun in the shape of a water buffalo, Huadong Tomb 54 ( image courtesy of the Chinese Academy of Social Sciences, Institute for Archaeology). MONOGRAPH 79 COTSEN INSTITUTE OF ARCHAEOLOGY PRESS Roderick B. Campbell READ ONLY/NO DOWNLOAD Archaeology of the Chinese Bronze Age From Erlitou to Anyang Roderick B. Campbell READ ONLY/NO DOWNLOAD Cotsen Institute of Archaeology Press Monographs Contributions in Field Research and Current Issues in Archaeological Method and Theory Monograph 78 Monograph 77 Monograph 76 Visions of Tiwanaku Advances in Titicaca Basin The Dead Tell Tales Alexei Vranich and Charles Archaeology–2 María Cecilia Lozada and Stanish (eds.) Alexei Vranich and Abigail R. -
View the Herbs We Stock, Many Of
BASTYR CENTER FOR NATURAL HEALTH Chinese and Ayurvedic Herbal Dispensary Ayurvedic Herb List Retail price Retail price Ayurvedic Herb Name Ayurvedic Herb Name per gram per gram Amalaki $0.15 Tagar/Valerian $0.15 Arjuna $0.15 Talisadi $0.30 Ashoka $0.15 Trikatu $0.15 Ashwagandha $0.15 Triphala $0.15 Avipattikar $0.15 Triphala Guggulu $0.50 Bacopa $0.15 Tulsi $0.15 Bala $0.15 Vacha $0.15 Bibhitaki $0.15 Vidanga $0.15 Bilva $0.15 Vidari Kanda $0.15 Brahmi/Gotu Kola $0.15 Yashtimadhu/Licorice root $0.15 Bhumyamalaki $0.15 Yogaraj Guggulu $0.50 Calamus Root $0.15 Chandana/Red Sandalwood $0.30 Chitrak $0.15 Dashamula $0.15 Gokshura $0.15 Guduchi $0.15 Haridra/Turmeric $0.15 Haritaki $0.15 Hingvastak Churna $0.15 Kaishore Guggulu $0.50 Kalmegh $0.15 Kapikacchu $0.15 Kumari $0.15 Kutaja $0.15 Kutki $0.30 Manjishtha $0.15 Musta $0.15 Neem $0.15 Pippali $0.15 Punarnava $0.15 Punarnava Guggulu $0.50 Sat isapgul $0.15 Shankpushpi $0.15 Shardunika $0.15 Shatavari $0.15 Shilajit $0.50 Shunti/Ginger Root $0.15 Sitopaladi $0.30 Prices subject to change without notice Updated: 10/2018 BASTYR CENTER FOR NATURAL HEALTH Chinese and Ayurvedic Herbal Dispensary Chinese Raw Herb List Retail price Retail price Chinese Raw Herb Name Chinese Raw Herb Name per gram per gram Ai Ye $0.05 Cao Guo $0.10 Ba Ji Tian $0.10 Cao Wu (Zhi) $0.05 Ba Yue Zha $0.05 Ce Bai Ye $0.05 Bai Bian Dou $0.05 Chai Hu $0.15 Bai Bu $0.05 Chan Tui $0.25 Bai Dou Kou $0.10 Che Qian Zi $0.05 Bai Fu Zi (Zhi) $0.10 Chen Pi $0.05 Bai Guo (Granule) $0.27 Chi Shao Yao $0.10 Bai He $0.10 Chi Shi -
China and the West: Music, Representation, and Reception
Revised Pages China and the West Revised Pages Wanguo Quantu [A Map of the Myriad Countries of the World] was made in the 1620s by Guilio Aleni, whose Chinese name 艾儒略 appears in the last column of the text (first on the left) above the Jesuit symbol IHS. Aleni’s map was based on Matteo Ricci’s earlier map of 1602. Revised Pages China and the West Music, Representation, and Reception Edited by Hon- Lun Yang and Michael Saffle University of Michigan Press Ann Arbor Revised Pages Copyright © 2017 by Hon- Lun Yang and Michael Saffle All rights reserved This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publisher. Published in the United States of America by the University of Michigan Press Manufactured in the United States of America c Printed on acid- free paper 2020 2019 2018 2017 4 3 2 1 A CIP catalog record for this book is available from the British Library. Library of Congress Cataloging- in- Publication Data Names: Yang, Hon- Lun, editor. | Saffle, Michael, 1946– editor. Title: China and the West : music, representation, and reception / edited by Hon- Lun Yang and Michael Saffle. Description: Ann Arbor : University of Michigan Press, 2017. | Includes bibliographical references and index. Identifiers: LCCN 2016045491| ISBN 9780472130313 (hardcover : alk. paper) | ISBN 9780472122714 (e- book) Subjects: LCSH: Music—Chinese influences. | Music—China— Western influences. | Exoticism in music. -
T H E a Rt a N D a Rc H a E O L O Gy O F a N C I E Nt C H I
china cover_correct2pgs 7/23/04 2:15 PM Page 1 T h e A r t a n d A rc h a e o l o g y o f A n c i e nt C h i n a A T E A C H E R ’ S G U I D E The Art and Archaeology of Ancient China A T E A C H ER’S GUI DE PROJECT DIRECTOR Carson Herrington WRITER Elizabeth Benskin PROJECT ASSISTANT Kristina Giasi EDITOR Gail Spilsbury DESIGNER Kimberly Glyder ILLUSTRATOR Ranjani Venkatesh CALLIGRAPHER John Wang TEACHER CONSULTANTS Toni Conklin, Bancroft Elementary School, Washington, D.C. Ann R. Erickson, Art Resource Teacher and Curriculum Developer, Fairfax County Public Schools, Virginia Krista Forsgren, Director, Windows on Asia, Atlanta, Georgia Christina Hanawalt, Art Teacher, Westfield High School, Fairfax County Public Schools, Virginia The maps on pages 4, 7, 10, 12, 16, and 18 are courtesy of the Minneapolis Institute of Arts. The map on page 106 is courtesy of Maps.com. Special thanks go to Jan Stuart and Joseph Chang, associate curators of Chinese art at the Freer and Sackler galleries, and to Paul Jett, the museum’s head of Conservation and Scientific Research, for their advice and assistance. Thanks also go to Michael Wilpers, Performing Arts Programmer, and to Christine Lee and Larry Hyman for their suggestions and contributions. This publication was made possible by a grant from the Freeman Foundation. The CD-ROM included with this publication was created in collaboration with Fairfax County Public Schools. It was made possible, in part, with in- kind support from Kaidan Inc. -
The Cult of Guangze Zunwang and Its Religious Network in the Chinese Diaspora, 19Th Century—2009
SACRED TIES ACROSS THE SEAS: THE CULT OF GUANGZE ZUNWANG AND ITS RELIGIOUS NETWORK IN THE CHINESE DIASPORA, 19TH CENTURY—2009 CHIA MENG TAT JACK (B.A. (Hons.), NUS) A THESIS SUBMITTED FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF HISTORY NATIONAL UNIVERSITY OF SINGAPORE 2009 ii Acknowledgements Truly, those who are good people are thankful and grateful. Vinaya IV 55 Many people and institutions have assisted me in the course of writing this thesis, and I am truly grateful to all of them. First of all, I wish to thank my advisor, Assoc Prof Huang Jianli, for his guidance, fatherly concern, and for reading the earlier drafts and making many insightful suggestions. I am grateful to Assoc Prof Thomas DuBois for his encouragement, friendship, and sound advice throughout my education at the National University of Singapore (NUS). I give my heartfelt thanks to Dr Quek Ser Hwee for her constant encouragement and helpful guidance. Many teachers have taught me over the past few years, but a few do deserve special mention: Barbara Andaya, Tim Barnard, Beatrice Chong, Ian Gordon, Hong Lysa, Bruce Lockhart, Shelley Low, Tony Reid, Sai Siew Min, and Yang Bin. They have taught me what it takes to be a good history teacher. I am very grateful to the administrative staff and graduate community at the Department of History for making my two years of graduate studies so fun and enjoyable. Kelly Lau, our friendly graduate secretary, has provided me with a great deal of assistance and helpful advice. Guo Jingyu, Hu Wen, Edgar Liao, Liu Guoyi, Ng Eng Ping, Pang Yang Huei, Robin Chee, Shu Shengqi, Wang Luman, Wei Bingbing, Yang Shaoyun, Yang Zhiqiang, Jackie Yoong, and Zhang Jing, are just few of the many who have constantly helped and supported me. -
Liu, Shuangping Ph.D., Assistant Professor Tel:+86-15006180852 E-Mail:[email protected] Areas of Expertise:Fermentation Food
Liu, Shuangping Ph.D., Assistant Professor Tel:+86-15006180852 E-mail:[email protected] Areas of Expertise:Fermentation Food 2005-Present Assistant Professor,Jiangnan University, PRC 2005-2015 Undergraduate Student, PhD Candidate, Jiangnan University, PRC Research Interest The microbial ecology of Chinese traditional fermentation food Chinese traditional fermentation foods have developed more than 5,000 years, and they are still very popular in Chinese. Their market was more than $2 trillion. Chinese rice wine, liquor, black vinegar, soy sauce, Chinese sauerkraut, stinky mandarin fish and Chinese ham are popular fermentation foods in China. These foods are still been produced in a traditional multispecies co-fermentation process which was naturally driven by reproducible microbiota. The flavor and healthy compounds in these foods were mostly produced by microbiota in food ecosystem, while, some harmful compounds like biogenic amines and ethyl carbamate were also produced by them. However, the associations between microbiota and key compound-producing are still poorly understood. Thus the fermentation process of Chinese rice wine was takes as a typical multispecies co-fermentation process. Microbial metabolism of food production Aromatic compounds like phenylethanol and phenylacetic acid are key flavors in most fermentation foods. Their biosynthesis pathway was one of the most complicate metabolic pathways in microorganisms. A phenylpyruvate derivatives producing chasis was constructed using systems level engineering, then the metabolic pathways and regulation sites were reviewed for aromatic compounds synthesis. Then it was found that Saccharomyces cerevisiae CRWY for huangjiu brewing possessed a distinct metabolic regulation mechanism in β-phenylethanol synthetic pathway, especially the Pha2p was feedback inhibited by L-phenylalanine. -
Mao, Jian Ph.D., Professor Tel: 15006180852 E-Mail: [email protected] Areas of Expertise:Traditional Fermentation Foods
Mao, Jian Ph.D., Professor Tel: 15006180852 E-mail: [email protected] Areas of Expertise:Traditional Fermentation Foods 2013/06-Present Professor, School of Food Science and Technology, Jiangnan University, PRC 2006/09-2009/06 PhD Candidate, Jiangsu University, PRC 2001/09-2004/06 Ms Candidate, Jiangnan University, PRC Mao, Jian, Doctor of Technical Science, Professor of Jiangnan University, doctoral supervisor of School of food science and technology, Leading researcher of the Ten Thousand Talent Program. Mainly engaged in the research on the basic science and engineering of Chinese traditional fermented and functional food, and the deep development and application of related products. Leading professor of technology and engineering of traditional fermentation foods, Assistant director of National huangjiu Engineering Technology Research Center. Director of China Food Science Society. Deputy Secretary General of huangjiu Branch, Chinese Food Science and Technology Society. Deputy Secretary General of huangjiu Branch, China Alcoholic Drinks Association. Deputy Director General of huangjiu technical committee, Chinese Wine Association. Secretary General of Strategic Alliance of Chinese Distilled Liquor Industry. Secretary General of China Vinegar Industry Technology Innovation Strategic Alliance. National Judger of huangjiu. Preside over 3 projects of National Key R&D Program of China, 3 projects of Natural Science Foundation of China (NSFC) programs. Published more than 70 articles. The first inventor of 94 patent of inventions, 37 of which have been authorized. In recent years there have been several researches identified as provincial and ministerial scientific and technological achievements. And have won second prize of the National Science and Technology Progress as the first prize winner, and 8 items of science and technology award at the provincial level. -
Chinese Bronzes from the Meiyintang Collection Volume 2 Christian
Chinese Bronzes from the Meiyintang Collection Volume 2 Christian Deydier Chinese Bronzes from the Meiyintang Collection Volume 2 Chinese Bronzes from the Meiyintang Collection Volume 2 Christian Deydier Contents 9 Foreword 11 Chronology 13 Map 14 Studies of archaic Chinese bronze ritual vessels 24 Casting techniques 28 Fake bronzes 36 Shapes Catalogue 57 I - Xia / Erlitou culture 73 II - Early Shang / Erligang period 103 III - Late Shang / Yinxu period 151 IV - Western Zhou dynasty 187 V - Early Eastern Zhou / Spring and Autumn period 203 VI - Late Eastern Zhou / Warring States period 217 VII - Han dynasty 220 Bibliography 6 7 Since the publication of Volume 1 of Chinese Bronzes in the Meiyintang Collection, the collection has expanded and fifty more ritual bronzes have been added to those which have already been published. Many of the new acquisitions take us back to the very origins of bronze- vessel casting in China or, in other words, to the Erlitou cultural period (19th – 16th centuries BC.) in the Xia dynasty and the Erligang period (16th – 14th centuries BC.) at the beginning of the Shang dynasty. As a result of the collector’s recently renewed concentration on these early periods, the Meiyintang Collection has been able to acquire several exceptional bronzes of the Erlitou period, such as the extremely rare jiao listed as no. 160 (p. 68) and has also, as a result, now become the most complete collection in private hands of bronze ritual vessels of the Erligang period. The archaic bronze vessels in the Meiyintang Collection, probably the most important private collection of its type in terms of the quality, the rarity and the impeccable provenances of its objects, are a concrete testament to and a visual reminder of the primary importance in Chinese culture of the ancestral cult.