Nov 16 – May 17 How to Book the Plays
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Stage by Stage South Bank: 1988 – 1996
Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’. -
Smartdraw Document
Theatres at which ACA graduates have worked since graduation: Broadway, King Lear with Christopher Plummer Broadway, Merchant of Venice with Al Pacino 1st National Broadway Tour: August: Osage County 1st National Broadway Tour: The Graduate 1st National Broadway Tour: Spamalot National Tour: The SantaLand Diaries 34 West Theatre Company (NYC) 59E59 Theater (NYC) Acting Company Actor's Express Actors Shakespeare Company at New Jersey City University Actors Shakespeare Project Actors Theatre of Louisville* Actors Theatre of Minnesota Arden Theatre Adrienne Alabama Shakespeare Festival Alliance Theatre* American Century Theater American Globe Theatre American Players Theatre, Wisconsin American Repertory Theater* American Shakespeare Center American Theater Company A Noise Within Antaeus Theatre Company Arena Stage* Artists Repertory Theatre Arts Alive Theatre Arts Center of Coastal Carolina Arts United DC ArtsWest Arvada Center Atlas Performing Arts Attic Theatre and Film Center, L.A. Austin Playhouse Austin Shakespeare Baltimore Shakespeare Festival Baltimore Symphony Orchestra Barnstormers Barrington Stage (Berkshires) Bay Theatre, Annapolis Beckett Theatre, Theatre Row Berkeley Repertory Theatre* You created this PDF from an application that is not licensed to print to novaPDF printer (http://www.novapdf.com) Black Repertory Company of St. Louis Blue Herron Theatre, NYC Boston Playwrights' Theater Boston Theatre Works Breaking String Theatre Brooklyn Academy of Music (BAM) Outdoor Arts Festival Bunbury Theatre Cadence Theatre Company -
Prieur Dissertation 6 18 10
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title In the System: Art, Prison, and the Performance of Social Welfare Permalink https://escholarship.org/uc/item/0rq886vg Author Prieur, Nina Billone Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California In the System: Art, Prison, and the Performance of Social Welfare By Nina Billone Prieur A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Performance Studies and the Designated Emphasis in Women, Gender, and Sexuality in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Shannon Jackson, Chair Professor Angela Y. Davis Professor Shannon Steen Professor Rebecca McLennan Fall 2010 In the System: Art, Prison, and the Performance of Social Welfare © 2010 by Nina Billone Prieur Abstract In the System: Art, Prison, and the Performance of Social Welfare by Nina Billone Prieur Doctor of Philosophy in Performance Studies Designated Emphasis in Women, Gender, and Sexuality University of California, Berkeley Professor Shannon Jackson, Chair Over the past three decades, the state of California has launched the largest prison construction project in history. The United States has followed California’s lead by massively expanding its penal system and radically dismantling its welfare system. The country currently incarcerates not only more people, but also a greater percentage of its population than any other nation in the world. During this same period, increasing numbers of artists have intervened in the spaces between the U.S. prison and welfare systems. San Francisco has served as a crucible for these endeavors, which constitute a defining feature of the emerging field of community-based performance. -
Donmar Warehouse Projects Ltd HEAD of FINANCE
Donmar Warehouse Projects Ltd HEAD OF FINANCE Responsible to: Executive Director Responsible for: Management Accountant, Finance Assistant Location 3 Dryden Street, London WC2E 9NA Term of employment Full time, permanent position Working Hours 40 hours per week and evening work where necessary Salary Dependent on experience ABOUT THE DONMAR “Powerhouses do not come much smaller, nor more powerful, than the Donmar Warehouse” Sunday Times “The Donmar is a credit to the British stage” Observer “One of the glories of London’s theatre scene” Evening Standard The Donmar Warehouse, led by Michael Longhurst, Artistic Director and Henny Finch, Executive Director, is a 251-seat subsidised theatre located in the heart of Covent Garden in London’s West End. Since 1992 the Donmar has built a reputation for artistic excellence as one of the UK’s leading producing theatres. From our iconic warehouse space in the heart of London’s West End, we create world-class theatre with international impact. Our intimate auditorium offers audiences – 95,000 annually - a unique shared experience, and an unparalleled connection with performers. We believe that representation matters; diversity of identity, of perspective, of lived experience enriches our work and our lives. We develop new artists and future audiences through our renowned training programmes and our Discover educational activity in schools and communities. We share the theatre we make widely through transfers, tours and on screen. A registered charity, with a turnover of around £7m/year, the Donmar is funded by a combination of Arts Council England investment (7%), box office (35%) fundraising from individuals, Trusts and Foundations and corporate sponsorships (53%), and other income (5%). -
ANNUAL REVIEW 2015 -16 the RSC Acting Companies Are Generously Supported by the GATSBY CHARITABLE FOUNDATION and the KOVNER FOUNDATION
ANNUAL REVIEW 2015 -16 The RSC Acting Companies are generously supported by THE GATSBY CHARITABLE FOUNDATION and THE KOVNER FOUNDATION. Hugh Quarshie and Lucian Msamati in Othello. 2015/16 has been a blockbuster year for Shakespeare and for the RSC. 400th anniversaries do not happen often and we wanted to mark 2016 with an unforgettable programme to celebrate Shakespeare’s extraordinary legacy and bring his work to a whole new generation. Starting its life in Stratford-upon-Avon, Tom Morton-Smith about Oppenheimer, we staged A Midsummer Night’s a revival of Miller’s masterpiece Dream in every nation and region Death of a Salesman, marking his of the UK, with 84 amateurs playing centenary, and the reopening of Bottom and the Mechanicals and The Other Place, our new creative over 580 schoolchildren as Titania’s hub. Our wonderful production of fairy train. This magical production Matilda The Musical continued on has touched the lives of everyone its life-enhancing journey, playing involved and we are hugely grateful on three continents to an audience to our partner theatres, schools and of almost 2 million. the amateur companies for making this incredible journey possible. Our work showcased the fabulous range of diverse talent from across We worked in partnership with the the country, and we are proud of the BBC to bring ‘Shakespeare Live! From increasing diversity of our audiences. the RSC’ to a television audience of 1.6m and to cinema audiences in People sometimes ask if Shakespeare 15 countries. The glittering cast is still relevant. The response from performed in the Royal Shakespeare audiences everywhere has been a Theatre to an audience drawn from resounding ‘yes’. -
Amadeus June Book Club Healthy Living for Your Tuesday, June 13 Monday, June 26 Inside? 2:00 Pm the Wiser Driver with AAA 3:00 Pm Let’S Play Hearts (Game Room, 2Nd FL
June Happenings (in Auditorium unless noted) Sing-Along at The Shores Friday, June 2 4:00 pm A Nature’s Journal with John Holzapfel Wednesday, June 14 & 28 Tuesday, June 6 2:00 pm Tasteful Chat (Fitness Lounge) 3:00 pm The Shores 3:00 pm Let’s Play Hearts (Game Room, 2nd FL. East Apts.) Wednesday, June 7 8:30 am Morning Chat (Bistro) Birthday Bash 7:30 pm Vineyard Seasons with Louisa Hargrave Thursday, June 8 Sign up for the Opera Begins Thursday, June 15 Saturday, June 10 1:00 pm Bistro Peconic Landing & The Alzheimer’s Association Long Island Chapter present: 2:00 pm Best of Broadway with Darren Ottati Sunday, June 11 What’s 3:00 pm Captured LIVE in HD! National Theatre presents: Amadeus June Book Club Healthy Living for Your Tuesday, June 13 Monday, June 26 inside? 2:00 pm The Wiser Driver with AAA 3:00 pm Let’s Play Hearts (Game Room, 2nd FL. East Apts.) The Summer Before the War Wednesday, June 14 By: Helen Simonson Cyber Security: Brain & Body 3:00 pm Sing Along at The Shores 4:00 pm 8:00 pm BINGO “Guarding the Thursday, June 15 Peconic Landing Library Thursday, June 29 Crown Jewels” 1:00 pm Birthday Bash (Bistro) -Page 2 7:00 pm Auditorium 2:00 pm ENCORE showing The MET Opera: Roméo et Juliette BINGO Friday, June 16 At any age, there are lifestyle habits we can adopt to help maintain or even potentially improve 11:30 am Pellegrini Winemaker’s Tour (pre-reg, space limited) Wednesday, June 14 & 28 (New Series!) our health. -
The Following Blue Star Theatres Are Listed in Alphabetical Order
The following Blue Star Theatres are listed in alphabetical order. 2nd Story, Warren, RI Manhattan Theatre Center, New York, NY 7 Stages, Atlanta, GA McCarter Theatre, Princeton, NJ Actors Theatre of Louisville, Louisville, KY Northlight Theatre, Skokie, IL Adventure Stage, Chicago, IL Olney Theatre Center for the Arts, Olney, MD Alabama Shakespeare Festival, Montgomery, AL Penobscot Theatre Company, Bangor, ME Alley Theatre, Houston, TX People’s Light & Theatre, Malvern, PA Alliance Theatre, Atlanta, GA Performance Network Theatre, Ann Arbor, MI American Blues Theater, Chicago, IL Pittsburgh Public Theater, Pittsburgh, PA American Conservatory Theater, PlayMakers Repertory Company, Chapel Hill, NC San Francisco, CA Portland Center Stage, Portland, OR American Repertory Theater, Cambridge, MA Round House Theatre, Bethesda, MD Arena Stage, Washington, D.C. Roundabout Theatre Company, New York, NY Arkansas Repertory Theatre, Little Rock, AR Seattle Children’s Theatre, Seattle, WA Artists Repertory Theatre, Cambridge, MA Seattle Repertory Theatre, Seattle, WA Arvada Center Theatre, Arvada, CO Second Stage Theatre, New York, NY Asolo Repertory, Sarasota, FL Signature Theatre, Arlington, VA Berkeley Repertory Theatre, Berkeley, CA South Coast Repertory, Costa Mesa, CA Bloomsburg Ensemble Theatre, Bloomsburg, PA Stages Theatre Company, Hopkins, MN Boise Contemporary Theater, Boise, ID Stageworks Theatre, Tampa, FL Burning Coal Theatre Company, Raleigh, NC Steppenwolf Theatre Company, Chicago, IL California Shakespeare Theatre, Orinda, CA Studio Theatre, Washington, D.C. Center Theatre Group, Los Angeles, CA Syracuse Stage, Syracuse, NY CENTERSTAGE, Baltimore, MD The Contemporary American Theater Festival, Chesapeake Shakespeare Company, Ellicott City, MD Shepherdstown, WV Childsplay, Tempe, AZ The Old Globe, San Diego, CA Cincinnati Playhouse, Cincinnati, OH The Repertory Theatre of St. -
Downloaded from THE
Downloaded from www.bbc.co.uk/radio4 THE ATTACHED TRANSCRIPT WAS TYPED FROM A RECORDING AND NOT COPIED FROM AN ORIGINAL SCRIPT. BECAUSE OF THE RISK OF MISHEARING AND THE DIFFICULTY IN SOME CASES OF IDENTIFYING INDIVIDUAL SPEAKERS, THE BBC CANNOT VOUCH FOR ITS COMPLETE ACCURACY. LOOSE ENDS TX: 07.01.2017 1815-1900 PRESENTER: CLIVE ANDERSON GUESTS: HUGH DENNIS ARINZE KENE BRIDGET CHRISTIE NIKKI BEDI LIZ CARR MUSIC: L.A. SALAMI CIARAN LAVERY Anderson Yes thank you, thank you both of you, I’m not sure which is worse, baffling, shocking or pleasant. But hello and welcome anyway to the first Loose Ends of 2017, as we go forward into the New Year in a spirit of hope and optimism. Things can only get better – or to put it another way - things can scarcely get any worse. Though with Donald Trump just about to become leader of the free world, Boris Johnson already in post as Britain’s top diplomat and Jeremy Corbyn continuing to be leader of the opposition, who can be sure? But we crack on here with a studio-full of top line guests, even more smartly dressed than shoppers in a Tesco superstore, including the comedian and actor Hugh Dennis, star of Radio 4’s the Now Show, BBC 2’s Mock the Week and these days virtually every comedy drama broadcast on the TV, here to tell us about the programmes and the Lord of Misrule, which you’ve just been hearing from, which have taken charge of Radio 4 today. And the award winning comedian and Lady of Misrule, Bridget Christie, here because you demanded it, or at any rate to tell us about her stand up show called Because You Demanded It, which was one of the benefits of Brexit unpredicted by the so called experts. -
Actor Russell Tovey Gets Personal About His Art Collection
Embuscado, Rain. Actor Russell Tovey Gets Personal About His Art Collection. Artnet news. October 11, 2016. Actor Russell Tovey Gets Personal About His Art Collection He’s his artists’ biggest champion. By Rain Embuscado Celebrity Collectors is a series that explores the fascinating and mysterious world of high-profile art collections. Fans may recognize Russell Tovey as the beleaguered werewolf in BBC’s Being Human, Patrick’s love interest in HBO’s Looking, or, more recently, as the enigmatic new character on ABC’s runaway hit Quantico. But what may be lesser-known about the actor is his off-screen relationship with contemporary art—a serious passion he regularly touts on Instagram. I last saw Tovey on the fair circuit during this year’s Armory Show, where he was standing in front of an enormous contour drawing by legendary Young British Artist Tracey Emin at Carolina Nitsch‘s booth. These days, Tovey told me, he’s been on the gallery crawl in New York whenever he has a spare moment, making the occasional studio visit along the way. In a recent phone conversation, we talked about the artists he’s been interested in, the importance of collecting, and how he got into art. “As a kid I always connected to pop art through cartoons and comic books like Tintin and Marvel, and then discovering Keith Haring, Roy Lichtenstein, and Andy Warhol,” he said. “I loved advertising art and people like Mel Ramos using that in his work, but I never realized that you could actually buy into art and live with it.” Tell us how you got into art. -
Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business. -
Sep 16 – Feb 17 020 7452 3000 Nationaltheatre.Org.Uk Find Us Online How to Book the Plays
This cover was created with the Lighting Department. Lighting is used to create moments of stage magic. The choices a Lighting Designer makes about how a set and actors are lit have a major impact on the mood and atmosphere of a scene. The National’s Lighting department deploys everything from flood or spotlight to complex automated lights, controlled via a lighting data network. Sep 16 – Feb 17 020 7452 3000 nationaltheatre.org.uk Find us online How to book The plays Online Select your own seat online nationaltheatre.org.uk By phone 020 7452 3000 Mon – Sat: 9.30am – 8pm In person South Bank, London, SE1 9PX Mon – Sat: 9.30am – 11pm See p29 for Sunday and holiday opening times Hedda Gabler LOVE Amadeus Playing from 5 December 6 December – 10 January Playing from 19 October Other ways Friday Rush to get tickets £20 tickets are released online every Friday at 1pm for the following week’s performances Day Tickets £15 / £18 tickets available in person on the day of the performance No booking fee online or in person. A £2.50 fee per transaction for phone bookings. If you choose to have your tickets sent by post, a £1 fee applies per transaction. Postage costs may vary for group and overseas bookings. Peter Pan The Red Barn A Pacifist’s Guide to Playing from 16 November 6 October – 17 January the War on Cancer 14 October – 29 November Access symbols used in this brochure Captioned Touch Tour British Sign Language Relaxed Performance Audio-Described TRAVELEX £15 TICKETS The National Theatre NT Future is Partner for Sponsored by in partnership -
Enjoy the Show Cinemas in 65 Countries Showed a National
Did you know? A production from 2,500 cinemas in 65 countries showed a National Theatre Live broadcast or screening in 2017 by William Shakespeare Cast, in order of speaking Musicians Caesar Tunji Kasim Magnus Mehta (Music Director / Agrippa Katy Stephens Percussion), Joley Cragg (Percussion), Enjoy the show Cleopatra Sophie Okonedo Kwêsi Edman (Cello), Sarah Manship Antony Ralph Fiennes (Woodwind), We hope you enjoy your National Theatre Please do let us know what you think Eros Fisayo Akinade Arngeir Hauksson (Guitar / Oud) Live screening. We make every attempt to through our channels listed below or Charmian Gloria Obianyo replicate the theatre experience as closely approach the cinema manager to share Iras Georgia Landers Production Team as possible for your enjoyment. your thoughts. Soothsayer Hiba Elchikhe Enobarbus Tim McMullan Director Simon Godwin Proculeius Ben Wiggins Set Designer Hildegard Bechtler Sicyon Official Shazia Nicholls Costume Designer Evie Gurney Tim Lutkin Connect with us Lepidus Nicholas Le Prevost Lighting Designer Thidias Sam Woolf Music Michael Bruce Pompey Sargon Yelda Movement Directors Jonathan Explore Never miss out Menas Gerald Gyimah Goddard Go behind the scenes of Antony & Cleopatra Get the latest news from Varrius Waleed Hammad Shelley Maxwell and learn more about how our broadcasts National Theatre Live straight Euphronius Nick Sampson Sound Designer Christopher Shutt happen on our website. to your inbox. Octavia Hannah Morrish Video Designer Luke Halls Canidius Alan Turkington Fight Director Kev McCurdy ntlive.com ntlive.com/signup Scarus Alexander Cobb Ventidius Henry Everett Broadcast Team Supernumeraries Samuel Arnold Catherine Deevy Director for Screen Tony Grech-Smith Join in Feedback Technical Producer Christopher C Bretnall Use #AntonyandCleopatra and be Share your thoughts by taking our Script Supervisor Amanda Church a part of the conversation online.