Ethics, Free Trade, and Culture

Total Page:16

File Type:pdf, Size:1020Kb

Ethics, Free Trade, and Culture Ethics, Free Trade, and Culture: The Case of Canada-U.S. Free Trade in Periodicals Sarah Blythe Owen Vandersluis Thesis submitted in fulfilment of the requirements of the PhD London School of Economics and Political Science April 2000 UMI Number: U615590 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U615590 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 h 7775 Table of Contents Abstract 3 Acknowledgements 4 List of Abbreviations 5 1 Introduction . 6 2 Market-based Approaches to Trade and Culture 24 3 Community-based Approaches to Trade and Culture 45 4 The Canadian Periodicals Industry 68 5 Canada-U.S. Disputes Over Periodicals: The Approaches Illustrated 83 6 The Moral Bases of Welfare Economics 109 7 The Moral Status of Community-Based Approaches 142 8 Towards an Ethics for Cultural Policy: Charles T aylor Considered 161 9 Social Justice in a Multicultural Context 184 10 Conclusions: International Trade, Ethics, and Cultural Policy 207 Bibliography 222 2 Abstract This thesis focuses on recent disputes between Canada and the United States about appropriate policies for free trade in cultural goods. It argues that the Canadian and American positions on free trade and culture can best be understood as normative positions, stemming from different perceptions of the nature of culture, the role of culture in social relations, the appropriate criteria for ‘good’ public policy, and the ideal relationship between culture and free trade. In this context, the relative validity of the different approaches to trade and culture is presented as a choice between competing values, the analysis of which is most appropriately located within the broad tradition of political theories of justice. On this basis, the thesis critically engages with the two positions (free trade and cultural protectionism), drawing out their ethics and showing the ways in which they can only partially comprehend the moral relevance of culture. The thesis takes the position that a normatively justifiable approach to culture and trade is one that begins from the ontological primacy of culture in the constitution of identity. This starting point is developed by drawing on the work of Charles Taylor. He rejects an atomist social ontology and develops instead a theory of identity as inseparable from qualitative judgements of worth. In turn, such judgements make no sense outside of a ‘background language’ that itself can only be developed in dialogue. As the thesis notes, Taylor’s work presents numerous problems. However, his ontology can nonetheless be taken as a starting point for an analysis of culture and trade. Building on Taylor’s theory, the thesis draws on Iris Marion Young’s work on social justice to develop an ethics which is founded in respect for other cultural forms. This ethics stresses social equality, but broadens it beyond distributive concerns to include primarily the ‘full participation and inclusion of everyone in society’s major institutions, and the socially supported substantive opportunity for all to develop and exercise their capacities and realize their choices’ (1990, p. 173). On this basis, the thesis makes specific suggestions for the revision of Canadian magazines policy. 3 Acknowledgements I wish to gratefully acknowledge the financial assistance of the Social Sciences and Humanities Research Council of Canada, the Overseas Research Students Award Scheme, the Canadian Women’s Club and the Scholarships Office of the London School of Economics. This thesis began with my editorship of Millennium: Journal of International Studies. Looking back, it is clear to me that my prolonged involvement with the Millennium community and the continued friendship of successive generations of Editors and Business Managers has been invaluable, both intellectually and socially. In particular, several friends and colleagues have willingly devoted much of their own time to reading and commenting on portions of this thesis. I owe a special debt of gratitude to Paris Yeros, Eivind Hovden, Amru Al-Baho, Hakan Seskinelgin, Nick Bisley, Per Hammarlund, and Julius Sen. Their assistance has been invaluable, as has their companionship. James Mayall has been encouraging me and challenging me intellectually since he first became my undergraduate tutor in 1991. Without his help, there is no question that I would not have achieved first-class results in 1994, nor would I have felt the motivation to pursue postgraduate studies. Throughout the writing of my PhD, he has always been available when I have needed him (even at long-distance) and his thoughts and comments have always forced me to think things through more carefully. That I have completed a PhD is, above all, a credit to my parents, Bob and Lesley Owen. My mother had the foresight to see how well an English university education would suit me and my father had the selflessness to work several jobs to continue to pay for my endeavours. Both have sacrificed a great deal to ensure that I could make the most of the opportunities presented to me in London. Without their intellectual, emotional and financial support, I would never have arrived at the LSE in the first place, nor could I ever have hoped to leave, 9 years later, having written a PhD thesis. Finally, I am grateful for the constant support of my husband, Bob Vandersluis. He has read and discussed many parts of this thesis and has often frustrated me greatly by challenging my assumptions and forcing me to better defend my ideas. He has also willingly allowed my PhD to take over a good portion of our house and our lives over the past five years. I could not have finished the PhD without his support and companionship and, in all respects, this thesis is a much better product because of his involvement. 4 List of Abbreviations CMPA Canadian Magazine Publishers Association CPPA Canadian Periodical Publishers Association EU European Union FIPP International Federation of Periodical Publishers FPAS Foreign Publishers Advertising Services Act (Canada) FTA Canada-United States Free Trade Agreement GATS General Agreement on Trade in Services GATT General Agreement on Tariffs and Trade IPE International Political Economy IR International Relations NAFTA North American Free Trade Agreement NDP New Democratic Party of Canada PAP Publications Assistance Programme SAGIT Sectoral Advisory Group on International Trade (Canada) UNESCO United Nations Educational, Scientific and Cultural Organization USTR United States Trade Representative WTO World Trade Organisation Chapter 1 Introduction This study examines recent disputes between Canada and the United States about appropriate policies for free trade in magazines. Essentially, this work demonstrates that the Canadian and American positions on free trade and culture can be understood as normative positions, stemming from different perceptions of the role of culture in social relations, the appropriate criteria for ‘good’ public policy, and the ideal relationship between culture and free trade. In this context, the relative validity of the different approaches to trade and culture is presented as a choice between competing values. After examining the ethical premises and implications of the main approaches to trade and culture, the thesis takes the position that a normatively justifiable approach to culture is one that begins from the ontological primacy of culture in the constitution of identity. I develop this starting point by drawing on the work of Charles Taylor. He rejects an atomist social ontology and develops instead a theory of identity as inseparable from qualitative judgements of worth. In turn, such judgements make no sense outside of a ‘background language’ that itself can only be developed in dialogue. As the thesis notes, Taylor’s work presents numerous problems. However, his ontology can nonetheless be taken as a starting point for an analysis of culture and trade. Building on Taylor’s theory, the thesis draws on Iris Marion Young’s work on social justice to develop an ethics which is founded in respect for other cultural forms. This ethics stresses social equality, but broadens it beyond distributive concerns to include primarily the ‘full participation and inclusion of everyone in society’s major institutions, and the socially supported substantive opportunity for all to develop and exercise their capacities and realize their choices’.1 On this basis, the thesis makes specific suggestions for the revision of Canadian magazines policy. The thesis makes an original contribution in two respects. First, it provides analysis and insights into a policy area that has received little scholarly attention, namely, free trade in periodicals. Second, it makes a contribution to ongoing debates about the nature and importance of methodology in International Relations (IR) and International Political Economy (IPE). As this second contribution is likely to be the more controversial of the two, most of this introduction will be directed at locating this thesis within
Recommended publications
  • Williams-Exeter Programme at Oxford University
    WILLIAMS-EXETER PROGRAMME AT OXFORD UNIVERSITY Director: Professor Gretchen Long THE PROGRAMME Williams College offers a year-long program of studies at Oxford University in co-operation with Exeter College (founded in 1314), one of the constituent colleges of the University. Williams students will be enrolled as Visiting Students at Exeter and as such will be undergraduate members of the University, eligible for access to virtually all of its facilities, libraries, and resources. As Visiting Students in Oxford, students admitted to the Programme will be fully integrated into the intellectual and social life of one of the world’s great universities. Although students on the Programme will be members of Exeter College, entitled to make full use of Exeter facilities (including the College Library), dine regularly in Hall, and join all College clubs and organizations on the same terms as other undergraduates at Exeter, students will reside in Ephraim Williams House, a compound of four buildings owned by Williams College, roughly 1.4 miles north of the city centre. Up to six students from Exeter College will normally reside in Ephraim Williams House each year, responsible for helping to integrate Williams students into the life of the College and the University. A resident director (and member of the Williams faculty) administers Ephraim Williams House, oversees the academic program, and serves as both the primary academic and personal advisor to Williams students in Oxford. Students on the Williams-Exeter Programme are required to be in residence in Oxford from Tuesday, 25 September 2018, until all academic work for Trinity term is complete (potentially as late as at least 28 June 2019) with two breaks for vacations between the three terms.
    [Show full text]
  • King's Research Portal
    King’s Research Portal DOI: 10.1080/10286632.2018.1557651 Document Version Early version, also known as pre-print Link to publication record in King's Research Portal Citation for published version (APA): Lee, H-K. (2019). The new patron state in South Korea: cultural policy, democracy and the market economy. International journal of cultural policy, 25(1), 48-62. https://doi.org/10.1080/10286632.2018.1557651 Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]
  • Runaway Film Production: a Critical History of Hollywood’S Outsourcing Discourse
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Illinois Digital Environment for Access to Learning and Scholarship Repository RUNAWAY FILM PRODUCTION: A CRITICAL HISTORY OF HOLLYWOOD’S OUTSOURCING DISCOURSE BY CAMILLE K. YALE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Communications in the Graduate College of the University of Illinois at Urbana-Champaign, 2010 Urbana, Illinois Doctoral Committee: Professor John C. Nerone, Chair and Director of Research Professor James W. Hay Professor Steven G. Jones, University of Illinois at Chicago Professor Cameron R. McCarthy ABSTRACT Runaway production is a phrase commonly used by Hollywood film and television production labor to describe the outsourcing of production work to foreign locations. It is an issue that has been credited with siphoning tens of millions of dollars and thousands of jobs from the U.S. economy. Despite broad interest in runaway production by journalists, politicians, academics, and media labor interests, and despite its potential impact on hundreds of thousands—and perhaps millions—of workers in the U.S., there has been very little critical analysis of its historical development and function as a political and economic discourse. Through extensive archival research, this dissertation critically examines the history of runaway production, from its introduction in postwar Hollywood to its present use in describing the development of highly competitive television and film production industries in Canada. From a political economic perspective, I argue that the history of runaway production demonstrates how Hollywood’s multinational media corporations have leveraged production work to cultivate goodwill and industry-friendly trade policies across global media markets.
    [Show full text]
  • 1 Linking Ethics and Security in Canadian Foreign Policy Rosalind Irwin
    01Chap1.qxd 7/9/01 1:09 PM Page 3 1 Linking Ethics and Security in Canadian Foreign Policy Rosalind Irwin The relationship between “ethics” and “security” is one of the most impor- tant problems of international relations. Scholars and practitioners have debated the nature of the linkage between ethics and security since the time of the Peloponnesian War in ancient Greece.1 The theoretical tradi- tion of realism in international politics has historically treated “security” as “synonymous with the security of the state against external dangers, which was to be achieved by increasing military capabilities.”2 Seen through the lens of the Cold War nuclear competition between the super- powers, realist scholars emphasized the exclusion of ethical from security considerations in foreign policy. Critics argued that this narrow approach to security led to a paradoxical failure: the pursuit of national security was ultimately not able to provide security from many of the threats that appeared on the horizon. These included, for example, resource shortages (such as the 1970s oil crisis), civil war and conflict, threats to human rights, global warming, and destabilization caused by poverty and famine. In addition, globalization appeared to make the notion of a “hard shell” of national sovereignty and national security increasingly problematic in the context of rapid global communication and exchange. These tensions led critics of the traditional approach to articulate more positively the nature of the linkages between ethics and security considerations in international relations, and specifically in foreign policy decision-making processes. Efforts to understand the nature of these relationships have been consider- ably more notable in, although are not exclusive to, the post-Cold War era.
    [Show full text]
  • National Interest and International Solidarity
    United Nations University Press is the publishing arm of the United Nations University. UNU Press publishes scholarly and policy-oriented books and periodicals on the issues facing the United Nations and its peoples and member states, with particular emphasis upon international, regional and trans-boundary policies. The United Nations University was established as a subsidiary organ of the United Nations by General Assembly resolution 2951 (XXVII) of 11 December 1972. It functions as an international community of scholars engaged in research, postgraduate training and the dissemination of knowledge to address the pressing global problems of human survival, development and welfare that are the concern of the United Nations and its agencies. Its activities are devoted to advancing knowledge for human security and development and are focused on issues of peace and governance and environment and sustainable development. The Univer- sity operates through a worldwide network of research and training centres and programmes, and its planning and coordinating centre in Tokyo. National interest and international solidarity National interest and international solidarity: Particular and universal ethics in international life Edited by Jean-Marc Coicaud and Nicholas J. Wheeler United Nations a University Press TOKYO u NEW YORK u PARIS 6 United Nations University, 2008 The views expressed in this publication are those of the authors and do not nec- essarily reflect the views of the United Nations University. United Nations University Press United Nations University, 53-70, Jingumae 5-chome, Shibuya-ku, Tokyo 150-8925, Japan Tel: þ81-3-3499-2811 Fax: þ81-3-3406-7345 E-mail: [email protected] general enquiries: [email protected] http://www.unu.edu United Nations University Office at the United Nations, New York 2 United Nations Plaza, Room DC2-2062, New York, NY 10017, USA Tel: þ1-212-963-6387 Fax: þ1-212-371-9454 E-mail: [email protected] United Nations University Press is the publishing division of the United Nations University.
    [Show full text]
  • Capital and Culture
    Capital and Culture An Investigation into New Labour cultural policy and the European Capital of Culture 2008. Mark Connolly Presented in fulfilment o f the requirements for the degree o f Doctor o f Philosophy at the University of Wales, Cardiff. December 2007 UMI Number: U584278 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U584278 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Statements of Declaration This work has not previously been accepted in substance for any degree and is not concurrently submitted in candidature for any degree. Signed .. ...............(candidate) Date ........... STATEMENT 1 This thesis is being submitted in partial fulfillment of the requirements for the degree of PhD (insert MCh, MD, MPhil, PhD etc, as appropriate) Signed .. (candidate) Date M .U/L/.firk. STATEMENT 2 This thesis is the result of my own independent work/investigation, except where otherwise stated. Other sourcesurces are acknowledged by explicit references. Signed (candidate) Date ....?. 9. /. I A./.^. STATEMENT 3 I hereby give consent for my thesis, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations.
    [Show full text]
  • The Politics of Urban Cultural Policy Global
    THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12.
    [Show full text]
  • The Moral Aporia of Race in International Relations by Drawing Attention to the Imperialism Embedded in Much Liberal Thought
    IRE0010.1177/0047117819842275International RelationsLynch 842275research-article2019 Article International Relations 2019, Vol. 33(2) 267 –285 The moral aporia of race in © The Author(s) 2019 Article reuse guidelines: international relations sagepub.com/journals-permissions https://doi.org/10.1177/0047117819842275DOI: 10.1177/0047117819842275 journals.sagepub.com/home/ire Cecelia Lynch University of California, Irvine Abstract Drawing on recent scholarship on race, post-colonialism, and ethics in the field of international relations, I return to the ‘first debate’ in the field regarding realism versus liberalism to highlight how racialized international political practices a century ago shaped theoretical assumptions, deferrals, and absences in ways that continued to resonate throughout the century. In reviewing several prominent periods of the past 100 years, I argue that (a) a powerful, ongoing moral aporia regarding race has marked the practice of international politics and the study of international relations over the century, despite important challenges and (b) it is critically important for the field as a whole to confront both the aporia and these challenges to understand its own moral precarity and to dent ongoing racialized injustices. Keywords aporia, colonialism, international politics, international relations, morality, race, racism Introduction: the aporia of (hidden) conviction1 My simple task in this contribution is to address and analyze morality in international relations (IR) over the past 100 years. I say ‘simple’, because the review process has poked a number of conceptual bears that each comprise layers and layers of assumptions about theories of international relations and practices of international politics (IP). Thoroughly investigating processes of socialization and resocialization in the field or discipline, and also providing openings to potentially new ontologies cannot be tackled in a single article, especially one that, according to the editors’ instructions, should make ‘big statements about critical themes’.
    [Show full text]
  • Author: Title: Year
    This work is made freely available under open access. AUTHOR: TITLE: YEAR: OpenAIR citation: This work was submitted to- and approved by Robert Gordon University in partial fulfilment of the following degree: _______________________________________________________________________________________________ OpenAIR takedown statement: Section 6 of the “Repository policy for OpenAIR @ RGU” (available from http://www.rgu.ac.uk/staff-and-current- students/library/library-policies/repository-policies) provides guidance on the criteria under which RGU will consider withdrawing material from OpenAIR. If you believe that this item is subject to any of these criteria, or for any other reason should not be held on OpenAIR, then please contact [email protected] with the details of the item and the nature of your complaint. This thesis is distributed under a CC ____________ license. ____________________________________________________ THE DISCOURSE OF CULTURAL LEADERSHIP Jonathan Francis Richard Price A thesis submitted in partial fulfilment of the requirements of the Robert Gordon University for the degree of Doctor of Philosophy This research was carried out in connection with the On The Edge research programme at Gray’s School of Art, Robert Gordon University, Aberdeen, UK Funded by the Innovation, Design and Sustainability Research Institute (IDEAS) February 2016 ii Abstract The discourse of cultural leadership Cultural leadership has been a key concept in cultural policy and training since 2002. Most closely associated with the UK’s Clore Leadership Programme, it has been developed through various courses and initiatives domestically and internationally, initially as a response to crises of financial management and governance within major cultural institutions. This emergence of cultural leadership coincided with growing political interest in the social benefits of the arts and the economic potential of the creative industries.
    [Show full text]
  • Resetting the Stage PUBLIC THEATRE BETWEEN the MARKET and DEMOCRACY
    KLAIC DRAGAN KLAIC Resetting the Stage PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY By Dragan Klaic Resetting the Stage Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption – as well as sharp reductions in government subsidies for the arts. At a time when the rationale behind these subsidies is being widely reexamined, it has never been more important for public theatre to demonstrate its continued merit. In Resetting the Stage, Dragan Klaic argues convincingly that, in an increasingly crowded market of cultural goods, public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public. Dragan Klaic was a well-respected theatre scholar and cultural analyst. In his versatile career, he was professor and lecturer at universities in Amsterdam, Belgrade, Bologna, Budapest, Istanbul and Leiden, and held various positions in numerous institutions and foundations world-wide – from director to board member or permanent fellow. Intellect is honoured to be publishing his final book. intellect | www.intellectbooks.com PUBLIC THEATRE BETWEEN THE MARKET AND DEMOCRACY Resetting the Stage 05473_FM_pi-xx.indd i 8/29/12 5:25:31 PM 05473_FM_pi-xx.indd ii 8/29/12 5:25:32 PM Resetting the Stage Public Theatre Between the Market and Democracy Dragan Klaic intellect Bristol, UK / Chicago, USA 05473_FM_pi-xx.indd iii 8/29/12 5:25:32 PM First published in the UK in 2012 by Intellect, The Mill, Parnall Road, Fishponds, Bristol, BS16 3JG, UK First published in the USA in 2012 by Intellect, The University of Chicago Press, 1427 E.
    [Show full text]
  • Elements That Impose Limits on International Ethics
    A Service of Leibniz-Informationszentrum econstor Wirtschaft Leibniz Information Centre Make Your Publications Visible. zbw for Economics Popa, Paul Article Elements that impose limits on international ethics CES Working Papers Provided in Cooperation with: Centre for European Studies, Alexandru Ioan Cuza University Suggested Citation: Popa, Paul (2019) : Elements that impose limits on international ethics, CES Working Papers, ISSN 2067-7693, Alexandru Ioan Cuza University of Iasi, Centre for European Studies, Iasi, Vol. 10, Iss. 4, pp. 423-437 This Version is available at: http://hdl.handle.net/10419/198554 Standard-Nutzungsbedingungen: Terms of use: Die Dokumente auf EconStor dürfen zu eigenen wissenschaftlichen Documents in EconStor may be saved and copied for your Zwecken und zum Privatgebrauch gespeichert und kopiert werden. personal and scholarly purposes. Sie dürfen die Dokumente nicht für öffentliche oder kommerzielle You are not to copy documents for public or commercial Zwecke vervielfältigen, öffentlich ausstellen, öffentlich zugänglich purposes, to exhibit the documents publicly, to make them machen, vertreiben oder anderweitig nutzen. publicly available on the internet, or to distribute or otherwise use the documents in public. Sofern die Verfasser die Dokumente unter Open-Content-Lizenzen (insbesondere CC-Lizenzen) zur Verfügung gestellt haben sollten, If the documents have been made available under an Open gelten abweichend von diesen Nutzungsbedingungen die in der dort Content Licence (especially Creative Commons Licences), you genannten Lizenz gewährten Nutzungsrechte. may exercise further usage rights as specified in the indicated licence. https://creativecommons.org/licenses/by/4.0/ www.econstor.eu CES Working Papers – Volume X, Issue 4 Elements that impose limits on international ethics Paul POPA* Abstract In order to function, the ethical norm creates a system, called and known as an ethical system.
    [Show full text]
  • Re-Visioning Arts and Cultural Policy
    Chapter 6: Managing creativity and cultivating culture Let us briefly summarise the case developed in this monograph. Government ideas about how to support arts and culture were traditionally very limited in their success and effectiveness. Historically, governments spent little on culture and what was spent tended to be earmarked for the elite arts sector. Arguably this support was not motivated by ambitions to broaden awareness of culture more generally in the community, but by notions of `showcasing' endorsed representations of elite culture. Support was given to major signature institutions which constituted an oasis of culture, often situated in major cities. Gradually, a greater range of activities began to be classified as `culture' and from the 1960s onwards, governments were persuaded to invest more widely in these various cultural activities. Two things happened in parallel: government financial support widened to include many new and different forms of culture (films, festivals, events, more institutions, local community developments), and the older forms of arts patronage became more and more expensive to operate and sustain (owing to escalating costs, increased investments, artistic purchases, artistic salaries, and bureaucratic administration). These parallel developments put considerable pressure on the system. On the supply side, production expanded as more people were able to practice various artforms and the costs of participating became more manageable to intending contributors. Changing technologies, better equipment, new media and more variable inputs meant that the arts and cultural sector was now more accessible to potential contributors. The sector became wide open to new players, not due to the policies of the old elite guard but due to initiatives of the new participants themselves.
    [Show full text]