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IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Workplace Harassment in the Contemporary Music Industries of Australia and New Zealand
TUNESMITHS AND TOXICITY: WORKPLACE HARASSMENT IN THE CONTEMPORARY MUSIC INDUSTRIES OF AUSTRALIA AND NEW ZEALAND by Jeffrey Robert Crabtree Thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy under the supervision of Professor Mark Evans and Doctor Susie Khamis University of Technology Sydney Faculty of Arts and Social Sciences August, 2020 CERTIFICATE OF ORIGINAL AUTHORSHIP I, Jefrey Robert Crabtree, declare that this thesis is submitted in fulfillment of the requirements for the award of Doctor or Philosophy in the School of Communications at the University of Technology Sydney. This thesis is wholly my own work unless otherise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. This research is supported by the Australian Government Research Training Program. Signature: Production Note: Signature removed prior to publication. Date: ii ACKOWLEDGEMENTS I wish to acknowledge the incredible support of my wife, who was not only very encouraging but also incredibly understanding whilst in the throes of completing her own doctorate at the same time as this study. I acknowledge my two highly talented daughters who inspire me with their creativity. Both of them have followed music careers and this research was undertaken in the hope that the working environment of the music industry will become a more welcoming space for women. I also wish to recognise my extraordinary supervisors, Professor Mark Evans and Doctor Susie Khamis, whose wise counsel and steady hands have guided this work. -
Escaping Eden
Escaping Eden Chapter 1 I wake up screaming. Where am I? What’s going on? Why do I feel so cold? It’s dark. I look around, blinking sleep from my eyes. I notice a window somewhere in the back of the room. It’s open and moonlight shines through, casting a square beam of light across the floor. A breeze drifts in, and white curtains float like pale ghosts in the darkness. In the narrow light of the moon, I see that the carpet is burgundy. I also see the outlines of furniture. My head vaguely aching, I look at the shadows scattered messily across the room. I feel like sweeping them up to make room for light. I shake off the urge. Stop being delusional. There’s a funny smell in the air, like a mixture of old home mustiness and laboratory sterilization. I realize that I’m lying on the floor. Why am I not on the bed? The last thing I remember is pain. Maybe that’s why I woke up screaming. The pain was intense. The pain was… cold. I decide to swallow my fear. It tastes terrible. I stand up and my neck aches. As I rub my hand across it, my bones crack like I haven’t moved in a long time. I whisper to myself. “As Grandpa always said…” My train of thought rolls off into the distance. Where was I going with this? Who is “Grandpa”? I put my hand on my sweaty forehead. I must be tired. I look for a light switch by approaching the walls and groping around. -
Pression and Shock, He Burned His Ballet Slippers and Fled to the Sewers, Only to Surface These Forty Years Later
Les Ballets Trockadero de Monte Carlo “The funniest night you will ever have at the ballet.” - Sunday Times “This is a company that brings its audiences pure joy.” -The Seattle Times History th Celebrating its 40 Anniversary season, Les Ballets Trockadero de Monte Carlo was founded in 1974 by a group of ballet enthusiasts for the purpose of presenting a playful, entertaining view of traditional, classical ballet in parody form and en travesti, Les Ballets Trockadero first performed in the late-late shows in Off-Off Broadway lofts. The TROCKS, as they are affectionately known, quickly garnered a major critical essay by Arlene Croce in The New Yorker, and combined with reviews in The New York Times and The Village Voice, established the Company as an artistic and popular success. By mid 1975, the TROCKS' inspired blend of their loving knowledge of dance, their comic approach, and the astounding fact that men can, indeed, dance en pointe without falling flat on their faces, was being noted beyond New York. Articles and notices in publications such as Variety, Oui, The London Daily Telegraph, as well as a Richard Avedon photo essay in Vogue, made the Company nationally and internationally known. The 1975-76 season was a year of growth and full professionalization. The Company found management, qualified for the National Endowment for the Arts Touring Program, and hired a full-time teacher and ballet mistress to oversee daily classes and rehearsals. Also in this season, they made their first extended tours of the United States and Canada. Packing, unpacking, and repacking tutus and drops, stocking giant sized toe shoes by the case; running for planes and chartered buses all became routine parts of life. -
COSTUME DESIGNER LUCIA SANTA-MARIA 2 RTS Best Costume Design Awards FEATURES INCLUDE
AMANDA MCALLISTER PERSONAL MANAGEMENT LTD 74 Claxton Grove, London W6 8HE • Telephone: +44 (0) 207 244 1159 www.ampmgt.com • e-mail: [email protected] COSTUME DESIGNER LUCIA SANTA-MARIA www.luciasantamaria.co.uk 2 RTS Best Costume Design Awards FEATURES INCLUDE: A CHRISTMAS GIFT FROM Director Charles Martin-Smith BOB Producers Garry Jenkins, Tracy Jarvis, Adam Rolston Family Drama Exec. Producers James Bowen, Andrew Boswell Production Co. Parkhouse Pictures /Align / The Exchange Featuring Luke Treadway, Nina Wadia, Anna Wilson-Jones, Phaldut Sharma HIGH SPEED Director Jeff Jensen Action Sport Drama Producers Silvio Muraglia Stirling Belafonte Luca Brenna Exec. Producer Gina Mari Production Co. Classic Films / Eagle Pictures Featuring Sienna Miller, Andrew Lee Potts, Paul Nicholls RUBY ROBINSON Director Matt Lipsey ½ hr Surreal Silent Short Film Producer Joanna Hanlon, Exec. Producer Jo Sergeant Production Co. King Bert Productions / SKY Arts Featuring Kim Cattrall THE RAT TRAP Director Bridget Holding ½ hr Dark Comedy Producer Thomas Viner Production Co. Ruby Red Productions Featuring Amelia Fox and Mark Little PERFECT Director Rankin ½ hr Dark Comedy Producer Laura Hastings-Smith Production Co. Dazed and Confused Film & TV Featuring Kate Ashfield, Mark Warren BIFA AWARD BEST SHORT TELEVISION CREDITS INCLUDE: THE SPLIT 3 Directors Dee Koppang O’Leary, Abi Morgan 6 x 1hr Drama Series Producer Emma Genders (Covid production) Exec. Producers Lucy Dyke, Jane Featherstone, Lucy Richer Production Co. Sister Pictures / BBC1 MOTHERLAND 3 Director Simon Hynd 6 x 1hr Comedy Drama Series Producer Caroline Norris (Covid production) Exec. Producers Sharon Horgan, Clelia Mountford, Richard Boden, Holly Walsh Production Co. Merman Films / Delightful Industries / BBC2 FLACK 2 Directors Alicia McDonald, Oli Lansley, Stephen Moyer 6 x 1hr Comedy Drama Series Producer Debs Pisani Exec. -
Read Ebook {PDF EPUB} at Scotland's Edge by Keith Allardyce
Read Ebook {PDF EPUB} At Scotland's Edge by Keith Allardyce Most famously though, it was at Dunnottar Castle that a small garrison held out against the might of Cromwell’s army for eight months and saved the Scottish Crown Jewels from destruction. After the war the heavily damaged Dunnottar was retained by the Army and used as a depot until returned to the Keith family in 1695. Brian Cox is an Emmy Award-winning Scottish actor. He was born on June 1, 1946 in Dundee, Scotland, to Mary Ann Guillerline Cox, maiden surname McCann, a spinner, and Charles McArdle Campbell Cox, a shopkeeper and butcher. His father was of Irish ancestry and his mother was of Irish and Scottish ... May 07, 2020 · Allardyce improved Palace significantly, particularly defensively, and got the best out of Christian Benteke, who scored 17 goals in his first season with the Eagles. Allardyce led the Eagles to some crucial - and unexpected - wins, including at the … The first for Scottish news, sport, UK and world news. Get breaking news on Scottish football teams including Rangers, Celtic FC, Hibs FC and more Keith Allen, Actor: The Others. Keith Allen was born on September 2, 1953 in Llanelli, Carmarthenshire, Wales as Keith Howell Charles Allen. He is an actor, known for The Others (2001), 24 Hour Party People (2002) and Kingsman: The Golden Circle (2017). Mar 14, 2021 · Ireland edge out Scotland in Six Nations thriller. Date published: March 14 2021. Scotland’s faint hopes of Six Nations glory were snuffed out as they found themselves beaten by Ireland yet again, losing 27-24 on Sunday. -
MY THOUGHTS EXACTLY Written by Jeff Lowell
MY THOUGHTS EXACTLY Written by Jeff Lowell Technical note: This series is the story of a couple, Peter and Dana, and it'll be partially told from their POV. We'll have the freedom to see through their eyes and hear their thoughts at various points. I'll specify the POV shots when it's necessary for the story or joke, but aside from that, it'll be an editing choice. TEASER FADE IN. INT. NEW YORK STREET - DAY We’re in the Village, streets still crowded with people heading home from work, shopping, going to dinner... PETER is walking towards the camera. He’s 30ish, a good looking guy. His eyes move back and forth, looking at the people heading towards him. PETER’S POV: We see that his gaze is flitting from woman to woman, landing on each one briefly. The men don’t even exist to him - they’re blurs on the way to the next woman. He’s deciding whether or not he’d sleep with every woman that he sees. PETER (V.O.) Yes. (NEXT) No. (NEXT) Yes, but don’t have a shot. Maybe when I was in college. If she was drunk and trying to get back at her boyfriend who cheated on her. (NEXT, SHE’S IN HER 50s) Yes. But for how long? Five more years? I wonder what the oldest woman I’d have sex with is. When I’m sixty, will sixty year old women look good to me, or are they just my only option? Peter spots a gorgeous woman with huge breasts, cleavage showing. -
Birmingham Symphonic Winds Keith Allen Conductor Juliette
bsw BIRMINGHAM SYMPHONIC WINDS Birmingham Symphonic Winds ...an exciting concert of British & American music Keith Allen conductor Juliette Bausor flute Birmingham Symphonic Winds Keith Allen conductor Simone Rebello percussion David Childs euphonium Saturday 9 April 2011 ~ 7.30 pm CBSO Centre, Birmingham, UK Sunday 17 April 2011 ~ 2.00 pm Alice Tully Hall, Lincoln Center, New York, USA supported by bsw BIRMINGHAM SYMPHONIC WINDS Birmingham Symphonic Winds ...an exciting concert of British & American music Keith Allen conductor Juliette Bausor flute Birmingham Symphonic Winds Keith Allen conductor Simone Rebello percussion David Childs euphonium Saturday 9 April 2011 ~ 7.30 pm CBSO Centre, Birmingham, UK Sunday 17 April 2011 ~ 2.00 pm Alice Tully Hall, Lincoln Center, New York, USA supported by PROGRAMME Second City Ceremony .............. Philip Sparke Shakespeare Pictures .............. Nigel Hess Much Ado About Nothing A Winter's Tale – The Statue Julius Caesar – The Entry To The Senate th Prelude from 49 Parallel .............. Ralph Vaughan Williams Divertimento for Band .............. Guy Woolfenden Toccata “an ingeniously themed concert drew a capacity audience Aubade into a creative programme by this highly-skilled wind orchestra Scherzo . high standards, originality and style . splendid entertainment ...Birmingham Symphonic Winds delivered with flair and skill” A Weekend in New York .............. Philip Sparke The Birmingham Post The Canticle of the Sun .............. Martin Ellerby “a well prepared, neat and tidy performance . wit, charm and exuberance ... enthusiastically embraced by BSW INTERVAL . high octane ...exuded confidence ...impressive.” Winds Music Magazine Jupiter (The Bringer of Jollity) from The Planets .......Gustav Holst “well-devised and excellently played programme, given by Keith Allen and Birmingham Symphonic Winds Euphonium Concerto ............. -
J&N (UK) Ltd Rights Guide – London 2019
J&N (UK) Ltd Rights Guide – London 2019 Zoë Nelson Rights Director [email protected] For Portugal, Brazil, Eastern Europe, Far East, Greece, Turkey & Israel Ellis Hazelgrove Rights Executive [email protected] Janklow & Nesbit (UK) Ltd 13a Hillgate Street London W8 7SP www.janklowandnesbit.co.uk FICTION Carr, Jonathan / MAKE ME A CITY Chivers, Greg / THE CRYING MACHINE Cummings, Harriet / THE LAST OF US de Rosa, Domenica / THE SECRET OF VILLA SERENA Griffiths, Elly / THE STONE CIRCLE Hoffman, Jilliane / NEMESIS Johnstone, C.L. / MIRRORLAND Kimberling, Brian / GOULASH Legge, Laura / CALA Millwood Hargrave, Kiran / THE MERCIES Monks Takhar, Helen / PRECIOUS YOU Porter, Henry / WHITE HOT SILENCE Thomas, Joe / PLAYBOY Way, Camilla / WHO KILLED RUBY Weinberg, Kate /THE TRUANTS NON-FICTION Benjamin, A K / LET ME NOT BE MAD: A Story of Unravelling Minds Berger, Lynn / SECOND THOUGHTS: Reflections on Having and Being a Second Child Blauw, Sanne / THE BIGGEST BESTSELLER OF ALL TIME (WITH THIS TITLE): How Numbers Lead and Mislead Us Bregman, Rutger / THE BANALITY OF GOOD Chatterjee, Dr Rangan / THE STRESS SOLUTION: The 4 Steps to Reset Your Body, Mind, Relationships and Purpose Chivers, Tom / THE AI DOES NOT HATE YOU: Superintelligence, Rationality and the Race to Save the World Couchman, Danie / AFLOAT: A Memoir Dartnell, Lewis / ORIGINS: How the Earth Made Us Dunkley, Jo / OUR UNIVERSE: An Astronomer’s Guide Etchells, Pete / LOST IN A GOOD GAME: Why We Play Video Games and What They Do to Us Ewens, Hannah Rose / FANGIRL: The Untapped -
Ohio Spring, 2013 Commencement Last Name, First Name, MI, City, State, Zip, Degree Earned/ Departmental Honor(S)/ University Honors
1 1 Miami University, Oxford, Ohio Spring, 2013 Commencement Last Name, First Name, MI, City, State, Zip, Degree Earned/ Departmental Honor(s)/ University Honors Ohio Adams County, OH Hardin, Sarah R. Seaman, Ohio 45679-9747 --Bachelor of Arts / / Mason, Stephanee Lee Seaman, Ohio 45679-9767 --Bachelor of Science / / Madden, Gabbriel Ariel Winchester, Ohio 45697-9742 --Bach of Integrative Studies / / Allen County, OH Meyer, Dustin Robert Lima, Ohio 45801-3128 --B.S. in Engineering / / Kaser, Katherine Marie Lima, Ohio 45805-2365 --B.A. in Architecture / / Stemen, Sara Elizabeth Lima, Ohio 45805-3022 --Mstr Gerontological Studies / / Hyland, Jacob Steven Lima, Ohio 45805-3349 --B.S. Paper Sci & Engineering / / Hyland, Jacob Steven Lima, Ohio 45805-3349 --B.S. in Engineering / / Basinger, William Christian Lima, Ohio 45805-4702 --B.A. in Architecture / / Patterson, Taylor Andrew Elida, Ohio 45807-1305 --B.S. in Engineering / / Warren, Brooke Alexandra Lima, Ohio 45807-1911 --Bachelor of Arts / / Huffman, Sarah Ruth Lima, Ohio 45807-3112 --B.S. in Education / / Cum Laude Lucke, Kyle C Harrod, Ohio 45850-9469 --Associate in Applied Science / / Ashland County, OH Pittenger, Aaron Singh Ashland, Ohio 44805-8502 --B.S. in Engineering / / Ashtabula County, OH Fernberg, Kristie Renee Ashtabula, Ohio 44004-9029 --Bachelor of Arts / / Cum Laude Wynn, James Patrick Jefferson, Ohio 44047-1202 --Bachelor of Arts / / Athens County, OH Webb, Meredith P. Athens, Ohio 45701-6606 --B.S. in Education / / Auglaize County, OH Katterheinrich, Kari A. Lima, Ohio 45806-9613 --Bachelor of Arts / Honors in Psychology / Summa Cum Laude Prenger, Daniel James Minster, Ohio 45865-1045 --B.S. in Business / / Barga Simpson, Rachel Marie Minster, Ohio 45865-8706 --Master of Science / / Reser, James Gregory Wapakoneta, Ohio 45895-9093 --B.S. -
Films & Major TV Dramas Shot (In Part Or Entirely) in Wales
Films & Major TV Dramas shot (in part or entirely) in Wales Feature films in black text TV Drama in blue text Historical Productions (before the Wales Screen Commission began) Dates refer to when the production was released / broadcast. 1935 The Phantom Light - Ffestiniog Railway and Lleyn Peninsula, Gwynedd; Holyhead, Anglesey; South Stack Gainsborough Pictures Director: Michael Powell Cast: Binnie Hale, Gordon Harker, Donald Calthrop 1938 The Citadel - Abertillery, Blaenau Gwent; Monmouthshire Metro-Goldwyn-Mayer British Studios Director: King Vidor Cast: Robert Donat, Rosalind Russell, Ralph Richardson 1940 The Thief of Bagdad - Freshwater West, Pembrokeshire (Abu & Djinn on the beach) Directors: Ludwig Berger, Michael Powell The Proud Valley – Neath Port Talbot; Rhondda Valley, Rhondda Cynon Taff Director: Pen Tennyson Cast: Paul Robeson, Edward Chapman 1943 Nine Men - Margam Sands, Neath, Neath Port Talbot Ealing Studios Director: Harry Watt Cast: Jack Lambert, Grant Sutherland, Gordon Jackson 1953 The Red Beret – Trawsfynydd, Gwynedd Director: Terence Young Cast: Alan Ladd, Leo Genn, Susan Stephen 1956 Moby Dick - Ceibwr Bay, Fishguard, Pembrokeshire Director: John Huston Cast: Gregory Peck, Richard Basehart 1958 The Inn of the Sixth Happiness – Snowdonia National Park, Portmeirion, Beddgelert, Capel Curig, Cwm Bychan, Lake Ogwen, Llanbedr, Morfa Bychan Cast: Ingrid Bergman, Robert Donat, Curd Jürgens 1959 Tiger Bay - Newport; Cardiff; Tal-y-bont, Cardigan The Rank Organisation / Independent Artists Director: J. Lee Thompson Cast: -
After the Planes
AFTER THE PLANES Timothy Boswell Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS May 2012 APPROVED: Miroslav Penkov, Major Professor Barbara Rodman, Committee Member John Tait, Committee Member David Holdeman, Chair of the Department of English James D. Meernik, Acting Dean of the Toulouse Graduate School Boswell, Timothy. After the Planes. Doctor of Philosophy (English), May 2012, 343 pp., bibliography, 21 titles. The dissertation consists of a critical preface and a novel. The preface analyzes what it terms “polyvocal” novels, or novels employing multiple points of view, as well as “layered storytelling,” or layers of textuality within novels, such as stories within stories. Specifically, the first part of the preface discusses polyvocality in twenty-first century American novels, while the second part explores layered storytelling in novels responding to World War II or the terrorist attacks of 9/11. The preface analyzes the advantages and difficulties connected to these techniques, as well as their aptitude for reflecting the fractured, disconnected, and subjective nature of the narratives we construct to interpret traumatic experiences. It also acknowledges the necessity—despite its inherent limitations—of using language to engage with this fragmentation and cope with its challenges. The preface uses numerous novels as examples and case studies, and it also explores these concepts and techniques in relation to the process of writing the novel After the Planes. After the Planes depicts multiple generations of a family who utilize storytelling as a means to work through grief, hurt, misunderstanding, and loss—whether from interpersonal conflicts or from war. Against her father’s wishes, a young woman moves in with her nearly- unknown grandfather, struggling to understand the rifts in her family and how they have shaped her own identity.