'Correct' Latin in Late Antique Rome
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The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17Th-First Half of the 18Th Century
The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Siedina, Giovanna. 2014. The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065007 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2014 Giovanna Siedina All rights reserved. Dissertation Advisor: Author: Professor George G. Grabowicz Giovanna Siedina The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century Abstract For the first time, the reception of the poetic legacy of the Latin poet Horace (65 B.C.-8 B.C.) in the poetics courses taught at the Kyiv Mohyla Academy (17th-first half of the 18th century) has become the subject of a wide-ranging research project presented in this dissertation. Quotations from Horace and references to his oeuvre have been divided according to the function they perform in the poetics manuals, the aim of which was to teach pupils how to compose Latin poetry. Three main aspects have been identified: the first consists of theoretical recommendations useful to the would-be poets, which are taken mainly from Horace’s Ars poetica. -
Huygens on Translation
HUYGENS ON TRANSLATION Theo Hermans 1 The tercentenary of the death of Constantijn Huygens (1596-1687) presents a convenient occasion to trace the views held by this versatile and multilingual writer on the subject of translation. A first inventory of Huygens' pronouncements on the matter is all that will be attempted here. The choice of Huygens is not dictated by commemorative considerations alone. Both the contemporary appreciation of his work as a translator – notably of John Donne – and the fact that, as in Vondel's case, some of Huygens' comments on translation are echoed and occasionally challenged by other translators, indicate that his approach to the subject is sufficiently central to be treated as a point of reference. 2 Huygens' extraordinary gifts as a linguist are well known, as is the fact that he began to write poems in Latin at the age of 11 and in French at 16, two years before he tried his hand at Dutch verse. It has been calculated that of the more than 75,000 lines of verse in Worp's edition of Huygens' Collected Poems, 64.3% are in Dutch, 26.4% in Latin and 8.7% in French, with Italian, Greek, German and Spanish making up the remaining 0.6% (Van Seggelen 1987:72). His skill as a multilingual versifier can be breathtaking: in one of his more playful polyglot moods he presents his friend Jacob van der Burgh with an "Olla podrida" poem, dated 11 March 1625, with lines in Dutch, Latin, Greek, Italian, French, Spanish, German and English (Ged. II: 111-13). -
Servius, Cato the Elder and Virgil
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository MEFRA – 129/1 – 2017, p. 85-100. Servius, Cato the Elder and Virgil Christopher SMITH C. Smith, British School at Rome, University of St Andrews, [email protected] This paper considers one of the most significant of the authors cited in the Servian tradition, Cato the Elder. He is cited more than any other historian, and looked at the other way round, Servius is a very important source for our knowledge of Cato. This paper addresses the questions of what we learn from Servius’ use of Cato, and what we learn about Virgil ? Servius, Cato the Elder, Virgil, Aeneas Cet article envisage la figure du principal auteur cite dans la tradition servienne, Caton l’Ancien. C’est l’historien le plus cité par Servius et, à l’inverse, Servius est une source très importante pour notre connaissance de Caton. Cet article revient sur l’utilisation de Caton par Servius et sur ce que Servius nous apprend sur Virgile. Servius, Catone l’Ancien, Virgile, Énée The depth of knowledge and understanding icance of his account of the beginnings of Rome. underpinning Virgil’s approach to Italy in the Our assumption that the historians focused on the Aeneid demonstrates that he was a profoundly earlier history and then passed rapidly over the learned poet ; and it was a learning which was early Republic is partly shaped by this tendency in clearly drawn on deep knowledge and under- the citing authorities2. -
Vestal Virgins of Rome: Images of Power
Illinois Wesleyan University Digital Commons @ IWU John Wesley Powell Student Research Conference 2013, 24th Annual JWP Conference Apr 20th, 10:00 AM - 11:00 AM Vestal Virgins of Rome: Images Of Power Melissa Huang Illinois Wesleyan University Amanda Coles, Faculty Advisor Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/jwprc Part of the History Commons Huang, Melissa and Coles, Faculty Advisor, Amanda, "Vestal Virgins of Rome: Images Of Power" (2013). John Wesley Powell Student Research Conference. 3. https://digitalcommons.iwu.edu/jwprc/2013/oralpres5/3 This Event is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. 1 The Power of Representation: The Vestal Virgins of Rome Melissa Huang Abstract: The earliest archaeological and literary evidence suggest that the Vestal Virgins began as priestesses primarily responsible for religious fertility and purification rituals. Yet from humble beginnings, the Vestals were able to create a foothold in political life through the turbulence of the transition from Republic to Principate. -
Faunus and the Fauns in Latin Literature of the Republic and Early Empire
University of Adelaide Discipline of Classics Faculty of Arts Faunus and the Fauns in Latin Literature of the Republic and Early Empire Tammy DI-Giusto BA (Hons), Grad Dip Ed, Grad Cert Ed Submitted in fulfilment of the requirements for the degree of Master of Philosophy October 2015 Table of Contents Abstract ................................................................................................................... 4 Thesis Declaration ................................................................................................... 5 Acknowledgements ................................................................................................. 6 Introduction ............................................................................................................. 7 Context and introductory background ................................................................. 7 Significance ......................................................................................................... 8 Theoretical framework and methods ................................................................... 9 Research questions ............................................................................................. 11 Aims ................................................................................................................... 11 Literature review ................................................................................................ 11 Outline of chapters ............................................................................................ -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Writing in the Street: The Development of Urban Poetics in Roman Satire Permalink https://escholarship.org/uc/item/7x66m4vs Author Gillies, Grace Publication Date 2018 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Writing in the Street: The Development of Urban Poetics in Roman Satire A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Classics by Grace Gillies 2018 © Copyright by Grace Gillies 2018 ABSTRACT OF THE DISSERTATION Writing in the Street: The Development of Urban Poetics in Roman Satire by Grace Gillies Doctor of Philosophy in Classics University of California, Los Angeles, 2018 Professor Amy Ellen Richlin, Chair My dissertation examines Roman imperial satire for its relationship with non-elite street culture in the Roman city. I begin with a lexicon of sites and terms related to Roman concepts of disgust in the city, as they appear in the satiric sources I am working with. Then, in my next four chapters, I work chronologically through the extant satires to show how each author reflects or even appropriates practices from Roman street culture. Satirists both condemn parts of the city as disgusting—the parts and people in them who ignore social and cultural boundaries—and appropriate those practices as emblematic of what satire does. The theoretical framework for this project concerns concepts of disgust in the Roman world, and draws primarily on Mary Douglas (1966) and Julia Kristeva (1982). The significance of this work is twofold: (1) it argues that satire is, far from a self-contained elite practice, a genre that drew heavily on non-elite urban ii culture; (2) that it adds to a fragmentary history of Roman street culture. -
Ovid's Metamorphoses in Twentieth-Century Italian Literature
alberto comparini (Ed.) Ovid’s comparini comparini Metamorphoses in Twentieth-Century comparini (Ed.) Ovid’s Metamorphoses (Ed.) in Twentieth-Century Italian Literature Italian Literature his book aims to show the metamorphic nature of Ovid’s reception in twentieth-century Italian literature. It is a study of the aesthetic effects of Ovid’s poetics Italian Literature Twentieth-Century in Metamorphoses Ovid’s within both the novel and poetry tradition in Italy. By using a historical and philological methodology, the authors of each essay have shown the hermeneutic power of Ovid, read as a constant intertextual presence. From Giovanni Pascoli to Eugenio Montale, from Italo Calvino to Antonio Tabucchi, in this book Ovid’s recep- tion is finally shown to be as important as Virgil’s and offers new important tools in order to understand the role of Latin literature in the twentieth century. Universitätsverlag winter isbn 978-3-8253-6788-6 Heidelberg bibliothek der klassischen altertumswissenschaften Herausgegeben von jürgen paul schwindt Neue Folge · 2. Reihe · Band 157 alberto comparini (Ed.) Ovid’s Metamorphoses in Twentieth-Century Italian Literature Universitätsverlag winter Heidelberg Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. cover illustration © Barbara Heinisch: Prozessmalerei im Düsseldorfer Atelier mit der Tänzerin Sayonara Pereira, 1992, Privatsammlung, Gelsenkirchen, Nutzung und Bildbearbeitung gemäß Creative Commons-Lizenz cc by-sa 3.0 https://commons.wikimedia.org/w/index.php?curid=36243658 isbn 978-3-8253-6788-6 Dieses Werk einschließlich aller seiner Teile ist urheberrechtlich geschützt. -
Pottery from Roman Malta
Cover Much of what is known about Malta’s ancient material culture has come to light as a result of antiquarian research or early archaeological work – a time where little attention Anastasi MALTA ARCHAEOLOGICAL REVIEW SUPPLEMENT 1 was paid to stratigraphic context. This situation has in part contributed to the problem of reliably sourcing and dating Maltese Roman-period pottery, particularly locally produced forms common on nearly all ancient Maltese sites. Pottery from Roman Malta presents a comprehensive study of Maltese pottery forms from key stratified deposits spanning the first century BC to mid-fourth century AD. Ceramic material from three Maltese sites was analysed and quantified in a bid to understand Maltese pottery production during the Roman period, and trace the type and volume of ceramic-borne goods that were circulating the central Mediterranean during the period. A short review of the islands’ recent literature on Roman pottery is discussed, followed by a detailed Pottery from Roman Malta contextual summary of the archaeological contexts presented in this study. The work is supplemented by a detailed illustrated catalogue of all the forms identified within the assemblages, presenting the wide range of locally produced and imported pottery types typical of the Maltese Roman period. Maxine Anastasi is a Lecturer at the Department of Classics and Archaeology, University of Malta. She was awarded a DPhil in Archaeology from the University of Oxford for her dissertation on small-island economies in the Central Mediterranean. Her research primarily focuses on Roman pottery in the central Mediterranean, with a particular Malta from Roman Pottery emphasis on Maltese assemblages. -
Die Frühgeschichte Roms Aus Der Sicht Eines Prähistorikers
Early View: Zitierfähige Online-Fassung mit vorläufiger Seitenzählung. Nach Erscheinen des gedruckten Bandes finden Sie den Beitrag mit den endgültigen Seitenzahlen im Open Access dort: http://journals.ub.uni-heidelberg.de/arch-inf Den gedruckten Band erhalten Sie unter http://www.archaeologische-informationen.de. Early View: Quotable online version with preliminary pagination. After the printed volume has appeared you can find this article with its final pagination as open access publication there: http://journals.ub.uni-heidelberg.de/arch-inf TheDie printed Frühgeschichte volume will be available Roms there: aus http://www.archaeologische-informationen.deder Sicht eines Prähistorikers . Die Frühgeschichte Roms aus der Sicht eines Prähistorikers Werner E. Stöckli Zusammenfassung – Ziel des Aufsatzes ist es, mithilfe von Grabfunden und Inschriften zusammen mit der historischen Überlieferung – aber ohne die Geschichten von handelnden Personen – ein Gerüst der römischen Frühgeschichte vom 10. Jh. bis um 300 v. Chr. zu erarbeiten. Dabei spielen die Verbreitungskarten eine zentrale Rolle (Abb. 1-3; 5-7). Die Verbreitung der lateinischen und der etruskischen Inschriften deuten darauf hin, dass Rom von Latinern gegründet wurde (Abb. 1). Dass der Tiber seit dem 10. Jh. die Grenze zwischen den Etruskern und Latinern war, zeigen die Verbreitung der Gräber (Abb. 2; 5), die grundverschieden ausgestattet waren (Abb. 4), die Verbreitung der Inschriften des 7.-5. Jh. v. Chr. (Abb. 2; 3) und die Überlieferung. Auch bei der Regioneneinteilung Italiens durch Augustus blieb der Tiber die Grenze zwischen Etrurien und Latium und damit Rom Grenzstadt. Strukturell wird die historische Überlieferung im 4. und 5. Kapitel abgehandelt: Rom als eine der latinischen Gemeinden (Populi Latini) und der „Populus“ als politisch handelnde Gemein- schaft (Staat) bis in augusteische Zeit, als Augustus das römische Reich als „Imperium Populi Romani“ bezeichnet. -
Between the Commemorative Games and the Descent to the Underworld
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Between the commemorative games and the descent to the Underworld in Books 5 and 6 of Vergil’s Aeneid: a study of structure and narrative technique in the transition https://eprints.bbk.ac.uk/id/eprint/40202/ Version: Full Version Citation: Powell„ David John (2017) Between the commemorative games and the descent to the Underworld in Books 5 and 6 of Vergil’s Aeneid: a study of structure and narrative technique in the transition. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Between the commemorative games and the descent to the Underworld in Books 5 and 6 of Vergil’s Aeneid: a study of structure and narrative technique in the transition Thesis submitted in September 2016 by: David John Powell awarded the degree of Master of Philosophy February 2017 Powell, D J September 2016 Declaration I hereby certify that the work presented in this thesis is my own work. …………………………………….. David John Powell ***** DEDICATIO Hunc librum dedico: et memoriae mulieris amatae Mariae et filio dilecto Antonio. Acknowledgments I wish to thank my supervisor, Professor Catharine Edwards, for her prudent suggestions throughout. Also my son, Anthony, and daughter-in-in-law, Julia, both Cambridge classics graduates, for their consistent encouragement. Any and all shortcomings are my own. 2 Powell, D J September 2016 Abstract Book 5 of Vergil’s Aeneid is known for the games commemorating the first anniversary of Anchises’ death; Book 6 for Aeneas’ visit to the Underworld. -
Servius on Divine Identity and Difference1 L.K.M
Divine Powers I: Servius on Divine Identity and Difference Servius on Divine Identity and Difference1 L.K.M. Maisel When it comes to the Greco-Roman gods, there is a certain interpretive problem that is so awkward, scholars either avoid it completely or generalize with so much dogmatism that one gets the impression they simply want to will it out of existence. The problem, to put a name on it, is that of “identification” (though we will see that this word is already misleading). Ancient pagan writers continually tell us that this god and that god are the same, or that what is thought to be one god are in reality several, and so on, but they do it so casually and so inconsistently that one despairs of an explanation. What is worse is how unbothered the ancients were at this – to use a phrase of Aristotle’s, they “considered only what was convincing to themselves, and gave no consideration to us.” (Metaphysics 1000a, tr. Tredennick) Since the issue was, from our perspective, so undertheorized, this means that any ancient author who does deign to theorize on it has to be taken with a grain of salt. On the other hand, there are also authors like Maurus Servius Honoratus. Servius was a grammarian, not a philosopher, who was not looking to build his own philosophical system but only to make passages in Vergil’s poetry comprehensible. So he is in something of a middle position between just telling us something that we don’t understand (“God A is god B, god B is god C, but god A isn’t god C”) and giving us an elaborate but entirely idiosyncratic explanation. -
DEATH in ROMAN MARCHE, ITALY: a COMPARATIVE STUDY of BURIAL RITUALS Presented by Antone R.E
DEATH IN ROMAN MARCHE, ITALY: A COMPARATIVE STUDY OF BURIAL RITUALS _______________________________________ A Thesis presented to the Faculty of the Graduate School at the University of Missouri-Columbia _______________________________________________________ In Partial Fulfillment of the Requirements for the Degree Master of Arts _____________________________________________________ by ANTONE R.E. PIERUCCI Dr. Kathleen Warner Slane, Thesis Supervisor MAY 2014 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled DEATH IN ROMAN MARCHE, ITALY: A COMPARATIVE STUDY OF BURIAL RITUALS presented by Antone R.E. Pierucci, a candidate for the degree of master of arts, and hereby certify that, in their opinion, it is worthy of acceptance. Professor Kathleen Warner Slane Professor Marcus Rautman Professor Carrie Duncan To my parents, for their support over the years. And for their support in the months to come as I languish on their couch eating fruit loops “looking for a job.” ACKNOWLEDGMENTS First and foremost I would like to thank the Department of Art History and Archaeology for the funding that allowed me to grow as a scholar and a professional these last two years; without the support this thesis would not have been possible. Secondly, I would like to thank my thesis Adviser, Dr. Kathleen Warner Slane, for the hours she spent discussing the topic with me and for the advice she provided along the way. The same goes for my committee members Dr. Rautman and Dr. Duncan for their careful reading of the manuscript and subsequent comments that helped produce the final document before you. And, of course, thanks must be given to my fellow graduate students, without whose helping hands and comforting shoulders (and the occasional beer) I would have long since lost touch with reality.