Vestal Virgins of Rome: Images of Power
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The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17Th-First Half of the 18Th Century
The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Siedina, Giovanna. 2014. The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century. Doctoral dissertation, Harvard University. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:13065007 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA © 2014 Giovanna Siedina All rights reserved. Dissertation Advisor: Author: Professor George G. Grabowicz Giovanna Siedina The Reception of Horace in the Courses of Poetics at the Kyiv Mohyla Academy: 17th-First Half of the 18th Century Abstract For the first time, the reception of the poetic legacy of the Latin poet Horace (65 B.C.-8 B.C.) in the poetics courses taught at the Kyiv Mohyla Academy (17th-first half of the 18th century) has become the subject of a wide-ranging research project presented in this dissertation. Quotations from Horace and references to his oeuvre have been divided according to the function they perform in the poetics manuals, the aim of which was to teach pupils how to compose Latin poetry. Three main aspects have been identified: the first consists of theoretical recommendations useful to the would-be poets, which are taken mainly from Horace’s Ars poetica. -
The Legend of Romulus and Remus
THE LEGEND OF ROMULUS AND REMUS According to tradition, on April 21, 753 B.C., Romulus and his twin brother, Remus, found Rome on the site where they were suckled by a she-wolf as orphaned infants. Actually, the Romulus and Remus myth originated sometime in the fourth century B.C., and the exact date of Rome’s founding was set by the Roman scholar Marcus Terentius Varro in the first century B.C. According to the legend, Romulus and Remus were the sons of Rhea Silvia, the daughter of King Numitor of Alba Longa. Alba Longa was a mythical city located in the Alban Hills southeast of what would become Rome. Before the birth of the twins, Numitor was deposed by his younger brother Amulius, who forced Rhea to become a vestal virgin so that she would not give birth to rival claimants to his title. However, Rhea was impregnated by the war god Mars and gave birth to Romulus and Remus. Amulius ordered the infants drowned in the Tiber, but they survived and washed ashore at the foot of the Palatine hill, where they were suckled by a she-wolf until they were found by the shepherd Faustulus. Reared by Faustulus and his wife, the twins later became leaders of a band of young shepherd warriors. After learning their true identity, they attacked Alba Longa, killed the wicked Amulius, and restored their grandfather to the throne. The twins then decided to found a town on the site where they had been saved as infants. They soon became involved in a petty quarrel, however, and Remus was slain by his brother. -
Domitian's Dacian War Domitian'in Daçya Savaşi
2020, Yıl 4, Sayı 13, 75 - 102 DOMITIAN’S DACIAN WAR DOMITIAN’IN DAÇYA SAVAŞI DOI: 10.33404/anasay.714329 Çalışma Türü: Araştırma Makalesi / Research Article1 Gökhan TEKİR* ABSTRACT Domitian, who was one of the most vilified Roman emperors, had suf- fered damnatio memoriae by the senate after his assassination in 96. Senator historians Tacitus and Cassius Dio ignored and criticized many of Domitian’s accomplishments, including the Dacian campaign. Despite initial setbacks in 86 and 87, Domitian managed to push the invading Dacians into the Dacian terri- tory and even approached to the Dacian capital in 88. However, the Saturninus revolt and instability in the Chatti and Pannonia in 89 prevented Domitian from concluding the campaign. The peace treaty stopped the Dacian incursions and made Dacia a dependent state. It is consistent with Domitian’s non-expansionist imperial policy. This peace treaty stabilized a hostile area and turned Dacia a client kingdom. After dealing with various threats, he strengthened the auxiliary forces in Dacia, stabilizing the Dacian frontier. Domitian’s these new endeavors opened the way of the area’s total subjugation by Trajan in 106. Keywords: Domitian, Roman Empire, Dacia, Decebalus, security 1- Makale Geliş Tarihi: 03. 04. 2020 Makale Kabül Tarihi: 15. 08. 2020 * Doktor, Email: [email protected] ORCID ID https://orcid.org/0000-0003-3985-7442 75 DomItIan’s DacIan War ÖZ Domitian 96 yılında düzenlenen suikast sonucunda hakkında senato tarafından ‘hatırası lanetlenen’ ve hakkında en çok karalama yapılan Roma imparatorlarından birisidir. Senatör tarihçilerden olan Tacitus ve Cassius Dio, Domitian’ın bir çok başarısını görmezden gelmiş ve eleştirmiştir. -
Vestal Virgins and Their Families
Vestal Virgins and Their Families Andrew B. Gallia* I. INTRODUCTION There is perhaps no more shining example of the extent to which the field of Roman studies has been enriched by a renewed engagement with anthropology and other cognate disciplines than the efflorescence of interest in the Vestal virgins that has followed Mary Beard’s path-breaking article regarding these priestesses’ “sexual status.”1 No longer content to treat the privileges and ritual obligations of this priesthood as the vestiges of some original position (whether as wives or daughters) in the household of the early Roman kings, scholars now interrogate these features as part of the broader frameworks of social and cultural meaning through which Roman concepts of family, * Published in Classical Antiquity 34.1 (2015). Early versions of this article were inflicted upon audiences in Berkeley and Minneapolis. I wish to thank the participants of those colloquia for helpful and judicious feedback, especially Ruth Karras, Darcy Krasne, Carlos Noreña, J. B. Shank, and Barbara Welke. I am also indebted to George Sheets, who read a penultimate draft, and to Alain Gowing and the anonymous readers for CA, who prompted additional improvements. None of the above should be held accountable for the views expressed or any errors that remain. 1 Beard 1980, cited approvingly by, e.g., Hopkins 1983: 18, Hallett 1984: x, Brown 1988: 8, Schultz 2012: 122. Critiques: Gardner 1986: 24-25, Beard 1995. 1 gender, and religion were produced.2 This shift, from a quasi-diachronic perspective, which seeks explanations for recorded phenomena in the conditions of an imagined past, to a more synchronic approach, in which contemporary contexts are emphasized, represents a welcome methodological advance. -
Pliny the Elder and the Problem of Regnum Hereditarium*
Pliny the Elder and the Problem of Regnum Hereditarium* MELINDA SZEKELY Pliny the Elder writes the following about the king of Taprobane1 in the sixth book of his Natural History: "eligi regem a populo senecta clementiaque, liberos non ha- bentem, et, si postea gignat, abdicari, ne fiat hereditarium regnum."2 This account es- caped the attention of the majority of scholars who studied Pliny in spite of the fact that this sentence raises three interesting and debated questions: the election of the king, deposal of the king and the heredity of the monarchy. The issue con- cerning the account of Taprobane is that Pliny here - unlike other reports on the East - does not only use the works of former Greek and Roman authors, but he also makes a note of the account of the envoys from Ceylon arriving in Rome in the first century A. D. in his work.3 We cannot exclude the possibility that Pliny himself met the envoys though this assumption is not verifiable.4 First let us consider whether the form of rule described by Pliny really existed in Taprobane. We have several sources dealing with India indicating that the idea of that old and gentle king depicted in Pliny's sentence seems to be just the oppo- * The study was supported by OTKA grant No. T13034550. 1 Ancient name of Sri Lanka (until 1972, Ceylon). 2 Plin. N. H. 6, 24, 89. Pliny, Natural History, Cambridge-London 1989, [19421], with an English translation by H. Rackham. 3 Plin. N. H. 6, 24, 85-91. Concerning the Singhalese envoys cf. -
Domitian's Arae Incendii Neroniani in New Flavian Rome
Rising from the Ashes: Domitian’s Arae Incendii Neroniani in New Flavian Rome Lea K. Cline In the August 1888 edition of the Notizie degli Scavi, profes- on a base of two steps; it is a long, solid rectangle, 6.25 m sors Guliermo Gatti and Rodolfo Lanciani announced the deep, 3.25 m wide, and 1.26 m high (lacking its crown). rediscovery of a Domitianic altar on the Quirinal hill during These dimensions make it the second largest public altar to the construction of the Casa Reale (Figures 1 and 2).1 This survive in the ancient capital. Built of travertine and revet- altar, found in situ on the southeast side of the Alta Semita ted in marble, this altar lacks sculptural decoration. Only its (an important northern thoroughfare) adjacent to the church inscription identifies it as an Ara Incendii Neroniani, an altar of San Andrea al Quirinale, was not unknown to scholars.2 erected in fulfillment of a vow made after the great fire of The site was discovered, but not excavated, in 1644 when Nero (A.D. 64).7 Pope Urban VIII (Maffeo Barberini) and Gianlorenzo Bernini Archaeological evidence attests to two other altars, laid the foundations of San Andrea al Quirinale; at that time, bearing identical inscriptions, excavated in the sixteenth the inscription was removed to the Vatican, and then the and seventeenth centuries; the Ara Incendii Neroniani found altar was essentially forgotten.3 Lanciani’s notes from May on the Quirinal was the last of the three to be discovered.8 22, 1889, describe a fairly intact structure—a travertine block Little is known of the two other altars; one, presumably altar with remnants of a marble base molding on two sides.4 found on the Vatican plain, was reportedly used as building Although the altar’s inscription was not in situ, Lanciani refers material for the basilica of St. -
Eclectic Antiquity Catalog
Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes Eclectic Antiquity the Classical Collection of the Snite Museum of Art Compiled and edited by Robin F. Rhodes © University of Notre Dame, 2010. All Rights Reserved ISBN 978-0-9753984-2-5 Table of Contents Introduction..................................................................................................................................... 1 Geometric Horse Figurine ............................................................................................................. 5 Horse Bit with Sphinx Cheek Plates.............................................................................................. 11 Cup-skyphos with Women Harvesting Fruit.................................................................................. 17 Terracotta Lekythos....................................................................................................................... 23 Marble Lekythos Gravemarker Depicting “Leave Taking” ......................................................... 29 South Daunian Funnel Krater....................................................................................................... 35 Female Figurines.......................................................................................................................... 41 Hooded Male Portrait................................................................................................................... 47 Small Female Head...................................................................................................................... -
Servius, Cato the Elder and Virgil
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by St Andrews Research Repository MEFRA – 129/1 – 2017, p. 85-100. Servius, Cato the Elder and Virgil Christopher SMITH C. Smith, British School at Rome, University of St Andrews, [email protected] This paper considers one of the most significant of the authors cited in the Servian tradition, Cato the Elder. He is cited more than any other historian, and looked at the other way round, Servius is a very important source for our knowledge of Cato. This paper addresses the questions of what we learn from Servius’ use of Cato, and what we learn about Virgil ? Servius, Cato the Elder, Virgil, Aeneas Cet article envisage la figure du principal auteur cite dans la tradition servienne, Caton l’Ancien. C’est l’historien le plus cité par Servius et, à l’inverse, Servius est une source très importante pour notre connaissance de Caton. Cet article revient sur l’utilisation de Caton par Servius et sur ce que Servius nous apprend sur Virgile. Servius, Catone l’Ancien, Virgile, Énée The depth of knowledge and understanding icance of his account of the beginnings of Rome. underpinning Virgil’s approach to Italy in the Our assumption that the historians focused on the Aeneid demonstrates that he was a profoundly earlier history and then passed rapidly over the learned poet ; and it was a learning which was early Republic is partly shaped by this tendency in clearly drawn on deep knowledge and under- the citing authorities2. -
Holy Statue: Dio Cassius and Agrippa’S Pantheon
Holy Statue: Dio Cassius and Agrippa’s Pantheon Dio Cassius’ anachronisms are well-known (Swan 1987, Millar 1964), but this paper argues that his descriptions of the Pantheon and its statuary (53.27.2-3 and 54.1.1) use specific language and imagery to report the Agrippan monument to his third-century readers. This argument seeks to prove two points: that Dio’s language clarifies his layout of the statues, and that the named gods mark the Agrippan version of the temple. A word-study of ἄγαλμα, ἀνδρίας, and εἰκών follows the design of Estienne’s (2010) analysis of Latin words for statuary: 60% of Dio’s applications of ἄγαλμα refer to divine statues, with 23% describing imperial (mostly divi), but never regular mortals; 54% of uses of ἀνδρίας refer to imperial statues and 34% to mortals, but never singularly uses for divine; εἰκών is the most common, with 50% of uses describing imperial statues, 40% percent to mortals, and less than 1% percent are divine. These data show that Dio never applies certain words for specific types of statues, and context reveals more about overlapping and uncertain images. For example, he never utilizes ἀνδρίας for the divine, but the context of Dio’s five uncertain uses of the plural ἀνδριάντες indicates groups of statues, which included gods, emperors, and men (37.9.1, 54.1.1, 60.6.8, 74.5.3, 74.12.5). Dio then applies the plural broadly as a collective term, where the context of the grouping would elucidate his meaning. In the Pantheon, Dio presents all three types of images sharing the temple (53.27.2-3). -
The Eternal Fire of Vesta
2016 Ian McElroy All Rights Reserved THE ETERNAL FIRE OF VESTA Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy A thesis submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Master of Arts Graduate Program in Classics Written under the direction of Dr. Serena Connolly And approved by ___________________________________________ ___________________________________________ ___________________________________________ New Brunswick, New Jersey October 2016 ABSTRACT OF THE THESIS The Eternal Fire of Vesta: Roman Cultural Identity and the Legitimacy of Augustus By Ian McElroy Thesis Director: Dr. Serena Connolly Vesta and the Vestal Virgins represented the very core of Roman cultural identity, and Augustus positioned his public image beside them to augment his political legitimacy. Through analysis of material culture, historiography, and poetry that originated during the principate of Augustus, it becomes clear that each of these sources of evidence contributes to the public image projected by the leader whom Ronald Syme considered to be the first Roman emperor. The Ara Pacis Augustae and the Res Gestae Divi Augustae embody the legacy the Emperor wished to establish, and each of these cultural works contain significant references to the Vestal Virgins. The study of history Livy undertook also emphasized the pathetic plight of Rhea Silvia as she was compelled to become a Vestal. Livy and his contemporary Dionysius of Halicarnassus explored the foundation of the Vestal Order and each writer had his own explanation about how Numa founded it. The Roman poets Virgil, Horace, Ovid, and Tibullus incorporated Vesta and the Vestals into their work in a way that offers further proof of the way Augustus insinuated himself into the fabric of Roman cultural identity by associating his public image with these honored priestesses. -
Faunus and the Fauns in Latin Literature of the Republic and Early Empire
University of Adelaide Discipline of Classics Faculty of Arts Faunus and the Fauns in Latin Literature of the Republic and Early Empire Tammy DI-Giusto BA (Hons), Grad Dip Ed, Grad Cert Ed Submitted in fulfilment of the requirements for the degree of Master of Philosophy October 2015 Table of Contents Abstract ................................................................................................................... 4 Thesis Declaration ................................................................................................... 5 Acknowledgements ................................................................................................. 6 Introduction ............................................................................................................. 7 Context and introductory background ................................................................. 7 Significance ......................................................................................................... 8 Theoretical framework and methods ................................................................... 9 Research questions ............................................................................................. 11 Aims ................................................................................................................... 11 Literature review ................................................................................................ 11 Outline of chapters ............................................................................................ -
Cassius Dio's Livia and the Conspiracy of Cinna Magnus Eric Adler Connecticut College, [email protected]
Connecticut College Digital Commons @ Connecticut College Classics Faculty Publications Classics Department 2011 Cassius Dio's Livia and the Conspiracy of Cinna Magnus Eric Adler Connecticut College, [email protected] Follow this and additional works at: http://digitalcommons.conncoll.edu/classfacpub Part of the Ancient History, Greek and Roman through Late Antiquity Commons Recommended Citation Adler, E. "Cassius Dio's Livia And The onC spiracy Of Cinna Magnus." Greek, Roman And Byzantine Studies 51.1 (2011): 133-154. Web. This Article is brought to you for free and open access by the Classics Department at Digital Commons @ Connecticut College. It has been accepted for inclusion in Classics Faculty Publications by an authorized administrator of Digital Commons @ Connecticut College. For more information, please contact [email protected]. The views expressed in this paper are solely those of the author. Cassius Dio’s Livia and the Conspiracy of Cinna Magnus Eric Adler HE CONSPIRACY of Cn. Cornelius Cinna Magnus, which took place at some point during the age of T Augustus, has vexed scholars for generations.1 And for good reason. We possess only two accounts of this unsuccessful plot—one by Seneca (Clem. 1.9) and another by Cassius Dio (55.14–22).2 These descriptions, as we shall see, prove both mutually contradictory and, in places, internally inconsistent. Accordingly, we cannot be certain about crucial details sur- rounding the conspiracy: its date, location, participants, and even its historicity. As a result, scholars examining the Cinna plot have understandably tended to focus their attention on these fundamental issues; many, furthermore, have attempted to home in on Seneca’s and Dio’s likely sources.