Lone Star luthiers bring joy to the world, Heroes strings attached

BY LORI MOFFATT PHOTOGRAPHS BY STAN WILLIAMS ou could argue that e Luthier: (loo’te r), n. one who without the guitar, makes or repairs stringed instru- ments. From French luth, . fiddle, , or their many stringed cousins, Texas would have been an aw- Yfully somber place. Quiet, for sure: Think of a campfire without the guitar or a barn dance without the fiddle—the scenarios don’t seem possible. And while Texans didn’t invent the first stringed instrument, we’ve certainly made our mark on the craft. According to the Texas Governor’s Music Of- fice, more than 160 businesses statewide specialize in the repair or fabrica- tion of stringed instruments, though far fewer call themselves luthiers.

Like many luthiers, Stephen Kinnaird believes that handcrafted instruments reflect the personalities of their makers. Here, Kinnaird (background) works on the fretboard of a customer’s steel-string guitar, while his assistant, Ryan Middlebrook, uses a spokeshave to carve walnut for a neck. Above, an inlaid detail.

40 TEXAS HIGHWAYS January 2009 January 2009 TEXAS HIGHWAYS 41 CHUCK LEE STEPHEN MARCHIONE GLENN STEVENS CHRIS CARRINGTON

hotographer and guitarist Stan Williams—whose images appear on these GLENN STEVENS Fredericksburg “You could give a roomful of luthiers the same pages—recalls the first notes he heard from an Austin-made Collings guitar. uthier Glenn Stevens plies his craft “Every note spoke with clarity of voice, a ringing sustain, and perfect intona- at Fredericksburg’s Hill Country pieces of beautiful wood, and our instruments Music, a retail store specializing in tion,” Williams says. “I was in love. I wondered, ‘How many other guitar- L sheet music and instruments of all types. would all sound different. Maybe the difference Pmakers are there in Texas that I don’t know about?’” He built a career making and repairing in- comes through our hands.” He found plenty. As Williams searched the Internet and followed leads from musician struments in Gatlinburg and Nashville be- friends, he arrived at six luthiers whose works, he says, “are a good fore returning to Texas to be close to fam- ily. “I like to jump back and forth between representation of the different types of stringed instruments in Texas.” webextra What strikes a chord building an instrument and restoration,” I make it play, first, and then I restore its comes rigid, just as it was when it was part Their backgrounds are as different as wildflowers and asphalt. One lu- *for photographer Stan says Stevens. “The thrill for me is when beauty and elegance. of a tree. Playing brings an instrument thier, for example, ended a 30-year career as a plumber to build , Williams? See www. customers bring me something that’s close “People come in with an instrument back to life and gives it a soul.” texashighways.com. while another has a Master’s degree in classical-guitar performance and to their hearts, be it a $100,000 guitar or thinking they’re going to display it,” Ste- Grandpa’s fiddle. Maybe someone used vens continues. “But then they think, ‘May- STEPHEN MARCHIONE Houston toured with jazz guitarist Al Di Meola. But one thing they have in common is pride of crafts- it to tell stories, maybe it was played in be I can learn to play.’ That’s when it’s re- n the small workshop behind his manship—the difference, according to banjo-maker Chuck Lee of Ovilla, “between an instru- a honky-tonk. Or they’re bringing you a ally satisfying, because an instrument dies a home in Houston’s Montrose Dis- ment made in a small shop in Texas and an instrument made in a factory overseas.” memory of their father or grandfather. So slow death if it’s not played. The wood be- I trict, luthier Stephen