SEVEN STORIES PRESS 140 Watts Street

Total Page:16

File Type:pdf, Size:1020Kb

SEVEN STORIES PRESS 140 Watts Street SEVEN STORIES PRESS 140 Watts Street New York, NY 10013 BOOKS FOR ACADEMIC COURSES 2019 COURSES ACADEMIC FOR BOOKS SEVEN STORIES PRESS STORIES SEVEN SEVEN STORIES PRESS PRESS STORIES SEVEN BOOKS FOR ACADEMIC COURSES 2019 Dear colleagues, The world of the printed word is topsy-turvy as ever, with journalism and free speech under threat from all sides. So perhaps the time is now to make sure our house is in order. According to the Chinese Zodiac, 2019 is the Year of the Pig, the twelfth and last animal in the calendar. Though the pig came last in the mythological race that determined the order of the animals, he still became known as the luckiest among them, with a genial and peaceful nature the world could not resist. We begin 2019 by calling to your attention, on our nonfiction list, Peter Phillips’s Giants: The Global Power Elite, a sober and painstaking look at the world’s 1%, which Noam Chomsky calls “a remarkable inquiry . providing detailed and often shocking revelations about the astonishing concentration of private wealth and corporate power.” Then there’s Robin Marty’s Handbook for a Post-Roe America, a comprehensive and user-friendly guide for understanding and preparing for the looming changes to reproductive rights law, and getting the healthcare you need—by any means necessary. Also new this year is 100 Times: A Memoir of Sexism from Chavisa Woods, a powerful personal account of one-hundred instances of harassment, sexism, and assault, that will be a perfect fit English and Gender Studies courses alike. Aric McBay’s two-volume Full Spectrum Resistance: Building Movements and Fighting to Win is a monumental tome that is both an encyclopedia of resistance movements and a guide to how to build on what has been learned by rebels of yore. On the fiction list, we’re pleased to announce a new novel from one of today’s leading Croatian novelists, Robert Perišić’s No-Signal Area, which American novelist Nell Zink calls “a mind-blowing read.” Also arriving in late 2019 is the new title from Guadalupe Nettel, who is fast establishing herself as a force to be reckoned with in her native Mexico and around the world. Fresh from winning the prestigious Herralde Novel Prize, she’s back with a new slyly surreal collection, Bezoar and Other Unsettling Stories. Staying south of the border, March marks the publication of Silvana Paternostro’s Solitude & Company: The Life of Gabriel García Márquez Told with Help from His Friends, Family, Fans, Arguers, Fellow Pranksters, Drunks, and a Few Respectable Souls, the subtitle of which pretty much says it all. And speaking of pranksters, we’re excited to be bringing back into print Run Run Run: The Lives of Abbie Hoffman, a poignant examination of all the contradictions that made Abbie so compelling, penned by his brother Jack Hoffman and Seven Stories publisher Dan Simon. To cap it all off, we’ve got a new Kurt Vonnegut title coming in November: Pity the Reader: On Writing with Style. Compiled and edited by co-author Suzanne McConnell, Vonnegut’s longtime friend and former student at the Iowa Writers’ Workshop, Pity the Reader contains just about everything Kurt Vonnegut ever said or wrote about the art and craft of writing. The only real pity is that readers will have to wait till November to grab a copy. So it goes. As always, our policy at Seven Stories is to provide free examination copies of all our books in the field in which you teach, without any obligation on your part to adopt the book. Just write to me at [email protected]. I’ll be happy to send you books and answer your questions. And don’t forget to check out our website at www.sevenstories.com for teaching guides, special offers, and more. Best, Noah Kumin SEVEN STORIES PRESS TRIANGLE SQUARE SIETE CUENTOS EDITORIAL BOOKS FOR ACADEMIC COURSES 2019–2020 “I used Ted Rall’s Snowden in a very special class I’ve been “I love The Graphic Canon as a sequential art enthusiast. I have teaching in which students read comics but also create their own put forward the challenge for decades for the academic world to webcomic based on an oral history. I wanted to offer them exam- take a serious look at graphic literature and its intersection with ples of cartoonists who have conducted extensive research and critical literature only to be told over and over that there was ‘no interviews in order to reconstruct the events and experiences of a value in “funny books” and their attempts at literature.’ Seven real person’s life. We are looking at Joe Sacco, Art Spiegelman, Ed Stories Press has proven them all wrong. Add to this the fact that Piskor, and Harvey Pekar as well.” it isn’t the same old ‘dead white European guys’ canon, and you’ve —Patricia Akhimie, Department of English, Rutgers University got a winner. - Newark — Tony O’Seland, Languages and Literature Department, Northeastern State University Snowden was very useful in the class, and it dovetailed nicely with our discussions of the ethics (and technics) of surveillance “The Autism Puzzle was my first foray into what Seven Stories and more classic visions of authoritarianism, such as Orwell’s in Press has to offer, and I certainly plan to come back for more! As 1984. The class approached the topic of Edward Snowden from the librarian, I am very happy that even students outside of our the point of view that his role in history is currently debatable: medical program are interested in this book because the topic is whether he is a hero or a traitor. While the students were able to so relevant and “ripped right from the headlines.” Seven Stories tell that Ted Rall was on the side of viewing Snowden as a hero, Press books will definitely continue to be on the ‘Recommended they did agree that Rall’s presentation of facts was clear enough Reading’ lists at my school!” that it also allowed the students to make their own conclu- — Constance Woodward, LMT, Librarian, Institute of sions about Snowden’s likely legacy. In all, it was very useful for Technology our discussions, and I think that the students also enjoyed the graphic novel format. “In Sleepaway School, Lee Stringer reaches for your hand in the —Glenn W. Muschert, Sociology and Social Justice Studies, preface, and then never lets go. The result is an intimate walk Miami University, Ohio through his pages, the distance between you and young Caverly so blurred, you are not only with him, but inside his skin, looking I am using Harriet Alonso’s text Martha and the Slave Catchers through his eyes.” in my social studies methodology course for undergraduates. I —Ann Nierporent, MFA Student, Manhattanville College am modeling ways of using this text for elementary and middle school classrooms so as to engage young readers in understand- “Are Prisons Obsolete? is an eye-opening, lucid, and provocative ing U.S. history— particularly at the time of slavery. This story expose of the American prison system today. This powerful little provides multiple entry points for teaching issues related to social book packs a powerful punch. In five short chapters Angela Y. justice, individual agency, and adolescent resiliency within a Davis exposes the fundamental problematics of our current defined historical context. prison system: its inherent racism, sexism, and classism; its —Catherine Franklin, School of Education, The City College troubling connection with capital gain; its tenuous relationship of New York to justice; and its disturbingly rapid growth in recent years. This book is excellent for both undergraduate and graduate students, With an economy of words and provocative illustrations, The as well as anyone interested in mass incarceration and the US Dead Eye and the Deep Blue Sea tells a relentlessly dishearten- justice system.” ing true story, albeit with a miraculous ending, about human — Mieka B. Polanco, Department of Sociology and trafficking in the fishing industry in Southeast Asia. Anthropology, James Madison University —Dr. Paul R. Abramson, Professor of Psychology, UCLA and Tania L. Abramson, Lecturer in the Honors Collegium, UCLA “Each year’s Censored volume is a wonderful book to assign to students. The books are clearly written and hard-hitting. Their Picking up where C. Wright Mills left off with his invaluable appealing format helps open up even the most hardened student dissection of the “power elite” that used to run America alone, to the ideas of corporate and government manipulation. From Phillips thoroughly identifies the members of the “transnational there the professor can introduce students to the alternative capitalist class” that largely runs the world today. For anyone media. In just four words, Censored is a real eye-opener.” who wants to know precisely where we are today, and why—and — Levon Chorbajian, Sociology, University of Massachusetts who knows that we can and must go somewhere else—Giants is Lowell a book to read, and recommend, right now. —Mark Crispin Miller PhD, Professor Media Studies, New “Thanks to Seven Stories Press I get to teach political writings York University from Arabic and Francophone literatures to American students. Algerian White was my first experience teaching a book by Assia Djebar and although it was challenging, the memoir was the right choice for thinking through violence in the colonial and post-colonial contexts. Such books are of great help in introduc- ing students to historical events they are unfamiliar with.” — Mona Kareem, Instructor at Binghamton University, Comparative Literature Program and International Affairs 127 NEW AND BACKLIST TITLES The State of Humanity:
Recommended publications
  • Selected Chronology of Political Protests and Events in Lawrence
    SELECTED CHRONOLOGY OF POLITICAL PROTESTS AND EVENTS IN LAWRENCE 1960-1973 By Clark H. Coan January 1, 2001 LAV1tRE ~\JCE~ ~')lJ~3lj(~ ~~JGR§~~Frlt 707 Vf~ f·1~J1()NT .STFie~:T LA1JVi~f:NCE! i(At.. lSAG GG044 INTRODUCTION Civil Rights & Black Power Movements. Lawrence, the Free State or anti-slavery capital of Kansas during Bleeding Kansas, was dubbed the "Cradle of Liberty" by Abraham Lincoln. Partly due to this reputation, a vibrant Black community developed in the town in the years following the Civil War. White Lawrencians were fairly tolerant of Black people during this period, though three Black men were lynched from the Kaw River Bridge in 1882 during an economic depression in Lawrence. When the U.S. Supreme Court ruled in 1894 that "separate but equal" was constitutional, racial attitudes hardened. Gradually Jim Crow segregation was instituted in the former bastion of freedom with many facilities becoming segregated around the time Black Poet Laureate Langston Hughes lived in the dty-asa child. Then in the 1920s a Ku Klux Klan rally with a burning cross was attended by 2,000 hooded participants near Centennial Park. Racial discrimination subsequently became rampant and segregation solidified. Change was in the air after World "vV ar II. The Lawrence League for the Practice of Democracy (LLPD) formed in 1945 and was in the vanguard of Post-war efforts to end racial segregation and discrimination. This was a bi-racial group composed of many KU faculty and Lawrence residents. A chapter of Congress on Racial Equality (CORE) formed in Lawrence in 1947 and on April 15 of the following year, 25 members held a sit-in at Brick's Cafe to force it to serve everyone equally.
    [Show full text]
  • The History and Philosophy of the Postwar American Counterculture
    The History and Philosophy of the Postwar American Counterculture: Anarchy, the Beats and the Psychedelic Transformation of Consciousness By Ed D’Angelo Copyright © Ed D’Angelo 2019 A much shortened version of this paper appeared as “Anarchism and the Beats” in The Philosophy of the Beats, edited by Sharin Elkholy and published by University Press of Kentucky in 2012. 1 The postwar American counterculture was established by a small circle of so- called “beat” poets located primarily in New York and San Francisco in the late 1940s and 1950s. Were it not for the beats of the early postwar years there would have been no “hippies” in the 1960s. And in spite of the apparent differences between the hippies and the “punks,” were it not for the hippies and the beats, there would have been no punks in the 1970s or 80s, either. The beats not only anticipated nearly every aspect of hippy culture in the late 1940s and 1950s, but many of those who led the hippy movement in the 1960s such as Gary Snyder and Allen Ginsberg were themselves beat poets. By the 1970s Allen Ginsberg could be found with such icons of the early punk movement as Patty Smith and the Clash. The beat poet William Burroughs was a punk before there were “punks,” and was much loved by punks when there were. The beat poets, therefore, helped shape the culture of generations of Americans who grew up in the postwar years. But rarely if ever has the philosophy of the postwar American counterculture been seriously studied by philosophers.
    [Show full text]
  • Where No Wall Remains ﺣﯾث ﻻ ﺟدار ﯾﺑﻘﯽ Donde No Queda Ningún Muro
    LIVE ARTS BARD 2019 BIENNIAL Where No Wall Remains حيث ﻻ جدار يبقى Donde No Queda Ningún Muro an international festival about borders NOVEMBER 21–24, 2019 About the Fisher Center at Bard Fisher Center at Bard The Fisher Center develops, produces, and presents performing arts across disciplines Chair Jeanne Donovan through new productions and context-rich programs that challenge and inspire. As President Leon Botstein a premier professional performing arts center and a hub for research and education, Executive Director Bob Bursey the Fisher Center supports artists, students, and audiences in the development and Artistic Director Gideon Lester examination of artistic ideas, offering perspectives from the past and present, as well present as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center LIVE ARTS BARD 2019 BIENNIAL for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs Where No Wall to many communities, including the students and faculty of Bard College, and audi- Remains لحيث ﻻ جدار يبقى .ences in the Hudson Valley, New York City, across the country, and around the world Building on a 159-year history as a competitive and innovative undergraduate institu- Donde No tion, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. Queda Ningún Muro an international festival about borders Land Acknowledgment Statement Cocurated by Tania El Khoury and Gideon Lester In the spirit of truth and equity, it is with gratitude and humility that we acknowl- edge that we are gathered on the sacred homelands of the Muheaconneok or Thursday, November 21, through Sunday, November 24, 2019 Mohican people, who are the stewards of this land.
    [Show full text]
  • Migrating Childhoods in Valeria Luiselli's Lost Children Archive
    76 Chasing After Life: Migrating Childhoods in Valeria Luiselli’s Lost Children Archive Aparna Mishra Tarc York University [email protected] Abstract This essay engages the border-crossing poetics of transnational migration through an engagement with Valeria Luiselli’s fictional depictions of migrant children in her novel Lost Children Archive. Engaging the migrating and intertextual forum of children’s witness and memory in the novel, I follow Luiselli’s moving depiction of child migrants as wholly undocumented and lost people outside the adult world of articulation. I argue that Luiselli’s novel documentation conjures up historical, contemporary, and autobiographical memories of migrant and displaced children comprising the colonial story of modernism. I consider children’s articulations, construction and witness of migration through my readings of the stories of migrating childhood delivered by Luiselli’s fictional depiction. I find, Luiselli’s moving rendition of children’s migration presents new challenges to educational and popular discourses of childhood, migration, and the responsibilities of the adult communities. Keywords: Transnational migration, migrant children, autobiographical memories Human migration is autobiographical as Hannah Arendt (1943) depicts in her sole autobiographical essay, We Refugees. We lost our home, which means the familiarity of daily life. We lost our occupation, which means the confidence that we are of some use in this world. We lost our language, which means the naturalness of reactions, the simplicity of gestures, the unaffected expression of feelings. We left our relatives in Polish ghettos and our best friends have been killed in concentration camps, and that means the rupture of our private lives.
    [Show full text]
  • Lenny Bruce Further Study
    LENNY BRUCE FURTHER STUDY Description: Performing from the late 40’s up to his death in 1966, Lenny has left behind a collection of work that goes beyond what we could cover in the available class time. A deeper look at Lenny Bruce can be seen in his albums, movies, books and TV appearances, as well as in the documentary tributes and biopics on him. The following are some links and resources for further study. Note: The material in the Amazon.com links listed here, in many cases, can also be obtained from your local library or other sources. Materials: Lenny Bruce Albums If you only listen to one Lenny Bruce album, “Bits I Got Busted For” or the “Carnegie Hall” are recommended. Of course, all are recommended, they all have value and enrich the Lenny experience. Click on the blue links below to see the Amazon.com writeups of each album. Most of these albums are also available at your local library. Year Title Label Format Notes 2 tracks feature Henry Jacobs & Interviews of Our LP / LP 1969 / CD Woody Leifer, liner notes by 1958 Times 1991 / download Horace Sprott III & Sleepy John Estes LP / LP / 8-track 1984 The Sick Humor of 1959 / CD 1991, 2012 & Lenny Bruce Fantasy 2017 / download 2010 Records I Am Not a Nut, Elect LP / CD 1991 / Liner notes by Ralph J. Gleason 1960 Me! (Togetherness) download LP / CD 1991, 2013 & 1961 American 2016 / download Lenny Bruce Is Out Lenny Self-published live recordings 1964 LP / download 2004 Again Bruce from 1958–1963 Please submit any questions to: [email protected] Lenny Bruce Is Out
    [Show full text]
  • Autumn/Winter 2019 - 2020
    CATALOGUE Autumn/Winter 2019 - 2020 3 September 2019 AGAINST MEMOIR Michelle Tea A queer countercultural icon opens up about all things artistic, radical and romantic. Winner of the PEN American Center essay prize. ‘I must find my own complicated junkie to have violent sex with. In 1994, nothing seemed like a better idea, save being able to write about it later.’ Michelle Tea is our exuberant guide to the hard times and wild creativity of queer and misfit life in America, by way of SCUM Manifesto author Valerie Solanas, the lesbian motorbike gang HAGS, a trans protest camp and teenage goths hustling for tips at an ice creamery. Unsparing but unwaveringly kind, Against Memoir solidifies Tea’s place as one of the leading queer writers of our time. ‘Michelle Tea’s irresistibly fresh writing and openhearted voice make Michelle Tea is the author of a number Non-Fiction (336pp) Against Memoir a brilliant, wild ride.’ Preti Taneja of books, including memoirs. Her most B-format paperback recent novel Black Wave was published ISBN: 9781911508625 ‘Against Memoir ripples with compassion, anger, curiosity and humour.’ in the UK by And Other Stories in 2017. A eISBN: 9781911508632 Fiona Mozley literary organiser in queer and feminist 3 September 2019 ‘A bracing, heaven-sent tonic for deeply troubled times.’ Maggie Nelson circles, she co-created the long-running Territories: UK, EUR & performance tour Sister Spit and founded Comm (excl Can) ‘Eclectic and wide-ranging...A palpable pain animates many of these RADAR Productions, a non-profit whose Price: £10 essays, as well as a raucous joy and bright curiosity.’ The New York Times projects include Drag Queen Story Hour.
    [Show full text]
  • Libertarian Forum
    A Monthly Newsletter THE Libertarian Forum Joseph R. Peden, Publisher Murray N. Rothbard. Editor VOLUME 111, NO. 4 April, 1971 75c The Conning Of America Never let it be said that the Lib. Forum is a grim, that, in addition, the true humanity - the individuation of relentless monolith. Indeed, even within the Sober Center every person and his full creative development - would be of the anarcho-capitalist movement, we have a range stifled in the bud, would be destroyed on the altar of the of views stretching all the way from Jerry Tuccille to crippling and profoundly anti-human ideal of equality and myself. Everyone else, from Bill Buckley to Ed Muskie to uniformity. Abbie Hoffman, is a damned extremist, outside of our Reich's hatred of work and the division of labor erupts mainstream dialogue. in all sorts of ways: for example, his glorification of Thus, I disagree totally with Jerry's overall estimate of hippie youth because they wear all-purpose uniforms, Charles Reich and his "greening*. To the contrary, I where one set of clothes suffices every person for all his regard Reich's Con Game as largely a P. R. shuck, and to activities: playing, sleeping, etc. Those of us who wear the extent that the phenomenon is real, as a symptom of suits for working, dressier clothes for parties, shorts for a diseased society and a degenerate culture rather than athletics, pa jamas for sleeping, etc. are reviled for any sort of ally in the fight for liberty. "alienating" themselves by splitting themselves up into To raise the least important point first, the aesthetics different roles.
    [Show full text]
  • The Harlequin Nina Allan
    The Harlequin Nina Allan Publication Date: 30th September Format: B paperback ISBN: 9781910124383 Category: Horror/Ghost Stories RRP: £6.99 Extent: 150 ABOUT THIS BOOK The armistice is months past but the memories won’t go away. ‘A harlequin, leaning against a tree stump and with a goblet of ale clasped in one outstretched hand. Beaumont felt chilled suddenly, in spite of the fire… Most likely it was the thing’s mouth, red-lipped and fiendishly grinning, or maybe its face, which was white, expressionless, the face of a clown in full greasepaint.’ Dennis Beaumont drove an ambulance in World War One. He returns home to London, hoping to pick up his studies at Oxford and rediscover the love he once felt for his fiancée Lucy. But nothing is as it once was. Mentally scarred by his experiences in the trenches, Beaumont finds himself wandering further into darkness. What really happened to the injured soldier he tried to save? Who is the figure that lurks in the shadows? How much do they know of Beaumont, and the secrets he keeps? SALES AND MARKETING HIGHLIGHTS • Campaign by the Award organisers utilising Ruth MARKETING AND Killick Publicity PUBLICITY Contact Rachel Kennedy ABOUT THE AUTHOR [email protected] Nina Allan lives in North Devon and is a previous or 07929 093882 winner of the British Science Fiction Award in 2014 with her novella Spin. In the same year, her second novella The Gateway was shortlisted for the Shirley Jackson Award/Prize. Her debut novel The Race was shortlisted for the Kitschies Red Tentacle, the British Science Fiction Award and the John W Campbell Memorial Award in 2015.
    [Show full text]
  • Coffeehousepress.Org
    79 Thirteenth Avenue NE, Suite 110 Minneapolis, Minnesota 55413 USA +011 612 338 0125 (phone) +011 612 338 4004 (fax) coffeehousepress.org For offers to provide representation in new territories; appointments at the London, Frankfurt, and Guadalajara Book Fairs; queries about the availability of specific books; requests for manuscripts; or information about our coagents, email editor Lizzie Davis: [email protected]. Other CHP Acquisitions When Death Takes Something from You, Give It Back: Carl’s Book Naja Marie Aidt Ornamental Juan Cárdenas Stephen Florida Gabe Habash In the Distance Hernan Diaz Comemadre Roque Larraquy Empty Words Mario Levrero Faces in the Crowd, Sidewalks, The Story of My Teeth, and Tell Me How It Ends: An Essay in 40 Questions Valeria Luiselli A Girl Is a Half-formed Thing Eimear McBride Temporary Hilary Leichter After the Winter Guadalupe Nettel Among Strange Victims and Ramifications Daniel Saldaña París Jakarta Rodrigo Márquez Tizano The Remainder and Las homicidas Alia Trabucco Zerán Jawbone and Nefando Mónica Ojeda Variations on the Body María Ospina Coffee House Press 2 CONTENTS The Breaks Julietta Singh Essay Sept. 2021 4 One Night Two Souls Went Ellen Cooney Novel Nov. 2020 5 Walking Echo Tree Henry Dumas Stories May 2021 6 Trafik Rikki Ducornet Novel April 2021 7 Reel Bay Jana Larson Essay Jan. 2021 8 The Sprawl Jason Diamond Essays Aug. 2020 9 Borealis Aisha Sabatini Sloan Essay Nov. 2021 10 Azareen Van Der Vliet N. Novel Spring 2022 10 Oloomi The Nature Book Tom Comitta Novel Fall 2022 11 Reinhardt’s Garden Mark Haber Novel Oct. 2019 12 Saint Sebastian’s Abyss Mark Haber Novel Spring 2023 13 Brown Neon Raquel Gutiérrez Essay Spring 2022 14 Madder Marco Wilkinson Essay Oct.
    [Show full text]
  • Shawyer Dissertation May 2008 Final Version
    Copyright by Susanne Elizabeth Shawyer 2008 The Dissertation Committee for Susanne Elizabeth Shawyer certifies that this is the approved version of the following dissertation: Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 Committee: Jill Dolan, Supervisor Paul Bonin-Rodriguez Charlotte Canning Janet Davis Stacy Wolf Radical Street Theatre and the Yippie Legacy: A Performance History of the Youth International Party, 1967-1968 by Susanne Elizabeth Shawyer, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May, 2008 Acknowledgements There are many people I want to thank for their assistance throughout the process of this dissertation project. First, I would like to acknowledge the generous support and helpful advice of my committee members. My supervisor, Dr. Jill Dolan, was present in every stage of the process with thought-provoking questions, incredible patience, and unfailing encouragement. During my years at the University of Texas at Austin Dr. Charlotte Canning has continually provided exceptional mentorship and modeled a high standard of scholarly rigor and pedagogical generosity. Dr. Janet Davis and Dr. Stacy Wolf guided me through my earliest explorations of the Yippies and pushed me to consider the complex historical and theoretical intersections of my performance scholarship. I am grateful for the warm collegiality and insightful questions of Dr. Paul Bonin-Rodriguez. My committee’s wise guidance has pushed me to be a better scholar.
    [Show full text]
  • Ursula Mctaggart
    RADICALISM IN AMERICA’S “INDUSTRIAL JUNGLE”: METAPHORS OF THE PRIMITIVE AND THE INDUSTRIAL IN ACTIVIST TEXTS Ursula McTaggart Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy In the Departments of English and American Studies Indiana University June 2008 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy Doctoral Committee ________________________________ Purnima Bose, Co-Chairperson ________________________________ Margo Crawford, Co-Chairperson ________________________________ DeWitt Kilgore ________________________________ Robert Terrill June 18, 2008 ii © 2008 Ursula McTaggart ALL RIGHTS RESERVED iii ACKNOWLEDGEMENTS A host of people have helped make this dissertation possible. My primary thanks go to Purnima Bose and Margo Crawford, who directed the project, offering constant support and invaluable advice. They have been mentors as well as friends throughout this process. Margo’s enthusiasm and brilliant ideas have buoyed my excitement and confidence about the project, while Purnima’s detailed, pragmatic advice has kept it historically grounded, well documented, and on time! Readers De Witt Kilgore and Robert Terrill also provided insight and commentary that have helped shape the final product. In addition, Purnima Bose’s dissertation group of fellow graduate students Anne Delgado, Chia-Li Kao, Laila Amine, and Karen Dillon has stimulated and refined my thinking along the way. Anne, Chia-Li, Laila, and Karen have devoted their own valuable time to reading drafts and making comments even in the midst of their own dissertation work. This dissertation has also been dependent on the activist work of the Black Panther Party, the League of Revolutionary Black Workers, the International Socialists, the Socialist Workers Party, and the diverse field of contemporary anarchists.
    [Show full text]
  • PDF EPUB} Sidewalks by Valeria Luiselli Sidewalks : Book Summary and Reviews of Sidewalks by Valeria Luiselli
    Read Ebook {PDF EPUB} Sidewalks by Valeria Luiselli Sidewalks : Book summary and reviews of Sidewalks by Valeria Luiselli. Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky's tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes. Reviews "Beyond the Book" articles Free books to read and review (US only) Find books by time period, setting & theme Read-alike suggestions by book and author Book club discussions and much more! Just $12 for 3 months or $39 for a year. Reviews. Media Reviews. "Starred Review. A collection that can't be categorized as memoir or travel writing or literary criticism but cohesively combines such elements and more." - Kirkus. "These essays take an unhurried pace well-suited for the ambling walks and bike rides that inspired them, deepened by literary and historical asides that situate these places in a context beyond the present moment." - Publisher's Weekly. "'A writer is a person who distributes silences and empty spaces.' What a pleasure to wander through Valeria Luiselli's meditative, precisely constructed landscapes of the city and interior. To read her essays is to have access to a map, a history, an passionate library, a thoughtful gaze, a sensitive and beautiful mind." - Kate Zambreno. "In a little over one hundred pages the peripatetic Luiselli covers Mexico City, Venice and New York – amongst others – with a quick eye and a scholar's heart.
    [Show full text]