DOCSLIB.ORG

PDF EPUB} Sidewalks by Valeria Luiselli Sidewalks : Book Summary and Reviews of Sidewalks by Valeria Luiselli

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF EPUB} Sidewalks by Valeria Luiselli Sidewalks : Book Summary and Reviews of Sidewalks by Valeria Luiselli Read Ebook {PDF EPUB} Sidewalks by Valeria Luiselli Sidewalks : Book summary and reviews of Sidewalks by Valeria Luiselli. Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky's tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes. Reviews "Beyond the Book" articles Free books to read and review (US only) Find books by time period, setting & theme Read-alike suggestions by book and author Book club discussions and much more! Just $12 for 3 months or $39 for a year. Reviews. Media Reviews. "Starred Review. A collection that can't be categorized as memoir or travel writing or literary criticism but cohesively combines such elements and more." - Kirkus. "These essays take an unhurried pace well-suited for the ambling walks and bike rides that inspired them, deepened by literary and historical asides that situate these places in a context beyond the present moment." - Publisher's Weekly. "'A writer is a person who distributes silences and empty spaces.' What a pleasure to wander through Valeria Luiselli's meditative, precisely constructed landscapes of the city and interior. To read her essays is to have access to a map, a history, an passionate library, a thoughtful gaze, a sensitive and beautiful mind." - Kate Zambreno. "In a little over one hundred pages the peripatetic Luiselli covers Mexico City, Venice and New York – amongst others – with a quick eye and a scholar's heart. She is a keen excavator and expositor; the history of places, people, words and ideas are deftly woven together in brief tapestries of a life lived around the world." - Review 31. "Valeria Luiselli is a writer of formidable talent, destined to be an important voice in Latin American letters. Her vision and language are precise, and the power of her intellect is in evidence on every page." - Daniel Alarcón. This information about Sidewalks shown above was first featured in "The BookBrowse Review" - BookBrowse's membership magazine, and in our weekly "Publishing This Week" newsletter. In most cases, the reviews are necessarily limited to those that were available to us ahead of publication. If you are the publisher or author and feel that the reviews shown do not properly reflect the range of media opinion now available, please send us a message with the mainstream media reviews that you would like to see added. Any "Author Information" displayed below reflects the author's biography at the time this particular book was published. Cookie Consent and Choices. NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites (together, “cookies”) to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic. This information is shared with social media, sponsorship, analytics, and other vendors or service providers. See details. You may click on “ Your Choices ” below to learn about and use cookie management tools to limit use of cookies when you visit NPR’s sites. You can adjust your cookie choices in those tools at any time. If you click “ Agree and Continue ” below, you acknowledge that your cookie choices in those tools will be respected and that you otherwise agree to the use of cookies on NPR’s sites. SIDEWALKS. Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky’s tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes. “ I’m completely captivated by the beauty of the paragraphs, the elegance of the prose, the joy in the written word, and the literary sense of this author .” —Enrique Vilas-Matas. Valeria Luiselli is an evening cyclist; a literary tourist in Venice, searching for Joseph Brodsky’s tomb; an excavator of her own artifacts, unpacking from a move. In essays that are as companionable as they are ambitious, she uses the city to exercise a roving, meandering intelligence, seeking out the questions embedded in our human landscapes. Coffee House Press Paperback May 2014 120 Pages 9781566893565. Buy the Book. $15.95. About Valeria Luiselli. Valeria Luiselli is a Mexican novelist and non-fiction writer. She is the author of the book of essays Sidewalks and the internationally acclaimed novel Faces in the Crowd . Luiselli’s short fiction and non-fiction pieces have appeared in magazines and newspapers such as The New York Times, Granta, McSweeney’s and Dazed and Confused . Her work has been translated to multiple languages, and in 2014 she was the recipient of the National Book Foundation’s 5 Under 35 award. Her forthcoming novel, The Story of My Teeth , will be available from Coffee House Press in fall 2015. Praise. “ Together with [Luiselli's novel] Faces in the Crowd, her essays in Sidewalks are a wonderful contribution to the long tradition by which authors re-imagine their cities as dream-like spaces created for them to wander around, daydream and discover .” —Los Angeles Times. “ Luiselli’s writing is full of verve .” —Irish Times. “ The disciplines conversed within Sidewalks include cartography, architecture, and urban planning; Luiselli bicycles through Mexico City, strolls the New York City streets, and visits Joseph Brodsky’s grave in Venice. These wanderings are unified by a distinctive narrative voice: pensive, questioning, always something of a stranger in a strange land .” —Publishers Weekly. “ If every word, for her, has the shadow of two others behind it, and if every city in which she lives carries the ghostly afterimage of all the other cities she has known — as well as the voices of the writers she has researched upon her arrival — then her books become all the more enthralling for the multiplicity they champion. the great beauty of her art is seeing all her contrasting stories collapse or blend or combine into an unexpected whole .” —Los Angeles Review of Books. Cookie Consent and Choices. NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites (together, “cookies”) to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic. This information is shared with social media, sponsorship, analytics, and other vendors or service providers. See details. You may click on “ Your Choices ” below to learn about and use cookie management tools to limit use of cookies when you visit NPR’s sites. You can adjust your cookie choices in those tools at any time. If you click “ Agree and Continue ” below, you acknowledge that your cookie choices in those tools will be respected and that you otherwise agree to the use of cookies on NPR’s sites. CCS BARD. Valeria Luiselli is the author of the award-winning novels The Story of My Teeth (2015) and Faces in the Crowd (2013), and the books of essays Sidewalks (2013) and Tell Me How It Ends (2017), which won the American Book Award. Her literary work has been translated to over 20 languages and has appeared in publications such as the New York Times, New Yorker, Granta, Freeman’s, and Harper’s. Her most recent novel, Lost Children Archive y (Knopf), won the 2020 Carnegie Medal for Excellence in Fiction, the American Academy for Arts and Letters’ Rosenthal Family Foundation Award, and the Folio Prize. It was a finalist for the Kirkus Prize, the NBCC award, and was longlisted for the Booker Prize and the Women’s Prize for Fiction. Luiselli has worked as a volunteer translator in the Federal Immigration court, translating testimonies of asylum-seeking undocumented minors. In 2018, she received an Arts for Justice Fund grant to conduct research and develop a project related to mass incarceration, with which she started a creative writing workshop in a detention center for undocumented minors. In 2020 she was a recipient of a Vilcek Prize for Creative Promise in Literature, and was awarded a MacArthur “Genius” Grant. She teaches in Bard College and is working on a sound piece about violence against land and female bodies in the borderlands..
Load more

Recommended publications
  • Where No Wall Remains ﺣﯾث ﻻ ﺟدار ﯾﺑﻘﯽ Donde No Queda Ningún Muro
    LIVE ARTS BARD 2019 BIENNIAL Where No Wall Remains حيث ﻻ جدار يبقى Donde No Queda Ningún Muro an international festival about borders NOVEMBER 21–24, 2019 About the Fisher Center at Bard Fisher Center at Bard The Fisher Center develops, produces, and presents performing arts across disciplines Chair Jeanne Donovan through new productions and context-rich programs that challenge and inspire. As President Leon Botstein a premier professional performing arts center and a hub for research and education, Executive Director Bob Bursey the Fisher Center supports artists, students, and audiences in the development and Artistic Director Gideon Lester examination of artistic ideas, offering perspectives from the past and present, as well present as visions of the future. The Fisher Center demonstrates Bard’s commitment to the performing arts as a cultural and educational necessity. Home is the Fisher Center LIVE ARTS BARD 2019 BIENNIAL for the Performing Arts, designed by Frank Gehry and located on the campus of Bard College in New York’s Hudson Valley. The Fisher Center offers outstanding programs Where No Wall to many communities, including the students and faculty of Bard College, and audi- Remains لحيث ﻻ جدار يبقى .ences in the Hudson Valley, New York City, across the country, and around the world Building on a 159-year history as a competitive and innovative undergraduate institu- Donde No tion, Bard is committed to enriching culture, public life, and democratic discourse by training tomorrow’s thought leaders. Queda Ningún Muro an international festival about borders Land Acknowledgment Statement Cocurated by Tania El Khoury and Gideon Lester In the spirit of truth and equity, it is with gratitude and humility that we acknowl- edge that we are gathered on the sacred homelands of the Muheaconneok or Thursday, November 21, through Sunday, November 24, 2019 Mohican people, who are the stewards of this land.
    [Show full text]
  • Migrating Childhoods in Valeria Luiselli's Lost Children Archive
    76 Chasing After Life: Migrating Childhoods in Valeria Luiselli’s Lost Children Archive Aparna Mishra Tarc York University [email protected] Abstract This essay engages the border-crossing poetics of transnational migration through an engagement with Valeria Luiselli’s fictional depictions of migrant children in her novel Lost Children Archive. Engaging the migrating and intertextual forum of children’s witness and memory in the novel, I follow Luiselli’s moving depiction of child migrants as wholly undocumented and lost people outside the adult world of articulation. I argue that Luiselli’s novel documentation conjures up historical, contemporary, and autobiographical memories of migrant and displaced children comprising the colonial story of modernism. I consider children’s articulations, construction and witness of migration through my readings of the stories of migrating childhood delivered by Luiselli’s fictional depiction. I find, Luiselli’s moving rendition of children’s migration presents new challenges to educational and popular discourses of childhood, migration, and the responsibilities of the adult communities. Keywords: Transnational migration, migrant children, autobiographical memories Human migration is autobiographical as Hannah Arendt (1943) depicts in her sole autobiographical essay, We Refugees. We lost our home, which means the familiarity of daily life. We lost our occupation, which means the confidence that we are of some use in this world. We lost our language, which means the naturalness of reactions, the simplicity of gestures, the unaffected expression of feelings. We left our relatives in Polish ghettos and our best friends have been killed in concentration camps, and that means the rupture of our private lives.
    [Show full text]
  • SEVEN STORIES PRESS 140 Watts Street
    SEVEN STORIES PRESS 140 Watts Street New York, NY 10013 BOOKS FOR ACADEMIC COURSES 2019 COURSES ACADEMIC FOR BOOKS SEVEN STORIES PRESS STORIES SEVEN SEVEN STORIES PRESS BOOKS FOR ACADEMIC COURSES 2020 SEVEN STORIES PRESS TRIANGLE SQUARE SIETE CUENTOS EDITORIAL BOOKS FOR ACADEMIC COURSES 2020–2021 “Aric McBay’s Full Spectrum Resistance, Volumes One and Two “By turns humorous, grave, chilling, and caustic, the stories and are must reads for those wanting to know more about social essays gathered in [Crossing Borders] reveal all the splendors movement theory, strategies and tactics for social change, and and all the miseries of the translator’s task. Some of the most the history and politics of activism and community organizing. distinguished translators and writers of our times offer reflections There is nothing within the realm of social justice literature that that deepen our understanding of the delicate and some- matches the breadth of modern social movements depicted in times dangerous balancing act that translators must perform. these books. These are engaging, critical, exciting, and outstand- Translators are often inconspicuous or unnoticed; here we have ing intersectional books that respectfully speak about the pitfalls a chance to peer into the realities and the fantasies of those who and successes for social change.” live in two languages, and the result is altogether thrilling and —ANTHONY J. NOCELLA II, assistant professor of criminology, instructive.” Salt Lake Community College, and co-editor of Igniting a Revolution: —PETER CONNOR, director of the Center for Translation Studies, Voices in Defense of the Earth Barnard College “By placing readers into an intimate conversation with one of “For large swaths of the body politic, the December 2016 US this country’s most important thinkers, as well as members of the elections offered up the prospect of a long and dark winter in Occupy Wall Street movement, Wilson and Gouveia provide a America.
    [Show full text]
  • Lost Children Archive by Valeria Luiselli
    Lost Children Archive by Valeria Luiselli This is a beautiful novel about a family of four on the cusp of fracture who take a trip across America—a story told through varying points of view, enriched with archival documents and photographs. Why you'll like it: Road trip story. Lyrical. Unconventional. About the Author: Valeria Luiselli was born in Mexico City and grew up in South Korea, South Africa and India. An acclaimed writer of both fiction and nonfiction, she is the author of the essay collection Sidewalks; the novels Faces in the Crowd and The Story of My Teeth; and, most recently, Tell Me How It Ends: An Essay in Forty Questions. She is a Writer in Residence at Bard College and lives in New York City. Questions for Discussion 1. Whom do you immediately associate with the “lost children” of the title? How many layers of getting lost appear throughout the novel, and is it always/only children who are lost? 2. What are some of the reasons behind the family’s trip Apacheria? Discuss the parents’ separate and combined work projects and their expectations for what will happen to the family once they reach their destination. 3. What is the difference between a documentarian and a documentarist? How do the two forms of study, observation, interpretation, and synthesis make their way into the story of the family and the structure of the novel itself? 4. Can you identify the source(s) of conflict between the husband and wife? Which memories of their early life together and time at home with the children, as well as how they respond to the children during the car ride, suggest why they might not be able (or willing) to stay together? 5.
    [Show full text]
  • UZR E` X` W`C Bfzt\Vc R Ezs`Uj Evde
    5 71 ) +8 +8 8 !"#$% )*+#)$!, -./ !$ $, $67 ! 8#() . 1-%2(&54% &1'"6!#$6%11,!54%& .-%91%2) $'4%#>,% )%4-4,"62'3 5-' #45-,5#2%&3#$ %' 4% &%2&%9&%114%&5%4'3:/// &,& %2&'2 $#2"-$# ,$ "-#2)>#$- )%-$#),2 -?)%$#5#)(@#?3#)# ;4 " '#( </))! *< % & / 0 1 ;#& % # 2%3)%4- ICMR. “Widespread antibody test- ome Saturday and India ing could also provide key Cwill introduce a new way of data for efforts to model the testing that would identify course of the pandemic. coronavirus infection through Current predictions vary so detection of antibody in a widely, causing some scientists patient. to question the need for severe The rapid antibody tests, containment methods such as also known as serology test, will lockdowns and social distanc- be carried out first in “hotspot” ing. By indicating how much of 2%3)%4- ) ) regions in urban and rural the population is already clusters. India has reportedly immune because of mild infec- fter clapping and beating of ! '( procured nearly 5 lakh such tions, antibody data could offer Autensils, now it is time to antibody-based rapid testing a key to how fast the virus will light up lamps to “show soli- tips to the citizens to cope with kits already. continue to spread,” says write darity in the fight against the situations emerging from This is not a confirmatory up in the Science magazine. Covid-19”. Light candles, diyas the lockdown, in force since test but the result will come Meanwhile, Union Health and mobile torches at 9 pm this midnight March 25. much quicker and will have to Minister Harsh Vardhan has Sunday for nine minutes to The PM’s message came a be confirmed by an RTPCR test appealed to patients and their energise self and the country to day after he held a meeting using throat or nasal swab to families not to create any obsta- wage a decisive fight against with the Chief Ministers and detect the presence of genetic cle in the path of doctors and coronavirus, says Prime asked them to “formulate a material of the coronavirus.
    [Show full text]
  • Download This Issue
    WINTER 2018-19 COLUMBIA MAGAZINE COLUMBIA COLUMBIA MAGAZINE WINTER 2018-19 4.18_Cover_F.indd 1 11/14/18 12:17 PM Check in with Columbia everyevery dayday Visit the brand-new magazine.columbia.edu to fi nd the latest research, compelling stories, alumni news, and more @ColumbiaMag @columbiamag @columbiamagazine 4.18_AD_Columbia-Magazine_F.indd 1 11/14/18 4:28 PM WINTER 2018-19 PAGE 30 CONTENTS FEATURES 12 UPPER WEST SIDE STORIES The little-known tale of two Columbia teachers and the classes that inspired J.D. Salinger, Truman Capote, Carson McCullers, and a generation of American writers By Paul Hond 18 BULLET POINTS Anger. Fear. Frustration. Hope? A year in the life of a reporter on the front lines of America’s gun-violence epidemic. By Jennifer Mascia ’07JRN 24 CORE CURRICULUM What deep-sea sediment can tell us about climate change By David J. Craig and Jackie Roche 30 LEAP OF FAITH Dancer Michael Novak ’09GS has been cast in the role of a lifetime — Paul Taylor’s successor By Rebecca Shapiro 36 THE SCIENCE OF HEALTHY AGING A Q&A with Linda P. Fried on the secrets to living a longer, healthier, and happier life By David J. Craig COVER ILLUSTRATION BY JASU HU CREATIVE / LASPATA DECARO / LASPATA CREATIVE COLUMBIA WINTER 2018-19 1 4.18_Contents.indd 1 11/15/18 1:06 PM COLUMBIA CONTENTS MAGAZINE DEPARTMENTS Executive Vice President, 3 University Development & Alumni Relations FEEDBACK Amelia Alverson Deputy Vice President for Strategic Communications 6 Jerry Kisslinger ’79CC, ’82GSAS COLLEGE WALK They Shall Be Rereleased \ The Short List \ The Forum Sets Sail \ Through the Future, Editor in Chief Sally Lee Darkly \ In Memoriam LBB Art Director 40 Len Small EXPLORATIONS Managing Editor New smart helmet could spot concussions in Rebecca Shapiro PAGE real time \ What fi sh can teach us about our 36 Senior Editors powers of perception \ New fl ight routes save David J.
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Trans
    UNIVERSITY OF CALIFORNIA Los Angeles Trans-Urban Narratives: Literary Cartographies and Global Cities in the Urban Imagination of Mexico and the U.S. A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Hispanic Languages and Literatures by Alejandro Ramírez Méndez 2018 © Copyright by Alejandro Ramírez Méndez 2018 ABSTRACT OF THE DISSERTATION Trans-Urban Narratives: Literary Cartographies and Global Cities in the Urban Imagination of Mexico and the U.S. by Alejandro Ramírez Méndez Doctor of Philosophy in Hispanic Languages and Literatures University of California, Los Angeles, 2018 Professor Héctor Calderón, Chair This dissertation examines how narratives from Mexican and Mexican-American writers interconnect urban landscapes and cultures in the transnational context of the twenty-first century. This study focuses on what I call “trans-urban narratives,” a method of literary analysis by comparing the urban environment of Mexico City with three global centers in the U.S.: Chicago, Los Angeles, and New York. In these narratives, Mexican writers (Valeria Luiselli and Juan Villoro) and Mexican-American writers (Sandra Cisneros and Alejandro Morales) portray the transitional experience of their protagonists within two global cities, two urban realities located in opposite sides of the U.S./Mexico border. They create bi-national and hemispheric connections through the juxtaposition of urban landscapes from both countries. While in the twentieth century urban narratives focus mainly in one specific urban environment, my project argues that in the twenty-first ii century the Mexican and Mexican-American literary productions are building transnational spaces within the city that allow the cross-border communication of their cultures.
    [Show full text]
  • The View from Here Artists // Public Policy Ceu School of Public Policy Annual Conference June 4 / 5 / 6 / 7 / 2016 Another Day Lost: 1906 and Counting
    the view from here artists // public policy ceu school of public policy annual conference june 4 / 5 / 6 / 7 / 2016 Another Day Lost: 1906 and counting... by Syrian artist Issam Kourbaj From Ai Wei Wei to Banksy, we can see art engaging policy and the political sphere. But in an increasingly connected world where cultural production is ever more easily disseminated, how can this engagement be most effective and meaningful? The CEU School of Public Policy’s 2016 annual conference focuses on a series of questions that are not often asked in the world of government or academia. How do artists engage with issues in public policy? How do artistic representations of issues change how they are perceived? Can artists promote wider public engagement in policymaking? How do artists challenge ideas in their societies and to what end? How does humor intersect with politics, censorship, and violence? Focusing on Hungary, India, Mexico, Sudan, and Syria, we are seeking a truly global perspective on issues including censorship, democracy, drugs, migration, and violence. 1 PROGRAM / ART Visit and participate in exhibitions at CEU from June 1-7. Nador u. 11, Body Imaging by Abby Robinson room 002 Office hours will be announced soon. Body Imaging, an installation/performance/photography piece, affords a unique collaborative occasion to make photos of all types of bodies, allowing people to display as much/little exhibitionism as they wish in a protected, safe environment. EXAMINATION: Only doctors & photographers examine people’s bodies at distances reserved for lovers. In my performative role as “photo practitioner,” I peer at people’s selected body parts at incredibly close range.
    [Show full text]
  • The Translator in Valeria Luiselli's Los Ingrávidos
    SARAH K. BOOKER ——————————————————————————— On Mediation and Fragmentation: The Translator in Valeria Luiselli’s Los ingrávidos Teniendo en cuenta las voces narrativas que traducen, la estructura y la geografía, el presente artículo examina la función de la traducción en la novela Los ingrávidos (2011) de Valeria Luiselli. Luiselli representa a los traductores de la novela como personajes liminales y efímeros que median el intercambio cultural; en el proceso de la traducción, el lector puede ver que la identidad de los tres narradores se fractura al incorporarse a las vidas y los espacios geográficos de otros personajes. Las múltiples capas de traducción representadas en Los ingrávidos, destacan, pues, la fragmentación y transformación de identidad experimentadas por estas figuras intermediarias. Palabras clave: traducción, identidad, geografía, intertextualidad, fragmentación In consideration of narrative voices that translate, structure, and geography, this article examines the function of translation within Valeria Luiselli’s novel Los ingrávidos (2011). Luiselli represents translators in the novel as liminal and ephemeral characters that mediate cultural exchange; in the process of translation, the reader can see that the identity of the three narrators fractures as they are incorporated into the lives and spaces of others. The multiple levels of translation represented in Los ingrávidos, then, highlights the fragmentation and transformation of identity that is experienced by these intermediary figures. Keywords: translation, identity,
    [Show full text]
  • A Planetary Via Crucis Migration and Translation in the Work of Emily Jacir and Valeria Luiselli Simona Bertacco University of Louisville, USA
    e-ISSN 2499-1562 Annali di Ca’ Foscari. Serie occidentale Vol. 54 – Settembre 2020 A Planetary Via Crucis Migration and Translation in the Work of Emily Jacir and Valeria Luiselli Simona Bertacco University of Louisville, USA Abstract This essay explores the nexus between translation and migration via two works of art that deal explicitly with the “migration crisis” in Europe and North America. Via Crucis is an art installation by Emily Jacir (2016) in the Chiesa di San Raffaele in Milan, while Tell Me How It Ends: An Essay in Forty Questions by Valeria Luiselli (2017) records the author’s reflections on the screening sessions of child asylum seekers after they have crossed the US-Mexico border. In both texts, translation is central to how the stories of migration are told and, this essay argues, it should be central also to the way in which they are read and received. Keywords Migration. Translation. Reading. Emily Jacir. Valeria Luiselli. Summary 1 A Mediterranean Via Crucis. – 2 A Pan-American Via Dolorosa. – 3 Translation Literacy and Global Citizenship. Peer review Submitted 2020-09-16 Accepted 2020-10-05 Published 2020-12-22 Open access © 2020 | cb Creative Commons Attribution 4.0 International Public License Citation Bertacco, S. (2020). “A Planetary Via Crucis. Migration and Transla- tion in the Work of Emily Jacir and Valeria Luiselli”. Annali di Ca’ Foscari. Serie occidentale, 54, 47-68. DOI 10.30687/AnnOc/2499-1562/2020/54/003 47 Simona Bertacco A Planetary Via Crucis. Migration and Translation in the Work of Emily Jacir and Valeria Luiselli It is not compassion that is called for but citizenship – the spectator’s responsibility toward what is visible.
    [Show full text]
  • Wandering in the Work of Valeria Luiselli
    We in Space: Wandering in the Work of Valeria Luiselli Robbie Trocchia March 2014 Vassar College American Studies 302/303: Senior Project Hua Hsu Michael Joyce 1 Table of Contents Introduction 3 I Maps 7 II The Roman Empire—Mexico City 13 III The Body in Space 20 IV “Nosotros en el Espacio” 26 V Translating “Fictio Legis” 37 VI Future Routes 53 Conclusion 63 Notes 66 Bibliography 69 Cover image: Seascape by Jorge Macchi (2006) 2 Introduction I first came across the work of Valeria Luiselli in a seminar at the University of Buenos Aires entitled “Desarraigados,” or, Uprooted: The Poetics of Wandering in Contemporary Latin American Fiction and Art. My professor, Argentine critic and writer Graciela Speranza, recommended that I present on Luiselli’s novel Los ingrávidos because it was set in New York and I was the only U.S.-American in the class. After thoroughly enjoying the novel as well as her other writing and successfully presenting my thoughts on it to the class, I returned to the U.S. and my second semester as a junior at Vassar with a newfound interest in the work that I had been exposed to in the seminar. When it was time to settle on a thesis topic, the answer somehow came to me (on February 2, 2013 at 10:05 pm according to a note on my iPhone): I could write on Valeria and her work. However, through months of thought and preparation, the question still remains: why Luiselli? Thinking back to my time in Buenos Aires, it is easy for me to respond by pointing to the incredible experience I had there and the personal, artistic, and academic interests that emerged as a result.
    [Show full text]
  • 2020 Vilcek Foundation Prizes the Vilcek Foundation Presents Thevilcek Prize Xiaowei Zhuang in Biomedical Science
    2020 Vilcek Foundation Prizes The Vilcek Foundation presents theVilcek Prize Xiaowei Zhuang in Biomedical Science recipientsVilcek Prizes Kıvanç Birsoy for Creative Promise Viviana Gradinaru of inthe Biomedical Science Martin Jonikas Vilcek Prize Edwidge Danticat 2020 Vilcekin Literature 3 Vilcek Prizes Yaa Gyasi Foundationfor Creative Promise Valeria Luiselli in Literature Jenny Xie PrizesVilcek Prize for Excellence Robert A. Katzmann in Administration of Justice 6 The Vilcek Foundation Vilcek Prizes for Creative Promise 6 The Vilcek Foundation in Literature Prizes Contents 34 Yaa Gyasi Vilcek Prize 38 Valeria Luiselli in Biomedical Science 42 Jenny Xie 8 Xiaowei Zhuang 46 Juries in Literature Vilcek Prizes 47 Previous Prizewinners for Creative Promise in the Arts in Biomedical Science and Humanities 14 Kıvanç Birsoy Vilcek Prize 18 Viviana Gradinaru for Excellence 22 Martin Jonikas in Administration of Justice 26 Juries in Biomedical Science 48 Robert A. Katzmann 27 Previous Prizewinners Presenters in Biomedical Science 52 Dan R. Littman Vilcek Prize 53 Dinaw Mengestu in Literature 54 David Miliband 28 Edwidge Danticat 55 Board of Directors 55 Staff 56 Credits The Vilcek Foundation Left: Jan and Marica Vilcek Right: The Vilcek Foundation The Vilcek Foundation was established in 2000 by Jan and Marica Vilcek, immigrants from the former Czechoslovakia. The mission of the foundation, to honor the contributions of immigrants to the United States and to foster appreciation of the arts and sciences, was inspired by the couple’s respective careers in biomedical science The Vilcek Foundation Prizes and art history, as well as their personal experiences and appreciation for the opportunities The Vilcek Foundation Prizes were 6 they received as newcomers to created to spotlight and support 7 this country.
    [Show full text]