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Catalogo Giornate Del Cinema Muto 2011
Clara Bow in Mantrap, Victor Fleming, 1926. (Library of Congress) Merna Kennedy, Charles Chaplin in The Circus, 1928. (Roy Export S.A.S) Sommario / Contents 3 Presentazione / Introduction 31 Shostakovich & FEKS 6 Premio Jean Mitry / The Jean Mitry Award 94 Cinema italiano: rarità e ritrovamenti Italy: Retrospect and Discovery 7 In ricordo di Jonathan Dennis The Jonathan Dennis Memorial Lecture 71 Cinema georgiano / Georgian Cinema 9 The 2011 Pordenone Masterclasses 83 Kertész prima di Curtiz / Kertész before Curtiz 0 1 Collegium 2011 99 National Film Preservation Foundation Tesori western / Treasures of the West 12 La collezione Davide Turconi The Davide Turconi Collection 109 La corsa al Polo / The Race to the Pole 7 1 Eventi musicali / Musical Events 119 Il canone rivisitato / The Canon Revisited Novyi Vavilon A colpi di note / Striking a New Note 513 Cinema delle origini / Early Cinema SpilimBrass play Chaplin Le voyage dans la lune; The Soldier’s Courtship El Dorado The Corrick Collection; Thanhouser Shinel 155 Pionieri del cinema d’animazione giapponese An Audience with Jean Darling The Birth of Anime: Pioneers of Japanese Animation The Circus The Wind 165 Disney’s Laugh-O-grams 179 Riscoperte e restauri / Rediscoveries and Restorations The White Shadow; The Divine Woman The Canadian; Diepte; The Indian Woman’s Pluck The Little Minister; Das Rätsel von Bangalor Rosalie fait du sabotage; Spreewaldmädel Tonaufnahmen Berglund Italianamerican: Santa Lucia Luntana, Movie Actor I pericoli del cinema / Perils of the Pictures 195 Ritratti / Portraits 201 Muti del XXI secolo / 21st Century Silents 620 Indice dei titoli / Film Title Index Introduzioni e note di / Introductions and programme notes by Peter Bagrov Otto Kylmälä Aldo Bernardini Leslie Anne Lewis Ivo Blom Antonello Mazzucco Lenny Borger Patrick McCarthy Neil Brand Annette Melville Geoff Brown Russell Merritt Kevin Brownlow Maud Nelissen Günter A. -
Welcome to the Great Ring
Planescape Campaign Setting Chapter 1: Introduction Introduction Project Managers Ken Marable Gabriel Sorrel Editors Gabriel Sorrel Sarah Hood Writers Gabriel Sorrel Sarah Hood Layout Sarah Hood 1 There hardly seem any words capable of expressing the years of hard work and devotion that brings this book to you today, so I will simply begin with “Welcome to the planes”. Let this book be your doorway and guide to the multiverse, a place of untold mysteries, wonders the likes of which are only spoken of in legend, and adventurers that take you from the lowest depths of Hell to the highest reaches of Heaven. Here in you will leave behind the confines and trappings of a single world in order to embrace the potential of infinity and the ability to travel Introduction wherever you please. All roads lie open to planewalkers brave enough to explore the multiverse, and soon you will be facing wonders no ordinary adventure could encompass. Consider this a step forward in your gaming development as well, for here we look beyond tales of simple dungeon crawling to the concepts and forces that move worlds, make gods, and give each of us something to live for. The struggles that define existence and bring opposing worlds together will be laid out before you so that you may choose how to shape conflicts that touch millions of lives. Even when the line between good and evil, lawful and chaotic, is as clear as the boundaries between neighboring planes, nothing is black and white, with dark tyrants and benevolent kings joining forces to stop the spread of anarchy, or noble and peasant sitting together in the same hall to discuss shared philosophy. -
Philippa H Deeley Ltd Catalogue 16 Aug 2014
Philippa H Deeley Ltd Catalogue 16 Aug 2014 1 A mid 20th century Bowman live steam powered 18 Featherstone Robson 'Durham Castle' early 20th pond launch, an aluminium live steam speed boat century engraving, together with another of 'The and a Mamod style live steam motor £40.00 - Fish Market, Salisbury' £10.00 - £20.00 £60.00 19 An early 20th century Continental watercolour 2 A collection of Burago, Tonka and Solido 1/18 depicting a sea wall with figures and mountains to scale die cast cars to include a Ferrari GTO, background, unsigned and housed in a gilt frame Mercedes 300SL, Lancia Spider, a Maserati 250F £10.00 - £20.00 plus others (10 items) £40.00 - £50.00 20 R. Herdman-Smith F.R.S.A., A.R.W.A., 'Loch 3 Two hand-coloured prints of Windsor Castle Lomond', original aquatint engraving, edition engraved by John Boydell £10.00 - £20.00 limited to 150 signed artist's proofs, signed and 4 An oil on canvas depicting an African figure on a titled in pencil to lower margin with label to verso, forest path, signed Michel to lower right, together 23cm x 29cm £10.00 - £20.00 with another of an African female digging crops 21 A hand painted blue glazed Shelley vase, a Sylvac £10.00 - £20.00 vase and other items (1 box) £30.00 - £40.00 5 Two vintage bellows cameras, a Yvighander 22 A quantity of carved African heads, masks and bellows camera, a Carl Zeiss Jena Turmon 8x other tribal items (1 box) £20.00 - £30.00 angle lens, camera plates etc £20.00 - £40.00 23 A 1930s Royal Copenhagen handpainted porcelain 6 A mixed collection of ceramics and -
Dragon Magazine #180
SPECIAL ATTRACTIONS AD&D Trading Cards TSR staff Issue # 180 Insert Your preview of the 1992 series is here in this issue! Vol. XVI, No. 11 April 1992 OTHER FEATURES Publisher Not Quite the Frontispiece Ken Widing James M. Ward 9 Our April Fools section wandered off. Just enjoy. Suspend Your Disbelief! Tanith Tyrr Editor 10 Maybe its fantasy, but your campaign must still make sense! Roger E. Moore Not Another Magical Sword!?! Charles Rodgers Fiction editor 14 Why own just any old magical sword when you can own a legend? Barbara G. Young Role-playing Reviews Rick Swan 18 A good day for the thought police: three supplements on psionics. Associate editor Dale A. Donovan Your Basic Barbarian Lee A. Spain 24 So your fighter has a 6 intelligence. Make the most of it. Editorial assistant Wolfgang H. Baur Hot Night in the Old Town Joseph R. Ravitts 28 If your cleric thinks his home life is dull, wait till the DM sees this! Art director Colorful Connection Raymond C. Young Larry W. Smith 34 Whats the puzzle within this puzzle? A fantasy crossword for gamers. Production staff The Voyage of the Princess Ark Bruce A. Heard Gaye OKeefe Angelika Lokotz 41 What happens when a D&D® game character dies? Tracey Zamagne Mary Chudada Your Own Treasure Hunt Robin Rist 52 When funds run low in your gaming club, its time for a fund-raising Subscriptions adventure. Janet L. Winters The Role of Computers Hartley, Patricia, and Kirk Lesser U.S. advertising 57 A visit with Dr. Brain, Elvira, and the Simpsons. -
Augusta Auction Company Historic Fashion & Textile
AUGUSTA AUCTION COMPANY HISTORIC FASHION & TEXTILE AUCTION MAY 9, 2017 STURBRIDGE, MASSACHUSETTS 1 TRAINED CHARMEUSE EVENING GOWN, c. 1912 Cream silk charmeuse w/ vine & blossom pattern, empire bodice w/ silk lace & sequin overlay, B to 38", W 28", L 53"-67", (small holes to lace, minor thread pulls) very good. MCNY 2 DECO LAME EVENING GOWN, LATE 1920s Black silk satin, pewter lame in Deco pattern, B to 36", Low W to 38", L 44"-51", excellent. MCNY 3 TWO EMBELLISHED EVENING GOWNS, 1930s 1 purple silk chiffon, attached lace trimmed cape, rhinestone bands to back & on belt, B to 38", W to 31", L 58", (small stains to F, few holes on tiers) fair; 1 rose taffeta underdress overlaid w/ copper tulle & green silk flounce, CB tulle drape, silk ribbon floral trim, B to 38", W 28", L 60", NY label "Blanche Yovin", (holes to net, long light hem stains) fair- good. MCNY 4 RHINESTONE & VELVET EVENING DRESS, c. 1924 Sapphire velvet studded w/ rhinestones, lame under bodice, B 32", H 36", L 50"-53", (missing stones, lame pulls, pink lining added & stained, shoulder straps pinned to shorten for photo) very good. MCNY 5 MOLYNEUX COUTURE & GUGGENHEIM GOWNS, 1930-1950s Both black silk & labeled: 1 late 30s ribbed crepe, "Molyneux", couture tape "11415", surplice bodice & button back, B to 40", W to 34", H to 38", L 58", yellow & black ikat sash included, (1 missing button) excellent; "Mingolini Guggenheim Roma", strapless multi-layered sheath, B 34", W 23", H 35", CL 46"-50", (CF seam unprofessionally taken in by hand, zipper needs replacing) very good. -
Cheney Brothers, the New York Connection
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Dean Krute, Carol, "Cheney Brothers, the New York Connection" (1998). Textile Society of America Symposium Proceedings. 183. https://digitalcommons.unl.edu/tsaconf/183 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum The Cheney Brothers turned a failed venture in seri-culture into a multi-million dollar silk empire only to see it and the American textile industry decline into near oblivion one hundred years later. Because of time and space limitations this paper is limited to Cheney Brothers' activities in New York City which are, but a fraction, of a much larger story. Brothers and beginnings Like many other enterprising Americans in the 1830s, brothers Charles (1803-1874), Ward (1813-1876), Rush (1815-1882), and Frank (1817-1904), Cheney became engaged in the time consuming, difficul t business of raising silk worms until they discovered that speculation on the morus morticaulis, the white mulberry tree upon which the worms fed, might be far more profitable. As with all high profit operations the tree business was a high-risk venture, throwing many investors including the Cheney brothers, into bankruptcy. -
Interno Lettera Sangiorgio 3-UK
Lettera da San Giorgio Lettera da San Porto di mare e uccelli, manifattura Reale di Beauvais (circa 1722-1731) Year V, n° 9. September 2003 – February 2004 Indice Contents I – II Events (September 2003 – February 2004) 3 Editorial Main Future Activities 4 The Role of Humanities in the Formation of New European Elites 5 Encounters and Dialogues on Music 5 45th Corso Internazionale di Alta Cultura: Childhood. Myth Cult Consumerism 6 The world premiere of Il Principe Porcaro by Nino Rota 7 Film Dubbing Workshop Laying the cards on the table 8 Three Italian Concertos for Orchestra. Homage to Casella, Petrassi and Togni 9 The Novel and Modernity: from Europe to the World 10 The Hermitage, an Imperial Museum 10 Museums of the Future: comparing views 11 New Studies on the Giorgio Cini Foundation Art Collections 12 Performers course for female voices and live electronics/audiodesign on Quando stanno morendo, diario polacco n. 2 (1982) by Luigi Nono 12 The 10th International Seminar of Ethnomusicology: The Sound Spaces of Music 13 Research Centre on the Documentary Sources for European Musical Life 14 Collections The Vittorio Cini tapestries: from Monselice Castle to the Island of San Giorgio 19 Portraits of Patrons Ulderico Rolandi and his libretto collection 23 Presences on San Giorgio Aldo Palazzeschi, in praise of a restoration 26 Publications III – IV Contacts Editorial The second half of 2003 at the Giorgio Cini Foundation gets off to a lively start with a series of important initiatives in rapid succession: the temporary reopening of the Palazzo Cini Gallery at San Vio, an international conference on the role of the humanities in forming the European cul- tural elites, and the 45th Corso Internazionale di Alta Cultura on the theme of Childhood. -
Christopher Upton Phd Thesis
?@A374? 7; ?2<@@7?6 81@7; 2IQJRSOPIFQ 1$ APSON 1 @IFRJR ?TCMJSSFE GOQ SIF 3FHQFF OG =I3 BS SIF ANJUFQRJSX OG ?S$ 1NEQFVR '.-+ 5TLL MFSBEBSB GOQ SIJR JSFM JR BUBJLBCLF JN >FRFBQDI0?S1NEQFVR/5TLL@FWS BS/ ISSP/%%QFRFBQDI#QFPORJSOQX$RS#BNEQFVR$BD$TK% =LFBRF TRF SIJR JEFNSJGJFQ SO DJSF OQ LJNK SO SIJR JSFM/ ISSP/%%IEL$IBNELF$NFS%'&&()%(,)* @IJR JSFM JR PQOSFDSFE CX OQJHJNBL DOPXQJHIS STUDIES IN SCOTTISH LATIN by Christopher A. Upton Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of St. Andrews October 1984 ýýFCA ýý£ s'i ý`q. q DRE N.6 - Parentibus meis conjugique meae. Iý Christopher Allan Upton hereby certify that this thesis which is approximately 100,000 words in length has been written by men that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. ý.. 'C) : %6 date .... .... signature of candidat 1404100 I was admitted as a research student under Ordinance No. 12 on I October 1977 and as a candidate for the degree of Ph. D. on I October 1978; the higher study for which this is a record was carried out in the University of St Andrews between 1977 and 1980. $'ý.... date . .. 0&0.9 0. signature of candidat I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate to the degree of Ph. D. of the University of St Andrews and that he is qualified to submit this thesis in application for that degree. -
An "Official" Spelljammer Guide to the Spheres [Revised 1.0]
Guide to the Spheres An "official" Spelljammer Guide to the Spheres [revised 1.0] By Paul Westermeyer aka GMWestermeyer Table of Contents: Page Section 1 Introduction 2 Phlogiston Navigation 4 Phlogiston Transit Times 4 Where is the Rock of Bral? 6 “Official” Flow Map 7 The Spheres and other Phlogiston Locations 23 ‘Loose’ Planets/Worlds 34 Bibliography: Introduction Spelljammer is a very unique and creative setting, but it is also one of the worst organized settings TSR produced with material is scattered among many different products. This makes it very difficult to find what you are looking for, a problem exasperated by Spelljammer’s status as a ‘connection’ campaign, designed (like Planescape) to connect the ‘big’ three settings, Forgotten Realms, Greyhawk, and Dragonlance. I’ve been working to alleviate this problem by writing guides and indices for those aspects of Spelljammer that are most important for creating a coherent, rational game setting. The first of these guides was An “Official” Spelljammer Timeline, which collated Spelljammer-related historical mentions in published TSR products into a cohesive, coherent timeline that Spelljammer (or Hackjammer) gamemasters could use as the foundation of their own, personalized campaigns. This guide, An “Official” Spelljammer Guide to the Spheres, has a similar purpose. Spelljammer’s iconic center is the Rock of Bral, just as Sigil is the iconic heart of Planescape, Spelljammer’s setting cousin, but Sigil’s location is quite firmly placed at the center of the Plane of Concordant Opposition, metaphorically the heart of the entire Advanced Dungeons and Dragons multiverse. Moreover, the various inner and outer planes are all well mapped in relation to each other, and have been ever since the Advanced Dungeons and Dragons Player’s Handbook in 1978. -
TRADES. CHI ?29 Tooby George, 32 Queen St
STAFFORDSHIRE. J TRADES. CHI ?29 Tooby George, 32 Queen st. Rugeley Mackee A. King street, Fenton, Stoke Bradshaw Mrs. Fanny, 17 Victoria Tunnicliffe Geo. 14 Marsh st. Hanley Mayer &; Sherratt, Clifton works,Staf- crescent, Burton Udall Henry, Ludgate street, Tut- ford street, Longton Bridgwood Richard, Stafford st.Lngtn bury, Burton Middleton J.H.& Co.Bagna.U st.Lngtn Brindley Mrs. Nellie, Market street, Wall Alexander, 252 Great Brickkiln Mintons Limited, London road, Stoke Hednesford street, Wolverhampton Moore Bernard, Wolfe street, Stoke Britannic Pottery Co. (merchants), Wall T.19 Merridale rd. we. W'hmptn Morris Thos. Ltd.Mt.Plell'Sant,Longtn Waterloo road, Cobridge, Burslem Washington J.39 Etruria rd. Hanley New Chelsea Porcelain Co. Ba.gnall Brookes Alfred,3ll4 Uxbiidge st.Burtn White Harry, 8 Branstone rd. Burton street, Longton Brookfield Arthur,Ayshford st.Longtn Wood Alfred, Eaton st. Uttoxeter North Road China Egg Works, North Brookfield Norman, 38 & 39 Grey- road, Cobridge, Burslem friars, Stafford CHIMNEY PIECE MANUFRS. Plant R. H. & S. L. Forrister street, Brookfields' Successors, IS & 16 Gaol- Hopcraft Wi1liam & Son, Chapel Ash. Longton gate street; Foregate street & Wolverhampton Pointon &; Co. Limited, Norfolk works, Eastgate street, Stafford Norfolk street, Shelton, Stoke Byran William, 208 High st. Longton CIDMNEY POT MANUF AO- Poole Joseph, Edensor road, Longton Caron William, 94 High st. Bilston Tl1BERS-TERRA COTTA. Poole Thomas, Edensor road & Cooke Carter Samuel J, & Co. 19I Stafford Doultbn & Co. Limited, Rowley Regis street, Longton street, Walsall pottery, Springfield; Dudley & Radford Saml. High st. Fenton,Stoke Cartlidge E. C. II Church st. Stoke Granville wharf, Granville street, Robinson J. -
The Political Function of the Esther Tapestries: on the Image Strategy of Charles the Bold, Duke of Burgundy, for His Marriage Ceremony in 1468*
View metadata, citation and similar papers at core.ac.uk brought to you by CORE (163) The Political Function of the Esther Tapestries: On the Image Strategy of Charles the Bold, Duke of Burgundy, for his Marriage Ceremony in 1468* Sumiko IMAI 1. The Esther Tapestries and the Duke of Burgundy The Duchy of Burgundy, ruled first by Philip the Bold from a branch of the French Valois family, which reigned from 1363 to 1404, was known for its magnificent court cul- ture.(1) The palaces built everywhere within the Duchy were gorgeously adorned and hosted a great number of magnificent jousts, joyous entries, processions, and feasts. They not only provided aesthetic enjoyment for viewers but also impressed them with the great power of the Dukes of Burgundy.(2) Among numerous ornaments displayed at the palaces, large tap- estries woven with gold and silver threads were particularly striking, powerfully conveying their owners’ wealth and authority. One typical example was the set of Alexander Tapes- tries, depicting the life of the ancient ruler Alexander the Great (356 BC-323 BC).(3) Although the set of Alexander Tapestries is no longer complete, it is believed to have con- sisted of six large tapestries, measuring more than eight meters in width. They were fre- quently on display during meetings and feasts held by the third Duke of Burgundy, Philip the Good, who reigned from 1419 to 1467 (see Fig. 8)(4) and his son Charles the Bold, who became the fourth Duke of Burgundy, reigning from 1467 to 1477 (Fig. 9).(5) They won par- ticularly high praise when exhibited at the palace of the Duke of Burgundy in Paris. -
Antiques-February-1990-Victorian-Majolica.Pdf
if It1ud!!&/ ';"(* ./J1!11L. /,0t£~ltldtiJlR~~~rf;t;t r{/'~dff;z, f!71/#/~i' 4 . !(Jf~f{ltiJ(/dwc.e. dJ /¥ C\-Cit!Ja? /Hc a4 ~- t1 . I. le/. {./ ,...."".. //,; J.(f)':J{"&Tf ,4.~'.£1//,/1;"~._L~ • ~. ~~f tn.~! .....•. ... PL IL Baseball and Soccer pitcher made by Griffen, Smith and Company, PllOeni;'Cville,Pennsylvania. c.1884. Impressed "GSH "in nlOnogram on the bottom. Height 8 inches. The Wedgwood pattern book illustration of the same design is shown in PL Ila. Karmason/Stacke collection; White photograph. PL /la. Design from one of the pattern books of Josiah Wedgwood and Sons, Barlaston, Stoke-on-Trent, England. Wedgwood Museum, Barlaston, Stoke-on-Trent, England. and Company, Josiah Wedgwood and Sons, and majolica.! New designs for majolica ceased to be made George Jones and Sons. From these books one be• in the early 1890's, and production of majolica ceased comes familiar with the style of the maker and comes early in this century. to appreciate the deliberate choice of details that gives The Minton shape books are valuable not only be• each piece its unity. cause they help date the first production of a piece but By 1836 Herbert Minton (1792- 1858) had succeed• also because they show the development of the eclectic ed his father, Thomas (1765-1836), the founder of the and revivalist styles used by Minton artists. The earli• prestigious Minton firm. In 1848 Joseph Leon Fran• est style used by the firm was inspired by Renaissance ~ois Arnoux (1816-1902) became Minton's art direc• majolica wares.Z Large cache pots, urns, and platters tor, chief chemist, and Herbert Minton's close col• were decorated with flower festoons, oak leaves, car• league.