Price List EU 2021
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LEXINGTON HOTEL COLLECTION Is Crafted to PERFECTION and Ready to Bring Into Your HOME
the new LEXINGTON HOTEL COLLECTION is crafted to PERFECTION and ready to bring into your HOME LEXINGTON HOTEL COLLECTION CHECKING IN AT HOME QUALITY IS ICONIC SLEEPING IN YOUR OWN BED IS BETTER LEXINGTON HOTEL COLLECTION WHEN YOU HAVE THE HOTEL LUXURY AT HOME Why start off your vacation with traffic jam, overbooked flights and lost luggage, when you could stay at home instead? Next time you get some time off, take a break from daily life, unplug and stage the ultimate staycation. INSPIRED BY TRAVELS READY TO BRING HOME ALREADY CHECKED IN Lexington Hotel Collection is a bedding series inspired in their own beds. The collection consists of unique, by our many hotel experiences. We’ve scoured many crispy percale; a paisley-patterned jacquard sateen with hotels for the best bedding qualities before finding the extra sheen, a woven stripe in Tenceltm that breathes feeling we have been looking for and could offer it to and last, but not least, a soft, light flannel that’s cozy. customers who want to recreate the same experience So stay at home – you are already checked in. the collection consists of unique, CRISPY PERCALE; a paisley-patterned JACQUARD SATEEN with extra sheen, a woven stripe in TENCELtm that breathes and last, but not least, a soft, LIGHT FLANNEL that’s cozy. MIX AND MATCH LEXINGTON HOTEL maintaining the same softness and Lexington Hotel Sateen Jacquard has PERCALE coziness as any other Lexington flannel. the intricate pattern on a sateen surface Percale is a closely woven plain-weave It is a confection designed with a classic which adds to its luxurious softness and fabric. -
Domain Meson
Domain meson C9 013 19.5 Preparing for.Retirementi Crisis or ,Challenge? , Usaring'Before-the Subcommittee on:Retirement Income.. and Employment of the Select Committeeon Aging, souse of RePros'eptatiyett4-NiteiY-pifthCongress, .SeCOnd.SesSiOn, June 19, 1978 -* ERSITOTION. COngkeis of the. U.S., Wadhington, D.0. HouseAelect COkimittee.ou-Aging. - -408'.DATE .19 Jun 78 ! , ' NOT! .219-p-,-;-,lotava-i-lable=i-nAlardcopy-d-usto targinAi. legibility:of originaldoctilient 'ATAILABLE FROM Superintendent of DocuRents,W.S..Government Printing Office, Washington, D.C. ',20402.- . IDES PRICE Postage.... pc. Not AVailOble.from EpPs. DESCRIPTORS' erontology; Incoie4 *Indilidnal Needs; *Lift Older Adultsi.PersOnal AdjUstment; *Quality of *Retirement:: Self Actualization ^' ABSTRACT . The materials contained in these bearings 'represent the statements of witnesses before one of the Subcommitteesof the Committee on Aging of the House of Representatives.Witnesses pclude members of-Congreis, persons affiliated with the Adainistratipnop Aging.and,ths U.S. Civil Service Comiissidn, representativesof various labor unions, those working with several gerontologyprograa 'andmational .associations fOr retired programs, andistateand local governient officials. The statements addressthe following areas of coucerfi:prefetiremeiet planning, financial andinsurance needs, u leidure:time, health, social relations and personal safety. Specific-models and suggestions for Trerstirement educationprogr as are included in the appendices. (HLM) . .4 N T . " .' Z 4 4, . J. -
Ailoring and Dressmaklng Serles LINING A. SKIRT Or DRESS Today's
ailoring and dressmaklng serles LINING a. SKIRT or DRESS Today’s fashions and fabrics often call for linings. This raises questions among the home seamstresses regarding types of lining and how to attach these to the garment. Lining serves many purposes. It: 0 gives a professional look and adds quality adds body and/or opacity to lightweight or thin fabric 0 gives roundness to structural lines where needed 0 prevents sagging, stretch or “sitting out” in straight skirts (helps to preserve shape of garment) - gives longer service to the garment 0 helps to eliminate wrinkles A distinction should be made among four sometimes confusing terms: 1. Lining refers to a material that partially or entirely covers the inside of a garment. It is assembled separately as though it were a second garment. It . finishes the wrong side of the garment as well as serving the purposes listed (g above. For better fit and more strength it should be cut on the same grain as the outer fabric. 2. Underlining is a material which is cut in the shape of the garment pieces. The underlining sections are staystitched to the corresponding outer fabric sections before any seams are joined. This is especially good for loosely woven or thin fabrics. This treatment is usually called “double fabric con- struction.” It is also called backing or underlay. 3. Interlining is usually thought of as giving warmth to a coat as well as giving some shape. The interlining is cut to match the garment pieces and is placed between the lining and the outer fabric. -
Augusta Auction Company Historic Fashion & Textile
AUGUSTA AUCTION COMPANY HISTORIC FASHION & TEXTILE AUCTION MAY 9, 2017 STURBRIDGE, MASSACHUSETTS 1 TRAINED CHARMEUSE EVENING GOWN, c. 1912 Cream silk charmeuse w/ vine & blossom pattern, empire bodice w/ silk lace & sequin overlay, B to 38", W 28", L 53"-67", (small holes to lace, minor thread pulls) very good. MCNY 2 DECO LAME EVENING GOWN, LATE 1920s Black silk satin, pewter lame in Deco pattern, B to 36", Low W to 38", L 44"-51", excellent. MCNY 3 TWO EMBELLISHED EVENING GOWNS, 1930s 1 purple silk chiffon, attached lace trimmed cape, rhinestone bands to back & on belt, B to 38", W to 31", L 58", (small stains to F, few holes on tiers) fair; 1 rose taffeta underdress overlaid w/ copper tulle & green silk flounce, CB tulle drape, silk ribbon floral trim, B to 38", W 28", L 60", NY label "Blanche Yovin", (holes to net, long light hem stains) fair- good. MCNY 4 RHINESTONE & VELVET EVENING DRESS, c. 1924 Sapphire velvet studded w/ rhinestones, lame under bodice, B 32", H 36", L 50"-53", (missing stones, lame pulls, pink lining added & stained, shoulder straps pinned to shorten for photo) very good. MCNY 5 MOLYNEUX COUTURE & GUGGENHEIM GOWNS, 1930-1950s Both black silk & labeled: 1 late 30s ribbed crepe, "Molyneux", couture tape "11415", surplice bodice & button back, B to 40", W to 34", H to 38", L 58", yellow & black ikat sash included, (1 missing button) excellent; "Mingolini Guggenheim Roma", strapless multi-layered sheath, B 34", W 23", H 35", CL 46"-50", (CF seam unprofessionally taken in by hand, zipper needs replacing) very good. -
Cheney Brothers, the New York Connection
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 1998 Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Dean Krute, Carol, "Cheney Brothers, the New York Connection" (1998). Textile Society of America Symposium Proceedings. 183. https://digitalcommons.unl.edu/tsaconf/183 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Cheney Brothers, the New York Connection Carol Dean Krute Wadsworth Atheneum The Cheney Brothers turned a failed venture in seri-culture into a multi-million dollar silk empire only to see it and the American textile industry decline into near oblivion one hundred years later. Because of time and space limitations this paper is limited to Cheney Brothers' activities in New York City which are, but a fraction, of a much larger story. Brothers and beginnings Like many other enterprising Americans in the 1830s, brothers Charles (1803-1874), Ward (1813-1876), Rush (1815-1882), and Frank (1817-1904), Cheney became engaged in the time consuming, difficul t business of raising silk worms until they discovered that speculation on the morus morticaulis, the white mulberry tree upon which the worms fed, might be far more profitable. As with all high profit operations the tree business was a high-risk venture, throwing many investors including the Cheney brothers, into bankruptcy. -
Christopher Upton Phd Thesis
?@A374? 7; ?2<@@7?6 81@7; 2IQJRSOPIFQ 1$ APSON 1 @IFRJR ?TCMJSSFE GOQ SIF 3FHQFF OG =I3 BS SIF ANJUFQRJSX OG ?S$ 1NEQFVR '.-+ 5TLL MFSBEBSB GOQ SIJR JSFM JR BUBJLBCLF JN >FRFBQDI0?S1NEQFVR/5TLL@FWS BS/ ISSP/%%QFRFBQDI#QFPORJSOQX$RS#BNEQFVR$BD$TK% =LFBRF TRF SIJR JEFNSJGJFQ SO DJSF OQ LJNK SO SIJR JSFM/ ISSP/%%IEL$IBNELF$NFS%'&&()%(,)* @IJR JSFM JR PQOSFDSFE CX OQJHJNBL DOPXQJHIS STUDIES IN SCOTTISH LATIN by Christopher A. Upton Submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy at the University of St. Andrews October 1984 ýýFCA ýý£ s'i ý`q. q DRE N.6 - Parentibus meis conjugique meae. Iý Christopher Allan Upton hereby certify that this thesis which is approximately 100,000 words in length has been written by men that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. ý.. 'C) : %6 date .... .... signature of candidat 1404100 I was admitted as a research student under Ordinance No. 12 on I October 1977 and as a candidate for the degree of Ph. D. on I October 1978; the higher study for which this is a record was carried out in the University of St Andrews between 1977 and 1980. $'ý.... date . .. 0&0.9 0. signature of candidat I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate to the degree of Ph. D. of the University of St Andrews and that he is qualified to submit this thesis in application for that degree. -
Fabric2u- Stock Fabric Service
FABRIC2U- STOCK FABRIC SERVICE A REVOLUTION IN THE SUPPLY OF FABRIC TO THE DIGITAL PRINTING INDUSTRY With headquarters in England, we are centrally placed in the worlds first industrial city and historic home of English fabric manufacture and innovation. Our ongoing growth and success has allowed us to become one of the largest suppliers in our industry with over 100,000sq/ft. of modern storage across the region. This vast capacity combined with our unparalleled fast turnaround allows us to stock around 4 million metres of fabric that can be delivered daily to our customers as and when required. Largest stock holding in Europe - over 400 All fabrics available are PFP (prepared for variants and 4,000,000 square meters in stock digital print) and we have a large range of Over 120 fabrics, ALL PFP and ready for digital pre-coated bases available reactive, digital pigment and sublimation printing and... we pre-coat any fabric Home decor, fashion, display, furniture, bedding (min. 200 linear meters) and kitchen textiles PRODUCT MATRIX PRINTBASE - NATURALS Stock Fabrics Weight Width PFP Pigment coated Reactive coated Optic Non Optic Natural Optic Non Optic Natural Optic Non Optic Natural BHS 3042 Hopsack 393gsm 60" • • • • • BBD 2833 Bull Denim 393gsm 60" • • BHP 2803 Prem Panama 309gsm 60" • • • BHP 1803 Half Panama 309gsm 60" • • • • • • BDR 3111 Drill 300gsm 60" • BDR 6903 Drill 255gsm 60" • • • • • BWS 3014 Warp Satin 246gsm 56" • • • • • • • BHP 2218 Half Panama 230gsm 60" • • • • • • BC 3117 Plain 2 Fold 216gsm 60" • • BTW 2386 Twill -
C O L L E C T I O N 2 0
COLLECTION 2021 Looking back at a most unusual year, I can now see the gifts that were hidden deep within. Keeping my family and business safe, concerns for my community, my aging parents, my employees, overflowing laundry baskets, hungry teenagers, too much screen time, canceled plans, ongoing uncertainty in almost every aspect of life. With all of that, I decided to make time my gift. I spent time reflecting and walking, walking and reflecting. The result of both has been the ability to boldly take on 2021 with a refreshed spirit and renewed energy. I’ve let the challenges inspire me. Every aspect of my business was scrutinized and reviewed. Every closet in my house was cleaned and organized. From home, to the office and beyond, I tried to look at everything with a fresh eye. One of those “new normals” is the face mask. Certainly not an accessory I had ever imagined adding to the collection, but one that is here to stay for the foreseeable future. We have chosen to offer face masks in two of our favorite fabrics. Ashby is a puckered linen offered in 4 colors (white, ivory, natural and blue). Ashby masks are comfortable and give an updated modern look that blends effortlessly with any clothing, day or night. Vintage Velvet (in 18 colors) gives you a little bit of glamour and you’ll love the extra warmth in cooler climates. Both are made with 3 layers, including the decorative top layer, and inner layer of PelonTM to trap fibers and a comfortable breathable layer of 400 TC sheeting with elastic ear loops. -
Saint-Malo Place De La Poissonnerie Balade À Dinan, Au Rythme De L’Horloge Et De La Place Saint-Sauveur Lunettes Blinde
PRINTEMPS 2008 - N°1 DiverCitéEmeraude Ceux qui font le changement sur la Côte d’Emeraude QUARTIERS Le chic-mode “made in” Saint-Malo Place de la Poissonnerie Balade à Dinan, au rythme de l’horloge et de la Place Saint-Sauveur Lunettes Blinde ncent, 32 avenue Charles Bedaux, 37000 Tours chez Voir et Plus Habillée par Vero Moda Dossier chez Case LE BIO plus qu’une tendance, un phénomène à suivre ! Banque et populaire à la fois Faites Faites la différence Encart au TV Magazine du 25/04/08. Pour les mentions légales, consulter les quotidiens de référence. Impression : Imprimerie Vi Impression Encart au TV Magazine du 25/04/08. Pour les mentions légales, consulter quotidiens de référence. 5 Ceux qui font le changement QUARTIERS DES BONS MOMENTS 11 Le chic-mode “made-in” Saint-Malo SHOPPING, Place de la Poissonnerie ÇA VOUS BRANCHE ? 15 Balade à Dinan au rythme de l’Horloge et de la place Saint-Sauveur Elle attire les touristes du monde entier, son horizon, ses 19 DOSSIER rochers à marée basse qui s’étalent à perte de vue, sa LE BIO mer parfois bleue souvent émeraude, déchaînée ou paisible, son sable et ses enfants qui jouent. Telle une plus qu’une tendance pierre précieuse au fond d’un écrin, elle rayonne, les un phénomène à suivre ! brises y passent sans s’estomper, son histoire se décline à l’infini. Le rêveur y songe en toute quiétude, l’homme d’affaire y fait son business, le poète y trouve l’inspiration A VOS COUVERTS et la vie s’y engouffre. -
45371-007 July 2017
Madhya Pradesh Irrigation Efficiency Improvement Project (RRP IND 45371) Initial Environmental Examination Project No.: 45371-007 July 2017 India: Madhya Pradesh Irrigation Efficiency Improvement Project This initial environmental examination is a document of the borrower. The views expressed herein do not necessarily represent those of ADB's Board of Directors, Management, or staff, and may be preliminary in nature. Your attention is directed to the “terms of use” section on ADB’s website. In preparing any country program or strategy, financing any project, or by making any designation of or reference to a particular territory or geographic area in this document, the Asian Development Bank does not intend to make any judgments as to the legal or other status of any territory or area. Project Number: 45371-007 July 2017 Madhya Pradesh Irrigation Efficiency Improvement Project Initial Environmental Examination (IEE) For Water Resources Department Madhya Pradesh CURRENCY EQUIVALENTS (as of 1 July 2017) Currency Unit – Indian rupee (₹) ₹1.00 = $0.015477 $1.00 ₹64.612 ABBREVIATIONS ADB - Asian Development Bank MPIEIP - Madhya Pradesh Irrigation Efficiency Improvement Project BOD - Biological Oxygen Demand COD - Chemical Oxygen Demand CCA - Cultivable command area CPCB - Central Pollution Control Board DSC - Design and Supervision Consultant EARF - Environment Assessment and Review Framework EIA - Environmental Impact Assessment EMP - Environmental Management Plan EPC - Engineering Procurement and Construction ESMC - Environmental and Social -
View This Year's Acquisitions
Yale University Art Gallery Bulletin 2017 Recent Acquisitions online supplement Within these lists, objects in the Circa (ca.) is used to denote that a Acquisitions departments of American Decorative work was executed sometime within or July 1, 2016– Arts, American Paintings and Sculpture, around the date given. For all objects, Asian Art, European Art, Modern and principal medium is given first, followed June 30, 2017 Contemporary Art, Photography, and by other media in order of prevalence. Prints and Drawings are alphabetized Dimensions are given in inches followed by artist, then ordered by date, then by centimeters in parentheses; height alphabetized by title, then ordered by precedes width. For three-dimensional accession number. Objects in the sculpture and most decorative objects, departments of African Art, Ancient such as furniture, height precedes Art, Art of the Ancient Americas, Indo- width precedes depth. For drawings, Pacific Art, and Numismatics are ordered dimensions are of the sheet; for relief chronologically, then alphabetized by and intaglio prints, the matrix; and for title, then ordered by accession number. screenprints, planographic prints, and photographs, the image, unless otherwise noted. For coins and medals, weight is given in grams, axis in clock hours, and diameter in millimeters. If an object is shaped irregularly, maximum measure- ments are given. 2 African Art Unidentified Sapi artists Unidentified Vai artist Unidentified Dan artists 3 figures Female Ancestral Mask (Ndoli Jowi/Nòwo) 3 necklaces Sierra Leone, 14th–15th century Liberia, 19th to mid-20th century Liberia, late 19th–early 20th century Stone, ranging from 3 x 1½ x 2⅝ in. Wood, 18 x 9½ x 13 in. -
La Chanson Illustrée : Paraissant Tous Les Dimanches / Directeur : F
La Chanson illustrée : paraissant tous les dimanches / directeur : F. Polo ; rédacteur en chef Alex. Flan Source gallica.bnf.fr / Bibliothèque nationale de France . La Chanson illustrée : paraissant tous les dimanches / directeur : F. Polo ; rédacteur en chef Alex. Flan. 1869-05-02. 1/ Les contenus accessibles sur le site Gallica sont pour la plupart des reproductions numériques d'oeuvres tombées dans le domaine public provenant des collections de la BnF. Leur réutilisation s'inscrit dans le cadre de la loi n°78-753 du 17 juillet 1978 : - La réutilisation non commerciale de ces contenus ou dans le cadre d’une publication académique ou scientifique est libre et gratuite dans le respect de la législation en vigueur et notamment du maintien de la mention de source des contenus telle que précisée ci-après : « Source gallica.bnf.fr / Bibliothèque nationale de France » ou « Source gallica.bnf.fr / BnF ». - La réutilisation commerciale de ces contenus est payante et fait l'objet d'une licence. Est entendue par réutilisation commerciale la revente de contenus sous forme de produits élaborés ou de fourniture de service ou toute autre réutilisation des contenus générant directement des revenus : publication vendue (à l’exception des ouvrages académiques ou scientifiques), une exposition, une production audiovisuelle, un service ou un produit payant, un support à vocation promotionnelle etc. CLIQUER ICI POUR ACCÉDER AUX TARIFS ET À LA LICENCE 2/ Les contenus de Gallica sont la propriété de la BnF au sens de l'article L.2112-1 du code général de la propriété des personnes publiques. 3/ Quelques contenus sont soumis à un régime de réutilisation particulier.