D'arcy (Belle) Papers, 1894-1940
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[, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience. -
United States Theatre Programs Collection O-016
http://oac.cdlib.org/findaid/ark:/13030/c8s46xqw No online items Inventory of the United States Theatre Programs Collection O-016 Liz Phillips University of California, Davis Library, Dept. of Special Collections 2017 1st Floor, Shields Library, University of California 100 North West Quad Davis, CA 95616-5292 [email protected] URL: https://www.library.ucdavis.edu/archives-and-special-collections/ Inventory of the United States O-016 1 Theatre Programs Collection O-016 Language of Material: English Contributing Institution: University of California, Davis Library, Dept. of Special Collections Title: United States Theatre Programs Collection Creator: University of California, Davis. Library Identifier/Call Number: O-016 Physical Description: 38.6 linear feet Date (inclusive): 1870-2019 Abstract: Mostly 19th and early 20th century programs, including a large group of souvenir programs. Researchers should contact Archives and Special Collections to request collections, as many are stored offsite. Scope and Contents Collection is mainly 19th and early 20th century programs, including a large group of souvenir programs. Access Collection is open for research. Processing Information Liz Phillips converted this collection list to EAD. Preferred Citation [Identification of item], United States Theatre Programs Collection, O-016, Archives and Special Collections, UC Davis Library, University of California, Davis. Publication Rights All applicable copyrights for the collection are protected under chapter 17 of the U.S. Copyright Code. Requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Regents of the University of California as the owner of the physical items. -
WEBER Ing, with the Help of 'He Max — • Danes ': M "Henry VIII" Saint-Saen» SOME PRO- Mam) Bears a Striking R^Sunw.In T
*$ NEW-YOBK DAILY TRIBUNE. SUNDAY. MARCH 10. 1901. will give a Williams at: '. Miss {Catherine Flor. nee in the cast, programme will pre- Mrs. Harriet Otis Dellenbaugh. who farce was celebrating its first preat triumphs !n r>amro.>=ch. a miscellaneous Wiggin. is continued at the Lyceum Theatre. The • [tal Mater." Next monologue by Mrs. Katt- Douglass MUSICAL NOTES. Paris when Mozart visited the French «; cede a repetition of Rossini's "Stabat is soon to be given at the Vaudeville Theatre. Lon- — Ter- in 1757 a circumstance that takes on a curl- Sunday Verdi's Manznni Requiem will have Its of cham- don, where Seymour Hicks and Miss Elluline for Mr. Ludwig Breitner will give a concert appear ' >us interest, the bt-srinnini; of third performance. The scheme the first part Saturday riss will In it. - IF from the- fact that ber next even- CALENDAR a.v: OPERA LIST FOR r (which Ma) to-night's concert is as music in Mendelssohn Hall the cavatina willI.c sung by Gertrude of follows: Bendix Quartet. The White Rats will continue their tenancy of WEBER ing, with the help of 'he Max — • Danes ': m "Henry VIII" Saint-Saen» SOME PRO- Mam) bears a striking r^sunw.in t.. Barastro's - piano- Lafayette. WEEK IXTERESTING "Largo al Factotum" Ropslni programme a sonata for Koster & Bial's for another week. great Magic The will include air In "Thf- Flute." composed by Mr. Campanari. violin, ijuintet. Henry Lee. Kelly and Ashby. Howard and Bland. GRAMMES—AX OLD ENGLISH ROUND- years Aria from "Lucrezla Borgia" -. Donizetti forte and a trio and a Mozart thrt-e afterward. -
Florenz Ziegfeld Jr
CALIFORNIA STATE UNIVERSITY, NORTHRIDGE ZIEGFELD GIRLS BEAUTY VERSUS TALENT A thesis submitted in partial fulfillment of the requirements For the degree of Master of Arts in Theatre Arts By Cassandra Ristaino May 2012 The thesis of Cassandra Ristaino is approved: ______________________________________ __________________ Leigh Kennicott, Ph.D. Date ______________________________________ __________________ Christine A. Menzies, B.Ed., MFA Date ______________________________________ __________________ Ah-jeong Kim, Ph.D., Chair Date California State University, Northridge ii Dedication This thesis is dedicated to Jeremiah Ahern and my mother, Mary Hanlon for their endless support and encouragement. iii Acknowledgements First and foremost I would like to express my deepest gratitude to my thesis chair and graduate advisor Dr. Ah-Jeong Kim. Her patience, kindness, support and encouragement guided me to completing my degree and thesis with an improved understanding of who I am and what I can accomplish. This thesis would not have been possible without Professor Christine Menzies and Dr. Leigh Kennicott who guided me within the graduate program and served on my thesis committee with enthusiasm and care. Professor Menzies, I would like to thank for her genuine interest in my topic and her insight. Dr. Kennicott, I would like to thank for her expertise in my area of study and for her vigilant revisions. I am indebted to Oakwood Secondary School, particularly Dr. James Astman and Susan Schechtman. Without their support, encouragement and faith I would not have been able to accomplish this degree while maintaining and benefiting from my employment at Oakwood. I would like to thank my family for their continued support in all of my goals. -
National Register of Historic Places Registration Form
NFS Form 10-900 OMBNo. 1024-0018 (Expires 5/31/2012) United States Department of the Interior National Park Service National Register of Historic Places JUN 03 2010 Registration Form NAT. REGISTER OF HISTORIC PLACES This form is for use in nominating or requesting determinations for individual properties and distri gistar R illetin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional certification comments, entries, and narrative items on continuation sheets if needed (NFS Form 10-900a). 1. Name of Property_____________________________________________________ historic name Sam S, heatre and Shubert Building other names/site number World Theater; Fitzgerald Theater; Fitzgerald Condominiums 2. Location_________________________________________ street & number 10 East Exchange Street and 488 North Wabasha Street not for publication N/A city or town Saint Paul__________________________________ D vicinity state Minnesota code MN county Ramsey code 123 zip code 55101 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this X nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets __ does not meet the National Register Criteria. I recommend that this property be considered significant at the following level(s) of significance: national statewide X local _ 10 Signature of certifying orflclal7Title Date Britta L. -
Chronology and Itinerary of the Career of Will Marion Cook: Materials for a Biography Peter M
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Faculty Publications: School of Music Music, School of 10-17-2017 Chronology and Itinerary of the Career of Will Marion Cook: Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/musicfacpub Part of the African American Studies Commons, American Popular Culture Commons, and the Music Commons Lefferts, Peter M., "Chronology and Itinerary of the Career of Will Marion Cook: Materials for a Biography" (2017). Faculty Publications: School of Music. 66. http://digitalcommons.unl.edu/musicfacpub/66 This Article is brought to you for free and open access by the Music, School of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Faculty Publications: School of Music by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 1 10/17/2017 Chronology and Itinerary of the Career of Will Marion Cook: Materials for a Biography Peter M. Lefferts University of Nebraska-Lincoln This document is one in a series---"Chronology and Itinerary of the Career of"---devoted to a small number of African American musicians active ca. 1900-1950. The documents are fallout from my work on a pair of essays, "US Army Black Regimental Bands and The Appointments of Their First Black Bandmasters" (2013) and "Black US Army Bands and Their Bandmasters in World War I" (2012; rev. version, 2016). In all cases I have put into some kind of order a number of biographical research notes, principally drawing upon newspaper and genealogy databases. -
The Irish Play on the New York Stage, 1874-1966
University of Kentucky UKnowledge Literature in English, Ireland English Language and Literature 1997 The Irish Play on the New York Stage, 1874-1966 John P. Harrington Cooper Union Click here to let us know how access to this document benefits ou.y Thanks to the University of Kentucky Libraries and the University Press of Kentucky, this book is freely available to current faculty, students, and staff at the University of Kentucky. Find other University of Kentucky Books at uknowledge.uky.edu/upk. For more information, please contact UKnowledge at [email protected]. Recommended Citation Harrington, John P., "The Irish Play on the New York Stage, 1874-1966" (1997). Literature in English, Ireland. 3. https://uknowledge.uky.edu/upk_english_language_and_literature_ireland/3 IRISH LITERATURE, HISTORY, AND CULTURE This page intentionally left blank THE IRISH PLAY ON THE NEW YORK STAGE 1874-1966 John l? Harrington THE UNIVERSITY PRESS OF KENTUCKY Publication of this volume was made possible in part by a grant from the National Endowment for the Humanities. Copyright © 1997 by The University Press of Kentucky Scholarly publisher for the Commonwealth, serving Bellarmine College, Berea College, Centre College of Kentucky, Eastern Kentucky University, The Filson Club Historical Society, Georgetown College, Kentucky Historical Society, Kentucky State University, Morehead State University, Murray State University, Northern Kentucky University, Transylvania University, University of Kentucky, University of Louisville, and Western Kentucky University. All rights reserved Editorial and Sales Offices: The University Press of Kentucky 663 South Limestone Street, Lexington, Kentucky 40508-4008 01 00 99 98 97 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Harrington, John ~ The Irish play on the New York stage, 1874-1966/ John ~ Harrington p. -
Dramatic Mirror, November 7, 1891, P. 8. 2. Helen Ten Broeck, “Rida Young—Dramatist and Garden Expert,” Theatre (April 1917): 202
NOTES INTRODUCTION 1. Ali Baba, “Mirror Interview: XXI—Martha Morton,” Dramatic Mirror, November 7, 1891, p. 8. 2. Helen Ten Broeck, “Rida Young—Dramatist and Garden Expert,” Theatre (April 1917): 202. 3. See Progressive Era at http://www.wikipedia.com. 4. Rachel Crothers (1878–1958), considered America’s first modern feminist playwright for her social comedies and woman-centered themes, is the only woman usually included within the “canon” of playwrights during the Progressive Era. Her production in 1906 of The Three of Us marked the beginning of a thirty-year career as a professional playwright and director in American theater. Her plays were well-constructed and dealt with pertinent issues of the time, such as the unfairness of the double standard and women’s conflicts between career and motherhood; her plays are still revived today. Unlike the other women in this study who are essentially “unknown,” Crothers has been extensively written about in dissertations and journals and, therefore, is not included in this study. For a recent arti- cle on Crothers, see Brenda Murphy, “Feminism and the Marketplace: The Career of Rachel Crothers,” in The Cambridge Companion to American Women Playwrights, ed. Brenda Murphy (New York: Cambridge University Press, 1999), 82–97. 5. About fifty-one women dramatists achieved two or more productions in New York between 1890 and 1920. Portions of this chapter are from Sherry Engle, “An ‘Irruption of Women Dramatists’: The Rise of America’s Woman Playwright, 1890–1920,” New England Theatre Journal 12 (2001): 27–50. 6. A prime example is Morton’s The Movers (1907), which despite being a box office failure, was defended by several prominent critics. -
Ada Rehan Papers Ms
Ada Rehan papers Ms. Coll. 191 Finding aid prepared by Kimberly Tully. Last updated on April 03, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1997 Ada Rehan papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Other Finding Aids........................................................................................................................................7 Collection Inventory...................................................................................................................................... 8 Incoming correspondence........................................................................................................................ 8 Memorabilia.......................................................................................................................................... -
The Taming of the Shrew and Coriolanus: Re-Interpretations and Adaptations After the Major Western Ideological Revolutions David George, Urbana University
The University of Akron IdeaExchange@UAkron Selected Papers of the Ohio Valley Shakespeare Literary Magazines Conference March 2019 The aT ming of the Shrew and Coriolanus: Re- interpretations and Adaptations after the Major Western Ideological Revolutions David George Urbana University, [email protected] Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: https://ideaexchange.uakron.edu/spovsc Part of the Literature in English, British Isles Commons Recommended Citation George, David (2019) "The aT ming of the Shrew and Coriolanus: Re-interpretations and Adaptations after the Major Western Ideological Revolutions," Selected Papers of the Ohio Valley Shakespeare Conference: Vol. 10 , Article 3. Available at: https://ideaexchange.uakron.edu/spovsc/vol10/iss1/3 This Article is brought to you for free and open access by Literary Magazines at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Selected Papers of the Ohio Valley Shakespeare Conference by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. The Taming of the Shrew and Coriolanus: Re-interpretations and Adaptations after the Major Western Ideological Revolutions David George, Urbana University any critics wish that Shakespeare had never written The Taming of the Shrew or Coriolanus, and so adapters have M set out to right their apparently mistaken biases. They believe The Shrew is misogynistic, and Coriolanus is pro-patrician and pro-war. -
STAGE AFFAIRS Will on Tuesday Night His Suo Existing Harry Leader End Square a Parisian Product in AH Eeesfu! Engagement at Blaneys Lincoln THIS WEEK
FEBRUARY 14, 1909. - XEW-YORK DAILY TRIBI^. SUNDAY. *Hb»i LOLA MAY. - Bljsu ELSIE FERGUSON. Mississippi," «t ths JULiA MARLOWE. Salesman," th« Acting tr» A Gentleman from OLIVE WYNDHAM. Daly's Acting in "The Traveling at EDITH HECKER. Home," Yvette in "The Goddess of Reason," at Gaiety "Havana," Acting in "The Man frem a* the Actor As Theatre. Acting in at the Casino Theatre. Theatre. Theatre. VARIETY THEATRES THE "FILS A PAPA" kx ENGLISHMAN'S HOME STAGE AFFAIRS will on Tuesday night his suo Existing Harry Leader end Square A Parisian Product in AH eeesfu! engagement at Blaneys Lincoln THIS WEEK. arranged f<>r in tilth a Conscript NEW PLAY Theatre. A special bill has been Ranks Society. Drama Line presentation. Liberty Council, Knights of Colum- of MONDAY NIGHT, num- bus wiil give Mr. Lauder a allver service. A Paris. February 2. Army. THEATRE-JuUa Marlowe, in "The appear at the I DALT'S ber of well known performers wiil Everybody In Paris knows the "fils a papa." Goddess of Reason." February 3. usual performances. name a sneer, but it Is not. g London. bill this week You might think his There wtV be fifteen players in the frequeatlr satirical, IThe play with a purpose seems to have draw- and it willbe headed !Paris never sneer*. Paris is be- REVIVALS. at the American Music Hali. mordant, :cg power when there Is a patriotic motive and Grace Tyson. Emma but its satire is more funny than an4 Wynd- THURSDAY NIGHT. by Arthur McWatters injuries. hind it. "An Englishman's Home." at Cars* F«?!!x and Caire. -
University Microfilms, a XERQ\Company, Ann Arbor, Michigan
70-19,326 JOYCE, Robert Suddards, 1935- A HISTORY OF THE ARMBRUSTER SCENIC STUDIO OF COLUMBUS, OHIO. The Ohio State University, Ph.D., 1970 Theater University Microfilms, A XERQ\Company, Ann Arbor, Michigan Q Copyright by Robert Suddards Joyce 1970 THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED A HISTORY OP THE ARMBRUSTER SCENIC STUDIO OF COLUMBUS, OHIO DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Robert Suddards Joyce, B.A., M.A. ******* The Ohio State University 1970 Approved by Adviser Department of Theatre PI£ASE NOTE: Some pages have small and indistinct type Filmed as received. University Microfilms VITA June 23, 1935 Born - Portland, Maine 1962 B.A., University of Maine, Orono, Maine 1962 - 1966 Graduate Assistant, Department of Speech - Theatre, The Ohio State University, Columbus, Ohio 1964 M.A., The Ohio State University, Columbus, Ohio 1966 - 1969 Assistant Professor of Speech and Theatre, Wisconsin State University, La Crosse, Wisconsin FIELDS OF STUDY Major Field; Theatre Studies in Theatre Professor John H, McDowell History Professor John C. Morrow Studies in Directing Professor Roy H. Bowen and Production Professor George C, Crepeau Minor Field: Dramatic Professor Harold Walley Literature Professor John H. Wilson Minor Field: Speech Professor Franklin S. Knower Communication 11 TABLE OP CONTENTS Page VITA ............................................ 11 LIST OF ILLUSTRATIONS ......................... v Chapter I. INTRODUCTION............................ 1 The Objectives of the S t u d y ......... 4 The Primary Sources ................. 5 Methodology ......................... 6 Secondary Sources ................... 7 Newspapers and Periodicals . , . , . 9 Theses and Dissertations ........... 10 II.