I°Issft: Picnic :1,11 7 Royal Personnel

Total Page:16

File Type:pdf, Size:1020Kb

I°Issft: Picnic :1,11 7 Royal Personnel 24 THE SAN FRANCISCO CALL, SUNDAY, MAY 10, 1896. Mrs. Elizabeth Mowry soprano, and Dr. entitled "Dr. Helßraff," of which Charles KEW TO-DAY.' NEW TO-DAY—AMUSEMENTS. D. A. Hodghead tenor, willproduce Verdi's Kiein,tbe librettist of "ElCapitan," is the "Ernani" at the New Bush-street Thea- author. ter on Thursday evening next, May 14. AL HAYMAN& CO/S THEATERS. The cast willbe as follows: Elvira, Mrs. Dr. Belgraff, like Svengali, is a hypno- Elizabeth Mowry; Giovanna, Mrs. Pauline tist, and he uses his power to conceal a NOLAN BROS. murder I Wand; Ernani, Dr. D. A. Hodghead; Don he has committed. Remorse f^f ICarlos (Kingof Spain), Alfred A. Borlini; seizes him, however, and he takes to ; -' Don Ruy Gomez de Silva, P. Lafranchi; drink. Weakened by dissipation, he gradu- CO. ALL WEEK, ally I SHOE TO-HIGHT and THE Don Ricardo, I.iJresciani; Jago, L. Lacaze. loses his hypnotic influence and his fr| ftofi&n The opera will be produced under the secret is betrayed. Rather than pay the penalty idirection of Maestro Fanstino Ziliaui, of hi9crime he swallowed a | who has already successfully produced draught of poison and the play ends as he j ''Martha" and "Crown Diamonds." The falls dead. ohorus is a laree one, and those people who Rather a grewsome affair, is itnot? But have attended the rehearsals speak en- Mr. Lackaye says it is a very strong play thusiastically of several of the principals. and that he feels of its success. He may possibly give it a trial production Coining JCvcnts inMusic. somewhere this sprintr, but he intends to BIG- !MIJXrST?3FLE3X J>S I Next Thursday evening Berniiard Mol- open his starring tour in the "West, and NNQ In lns THEATRES willnot brine his play into New York un- MBSBA?Wi HT. ENTIRE mm FROM START TO FINISH. ATTHE lenhauer willbe tendered a concert « benefit tilhe has iiinperfect working in Golden Gate Hall by the patrons and order. GRAND PRIZE CAKE WALK! members of the San Francisco Symphony AUGISTIN DALY. presented STYLE Exactly as at Madison Square Garden. N. V.f by FRIMBOSB and WEST on their Orchestra. The orchestra willrender sev- LATEST Twenty-fifth Anniversary. eral Career of a Man selections, and Mollcnhauer and "Who Has Done Much J\A rrtflPIFQ t\(l Will contest for cash and valuable prizes KA fiftliDTrc CA Homer Henly willbe the soloists. James for the Drama. Ov-tvLILLIJ-OV Alllocal talent can participate free of en try OV"vUIJILL!3"DU Hamilton Howe willconduct. Born at Plymouth, N. C, July 20, 1838. FIISTE Monday, May 18-HOYT'S "A TRIP TO CHINATOWN." and educated some Andrew Bogart, a barytone whohas sung in Norfolk, Va., with a good deal in concerts finishing touches put on in New York local for the last City, two years, will be tendered a farewell Auguistin Daly is claimed as a South- Deneht concert in Metropolitan Temple ern man, though New York and the Na- tion now claim him, and is proud of him Dfll/ijij![MM\h CARNIVALOF LAUGHTER! for what he the stage end l/irl has done for AND R dramatic literature. He became dramatic TO-NIQHT (SUNDAY), 7 5faHTS editor of the New York Sunday Courier in Arc (he 18(59, and successfully held positions on We Only House That Has THE STRANGE the Express, Citizen, Times and Sun un- EDDIE til he became a manager of theaters by Allthe Very Latest Tan Shoes. opening the old Fifth-avenue Theater. cvw To him was due the production of Henry r\JY OF MISS BR.OTA7-3STBR.O"W3ST Mosenthal's America, and Management of WM. A. BRADY. Ptranpe "Deborah" in OLD Adventures of Miss the brilliant success of Miss Kate Bate NO STYLESin ODESTORE Brown" is not exactly a M farce- man in the of Nothing but the very all comedy well-remembered character latest and EXTRA- y ADA REIIAN and AUGUSWH DALY'S that scintillates with Leah the Forsaken, thirty-two years right up the minute. D^r'l COMPANY" genius, but is bright to So when Repertoire First Monday, Tuesday, Wednesday evenings and Saturday Matinee, The it and enter- \ ago. While yet youth adapted plays Thursday Friday, •' Saturday a he you want TAN SHOES send Countess Guckf." — and The Two Escutcheons."'• niirht. "School For THEtaining. More than that, ittells 3 ; come or nights and Saturday Matinee, Night's I)ream." Scandal." Second Five Mldsumnu-r ' for Mrs. John Wood, Mme. Methua- '• " Saturday tangible tale indialogue, and is not merely direct to our store and buy them night," The Last Word." Third Week— Twelfth >.'ight." "The Hunchback,' "The Honeymoon' Scheller, Rose Eytinge and Avonia Jones. The Taming of The shrew." NOTE—Choice of seats willhe given to subscribers who purchase a string of clumsy v<-gs on hang 11, seats which to j He was the earliest adopter of Charles for every change of play, Subscribers' seat* will be ready Monday, .May and mim' be caller) for third and fourcii rate vaudeville perform- I that day. Regular sale of seats for the entire three weeks will commence Tuesday, Hiv" 12. Prices Reade's "Griffith Gaunt," and he had a lIKHa engagement 50, and 60 cents, ances. Strange say, public during the N will be $2, if1 »1 according to location. to the in this principal hand inconverting Henry Ward AT WHOLESALE <ity seems prefer " PRICES. to farce-comedies that Beecher's novel of Norwood" into a are mere excuses for vaudeville shows. It play, in days when the name of Beecher MOROSCO'S GRAND OPERA-HOUSE. is hard to say why this should be so, for was a watchword for the public enthu- We Are Making a Specialty The Handsomest Family Theater InAmerica. WALTER MOROSCO the Orpheum gives a better variety show siasm. As a writer of original dramas he of Tan Shoes and Can Sole Lessee an!Mana^ar than any farce-comedy organization can was very early in the field. His melo- - - - - - - - afford to offer. There are expenses drama of "Under the Gaslight," produced Suit Every One. TO-MORROW EVENING MONDAY, of in 1807, containing the rescue from death MAY 11 statre management, etc., con- upon track, proved pre- nected the railroad the SECOND WEEK OF AMERICA'S LEADING with a theatrical company, even if cursor of a long line of sensational plays AllStyles That Are Made in TRAGEDIAN. itis a theatrical company only in name, upon American subjects. His "Flasn of which makes unprofitable i lightning," 1868, was another success Black' Shoes We Have in Tan. EDiMITTHSTID KZ. COLLIER it to engage as in EHU3B Supported by a Select Cast from our Own Company, good all-round vaudeville stars as a regu- in the same field, and his play of "Pique" ' lar music-hall organization can present. still continues to be the best of American IN THE GREAT MELODRAMATIC SUCCESS, We have been so | domestic dramas. dosed with Dad singing During his first season as* a manager, WE SELL: and worse aancing, under the name of 1869-70, to Ladles' Finest Quality Tan Chrome KidButton, that of when he had contend band-turn soles, pointed toes and tips, at.. farce-comedy, that "The Strange Advent- against the rivalry of Booth's Theater and $2 50 per pair ures , WallacK's, twenty-three of Miss Brown" at the Baldwin comes George a next as of he produced Ladles' Fine Tan Oxfords, French heels, hand, pionship. Wilson has number of Wednesday evening, it is his in- plays, three were by Shakespeare, soles, .s•_' THE as a of which turn toes and at per CROSS-ROADS OF refreshing relief. programme. pursue pointed tips, pair LIFE! new things for this week's tention to his studies abroad. Mr. and every one of his revivals was consci- Ladies" Fine Tan Kid, Brown Cloth Top A STORY OF MOST INTENSE INTEREST. On Monday, the 18tn inst., Hoyt's Bogart will be assisted by the Saturday fords, Ox- SPECIALTIES, The modern stage-manager gets inmore entiously planned and sumptuously ac- or Southern Ties, hand-turn soles, MFWI^l-," I SONGS. DANCES. I MCU/ "Tripto Chinatown" will be presented at Morning Orchestra, and the Philomel, presented trage- pointed or square toes, at $150 per T| SOUL-STIRRING REALISM. l>CW of his deadly work every year. Plays are by Ly Cleff, Plymouth complished. He that fine pair J— the California the company selected Treble California and dian E. L. Davenport when at bis best. Ladies' Fine Russet Oxford Ties, turn soles, constantly becoming more spectacular Hoyt and McKee to appear in the piece quartets, as well as by Miss Sophia New- brought pointed or square toes, at $1 per pair OUR USUAL POPULAR during coming lands, Reed, con- He out Mrs. Scott-Siddons in PRICES. and realistic, tanks are bigger, machinery the Australian tour. soprano, and Mrs. Olive Shakespearean tragedy and comedy at a Ladles' White Canvas Oxford Ties, turn soles, is more complicated Among its members are: Harry Conor, tralto. pointed toes, at 91 50 per pair and millinery and McCann, time when that lovely woman was in the Geraliiine Georce Beane, Sadie prime of her beauty. He managed en- TIVOLI smart frocks are rapidly becoming ofmore McDonald, Frank Lawton, Patrice, Arthur Mrs. Eunice Westwater announces a OPERA-HOUSE importance than good p.'ays song gagements of John Brougham. Georpe L. MBit.hs.MiSTi.Nii Kbsxijjq.Proprietor &Alanajor and clever Pacie, Amelia Btoue, J. Aldnch Libby and recital in Native Sons Hall on the Fox, Booth, Joseph Jefferson, Children's and Misses' Tan Shoes. acting. But what a stage- 19th inst.
Recommended publications
  • [, F/ V C Edna Hammer Cooley 1986 APPROVAL SHEET
    WOMEN IN AMERICAN THEATRE, 1850-1870: A STUDY IN PROFESSIONAL EQUITY by Edna Hammer Cooley I i i Dissertation submitted to the Faculty of the Graduate School of the University of Maryland in parti.al fulfillment of the requirements for the degree of Doctor of Philosophy ~ /, ,, ·' I . 1986 I/ '/ ' ·, Cop~ I , JI ,)() I co uI (~; 1 ,[, f/ v c Edna Hammer Cooley 1986 APPROVAL SHEET Title of Dissertation: Women in American Theatre, 1850-1870: A Study in Professional Equity Name of Candidate: Edna Hammer Cooley Doctor of Philosophy, 1986 Dissertation and Approved: Dr. Roger Meersman Professor Dept. of Communication Arts & Theatre Date Approved: .;;Jo .i? p ,vt_,,/ /9Y ,6 u ABSTRACT Title of Dissertation: Women in American Theatre, 1850- 1870~ A Study_ in Professional Equi!:Y Edna Hammer Cooley, Doctor of Philosophy, 1986 Dissertation directed by: Dr. Roger Meersman Professor of Communication Arts and Theatre Department of Communication Arts and Theatre This study supports the contention that women in the American theatre from 1850 to 1870 experienced a unique degree of professional equity with men in the­ atre. The time-frame has been selected for two reasons: (1) actresses active after 1870 have been the subject of several dissertations and scholarly studies, while relatively little research has been completed on women active on the American stage prior to 1870, and (2) prior to 1850 there was limited theatre activity in this country and very few professional actresses. A general description of mid-nineteenth-century theatre and its social context is provided, including a summary of major developments in theatre in New York and other cities from 1850 to 1870, discussions of the star system, the combination company, and the mid-century audience.
    [Show full text]
  • Ada Rehan Papers Ms
    Ada Rehan papers Ms. Coll. 191 Finding aid prepared by Kimberly Tully. Last updated on April 03, 2020. University of Pennsylvania, Kislak Center for Special Collections, Rare Books and Manuscripts 1997 Ada Rehan papers Table of Contents Summary Information....................................................................................................................................3 Biography/History..........................................................................................................................................4 Scope and Contents....................................................................................................................................... 5 Administrative Information........................................................................................................................... 5 Controlled Access Headings..........................................................................................................................6 Other Finding Aids........................................................................................................................................7 Collection Inventory...................................................................................................................................... 8 Incoming correspondence........................................................................................................................ 8 Memorabilia..........................................................................................................................................
    [Show full text]
  • The Taming of the Shrew and Coriolanus: Re-Interpretations and Adaptations After the Major Western Ideological Revolutions David George, Urbana University
    The University of Akron IdeaExchange@UAkron Selected Papers of the Ohio Valley Shakespeare Literary Magazines Conference March 2019 The aT ming of the Shrew and Coriolanus: Re- interpretations and Adaptations after the Major Western Ideological Revolutions David George Urbana University, [email protected] Please take a moment to share how this work helps you through this survey. Your feedback will be important as we plan further development of our repository. Follow this and additional works at: https://ideaexchange.uakron.edu/spovsc Part of the Literature in English, British Isles Commons Recommended Citation George, David (2019) "The aT ming of the Shrew and Coriolanus: Re-interpretations and Adaptations after the Major Western Ideological Revolutions," Selected Papers of the Ohio Valley Shakespeare Conference: Vol. 10 , Article 3. Available at: https://ideaexchange.uakron.edu/spovsc/vol10/iss1/3 This Article is brought to you for free and open access by Literary Magazines at IdeaExchange@UAkron, the institutional repository of The nivU ersity of Akron in Akron, Ohio, USA. It has been accepted for inclusion in Selected Papers of the Ohio Valley Shakespeare Conference by an authorized administrator of IdeaExchange@UAkron. For more information, please contact [email protected], [email protected]. The Taming of the Shrew and Coriolanus: Re-interpretations and Adaptations after the Major Western Ideological Revolutions David George, Urbana University any critics wish that Shakespeare had never written The Taming of the Shrew or Coriolanus, and so adapters have M set out to right their apparently mistaken biases. They believe The Shrew is misogynistic, and Coriolanus is pro-patrician and pro-war.
    [Show full text]
  • Daly, John Augustin
    Published on NCpedia (https://www.ncpedia.org) Home > Daly, John Augustin Daly, John Augustin [1] Share it now! Average: 3 (2 votes) Daly, John Augustin by Sue Fields Ross, 1986 20 July 1838–7 June 1899 1 John Augustin Daly. Image courtesy of the NC Office of Archives & History. [2]John Augustin Daly, playwright and for three decades one of America's foremost theatrical producers and managers, was born in Plymouth, N.C. His father, Captain Denis Daly, in the shipping and lumber business, was born in Ireland and later sought his fortune trading along the American coast and in the West Indies. It was there he met Elizabeth Duffey, daughter of Englishman Lieutenant John Duffey. After a voyage north, they were married in New York in 1834 and eventually came to North Carolina from Norfolk, Va., in 1838. Their oldest child, Catherine, died young. After the captain died in 1841 in Ocracoke from a fever contracted at sea, the widow moved with sons Augustin and Joseph Francis (1840– 1916) to Norfolk and then in 1849 to New York. There, with little formal education, Joseph rose from office boy to managing clerk and to successor in an outstanding law firm, served as justice on various benches, including the New York Supreme Court [3], then returned to law and literature as his brother's very active collaborator and biographer. Augustin, too, had brief formal schooling; he entered the mercantile business as a clerk, went to night school, and chased the star glimpsed early when as a child he went to the Avon Theater and produced plays in a wood house in Norfolk.
    [Show full text]
  • Jiu Jitsut1 That the Earth Was Round and Was Call- Could Withstand" "Under the Circum- Ance, Leaving a Favorable Opening
    Even Mr. odd moments 'Op o' Me Thumb, as and looks as tnougb he might have ashamed of me! But I don't blame The play is said to be well written be seen by many people. Amanda had once styled herself, would been a handy man about a fish market him. I'd 'a' been ashamed of a little and contains a great deal of local at- Clyde Fitch's reputation as a play- - inch THE SCHOOL FOR SCANDAL." take the shirt from Its shelf, unwrap it or a first class plumbing establishment. 'Op- o" Me Thumb like me, I guess, if mosphere of the most pleasing sort. It wright is not proof against sixteen - ' ' "THE TAMING OF THE SHREW. and gaze fondly at it for long intervals. After a, few minutes, however," Green-smit- h I'd 'a' been somebody else." has been equipped with unusually ef- dramatic shell failures. One Saturday before a bank holiday, softens and Invites Amanda to go Arthur Byron appears as Mr. Green-smit- h. fective and expensive settings. The headed -' when Celeste and the rest had departed driving with him on the bank holiday. Mr. Byron is realistic. All the cast engaged is a strong one, by , . Albert Chevalier.t Edward after dilating on the good time they Her trouble 'worli, disconsolate little deaf people in the audience sit up and Morgan. I dropped in at the Circle theater a were to have oh the following Monday, face and she chat- look happy as he lets loose his lines' It seems quite the practice nowadays brightens instantly, a to a initial In few nights ago to have another look at ADA REHAN who should appear in Mme.
    [Show full text]
  • D'arcy (Belle) Papers, 1894-1940
    The University of Maine DigitalCommons@UMaine Finding Aids Special Collections 2015 D'Arcy (Belle) Papers, 1894-1940 Special Collections, Raymond H. Fogler Library, University of Maine Follow this and additional works at: https://digitalcommons.library.umaine.edu/findingaids Part of the History Commons Recommended Citation Special Collections, Raymond H. Fogler Library, University of Maine, "D'Arcy (Belle) Papers, 1894-1940" (2015). Finding Aids. Number 167. https://digitalcommons.library.umaine.edu/findingaids/167 This Finding Aid is brought to you for free and open access by the Special Collections at DigitalCommons@UMaine. It has been accepted for inclusion in Finding Aids by an authorized administrator of DigitalCommons@UMaine. For more information, please contact Special Collections, Fogler Library, 207-581-1686 or [email protected]. D'Arcy (Belle) Papers This finding aid was produced using ArchivesSpace on March 13, 2020. Finding aid written in English. Describing Archives: A Content Standard Raymond H. Fogler Library Special Collections 5729 Raymond H. Fogler Library University of Maine Orono, ME 04469-5729 URL: http://www.library.umaine.edu/speccoll D'Arcy (Belle) Papers Table of Contents Summary Information ......................................................................................................................................... 3 Biographical Note ................................................................................................................................................. 3 Scope and Contents
    [Show full text]
  • Ada Rehan: American Actress (1857-1916)
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1988 Ada Rehan: American Actress (1857-1916). (Volumes I and II). Aileen Alana Hendricks-wenck Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Hendricks-wenck, Aileen Alana, "Ada Rehan: American Actress (1857-1916). (Volumes I and II)." (1988). LSU Historical Dissertations and Theses. 4506. https://digitalcommons.lsu.edu/gradschool_disstheses/4506 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photo­ graph and reproduce this manuscript from the microfilm master. UMI films the original text directly from the copy submitted. Thus, some dissertation copies are in typewriter face, while others may be from a computer printer. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyrighted material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are re­ produced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each oversize page is available as one exposure on a standard 35 mm slide or as a 17" x 23" black and white photographic print for an additional charge.
    [Show full text]
  • NEWSBOY CABINETS Written by Mike Reeve Karto “At” Lineone “Dot” Net
    NEWSBOY CABINETS Written by Mike Reeve karto “at” lineone “dot” net Now before the uninitiated have visions of their paperboys hoarding away Chippendale or Sheraton sideboards, we are, in fact, talking about photographs. To be precise photographs mounted on stiff board usually 6" x 4" and known as ‘cabinets’ supposedly because they were often displayed in cabinets. Newsboy cabinets were given away as ‘premiums’, by tobacconists or drug stores, when making a purchase of plug tobacco produced by the National Tobacco Works of New York. This firm was later acquired by the American Tobacco Company. Although precise dates of issue are not known, it is likely they were produced and issued throughout the early 1890’s Perhaps because of their size and method of distribution, they do not appear to be widely found or collected within the UK. Details of this issue, is of course, to be found in the World Tobacco Issues Index, though, as this article will show, the information is somewhat limited. Although the World Tobacco Issues Index (WTII) does give a broad indication of the various groupings, there is no checklist of subjects. This is not surprising as although the majority of cards are numbered, there is both a duplication of numbers and subject varieties, making it very complex for the new collector or casual observer. For the record Part 11 of the World Tobacco Issues Index reads as follows:- NATIONAL TOBACCO WORKS, Broadway, New York, USA. N238-200 Became branch of American Tobacco Co about 1892. Cards issued about 1890. Premium issues, exchanged for tags or coupons.
    [Show full text]
  • TEACHER TOOLKIT Tour 71, 2019-20 Table of CONTENTS
    AS YOU LIKE IT TEACHER TOOLKIT Tour 71, 2019-20 Table of CONTENTS INTRODUCTION • How to use this guide.................................................................1 • Who are the National Players?...................................................2 • Life on the Road......................................................................3-4 • Offstage Roles.............................................................................5 HISTORICAL CONTEXT • Shakespeare’s World...............................................................7-8 • Shakespeare’s Language.......................................................9-10 WORLD OF THE PLAY • The Pastoral Genre.............................................................12-13 • Gender and Marriage..........................................................14-17 • Banishment.......................................................................18-19 • Getting to know Rosalind....................................................20-21 ABOUT THE SHOW • Synopsis..................................................................................23 • Character Map..........................................................................24 • An Actor’s Perspective.........................................................25-26 • A Designer’s Perspective.....................................................27-28 • Theatre Etiquette.....................................................................29 • Classroom Activities............................................................30-32 How to use this
    [Show full text]
  • University Microfilms
    INFORMATION TO USERS This dissertation was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Transcribed Pages from the Charles Dickson Papers
    Transcribed Pages from the Charles Dickson Papers Box 3 Binder 3: Mobile Theaters, vol. 3 1. Miss Virginia Harned One can readily understand she feels her part. She was well-received last evening, there being much applause given her, etc. The Mobile Register, Dec. 26, 1903 Miss Harned appeared on the Mobile stage January 31, 1897, in her first engagement as a star, although she had made her debut ten years previous on the stage in 1887 with George Clark in the “Corsican Brothers,” “False Shame,” etc. At a later date she became leading lady of E.H. Southern, taking the place of Miss Kimball in “The Enemy of The King,” Miss Kimball having become suddenly stricken. Miss Harned also took the feminine leading roles in other plays with E.H. Southern. It was in the play “Trilby,” however, in which Miss Harned created the title role, that she first won [illegible] success. Lyric Theater, Nov. 22, 1926 Walt Whiteside will be a visitor to this city tomorrow night when he will appear at the Lyric Theater in his new and amazing success, “The Arabian.” Local theater goers readily will recall Mr. Whiteside’s masterful delineations of such stellar characters as Prince Tamar in “The Hindu,” Wu-Li Chang in “Mr. Wu,” Tokeramo the Japanese diplomat in “The Typhoon,” the Prince Hagen in the poetic drama of Nippon, “Sakura.” Mr. Whiteside made his first appearance in Mobile in 1890. The Mobile Register Nov. 23 states: “Mr. Walter Whiteside makes deep impression in ‘The Arabian.’ Few plays create as deep and lasting an impression as did Gordon Kean’s ‘The Arabian,’ in which Walter Whiteside starred last night at the Lyric Theater.
    [Show full text]
  • Ada Rehan by Kevin Hannan
    da Rehan, perhaps the greatest and most famous actress and stage personal- ity ever to come out of this country, was born at No. 1, Shan- non Street, Limerick, on April 22nd. 1860. Her father was Thomas Crehan, one of the hundreds who worked in and around the harbour. As a skilled ship- wright, he might be regarded as by Kevin Hannan belonging to the middle class, espe- cially since he is sometimes described as a 'ship-owner', though the same badge of respectability might be pin- ned on every "badoir" that broughtturf from L2basheeda to Arthur's Quay. His address, however, was some distance from the working class districts at the time, and gives some authenticity to the claims of his social standing. In those days, the harbour was a busy place, and it was not uncommon to see a forest of masts along the river between the dock gate and the Custom House. New vessels, usually schoon- ers, yawls and such smaller craft, were built at the Lansdowne Yard (still to be seen, in dereliction, near St. Michael's Boat Club), and at the Long Dock (near the Co. Courthouse); which was known, around the turn of the century, as Farrell's Yard. No doubt, Tom Cre- han had a hand in the building of some of the finevessels that leftthese stocks. With the transition from sail to steam, work i~ the Limerick yards began to decline and the skills of the shipwright were becoming less and less in demand. Evidently this change, how- ever gradual, was beginning to be felt by the mid-1860s, for we find Tom Cre- han packing up and emigrating to the United States with his wife and family -two boys and three girls.
    [Show full text]