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UNIVERSITY of CALIFORNIA Los Angeles Byzantine Liturgy and The
UNIVERSITY OF CALIFORNIA Los Angeles Byzantine Liturgy and the Primary Chronicle A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Slavic Languages and Literatures by Sean Delaine Griffin 2014 ABSTRACT OF THE DISSERTATION Byzantine Liturgy and the Primary Chronicle by Sean Delaine Griffin Doctor of Philosophy in Slavic Languages and Literatures University of California, Los Angeles, 2014 Professor Gail Lenhoff, Chair The monastic chroniclers of medieval Rus’ lived in a liturgical world. Morning, evening and night they prayed the “divine services” of the Byzantine Church, and this study is the first to examine how these rituals shaped the way they wrote and compiled the Povest’ vremennykh let (Primary Chronicle, ca. 12th century), the earliest surviving East Slavic historical record. My principal argument is that several foundational accounts of East Slavic history—including the tales of the baptism of Princess Ol’ga and her burial, Prince Vladimir’s conversion, the mass baptism of Rus’, and the martyrdom of Princes Boris and Gleb—have their source in the feasts of the liturgical year. The liturgy of the Eastern Church proclaimed a distinctively Byzantine myth of Christian origins: a sacred narrative about the conversion of the Roman Empire, the glorification of the emperor Constantine and empress Helen, and the victory of Christianity over paganism. In the decades following the conversion of Rus’, the chroniclers in Kiev learned these narratives from the church services and patterned their own tales of Christianization after them. The ii result was a myth of Christian origins for Rus’—a myth promulgated even today by the Russian Orthodox Church—that reproduced the myth of Christian origins for the Eastern Roman Empire articulated in the Byzantine rite. -
The Viking Age
Laval University From the SelectedWorks of Fathi Habashi March, 2020 The iV king Age Fathi Habashi Available at: https://works.bepress.com/fathi_habashi/615/ The Viking Age INTRODUCTION The Viking Age (793-1066) is a period in history during which the Scandinavians expanded and built settlements throughout Europe. They are sometimes referred to as Norsemen and known to the Greek as Varangians. They took two routes: the East - - the present-day Ukraine and Russia, and the West mainly in the present-day Iceland, Greenland, Newfoundland, Normandy, Italy, and the British Isles. The Viking were competent sailors, adept in land warfare as well as at sea. Their ships were light enough to be carried over land from one river system to another. Viking ships The motivation of the Viking to invade East and West is a problem to historians. Many theories were given none was the answer. For example, retaliation against forced conversion to Christianity by Charlemagne by killing any who refused to become baptized, seeking centers of wealth, kidnapping slaves, and a decline in the profitability of old trade routes. Viking ship in Oslo Museum The Vikings raids in the East and the West of Europe VIKINGS IN THE EAST The Dnieber The Vikings of Scandinavia came by way of the Gulf of Finland and sailed up the Dvina River as far as they could go, and then carried their ships across land to the Dnieper River, which flows south to the Black Sea. They raided villages then they became interested in trading with the Slavs. Using the Dnieper, they carried shiploads of furs, honey, and wax south to markets on the Black Sea, or sailed across that sea trade in Constantinople. -
The Role of the Bible in the Formation of Philosophical Thought in Kievan Rus’ (As Exemplified by Ilarion of Kiev, Kliment Smolatič, and Kirill of Turov)
Studia Ceranea 6, 2016, p. 61–74 ISSN: 2084-140X DOI: 10.18778/2084-140X.06.04 e-ISSN: 2449-8378 Justyna Kroczak (Zielona Góra) The Role of the Bible in the Formation of Philosophical Thought in Kievan Rus’ (as Exemplified by Ilarion of Kiev, Kliment Smolatič, and Kirill of Turov) he existence of philosophy in Kievan Rus’ (10th–13th centuries) is a contro- Tversial issue. We do not find there a philosophy in a sense of theoretical and rational reflection with abstract notions and schemes about the world and Man but we do find a philosophy understood as a love of wisdom (любомудрие). Wis- dom at that time meant a great knowledge of the Bible, proficiency in allegorical interpretation of it, a certain worldview and an ethical attitude that enabled to set intellectual standards, to teach, to guide society and to create popular ideas. The concept of “книжность” partly covers the semantic field encompassing these activities and virtues. The Eastern and Southern Slavonic “книжник” was a schol- ar, (bookman) either a monk or a priest whose work laid foundations for the cul- tural development of the country. The work of Ilarion of Kiev (ca. 990–1055), Kliment Smolatič († ca. 1164), and Kirill of Turov (1130–1182) fits within the concept of “книжность” only partially and does not exhaust it. These men are the most representative though not the only figures in the theological (and thus philosophical) life of Kievan Rus’1. The period of their activity bears the name of the Golden Age due to enterprises extreme- ly important for the nascent Rus’ identity, such as the erection of St. -
Volodymyr the Great Spiritual Reflection July 30,Final
In Memory of Vladimir the Great Father Deacon Howard On July 15th we celebrated the feast day of St. Vladimir the Great. Vladimir was Grand Prince of Kiev, ruler of Kievan Rus’ from 980 to 1015 and first Christian ruler in Kievan Rus. His military conquests consolidated the provinces of Kiev and Novgorod into a single state, and whose Byzantine baptism determined the course of Christianity in the region. On the death of his father Sviatoslav in 972, a struggle for power broke out among his sons and in 976 Vladimir who was then prince of Novgorod was forced to flee to Scandinavia. In Sweden he enlisted help from an uncle to assemble an army to reconquer Novgorod. By 980 he had consolidated the Kievan realm from modern-day Belarus, Russia and Ukraine to the Baltic Sea and had solidified the frontiers against the Baltic tribes and Eastern nomads making Kyivan Rus’ one of the most powerful states in Eastern Europe. Although Christianity in Kiev existed before Vladimir’s time he remained a follower of Slavic paganism, attributing his victories to the support he received from pagan forces. He established heathen temples, and, it is said, took part in idolatrous rites involving human sacrifice. Vladimir converted to Christianity in 988 as part of a pact to give military aid to Emperor Basil II. Vladimir offered military aid only if he was allowed to marry Basil’s sister Anna. Basil agreed to the marriage only if Vladimir promised to convert himself and his subjects to Christianity. At his command, the people of Kiev and the whole nation were baptized, as were his 7 young sons and two daughters. -
St. John the Baptist Byzantine Catholic Church
SCHEDULE OF DIVINE SERVICES PRAYER LIST – Janet, Mark, Trish, Audrey, Cathy, Kay, Arlene, Bill, Amelia, Butch, Barb, Dolores, Ida, Patty, Beatrice, Alice, Dorothy, Fred, Elmer, Tillie, Janet, Carl, Mary, Louis, Norma Jean, Dan, Pauline, Ted, Patty, Jack, Monica, Margie, Rita, Jamie, Sunday, July 14 SUNDAY OF THE FATHERS OF THE Jeff, Sr. Josetta, Shirley, Sharlene, Zackery, Margaret, George, John, Dave, Bertie, 9:00 a.m. SIX ECUMENICAL COUNCILS (Church) For Vocations Rose, Aubrey, PJ, Cil, Nadine, Robert, Mickie, Loren, Sharen, Rita, Bernard, Janet, Req. by Vincent A. Semachko Clara, Josephine, Charlene, Troy, Traci, Trevor, Tanner, Kyle, Carter, Riley, Tammy, James, Ashley, Chris, Patrick, Michelle, Olivia, Barbara, Cindy, Charlene, Joe, Emily, Monday, July 15 Vladimir the Great (Equal to the Apostles) Gabriel, Gina, George, Erica, Janet, George Jr., Diana, Emil, Margie, George, Dorothy, 8:00 a.m. +Janet Meyers Hannah, Michelle, Curtis, Stephanie, James, Delores, Debbie, Dan, Marcia, Tammy, (Church) Req. by Mr. & Mrs. Larry Shinsky Vicki, David, Damon, Shane, Ryan, Nathan, David Jr., Rita, Johnathon, Joseph, Charles, Laura, Roger, Cindy, Brian, Nancy, Robin, Lee, Buzzy, Elaine, Kathy, Lee, Tuesday, July 16 Athenogenes (Bishop – Martyr) 8:00 a.m. Intention of Anthony Rocchi Joe, Dewayne, Dave, Jamie, Chris, Mike, Cindy, Dianne, Helen, Riley, Don, Jenn, Dolly, (Church) Vic, Rita, Marla, William, Joyce, John, Joann, Jeean, Melvin, Melanie, Mason, Deloris, Toby, Elaine, Brian, Adam, Max, Sam, Midge, Sam, Vicki, Sam, Riley, Tina. Wednesday, July 17 Marina (Great Martyr), Bl. Paul Gojdick No Liturgy FINANCIAL INFORMATION FOR 7/7/19 Offering Candles Holy Day Peter’s Pence Loose Cash Cemetery Thursday, July 18 Hyacinth and Emilian (Martyrs) 8:00 a.m. -
Black Sea-Caspian Steppe: Natural Conditions 20 1.1 the Great Steppe
The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe East Central and Eastern Europe in the Middle Ages, 450–1450 General Editors Florin Curta and Dušan Zupka volume 74 The titles published in this series are listed at brill.com/ecee The Pechenegs: Nomads in the Political and Cultural Landscape of Medieval Europe By Aleksander Paroń Translated by Thomas Anessi LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Publication of the presented monograph has been subsidized by the Polish Ministry of Science and Higher Education within the National Programme for the Development of Humanities, Modul Universalia 2.1. Research grant no. 0046/NPRH/H21/84/2017. National Programme for the Development of Humanities Cover illustration: Pechenegs slaughter prince Sviatoslav Igorevich and his “Scythians”. The Madrid manuscript of the Synopsis of Histories by John Skylitzes. Miniature 445, 175r, top. From Wikimedia Commons, the free media repository. Proofreading by Philip E. Steele The Library of Congress Cataloging-in-Publication Data is available online at http://catalog.loc.gov LC record available at http://catalog.loc.gov/2021015848 Typeface for the Latin, Greek, and Cyrillic scripts: “Brill”. -
Agnieška Juzefovič 125 the Visual Turn in Academic Research and University Study Programs in Lithuania
CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2016 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2016 Vol XIII No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL ISBN 978-3-631-67935-7 www.peterlang.com CULTURA 2016_267935_VOL_13_No1_GR_A5Br.indd 1 13.06.16 KW 24 17:43 CULTURA CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE CULTURA AND AXIOLOGY Founded in 2004, Cultura. International Journal of Philosophy of 2016 Culture and Axiology is a semiannual peer-reviewed journal devo- 1 2016 Vol XIII No 1 ted to philosophy of culture and the study of value. It aims to pro- mote the exploration of different values and cultural phenomena in regional and international contexts. The editorial board encourages the submission of manuscripts based on original research that are judged to make a novel and important contribution to understan- ding the values and cultural phenomena in the contempo rary world. CULTURE AND AXIOLOGY CULTURE INTERNATIONAL JOURNAL OF PHILOSOPHY INTERNATIONAL www.peterlang.com CULTURA 2016_267935_VOL_13_No1_GR_A5Br.indd 1 13.06.16 KW 24 17:43 CULTURA INTERNATIONAL JOURNAL OF PHILOSOPHY OF CULTURE AND AXIOLOGY Cultura. -
Revisiting the Monument Fifty Years Since Panofsky’S Tomb Sculpture
REVISITING THE MONUMENT FIFTY YEARS SINCE PANOFSKY’S TOMB SCULPTURE EDITED BY ANN ADAMS JESSICA BARKER Revisiting The Monument: Fifty Years since Panofsky’s Tomb Sculpture Edited by Ann Adams and Jessica Barker With contributions by: Ann Adams Jessica Barker James Alexander Cameron Martha Dunkelman Shirin Fozi Sanne Frequin Robert Marcoux Susie Nash Geoffrey Nuttall Luca Palozzi Matthew Reeves Kim Woods Series Editor: Alixe Bovey Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Somerset House, Strand, London WC2R 0RN © 2016, The Courtauld Institute of Art, London. ISBN: 978-1-907485-06-0 Courtauld Books Online Advisory Board: Paul Binski (University of Cambridge) Thomas Crow (Institute of Fine Arts) Michael Ann Holly (Sterling and Francine Clark Art Institute) Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world. It is an open-access series, freely available to readers to read online and to download without charge. The series has been developed in the context of research priorities of The Courtauld which emphasise the extension of knowledge in the fields of art history and conservation, and the development of new patterns of explanation. For more information contact [email protected] All chapters of this book are available for download at courtauld.ac.uk/research/courtauld-books-online Every effort has been made to contact the copyright holders of images reproduced in this publication. -
York Minster's Chapter House and Its Painted Glass Narratives
York Minster’s Chapter House and its Painted Glass Narratives Volume 1 of 3 Ann Hilary Moxon PhD University of York History of Art December 2017 Abstract This thesis focuses on the late thirteenth-century narrative glazing scheme of the chapter house in York Minster and the political and religious context of its design. Created as an intrinsic and integrated part of one of the most elaborate and important buildings in the period, the glass has suffered interventions affecting both its appearance and the positions of its narrative panels. By examining the glass in the context of contemporary visual and textual material, it has been possible to reconstruct the original order of the panels and to identify the selection of episodes the lives of the saints, some for the first time. The study has demonstrated the extent to which the iconography was rooted in liturgy and theology relevant to the period which, in turn, reflected the priorities of a dominant group among the active members of Chapter for whose use the building was constructed and, by extension, the contemporary Church. Further, the glass shows strong Mariological themes which reflected features in the rest of the decorative scheme and the architecture of the chapter house, indicating that the glazing scheme may have been conceived as part of the architectural whole. The conclusions are supported by parallel research into the prosopography of the contemporary Chapter which additionally suggests that the conception of the programme may have had its roots in the baronial wars of the -
Revisiting the Monument Fifty Years Since Panofsky’S Tomb Sculpture
REVISITING THE MONUMENT FIFTY YEARS SINCE PANOFSKY’S TOMB SCULPTURE EDITED BY ANN ADAMS JESSICA BARKER Revisiting The Monument: Fifty Years since Panofsky’s Tomb Sculpture Edited by Ann Adams and Jessica Barker With contributions by: Ann Adams Jessica Barker James Alexander Cameron Martha Dunkelman Shirin Fozi Sanne Frequin Robert Marcoux Susie Nash Geoffrey Nuttall Luca Palozzi Matthew Reeves Kim Woods Series Editor: Alixe Bovey Courtauld Books Online is published by the Research Forum of The Courtauld Institute of Art Somerset House, Strand, London WC2R 0RN © 2016, The Courtauld Institute of Art, London. ISBN: 978-1-907485-06-0 Courtauld Books Online Advisory Board: Paul Binski (University of Cambridge) Thomas Crow (Institute of Fine Arts) Michael Ann Holly (Sterling and Francine Clark Art Institute) Courtauld Books Online is a series of scholarly books published by The Courtauld Institute of Art. The series includes research publications that emerge from Courtauld Research Forum events and Courtauld projects involving an array of outstanding scholars from art history and conservation across the world. It is an open-access series, freely available to readers to read online and to download without charge. The series has been developed in the context of research priorities of The Courtauld which emphasise the extension of knowledge in the fields of art history and conservation, and the development of new patterns of explanation. For more information contact [email protected] All chapters of this book are available for download at courtauld.ac.uk/research/courtauld-books-online Every effort has been made to contact the copyright holders of images reproduced in this publication. -
Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese
Frustrated Seeing: Scale, Visibility, and a Fifteenth-Century Portuguese Royal Monument Jessica Barker The Founder’s Chapel at the Dominican monastery of Santa Maria de Vitória, Batalha was a microcosm of the artistic splendours of fifteenth-century Europe (plate 1). Writing in 1623, the Dominican friar Luís de Sousa relates how its founder, King João I (d. 1433), brought the most celebrated architects and skilled stonemasons from foreign lands to build the monastic complex.1 Fifteenth-century documents record the presence of French, Flemish, English and German artists alongside their Portuguese counterparts.2 Although stripped of its rich furnishings and decoration in the nineteenth century, the chapel once boasted magnificent wall paintings and altarpieces, including a lost panel attributed to Rogier van der Weyden, which depicted the Virgin and Child with kneeling figures of Isabella of Portugal, duchess of Burgundy (João’s daughter) alongside her husband, Philip the Good and son, Charles the Bold.3 The centrepiece of the chapel, however, remains the magnificent polychromed limestone tomb of João I and his English wife Philippa of Lancaster (d. 1415), commissioned by the king in 1426 and complete by 1434 (plate 2). The finely- carved effigies of the king and queen were recently examined in an article by Joana Ramôa Melo and José da Silva, who interpreted the novelties of their costume and attributes as part of the self-fashioning of the new Avis dynasty, and identified the unusual depiction of João’s sagging flesh and lined skin as an early example of portrait likeness (plate 3).4 Yet this new awareness of the artistic virtuosity and innovative design of the effigies heightens an apparent paradox: the sculpted figures are extremely difficult to see in situ, resting upon a tomb chest that measures 170 cm from the base of the supporting lions to the chamfer of the chest.5 This essay focuses on the extraordinary height of the tomb chest and its implications for the relationship between the effigies and their viewers. -
Contemporary Reputations and Historical Representations of Queens Regent Jessica Donovan
Heavy is the Head that Wears the Crown: Contemporary Reputations and Historical Representations of Queens Regent Jessica Donovan A dissertation submitted in part fulfilment of the requirements of the of Master of Medieval and Early Modern Studies. The copyright of this work belongs to the author. Centre for Medieval and Early Modern Studies The University of Western Australia November 2011 Word Count: 14971 UUnniivveerrssiittyy ooff WWeesstteerrnn AAuussttrraalliiaa MMaasstteerrss ooff MMeeddiieevvaall aanndd EEaarrllyy MMooddeerrnn HHiissttoorryy -- DDiisssseerrttaattiioonn JJeessssiiccaa DDoonnoovvaann –– 2200661133335599 SSuuppeerrvviissoorrss:: DDrr PPhhiilliippppaa MMaaddddeerrnn aanndd DDrr SSuussaann BBrroooommhhaallll HHeeaavvyy iiss tthhee HHeeaadd tthhaatt wweeaarrss tthhee CCrroowwnn:: Crown of Constance of Aragon (1179-1222), Princess of Aragon, Queen of Hungary and Holy Roman Empress CCoonntteemmppoorraarryy RReeppuuttaattiioonnss aanndd HHiissttoorriiccaall RReepprreesseennttaattiioonnss ooff QQuueeeennss RReeggeenntt TTaabbllee ooff CCoonntteennttss Acknowledgments..................................................................................................................... iii Introduction ............................................................................................................................... 1 Expectations of Queenship ........................................................................................................ 9 Blanche and Margaret ............................................................................................................