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Literary Voice 2015 / 3 Literary Voice 2015 / 4 Regd. No. 26466 ISSN 2277-4521 Literary Voice A Bi-Annual Peer-Reviewed Journal Volume 1 - Number 4 - March 2015 Editor : T.S. Anand REGD. No. 26466 ISSN 2277-4521 Search for Identity in V.S. Naipaul's Novel : / 89 A House for Mr. Biswas Sahil Ghai Literary Voice A Fine Balance : / 103 ‘Walk’ as a Metaphor in Anita Rau Badami's The Hero's Walk A Bi-Annual Peer-Reviewed Journal Indira Bhattacharya A River Sutra : Quest for meaning in Life / 112 Volume I Number 4 March : 2015 Dr. Supriya Bhandari M. G. Vassanji's No New Land : / 122 “Foreign Travel among the Faithful”: / 5 A Journey of Cultural Violation and Adaptation Re-vision of Naipaul's Intimations of Muslim Converts Zeenat Khan Dr Bharathi Thummapudi Portrayal of Empress Nur Jahan in Indu Sundaresan's / 140 Longing For the Home–A Return To Roots : / 15 The Twentieth Wife Trends in the Diasporic Voices Post 9/11 Prabhjot Kaur Dr Sumana Gupta Constructivism and Liberalism as Diasporic / 150 Divided Space and Divided Subject : / 26 Consciousness in Kamala Markandaya's A Comparative analysis of Shauna Singh Baldwin's What the Body Some Inner Fury Remembers and Tahmima Anam's A Golden Age Debalina Banerjee Sandeep Kaur & Dr. Alpna Saini A Study of Diaspora, Disorientation and Cultural / 159 Bharati Mukherjee and the Myth of American Dream / 37 Divide in Anita Desai's Bye-Bye, Blackbird Dr Sumati Dr. S. Kanakaraj Reading of Bharati Mukherjee's Miss New India : / 47 A Review Essay A Psychological Itinerary Soname Yangchen. Child of Tibet. Portrait. Great Britain. / 166 Ambika Sharma & Dr. Tanu Gupta Dr Rashmi Ramaul Poems Conflicts and Miscegenations in Jhumpa Lahiri's / 56 Unaccustomed Earth Is this the End? / 172 Dr Atul Acharya Dr Geeta Bhandari Identity Crisis in the Diasporic Space in Jhumpha Lahiri's / 71 Let's Do Something / 173 The Namesake Sushminderjit Kaur Dr Ratnakar D. Bhelkar A Perspective / 175 Postcolonial crisis in Naipaul's The Mimic Men / 81 Savgun Lubana Dr.Harpreet Singh Literary Voice 2015 / 3 Literary Voice 2015 / 4 Sundaresan and many others, explores problems and possibilities engendered by the experience of migrancy and diaspora life. In Editorial Note the process of engaging and negotiating notions of history, identity, gender, cultural and racial purity, the works of these It is an undeniable fact of history that during the British rule writers graphically portray their ethnic, cultural and religious the Government of India had sent Indians to save their colony of situatedness. The basic question that all diasporic literary voices Natal and the White men's legations from massacres at Peking or explore, is the concept of home. The first generation diasporic fight the Mad Mullah in Somaliland or defend any of the extreme voices are nostalgic, marked by feelings of guilt and anguish, and out posts or coaling stations in Aden, Mauritius, Singapore, Hong their problematic attempts at assimilation into the new land and its Kong or building railways to Uganda, or tap the resources of culture. The second generation immigrants who have not central Africa and Siam. These demanding situations allude to the experienced post-migration pangs, are uniquely situated vis-à-vis presence of Indian diaspora in different parts of the British Empire their parents. However, their concept of home and identity in the as well as elsewhere. While a large number of indentured wake of 9/11 terrorists' strike on the World Trade Centre, is rudely labourers sought salvation from penury and privation in the far overturned, and they find themselves in a no man's land where flung lands and islands of the British Empire, others went to the their safety and security is threatened. This becomes an emerging countries within the empire as well as outside it, out of their own pattern in the diasporic literary texts as Chitra Divakaruni's Queen free will. The Indian diaspora continued and still goes on unabated of Dreams, Kiran Desai's The Inheritance of Loss, Iqbal Ramoowalia's including skilled workers, businessmen, professionals, scientists, The Midair Frown and Jhumpa Lahiri's The Lowland. and men and women of letters. Presently, the Indian diaspora The present number of Literary Voice comprises essays which accounts globally for an annual income of around 300 billion US interrogate multiple meanings of 'exile,' variables of ethnicity, Dollars. The story of Indian diaspora is one of sweat and toil often race, gender and class, notions about 'home' and 'homeland' and washed with tears; of achievements despite impediments; of post structuralist notions of identity as embedded in the literary educational advancement and economic progress; of political texts of prominent and emerging Indian diaspora writers. success at times crushed by the cruel coups, as in Uganda and Fiji. The descendants of Indian diaspora have also produced works of T. S. Anand literature illustrative of their history and heritage, of their own Editor existential dilemmas. They have also probed and explored their own Indianness in its uniqueness; its new geo-political and social context; they have also sought to recognize how they differ and diverge from many of the practices and prejudices that still characterize Indian society. Diaspora literature produced by diasporic writers of such diversity as V.S. Naipaul, Anita Desai, Kamala Markandaya, Salman Rushdie, Bharati Mukherjee, Rohinton Mistry, M.G. Vassanji, Anita Rau Badami, Gita Mehta, Chitra Divakaruni, Shauna Singh Baldwin, Meena Alexander, Jhumpa Lahiri, Indu Literary Voice 2015 / 5 Literary Voice 2015 / 6 Naipual himself said that “All I would like to say is that I consider my non-fiction an integral part of my work” (Joshi, 39). In “Foreign Travel among the Faithful”: the prologue, he said that “… It is less of a travel book; the writer is less present, less of an inquirer. He is in the background, trusting Re-vision of Naipaul's Intimations of to his instinct, a discoverer of people, a finder-out of stories” ( 2). Muslim Converts Naipual begins the prologue of Beyond Belief that “this is a book about the people. It is not a book of opinion” (1), by which Dr Bharathi Thummapudi Naipual assures that facts presented by people will not be Professor of English amended by his opinion. The writer's forte lies in dexterous S.P. Mahila University handling of the Muslim converts in four non-Arab Muslim Tirupati (A.P.) Countries in which the novelist travelled for five months in 1995. This is his second visit as he has already travelled in these four It is unfortunate and painful in the contemporary times countries – Indonesia, Iran, Pakistan and Malaysia earlier in 1979 that Islam has become a synonym for terrorism. Perhaps, due to and the result is his Among the Believers published in 1981. social exploitation and the political interference some violent Beyond Belief is a sequel to Among the Believers and it is not just an groups sprouted in the name of Islam. It is ironical that “Islam” Islamic journey but the outcome of the novelist's conversations which means peace is changed into violence by some specific with the converted people. Naipual's comprehension of Islam is groups. A good example is the Indian film, My Name is Khan enhanced in his second travel and in each country he discerns (2010) in which Rizwa Khan, repeatedly says “My Name is Khan Islam from a different perspective. He himself states that: “ When I but I am not a terrorist.” Despite his Asperger's syndrome, Rizwa started on that journey in 1979 I knew nothing about Islam . The Khan travels alone to inform the President of United States and theme of conversion was always there; but I didn't see it as clearly thereby to the world that every Muslim is not a terrorist. The theme as I saw it on this second journey” (1). In these countries Naipual of the film is about humanity. In this paper I wish to reflect on mostly meet highly educated people who could balance life and Islam and politics and Islam and people based on Naipaul's belief. For Naipaul people whom he met in his travel are more Beyond Belief. To be more specific, how Islam is interpreted and important. Hence “… the essential focus of the book is on the misinterpreted by people and the state. search for the resurgent Islam as revealed in individual members V.S. Naipual, the winner of Nobel Prize for Literature in of the society” (Ray XV). 2001 is well known for his travelogues, besides fiction. Though he Naipaul begins his tour with Indonesia and he introduces decided to live in England and also married an English Lady, yet Imaduddin an electrical engineer in the Bandung Technology he could not reconcile it as a place for his creative sustenance. Institute, as a “dedicated man of the faith” (7). Imaduddin did not Being an expatriate writer, perhaps, his travels to distant lands show any sympathy for Subandrio during Naipaul's visit in 1979. contribute to his creative rejuvenation. He considers The Middle “…all that was humane and attractive about socialism was also in Passage (1962) as his beginning for his travel writings. “… Islam” (13) and hence being a staunch Muslim, Imaduddin is Naipaul's travel writings are voluminous and he is equally well proactive with socialist ideals. He could not support Subandrio, known as a travel writer. Naipaul is, thus, a comprehensive writer because Subandrio has sacrificed honesty and morality for success with many facets to his writing” (Bhat 106). in politics. Subandrio in the late 1970s suspected the confluence of Literary Voice 2015 / 7 Literary Voice 2015 / 8 science and Islam but later changed his opinion and aimed at “the he also met in his earlier visit in 1979.
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