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Is the Government Listening? Now That the Uproar and Shouting About Alleged Bias Has Died Down, There Is Only One Issue Paramount for the ABC - Funding
Friends of the ABC (NSW) Inc. qu a rt e r ly news l e t t e r Se ptember 2005 Vol 15, No. 3 in c o rp o rat i n g ba ck g round briefing na tional magaz i n e up d a t e friends of the abc Is the Government listening? Now that the uproar and shouting about alleged bias has died down, there is only one issue paramount for the ABC - funding. The corporation has not been backward putting its case forward - notably the collapse of drama production to just 20 hours per annum. In the Melbourne Age, Director of ABC TV Sandra Levy referred to circumstances as "critical and tragic." around, low-cost end - we've pretty "We have all those important well done everything we can." obligations to indigenous programs, religious programs, science, arts, Costs up children’s programs ... things that the dramatically commercial networks don't, and yet Once the launch pad for great we probably battle along with about Australian drama, revelations that the a quarter of what they spend in a ABC's drama output has dwindled year - the disproportion is massive." from 100 hours four years ago to just Ms Levy's concerns have been 14 hours this year have received a lot echoed by managing director Russell of media attention. Balding and chairman Donald Ms Levy estimates that an hour McDonald, who have spent the past could cost anywhere from $500,000 few weeks publicly lamenting the to $2 million, 10 to 50 times more gravity of the funding crisis. -
Narelle Gee Thesis
MAINTAINING OUR RAGE: INSIDE AUSTRALIA’S LONGEST-RUNNING MUSIC VIDEO PROGRAM. By Narelle Gee BA/DipEd (University of NSW) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Creative Industries) School of Media, Entertainment, Creative Arts, Film, Screen and Animation Creative Industries Faculty Queensland University of Technology 2015 Key Words ABC Music Television Alternative Music Music Videos Australian Broadcasting Corporation Popular Music Australian Cultural Industries Production Cultures Australian Television Public Service Broadcasting Creative Labour rage Cultural Production Television Broadcasting Media Culture Television Production Music Industry TV Programs 2 Abstract The thesis, “Maintaining our rage: inside Australia’s longest-running music video program”, takes a reflective and reflexive narrative journey across the decades of rage, from its 1987 creation through to the program’s current incarnation, providing unique insider perspectives and affordances. Australia’s longest-running music video program is also, arguably, the most sustained such program globally (Bodey, 2012; Helper, 2012). Despite its longevity, there has been scarce scholarly analysis of rage, and of what has underpinned its unusual endurance; many music video programs have come and gone during the program’s long-held tenure. How has rage survived the vicissitudes of network programming – particularly within the capricious space of music video programming - and maintained its cultural place and role, for more than a quarter of a century? The significance of this research is that it explores rage’s unusual durability, examines the program’s unique elements, and answers three key research questions: What has been the history of rage as a program and a cultural entity? What has been the cultural significance of rage? How did rage create a shift within the music industry ecology of Australia? This thesis presents an insider’s account of rage, exploring it within its ABC TV and public broadcasting context. -
Literary Vaudeville: Lennie Lower's Comic Journalism
Literary Vaudeville: Lennie Lower’s Comic Journalism PETER KIRKPATRICK University of Sydney It is entirely possible that vaudeville never really died—at least not in Australia. Susan Lever, for one, has observed that vaudeville-style, self-consciously performative ‘characters’ have had a surprising afterlife in Australian culture. Against the scarcity of successful home-grown sitcoms, she notes the preference of local audiences for revue-style sketch comedy, as well as ‘character’-based variety shows centred upon such diverse comic figures as Graham Kennedy, Norman Gunston (Garry McDonald), and Roy and HG (John Doyle and Greig Pickhaver)—to which might be added Paul Hogan and Shaun Micallef. Even Jane Turner and Gina Riley’s caricatural Kath & Kim suggests that ‘the Australian taste for comedy remains firmly on the side of vaudeville’ (238). The comic writings of Leonard Waldemere Lower (1903–1947), better known as Lennie Lower, had a role in extending something of the energy and style of vaudeville into later media. Lower was a very popular humorous columnist on Sydney newspapers from the 1920s until his death at the age of forty-three, and he retains a toehold in the annals of Australian literature on the basis of a single novel, Here’s Luck, which has reputedly never been out of print.1 His biographer Bill Hornadge asserted that it was ‘widely acclaimed as Australia’s funniest novel’ (90), while Keith Willey saw it in somewhat more complex terms as a classic example of what he called Australian Humour in Hard Times. Such claims about the representative status of the novel normally avoid saying very much about the precise strategies of Lower’s humour. -
Awgie Award Winners 1968 - 2017
AWGIE AWARD WINNERS 1968 - 2017 1968 Major Award Winner Colin Free ‘Cage a Tame Tiger’ - Contrabandits (Joint Winners) Richard Lane You Can’t See ‘Round Corners (Television Serial) Children’s Michael Wright ‘The Poachers’ - Skippy Radio Jocelyn Smith I-Day Television James Workman ‘Target Smokehouse’ - Contrabandits Television Play Gregory Marton Silo 15 1969 Major Award Winner Alan Hopgood The Cheerful Cuckold (Tele Play) Radio Comedy Serial Bob Symons & She’ll Be Right Mate Trevor Meyers Documentary Joan Long The Picture That Moved Radio Play Ron Harrison Ride on the Big Dipper Radio Feature Joceyln Smith This is the Way We Stamp Our Feet Television Play Joan Baldwin Diana 1970 Major Award Winner Mungo MacCallum The Stoneham Obsessions (Radio Feature) Television John Dingwall ‘Everyone Knows Charlie’ - Homicide Television Tony Morphett ‘A Touch of DFP’ - Delta Television Play Pat Flower Friends of the Family Television Comedy Maurice Wiltshire & The Greater Illustrated History Antipodes Show John O’Grady 1971 Major Award Winner Michael Boddy & The Legend of King O’Malley (Stage) Bob Ellis Children’s Film Marcia Hatfield Molala Harai Documentary Reg Barry Seeds of Promise Radio Feature Ivan Smith Sounds Television Comedy Maurice Wiltshire & Australia A–Z John O’Grady Television Series Drama John Dingwall ‘Johnny Red’ - Division 4 Joint Winners Tony Morphett ‘Cry Me A River’ - Dynasty Film Joan Long Paddington Lace 1972 Major Award Winner David Williamson The Removalists (Stage) Children’s TV Ray Biehler The Trial of Brer Rabbit Documentary -
Awgie Award Winners 1968 – 2019
AWGIE AWARD WINNERS 1968 – 2019 1968 Major Award Winner (Joint Winners) Colin Free Contrabandits: ‘Cage a Tame Tiger’ Major Award Winner (Joint Winners) Richard Lane You Can’t See ‘Round Corners (Television Serial) Children’s Michael Wright Skippy: ‘The Poachers’ Radio Jocelyn Smith I-Day Television James Workman Contrabandits: ‘Target Smokehouse’ Television – Play Gregory Marton Silo 15 1969 Major Award Winner Alan Hopgood The Cheerful Cuckold (Teleplay) Radio – Comedy Serial Bob Symons & She’ll Be Right Mate Trevor Meyers Documentary Joan Long The Picture That Moved Radio – Play Ron Harrison Ride on the Big Dipper Radio – Feature Joceyln Smith This is the Way We Stamp Our Feet Television – Play Joan Baldwin Diana 1970 Major Award Winner Mungo MacCallum The Stoneham Obsessions (Radio Feature) Television John Dingwall Homicide: ‘Everyone Knows Charlie’ Television Tony Morphett Delta: ‘A Touch of DFP’ Television – Play Pat Flower Friends of the Family Television – Comedy Maurice Wiltshire & The Greater Illustrated History Antipodes Show John O’Grady 1971 Major Award Winner Michael Boddy & The Legend of King O’Malley (Stage) Bob Ellis Children’s Film Marcia Hatfield Molala Harai Documentary Reg Barry Seeds of Promise Radio – Feature Ivan Smith Sounds Television – Comedy Maurice Wiltshire & Australia A–Z John O’Grady Television Series – Drama (Joint Winners) John Dingwall Division 4: ‘Johnny Red’ Television Series – Drama (Joint Winners) Tony Morphett Dynasty: ‘Cry Me A River’ Film Joan Long Paddington Lace 1972 Major Award Winner David -
CRA Acras Winners PR 2010
MEDIA RELEASE Embargoed to 7pm AEST 16 October 2010 Hamish and Andy win top honours third year in a row Hamish and Andy, Austereo’s comic duo, have won Best On-Air Team for the third year in a row, at the Australian Commercial Radio Awards (ACRA) announced this evening at a glittering ceremony at Crown in Melbourne. The program is the highest rating drivetime show nationally with an average audience of more than two million people each week. The Hamish and Andy team also won a further two awards for Best Show Producer – Entertainment/Music for Sam Cavanagh and Best Music Special for Guy Sebastian vs Every other Artist on our Playlist. Broadcaster Ray Hadley, 2GB, received four awards for Best Current Affairs Commentator, Best Sports Presenter, Best Networked Program and Best Sports Event Coverage for 2GB’s Continuous Call Team coverage of the 2009 NRL Grand Final. Winners in other major awards announced tonight before a record crowd of 1200 were: • Best Talk Presenter - Derryn Hinch, 3AW Melbourne for second year in a row and inducted into Hall of Fame • Best Newcomer – Gus Worland, Triple M, Sydney • Best Music Presenter – Ugly Phil, Triple M, Sydney • Best News Presenter - Kristy Warner, Nova 969, Sydney, (FM) for fourth year in a row Steve Blanda, 2UE, Sydney (AM) Sarah Crabb from 2UE won the Brian White Memorial award which recognises sustained journalistic achievement and effort and covers all aspects of radio journalism. A new category this year, Best New Digital Radio Format, which recognises the innovation and development of digital radio in Australia was won by new stations, Koffee, DMG Australia and Radar Radio at Austereo. -
A U S T R a L I a N B R O a D C a S T I N G a U T H O R I TY Annual Report
Introduction A U S T R A L I A N B R O A D C A S T I N G A U T H O R I TY annual report Sydney 1997 1 Annual Report 1996-97 © Commonwealth of Australia, 1997 ISSN 1320-2863 Design by Media and Public Relations Australian Broadcasting Authority Printed in Australia by Printing Headquarters, Broadway, NSW 2008 For inquiries about this report, contact: Publications Officer Australian Broadcasting Authority at address below For inquiries about information to be made available to Members of Parliament and Senators on request, contact: Director Corporate Services Branch Australian Broadcasting Authority at address below For inquiries relating to Freedom of Information, contact: FOI Officer Australian Broadcasting Authority Level 15, 201 Sussex Street Sydney NSW 2000 Ph. (02) 9334 7700 Fax: (02) 9334 7799 Postal address: PO Box Q500 Queen Victoria Building NSW 1230 E-mail: [email protected] Web site: http://www.dca.gov.au/aba/hpcov.htm 2 Introduction Reserved for letter of transmission 3 Annual Report 1996-97 4 Introduction Table of contents Page no. Letter of transmission 3 Introduction to the report 7 The year in review 8 Corporate overview 16 Performance reporting: Objective 1 — Expert advice 23 International liaison 24 Advice to the government 30 Digital terrestrial television broadcasting 30 Digital radio broadcasting 31 The sixth television channel 32 External liaison 34 Objective 2 — Planning the spectrum 45 Final licence area plans – radio 46 Final licence area plans – television 53 Objective 3 — Licence allocations 56 Allocation of commercial -
Pig Iron People
THE PIG IRON PEOPLE SCHOOLSDAY PERFORMANCE IMPORTANT INFORMATION Date: Wednesday, 26th November 2008 Venue: Drama Theatre, Sydney Opera House Pre-performance forum 10.30 am Lunch Break 11.15 am Performance commences: 12.15 pm Performance concludes: 2.45 pm Post performance Q+A concludes 3.00pm (approx) We respectfully ask that you discuss theatre etiquette with your students prior to coming to the performance. Running Late? Please contact Sydney Theatre Company’s main switch on 9250 1700 and a message will be passed to Toni Murphy. Booking and General Education Queries Please contact Toni Murphy, Education Coordinator, on 02 9250 1795 or [email protected] WARNING: Low and Medium level coarse language, sexual references and adult themes Sydney Theatre Company’s The Pig iron People Teacher’s Notes compiled by Elizabeth Surbey © 2008 1 Sydney Theatre Company and UBS present The Pig Iron People by John Doyle Directed by Ian Lawson Teacher's Resource Kit Written and compiled by Elizabeth Surbey Acknowledgements Sydney Theatre Company would like to thank the following for their invaluable material for these Teachers' Notes: Laura Scrivano (publications STC) as well as Currency Press (author of the month interview) and Actor, Glenn Hazeldine. Copyright Copyright protects this Teacher’s Resource Kit. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. Sydney Theatre Company’s The Pig iron People -
A Study Guide by Katy Marriner
SERIES 7 © ATOM 2016 A STUDY GUIDE BY KATY MARRINER http://www.metromagazine.com.au ISBN: 978-1-74295-927-6 http://theeducationshop.com.au n Who Do You Think You Are? Curriculum links personal histories of the selection of (Series 7) eight well-known Austral- prominent Australians featured in Who ians play detective as they go in ‘History is a disciplined process of Do You Think You Are? with a view to search of their family history. Taking inquiry into the past that develops teaching students the value and impact us to all corners of Australia and the students’ curiosity and imagination. of tracing one’s ancestry. The study of Iglobe are stories of individuals seeking Awareness of history is an essential family history has an immense value. On to find the definitive answer to where characteristic of any society, and histori- a personal scale, family heritage helps an they came from. Along the way secrets cal knowledge is fundamental to under- individual to make sense of their identity are uncovered and histories revealed – standing ourselves and others.’ – Aus- and belonging. It also helps an individual an Irish rebel, a South American freedom tralian Curriculum: History Rationale to place themselves and their family in fighter and a family who mastered music history. for 150 years. The Who Do You Think You Are? (Series 7) study guide has been written Who Do You Think You Are? is a chroni- A DNA test solves a long-held paternity for secondary students at all year levels. cle of the social, ethnic and cultural question. -
The Humour Studies Digest
The Humour Studies Digest Australasian Humour Studies Network (AHSN) May 2018 The 25th AHSN Conference THIS EDITION The 25th Conference of the Australasian Humour The 25th AHSN Conference – Studies Network will take place from 6-8 February Message from the Conference Organising 2019 at RMIT University, Melbourne, Australia. Committee Call for Papers 1 Theme: “Humour in all its forms: on screen, on the page, Guidelines for Presenters 2 on stage, on air, online …” A word or three from the new Chair of the Message from the Conference Organising AHSN Review Panel 3 Committee: Caption Competition 3 We encourage you to submit your abstracts to come and join us Colloquium on the work of John M. Clarke next year in Melbourne! With a wide brief of 'humour across its Sydney University, 25 May 2018. 4 forms', we are keen to create a dynamic, diverse and fun-packed Doctoral Scholarship for Indigenous Student to schedule that mirrors the city that will be hosting you. Research ¾ Humour and Well-Being in Indigenous Communities 8 Celebrating the year of the 25th AHSN Conference, we are already planning keynotes, industry panels and 'special events' (!), Members’ New Humour Studies so don't delay - come and play! Publications 9 Comedy and Critical Thought: Laughter as Dr Kerry Mullan, Resistance? 9 School of Global, Urban and Social Studies, RMIT University Call for Papers - MEMSA Conference 2018 - Assoc. Prof. Craig Batty, Humour and Obscenity 10 School of Media and Communication, RMIT University Dr Sharon Andrews, School of Global, Urban and Social Studies, RMIT University Ms Justine Sless, La Trobe University The 25th AHSN Conference – The Call for Papers Is Open The 25th Conference of the Australasian Humour Studies Network will take place from 6-8 February 2019 at RMIT University, Melbourne, Australia, on the theme of “Humour in all its forms: on screen, on the page, on stage, on air, online …” Submitting a Proposal To submit a proposal for a paper, please send an abstract to [email protected] 1 Abstracts will be reviewed by at least two reviewers. -
1998-1999 Annual Report
annualannualannual reportreportreport 19981998–1998–9999–99 annual Australian Broadcasting orporation report 1998–99 Annual Report 1998 – 99 Australian Broadcasting Corporation Contents Corporate Profile This Annual Report 17 • Mission statement 1 Many views — one ABC 18 • Significant events 1998–99 2 Connecting with our audiences 42 • Programs and services 4 The ABC — an integral part • Organisation 9 of the industry 48 • Financial summary 10 Delivering a creative and efficient • Board of Directors 12 organisation 51 • Executive 15 Symphony Australia Network 58 • ABC History inside front cover Corporate Plan summary 64 • ABC Charter inside back cover Financial statements 68 Program performance statement 95 Appendices 96 History 1932 The Australian Broadcasting Commission 1975 2JJ (later to become Triple J) commences is established; broadcasting in Sydney first ABC broadcast on 12 radio stations 1975 ABC Television begins broadcasting in 1946 National radio network system begins colour 1946 Restructured Sydney Symphony 1976 ABC–FM (now ABC Classic FM) Orchestra is formed, followed by commences broadcasting from Adelaide Queensland Symphony Orchestra 1983 The Commission becomes a Corporation (1947), Tasmanian Symphony Orchestra (1948) Victorian and South 1985 Important changes to program formats Australian Symphony Orchestras (1949) — Radio 1 emerges as the metropolitan and West Australian Symphony network and Radio 2 is renamed Radio Orchestra (1950) National 1947 The ABC’s independent news service 1994 The ABC commences NewsRadio service -
Humour: How Does It Travel?
24th Australasian Humour Studies Network Annual Conference 2-4 February, Centre for Tourism and Regional Opportunities Central Queensland University, Cairns Campus Humour: How Does it Travel? CQUniversity Cairns Campus Cairns Esplanade 1 2 Welcome and Acknowledgements We would like to welcome you to the 24th Australasian Humour Studies Network conference. We would also like to acknowledge and pay respect to the traditional owners of the land on which we meet, the Gimuy Wulabara Yidinji Nations. This event is proudly hosted by the Centre for Tourism and Regional Opportunities (CTRO) at Central Queensland University’s (CQU), Cairns Campus. The CTRO is a research centre with a focus to undertake research across the fields of economics, tourism, human society, management, Indigenous issues, agriculture and food, and the environment. Befitting the nature of tourism and travel, the theme of this year’s conference is “Humour: How Does it Travel?” This theme’s focus is on addressing the concept and practice of how humour travels, whether between times or places, genres or forms, from creator to recipient, from one hearer to another, as well as humour about travel including tourism experiences and exotic locations, and the questions of whether such travelling is successful, and why – or why not. We would like to thank all conference attendees who are sharing their knowledge and insights with us, and in particular those who travelled from overseas to Cairns to make this conference a memorable event. Warm regards from the organising committee, Anja