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Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’S Favourite Crime Fiction Writers Will Join Together for a Night of Crime of Story and of Place
The Institute of Social Transformation Research (ISTR), The Faculty of Arts, The Faculty of Creative Arts and The South Coast Writers Centre present: ‘A Murderous Place: Crime Fiction Writers Talking About Place’ Featuring: Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’s favourite crime fiction writers will join together for a night of crime of story and of place. Date: Friday 7th December 2012 Time: 6.30pm Location: Wollongong Town Hall $15 concession and SCWC members/ $20 all others Tickets through the Wollongong Town Hall Ph: (02) 4227 5088 or http://www.wollongongtownhall.com.au/events.php#A Murderous Place A Murderous Place: A panel of Australia's leading crime Leigh Redhead writers talk about place and its significance in their work Leigh Redhead's first novel, Peepshow, burst onto the with Shane Maloney, Malla Nunn and Leigh Redhead. crime fiction scene in 2004, introducing PI Simone Kirsch Can a city or a place be a character in a book? Do the seedy to readers. Simone made her next appearance streets of Melbourne, the flashy sand and sun of the Gold in Rubdown and then Cherry Pie. Thrill City, the fourth Coast, the sparkling Sydney Harbour hiding many a misdeed, book in the Simone Kirsch series, was published in 2010. dictate where crime writers set their stories? And why has no one, except the Godfather of Crime, Peter Corris, written All Welcome a crime fiction novel set in Wollongong? Come and hear Australia’s leading crime fiction authors dish the dirt about For more information contact Phillipa Newling – crime, place and fiction. -
Destination East Coast Australia It’S All About the Water
© Lonely Planet Publications 21 Destination East Coast Australia It’s all about the water. The East Coast of Australia bangs into the Pacific Ocean for some 4000km (almost five times that if you measure every notched crag and every sinuous strand). Or maybe it’s the other way around: the Pacific bangs into the coast. Given the number of surfers riding those breaks, it’s probably the latter. Life here revolves around water and so will your trip, often in ways you might not imagine. Take Melbourne: one of its great joys is its café culture, which entices you to nurse a long black for hours. What’s key to that cof- fee you’re drinking? Water. Move up the coast a bit along to southeastern Victoria. What’s at the heart of those misty, fern-filled temperate rainforests? FAST FACTS Water. The same can be said for southern New South Wales, although as the East Coast population: weather becomes warmer, the form of water focused on is the ocean. Like 15.5 million (75% of amphibians in an eternal spring, the surfers and divers increasingly shed Australia’s total) their wetsuits as you go north. Sydney and water are inextricably linked. The harbour. The bridge over the Length of coastline: harbour. The people taking the bridge over the harbour to get to some of the 17,996km (30% of most beautiful urban beaches in the world. North of Sydney, philosophers Australia’s total) at the many beaches can spend a lifetime pondering the question: if a wave Inflation rate: 3% breaks on a beach and there’s no one there to hear it, does it make a noise? Unemployment rate: 4% Astonishingly long stretches of sand are backed by national parks along the north coast of New South Wales. -
A Study Guide by Marguerite O'hara
© ATOM 2012 A STUDY GUIDE BY MARGUERITE O’HARA http://www.metromagazine.com.au ISBN: 978-1-74295-187-4 http://www.theeducationshop.com.au Program TheMakers John Clarke: Bruce Permezel: Andrea Denholm: Lavinia Riachi: Laura Waters: Writer1 and Director,2 camera Producer3 Producer4 Executive5 producer presenter and editor Andrea Denholm began Lavinia Riachi wasn’t very Laura Waters has been John Clarke has been Bruce Permezel played producing and writing for good at sport. She was producing television for working in television since croquet and was Victorian television thirteen years routinely the second-last the past twenty years, 1973. He has also been Champion – fourth division. ago. She was a producer person to be picked for creating a reputation involved in films, theatre, He decided to change of all three series of any sports team. So, in for producing innovative radio and print. He works careers and has worked SeaChange and co-writer her early twenties, Riachi projects with new talent regularly with Bryan in television for some of several episodes. turned her back on her and new ideas. Waters Dawe on ABC Television years. His output ranges She also produced and dream of becoming an has held senior production and his other projects from natural history co-wrote Tripping Over Olympian and joined the roles in the US, UK and have included The Games (Chris Humfrey’s Wild and was a producer of workforce of another Australia. In Australia she (a 1998 mockumentary Life), adventure travel CrashBurn, After the international mecca: the has worked as a senior series about the lead- (Peking to Paris, Pirate Deluge and Worst Best BBC. -
ABC TV 2015 Program Guide
2014 has been another fantastic year for ABC sci-fi drama WASTELANDER PANDA, and iview herself in a women’s refuge to shine a light TV on screen and we will continue to build on events such as the JONAH FROM TONGA on the otherwise hidden world of domestic this success in 2015. 48-hour binge, we’re planning a range of new violence in NO EXCUSES! digital-first commissions, iview exclusives and We want to cement the ABC as the home of iview events for 2015. We’ll welcome in 2015 with a four-hour Australian stories and national conversations. entertainment extravaganza to celebrate NEW That’s what sets us apart. And in an exciting next step for ABC iview YEAR’S EVE when we again join with the in 2015, for the first time users will have the City of Sydney to bring the world-renowned In 2015 our line-up of innovative and bold ability to buy and download current and past fireworks to audiences around the country. content showcasing the depth, diversity and series, as well programs from the vast ABC TV quality of programming will continue to deliver archive, without leaving the iview application. And throughout January, as the official what audiences have come to expect from us. free-to-air broadcaster for the AFC ASIAN We want to make the ABC the home of major CUP AUSTRALIA 2015 – Asia’s biggest The digital media revolution steps up a gear in TV events and national conversations. This year football competition, and the biggest football from the 2015 but ABC TV’s commitment to entertain, ABC’s MENTAL AS.. -
Crackerjack Tail Credits
Casting Cameron Harris Script Editor John Clarke Production Manager Magnus Mansie Production Coordinator Penelope Everett Production Secretary Melanie Brunt Production Manager Attachment Sarah Machado First Assistant Director Annie Maver Second Assistant Director Iain Pirret Third Assistant Director Brad Holyoake Continuity Paul Kiely Cast Jack Mick Molloy Stan Bill Hunter Len Frank Wilson Eileen Monica Maughan Bernie John Clarke Dave Samuel Johnson Nance Judith Lucy Gwen Lois Ramsey Norm Cliff Ellen Mrs Jenkins Esme Melville Edgar Peter Aanensen Ron Bob Hornery Cliff John Flaus Joyce Lois Collinder Barry Paul McCarthy Roger Teague Rook Peter Dino Marnika Mandy Robyn Butler Greenkeeper Brett Swain Joe Lew Lutton Ranking Official Denis Moore Official Tim Sullivan Governor Joan Murray Les Nestor Tony Martin Supervisor Chris Kirby Security Guard Steve Hutchison Police Officer Greg Francis Bert Stapler Andrew Gilmour Hollywood Stuart Baker Edward Earl Francis Julio Robert Ratti Man in Street Pete Smith George Mathew Loe Passerby Lou Virgato Commissionaire Tom Travers Driver Jim Koutsoukos Barber Alfons Beutelschiess Art Director Jayne Russell Buyer/Dresser #1 Denise Goudy Buyer/Dresser #2 Tao Weis Standby Props Ben Bauer Assistant Standby Props Amanda Williams Art Department Coordinator Cathrine McVeigh Art Department Runner George Akl Art Department Assistant James Sutherland Focus Puller Jude Lovatt Clapper Loader Simon Ozolins 2nd Camera Operator Bruce Phillips 2nd Camera Focus Puller Greg de Marigny Sound Recordist Andrew Ramage Boom Operator -
Teaching and Learning Activities
TRUE BLUE? ON BEING AUSTRALIAN Teaching and learning activities True Blue? On Being Australian – Teaching and learning activities Published by Curriculum Corporation PO Box 177 Carlton South Vic 3053 Australia Tel: (03) 9207 9600 Fax: (03) 9639 1616 Email: [email protected] Website: www.curriculum.edu.au Copyright © National Australia Day Council 2008 Acknowledgement This product was funded by the Australian Government Department of Education, Employment and Workplace Relations. True Blue? On Being Australian – Teaching and learning activities can be found at the National Australia Day Council website: www.australiaday.gov.au/trueblue © National Australia Day Council 2008 TRUE BLUE? ON BEING AUSTRALIAN Teaching and learning activities ABOUT TRUE BLUE? AMBIVALENCES, ANXIETIES, COMPLEXITIES AND CONTRADICTIONS For well over a century Australians have been concerned to define a national identity. In her recently released study, Being Australian, Catriona Elder says: ‘Being Australian is not simply about the pleasure of the past and the excitement of the future... It is not just about that funny feeling a citizen might get when the Australian flag is raised at the Olympics. Being Australian also encompasses feelings, ideas and emotions that vary from joy to shame, guilt to confusion, hatred to love. Yet, in most national narratives these feelings of anxiety are erased or repressed in favour of the pleasurable aspects of national identity. Finding pleasure in being Australian is valuable; however exploring and explaining the anxiety and fear that lie at the heart of the idea of being Australian is also important.’ In the collection TRUE BLUE? we have attempted to problematise the notion of Australian identity for senior students. -
Australian Comedy
As fi lmgoers, do you When, I wondered, was the last Australian fi lm enough premise and a suffi ciently confi dent sometimes wonder if comedy that seemed genuinely funny, as if sense of the comic spirit to sustain audience inspired by a viable narrative agenda and with involvement in a feature-length comedy? the phrase ‘Australian a screenplay that could articulate this—and comedy’ is an oxymoron? keep up the work until the very end? It’s near- Writing about ‘Comedy’ in The Oxford Certainly, as I watched ly twenty years since Crocodile Dundee (Peter Companion to Australian Film (1999), Felicity Faiman,1986) became the highest-grossing Collins claimed that, after the international in a concentrated burst Australian fi lm ever, milking every stereotype successes of the early 1990s (Ballroom, Mu- over a couple of weeks a of the superiority of bush innocence over riel, The Adventures of Priscilla, Queen of the half-dozen fi lms from the urban sophistication for all it was worth. Then Desert [Stephan Elliot, 1994]) ‘Australian cine- there were admittedly very funny sequences ma has become synonymous with comedy’.1 last fi ve years, it did quite in, and aspects of, Strictly Ballroom (Baz She was able then to argue a case for such often seem to me that Luhrmann,1992) and Muriel’s Wedding (P.J. a view that would be hard to mount now. the phrase was yoking Hogan, 1994), but their real distinction lay Some of the same thematic preoccupations together two concepts elsewhere. Was The Castle (Rob Sicth, 1997) underlie the fi lms I am concerned with here: the last Australian fi lm that had a strong there are still ‘little guys’ taking on corpora- with little common ground. -
Narelle Gee Thesis
MAINTAINING OUR RAGE: INSIDE AUSTRALIA’S LONGEST-RUNNING MUSIC VIDEO PROGRAM. By Narelle Gee BA/DipEd (University of NSW) A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy (Creative Industries) School of Media, Entertainment, Creative Arts, Film, Screen and Animation Creative Industries Faculty Queensland University of Technology 2015 Key Words ABC Music Television Alternative Music Music Videos Australian Broadcasting Corporation Popular Music Australian Cultural Industries Production Cultures Australian Television Public Service Broadcasting Creative Labour rage Cultural Production Television Broadcasting Media Culture Television Production Music Industry TV Programs 2 Abstract The thesis, “Maintaining our rage: inside Australia’s longest-running music video program”, takes a reflective and reflexive narrative journey across the decades of rage, from its 1987 creation through to the program’s current incarnation, providing unique insider perspectives and affordances. Australia’s longest-running music video program is also, arguably, the most sustained such program globally (Bodey, 2012; Helper, 2012). Despite its longevity, there has been scarce scholarly analysis of rage, and of what has underpinned its unusual endurance; many music video programs have come and gone during the program’s long-held tenure. How has rage survived the vicissitudes of network programming – particularly within the capricious space of music video programming - and maintained its cultural place and role, for more than a quarter of a century? The significance of this research is that it explores rage’s unusual durability, examines the program’s unique elements, and answers three key research questions: What has been the history of rage as a program and a cultural entity? What has been the cultural significance of rage? How did rage create a shift within the music industry ecology of Australia? This thesis presents an insider’s account of rage, exploring it within its ABC TV and public broadcasting context. -
Finalist Exhibition Catalogue – 9–23 November 2009 Federation Square
MELBOURNE PRIZE FOR LITERATURE 2009 Finalist Exhibition Catalogue – 9–23 November 2009 Federation Square, Melbourne – www.melbourneprizetrust.org 2009 PARTNERS & PATRONS The Melbourne Prize for Government Partners Founding Partners Corporate Partner Literature 2009 is made possible by the generous support of our partners and patrons. Exhibition and Event Partner Melbourne Prize for Best Writing Award Literature 2009 Partner 2009 Patron Patrons Diana Gibson AO Associate Civic Choice Award 2009 Partners URQUHART CHARITABLE FUND Partner Media Communications Professional Services Exhibition Signage Audio Visual Partner Print Partner Exhibition Consultant Wine Partner Website Development Banners Trophies littleirrepressiblewonton.com Names24.com.au Fundere Foundry Design by Cornwell ABOUT THE MELBOURNE PRIZE FOR LITERATURE 2009 Public exhibition 9–23 The Melbourne Prize Trust and our partners and patrons are Melbourne Prize for Literature 2009 delighted to offer the Melbourne Prize for Literature 2009, Finalists November 2009 in the Best Writing Award 2009, Civic Choice Award 2009 and the Atrium at Federation Square, public exhibition of finalists, held at Federation Square between Barry Hill 9 and 23 November 2009. Shane Maloney Melbourne. Alex Miller In 2008 Melbourne was designated by UNESCO as an Gerald Murnane international City of Literature, only the second in the world Hannie Rayson after Edinburgh. The designation recognises the importance of literature to the city and the state and the central role that writers – have played, and continue to play, in the cultural life of Best Writing Award 2009 our community. Finalists The Melbourne Prize for Literature 2009 and Awards Tom Cho recognise and reward the abundant writing talent in our state. -
Season of Upheaval
Vol. 4 No. 1 February 1994 $5.00 \ ' "'1 • • • ~ ' .:: · ~~- .: ..~ ~. '·. ..j·_:!:_:~~ \ -~ .· ~~~ ,.. - ' .. t ' ~ ~ 4': ; ~ ,_ ~, ·:--, " ....... - . .. :;s: ·-~ - ·;_··_ ~{.~ : :::~~~ ~ . ., . .. !- ,, , · I. · ~.. .... ~ . ,I· - -... · ,. - . • . "t! ·, .. : .. : ... , Season of upheaval The politics of swimming pools Politics and Australia's pool of unemployed Shane Maloney Jon Greenaway and Frank Stilwell Ken Inglis observes a memorial ritual Denis Minns reads the new Catechism Eureka Street wishes to express sympathy to the families who suffered loss of life or home during the January bushfires. Photo: Andrew Stark EUR[-KA SJR[-EJ subscription form Please send me Evrelza Street: for one year ($45 for 10 issues, or $40 cone. for two years for pensioners, students and unemployed.) D ($80, or $75 cone.) [l Nan1c .. .............. .... ................................................. .................. ........ ...... ..... .................. Address ... .. ... ..... ...... ... ..... .................................... ..... ..................................................... Postcodc ............. .... Country .. ... ... ............... Tcl. ............... .. .. ..... ... Datc ....................... Enc. chq/ money order l ] Or debit: Bankcard [] Visacard D Mastercard n Card no: r I TL I l D l I 11 I 1 1-=cJ Carel expiry date .. .. .... ............ .......... .. Signature ........ ......................... Post orders to: Jesuit Publications, PO Box 553, Richmond VIC 3121. Payments in Australian currency only. Volume 4 Number -
A U S T R a L I a N B R O a D C a S T I N G a U T H O R I TY Annual Report
Introduction A U S T R A L I A N B R O A D C A S T I N G A U T H O R I TY annual report Sydney 1997 1 Annual Report 1996-97 © Commonwealth of Australia, 1997 ISSN 1320-2863 Design by Media and Public Relations Australian Broadcasting Authority Printed in Australia by Printing Headquarters, Broadway, NSW 2008 For inquiries about this report, contact: Publications Officer Australian Broadcasting Authority at address below For inquiries about information to be made available to Members of Parliament and Senators on request, contact: Director Corporate Services Branch Australian Broadcasting Authority at address below For inquiries relating to Freedom of Information, contact: FOI Officer Australian Broadcasting Authority Level 15, 201 Sussex Street Sydney NSW 2000 Ph. (02) 9334 7700 Fax: (02) 9334 7799 Postal address: PO Box Q500 Queen Victoria Building NSW 1230 E-mail: [email protected] Web site: http://www.dca.gov.au/aba/hpcov.htm 2 Introduction Reserved for letter of transmission 3 Annual Report 1996-97 4 Introduction Table of contents Page no. Letter of transmission 3 Introduction to the report 7 The year in review 8 Corporate overview 16 Performance reporting: Objective 1 — Expert advice 23 International liaison 24 Advice to the government 30 Digital terrestrial television broadcasting 30 Digital radio broadcasting 31 The sixth television channel 32 External liaison 34 Objective 2 — Planning the spectrum 45 Final licence area plans – radio 46 Final licence area plans – television 53 Objective 3 — Licence allocations 56 Allocation of commercial -
Satirical Revues. Writer/Performer Victoria University, 1969 Downstage Theatre, 1970-71 One in Five, 1971 Hannah Playhouse, 1974
1 JOHN CLARKE established New Zealand, 1948 Stage: Satirical Revues. Writer/performer Victoria University, 1969 Downstage Theatre, 1970-71 One In Five, 1971 Hannah Playhouse, 1974 The Bed-Sitting Room. 1973, Downstage Theatre. As You Like It, 1973, Downstage Theatre. The Dragon, 1974, Downstage Theatre. Cabaret. Ace of Clubs, Auckland, five seasons, 1975,76 National Tour. New Zealand, July-October 1976. Wrote and performed. Promoted by Concert Promotions. Ian Magan. Entertainer of the Year. New Zealand, 1976 Scriptwriter for Australian Tours: Bette Midler, Danny la Rue, Peter Allen 1980-83 Humourists Read Humourists. 1987-1999. Developed show and appeared. With Peter Cook, Barry Humphries, Roger McGough, Phyllis Diller, Mort Sahl, etc. For Melbourne Comedy Festival. A Royal Commission into Corruption in Victoria. 1989. Co-wrote with Ross Campbell and played the Judge. With Gerry Connolly, Mike Bishop, Alwyn Kurts, Cliff Ellen, Mary Sitarenos, Denise Scott, Rod Williams, Peter Green, Tim Smith, Peter Hosking. Directed by Mark Sherrifs for the Melbourne Comedy Festival. A Royal Commission into the Australian Economy. 1991. Co-wrote with Ross Campbell. Produced by Belvoir St Theatre, with Andrew Denton, Hec McMillan, Kerry Walker, Sue Ingleton, Geoff Kelso and Paul Blackwell. Directed by Bruce Petty. Melbourne Production with Marg Downey, Mike Bishop, Michael Veitch, Gerry Connolly, Gary Samolin, Peter Hosking, Sally Cooper. Directed by Frank Gallagher. Extensions included Michael Blair, Mary Kenneally, Jo Canning and Sue Ingleton. 2 Touring Production with Marg Downey, Magda Szubanski, Sue Ingleton, Craig Ashley, Gerry Connolly, Tracy Harvey. The Frogs. 1992. Adapted from Aristophanes, with Geoffrey Rush. Produced at Belvoir St Theatre, starring Robyn Nevin, Deborah Conway, William Zappa, Paul Blackwell etc Keating –The Musical.