Destination East Coast Australia It’S All About the Water
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International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’S Favourite Crime Fiction Writers Will Join Together for a Night of Crime of Story and of Place
The Institute of Social Transformation Research (ISTR), The Faculty of Arts, The Faculty of Creative Arts and The South Coast Writers Centre present: ‘A Murderous Place: Crime Fiction Writers Talking About Place’ Featuring: Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’s favourite crime fiction writers will join together for a night of crime of story and of place. Date: Friday 7th December 2012 Time: 6.30pm Location: Wollongong Town Hall $15 concession and SCWC members/ $20 all others Tickets through the Wollongong Town Hall Ph: (02) 4227 5088 or http://www.wollongongtownhall.com.au/events.php#A Murderous Place A Murderous Place: A panel of Australia's leading crime Leigh Redhead writers talk about place and its significance in their work Leigh Redhead's first novel, Peepshow, burst onto the with Shane Maloney, Malla Nunn and Leigh Redhead. crime fiction scene in 2004, introducing PI Simone Kirsch Can a city or a place be a character in a book? Do the seedy to readers. Simone made her next appearance streets of Melbourne, the flashy sand and sun of the Gold in Rubdown and then Cherry Pie. Thrill City, the fourth Coast, the sparkling Sydney Harbour hiding many a misdeed, book in the Simone Kirsch series, was published in 2010. dictate where crime writers set their stories? And why has no one, except the Godfather of Crime, Peter Corris, written All Welcome a crime fiction novel set in Wollongong? Come and hear Australia’s leading crime fiction authors dish the dirt about For more information contact Phillipa Newling – crime, place and fiction. -
Resume Wizard
Expressive Culture: Film Class Code CORE-UA 9750 – 001 Instructor Dr Megan Carrigy Details [email protected] Consultations by appointment. Please allow at least 24 hours for your instructor to respond to your emails. Class Details Fall 2017 Expressive Culture: Film Wednesday 1:30 - 5:30pm 6 September to 13 December Room 302 NYU Sydney Academic Centre 157-161 Gloucester St, The Rocks 2000 Prerequisites None Class How has Australian cinema engaged with significant and often contested historical, political Description and cultural events in the nation’s past? The films in this course offer critical perspectives on the history of colonisation in Australia; the legacies of the Stolen Generations; the controversies surrounding Australia’s role in World War One; as well as Australia’s relationships with its Pacific Asian neighbours. We will focus on films that have marked significant shifts in public consciousness about the past such as Gallipoli (1981), Rabbit-Proof Fence (2002) and Balibo (2009). We will also draw on films that have employed innovative narrative and aesthetic strategies for exploring the relationship between the past and the present such as Ten Canoes (2006) and The Tracker (2002). Throughout the course, students will develop their understanding of the methods and concepts of cinema studies. In particular, students will develop a critical vocabulary for analysing how filmmakers have approached the use of memory, testimony, re-enactment, researched detail, allegory and archives across a diverse range of examples. Desired By the end of the course students will be able to: Outcomes • Apply the basic vocabulary of film form. Page 1 of 14 Expressive Culture: Film • Grasp the mechanics of structuring a written argument about a film’s meaning. -
A Studyguide by Marguerite O'hara
A STUDYGUIDE BY MARGUERITE O’HARA OFFICIAL SELECTION 2007 BERLIN FILM FESTIVAL www.metromagazine.com.au www.theeducationshop.com.au ‘How far do you have to journey to find your home?’ The Home Song Stories is an epic tale of mothers and sons, mothers and daughters, unrequited love, betrayal and secrets. The story is based on Writer/Director Tony Ayres’ own life as a child with his glamorous mother – Rose. om (Darren Yap), a Chinese Australian Rose moves into a new place with a new Curriculum Relevance man in his early forties, writes about lover, Joe (Qi Yuwu), a Chinese cook who is This childhood. We see the story unfold several years younger than her. But Joe soon The Home Song Stories is suitable for senior as he does. feels the strain of being in a relationship with a secondary students of English, Cultural Stud- middle-aged woman with two children. In fact, ies, History, Social Studies, Studies of Society It is 1964. Tom’s mother, Rose Hong (Joan he finds that he has more in common with and Environment (particularly immigration is- Chen), a beautiful and glamorous Shanghai Rose’s daughter, May, than with Rose. They sues) and Film and Media Studies. It provides nightclub singer, meets Bill (Steven Vidler), form a friendship. But Rose misunderstands a rich resource for a study of biography and of an Australian sailor, and migrates to Victoria the meaning of this growing friendship and the complex and sometimes difficult aspects with her two children, Tom (Joel Lok) and all hell breaks loose as she accuses May of of family life. -
Animal Kingdom Press
A Sony Pictures Classics Release BEN MENDELSOHN JOEL EDGERTON and GUY PEARCE LUKE FORD JACKI WEAVER SULLIVAN STAPLETON and introducing JAMES FRECHEVILLE Written & Directed by DAVID MICHÔD Produced by LIZ WATTS A Porchlight Films Production Winner - Grand Jury Prize World Cinema- 2010 Sundance Film Festival Winner: Best Supporting Actress – Jacki Weaver, National Board of Review 2010 Winner: Best First Feature, 2010 New York Film Critics Circle Awards Winner: Best Supporting Actress, Jacki Weaver, 2010 Los Angeles Film Critics Association Awards Winner, Best Supporting Actress – Jacki Weaver, 2010 San Francisco Film Critics Circle Golden Globe® Award Nominee, Best Supporting Actress – Jacki Weaver Academy Award® Nominee, Best Supporting Actress – Jacki Weaver NY & Los Angeles Release: August 13, 2010 | TRT: 112 min | MPAA: Rated R East Coast Publicity West Coast Publicity Distributor Donna Daniels PR Block Korenbrot Sony Pictures Classics Donna Daniels Judy Chang Carmelo Pirrone 34 East 39th Street 2A Melody Korenbrot Lindsay Macik New York, NY 10016 110 S. Fairfax Ave, #310 550 Madison Ave 347-254-7054, ext 101 Los Angeles, CA 90036 New York, NY 10022 323-634-7001 tel 212-833-8833 tel 323-634-7030 fax 212-833-8844 fax 2 Screen Australia and Porchlight Films presents In association with Film Victoria, Screen NSW, Fulcrum Media Finance and Showtime Australia A Porchlight Films Production BEN MENDELSOHN JOEL EDGERTON and GUY PEARCE ANIMAL KINGDOM LUKE FORD JACKI WEAVER SULLIVAN STAPLETON and introducing JAMES FRECHEVILLE DAN WYLLIE ANTHONY -
Australian Comedy
As fi lmgoers, do you When, I wondered, was the last Australian fi lm enough premise and a suffi ciently confi dent sometimes wonder if comedy that seemed genuinely funny, as if sense of the comic spirit to sustain audience inspired by a viable narrative agenda and with involvement in a feature-length comedy? the phrase ‘Australian a screenplay that could articulate this—and comedy’ is an oxymoron? keep up the work until the very end? It’s near- Writing about ‘Comedy’ in The Oxford Certainly, as I watched ly twenty years since Crocodile Dundee (Peter Companion to Australian Film (1999), Felicity Faiman,1986) became the highest-grossing Collins claimed that, after the international in a concentrated burst Australian fi lm ever, milking every stereotype successes of the early 1990s (Ballroom, Mu- over a couple of weeks a of the superiority of bush innocence over riel, The Adventures of Priscilla, Queen of the half-dozen fi lms from the urban sophistication for all it was worth. Then Desert [Stephan Elliot, 1994]) ‘Australian cine- there were admittedly very funny sequences ma has become synonymous with comedy’.1 last fi ve years, it did quite in, and aspects of, Strictly Ballroom (Baz She was able then to argue a case for such often seem to me that Luhrmann,1992) and Muriel’s Wedding (P.J. a view that would be hard to mount now. the phrase was yoking Hogan, 1994), but their real distinction lay Some of the same thematic preoccupations together two concepts elsewhere. Was The Castle (Rob Sicth, 1997) underlie the fi lms I am concerned with here: the last Australian fi lm that had a strong there are still ‘little guys’ taking on corpora- with little common ground. -
Animal Kingdom
QuickTime™ e un decompressore sono necessari per visualizzare quest'immagine. ANIMAL KINGDOM Scritto e diretto da DAVID MICHÔD con BEN MENDELSOHN JOEL EDGERTON e GUY PEARCE e con LUKE FORD JACKI WEAVER SULLIVAN STAPLETON e per la prima volta sullo schermo JAMES FRECHEVILLE Vincitore del SUNDANCE FILM FESTIVAL 2010 - WORLD CINEMA USCITA PREVISTA: 30 OTTOBRE 2010 QuickTime™ e un decompressore In partnership con sono necessari per visualizzare quest'immagine. www.ivid.it/animalkingdom/ GLI ATTORI Andrew ‘Pope’ Cody BEN MENDELSOHN Barry ‘Baz’ Brown JOEL EDGERTON Detective Nathan Leckie GUY PEARCE Darren Cody LUKE FORD Janine ‘Smurf’ Cody JACKI WEAVER Craig Cody SULLIVAN STAPLETON Joshua ‘J’ Cody JAMES FRECHEVILLE Ezra White DAN WYLLIE Detective Justin Norris ANTHONY HAYES Nicky Henry LAURA WHEELWRIGHT Catherine Brown MIRRAH FOULKES Detective Randall Roache JUSTIN ROSNIAK Alicia Henry SUSAN PRIOR Gus Emery CLAYTON JACOBSON Avvocato Justine Hopper ANNA LISE PHILLIPS Paramedico#1 BRYCE LINDEMANN Paramedico #2 PAUL SMITS Detective rapina a mano armata ANTHONY AHERN Teppista #1 MICHAEL VICE Teppista #2 CHRIS WEIR Cameriera SARAH NGUYEN Cassiera LUCIA CAI Negoziante ANN MICHÔD Agente Daniel Hordern TIM PHILLIPPS Agente Peter Simmons JOSH HELMAN Operatore radio della polizia MICHAEL CODY John Harrop KIERAN DARCY-SMITH Andy Emery JACK HEANLY Richard Collis ANDY MCPHEE Dacinta Collis CHRISTINA AZUCENA Sarah Leckie JACQUIE BRENNAN Scott Leckie BEN OUWEHAND Vicina di Smurf BRENDA PALMER Vigilante al tribunale TOM NOBLE SOG DANIEL ROCHE Reporter DAVID -
The Agency of Papercutting in the Post-Digital Era
The Agency of Papercutting in the Post-Digital Era Author See, Pamela M Published 2020-10-01 Thesis Type Thesis (PhD Doctorate) School Queensland College of Art DOI https://doi.org/10.25904/1912/3981 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/398415 Griffith Research Online https://research-repository.griffith.edu.au The Agency of Papercutting in the Post-Digital Era Pamela See BVA, M.Bus (Comm) Queensland College of Art Art, Education and Law Griffith University Submitted in fulfilment of the requirements of the degree of Doctor of Philosophy July 2020 For my beautiful daughter 刈劈冰 who accompanied me on this journey through the millennia in search of the diffracted light. i Abstract In 2010, the chief curator of the Museum of Art and Design in New York, David McFadden, posited a ‘renaissance’ in the application of paper as an independent medium. The international instatement of papercutting into contemporary art sectors commenced in North America during the mid-1990s. This movement was associated with the transition from digitalism to post-digitalism. The materiality of paper was considered antithetical to the non-materiality of digital art. A more recent global survey of paper as an independent medium, The First Cut, was organised by Manchester Art Gallery in 2012. It was the same year the term ‘post-digital’ was applied to paper by Alessandro Ludovico in The Post-Digital Print: The Mutilation of Publishing Since 1894. Using the paper as independent medium movement as a fulcrum, this doctorate employs an arts-based research methodology to explore the applications for this image-making technique in the post-digital era. -
Fv07/08 Annual Report
FV07/08 ANNUAL REPORT ORGANISATIONAL SECTION 01 : NURTURING SECTION 04 : SECTION 07 : ATTRACTING 03 PROFILE 19 THE NEXT GENERATION 41 PRODUCTION INVESTMENT 63 PRODUCTION TO VICTORIA Who We Are Propeller Shorts Production Investment Production Investment Our History New Feature Writers Program Highlights Attraction Fund What We Do Attachments Supported Projects Project Commitments Our Vision Internships Pilot for TV or Digital Media Projects supported which filmed Our Mission Broadcast or post-produced in 2009 Our Strategic Objectives SECTION 02 : Regional Location Assistance Fund Our Standards 27 CONTENT CREATION SECTION 05 : Inbounds, location scouts BUSINESS SUPPORT Our Corporate Governance Fiction 49 and surveys Our Nature and Range of Services Program Highlights Business Support for Producers Sales Missions and Trade Shows Factual Slate Funding BOARD Highlights Cash Flow Facility SECTION 08 : 08 MEMBERS Digital Media 69 AUDIENCE ENGAGEMENT SECTION 06 : DESTINATION OUR Public Screen Engagement Fund MELBOURNE, AUSTRALIA 11 YEAR SECTION 03 : 55 Program Highlights 35 INDUSTRY DEVELOPMENT Creating an attractive PRESIDENT’S Screen Industry Production Destination SECTION 09 : REPORT 14 Development Program Online Tools 73 AWARDS AND SCREENINGS CEO’S Highlights Marketing Campaigns Supported Award Recipients 15 REPORT International Market Attendance Location Victoria: Screenings International Festival Attendance Our Provincial Film Strategy ORGANISATIONAL No Borders Production Liaison and REPORT OF CHART 16 Policy Development 78 OPERATIONS Case Study: Provincial Victoria Onscreen Emily Robins and Miles Szanto in The Elephant Princess. Jonathan M Shiff Productions. Supported through Cash Flow Facility & Production Investment. 1 WHO WE ARE Film Victoria is the State Government agency that provides strategic leadership and Support to the film, television and digital media sectors of Victoria. -
Resume Wizard
Expressive Culture: Film Class Code CORE-UA 9750 – 001 Instructor Dr Anne Barnes Details [email protected] Consultations by appointment. Please allow at least 24 hours for your instructor to respond to your emails. Class Details Spring 2018 Expressive Culture: Film Thursday 9:00am –1:00pm (4 hours per week including film screening) OR Thursday 2:00 –6:00pm (4 hours per week including film screening) 1 February to 10 May Room 302 NYU Sydney Academic Centre 157-161 Gloucester St, The Rocks 2000 Prerequisites None Class How has Australian cinema engaged with significant and often contested historical, political Description and cultural events in the nation’s past? The films in this course offer critical perspectives on the history of colonisation in Australia; the legacies of the Stolen Generations; the controversies surrounding Australia’s role in World War One; as well as Australia’s relationships with its Pacific Asian neighbours. We will focus on films that have marked significant shifts in public consciousness about the past such as Gallipoli (1981), Rabbit-Proof Fence (2002) and Balibo (2009). We will also draw on films that have employed innovative narrative and aesthetic strategies for exploring the relationship between the past and the present such as Ten Canoes (2006) and The Tracker (2002). Throughout the course, students will develop their understanding of the methods and concepts of cinema studies. In particular, students will develop a critical vocabulary for analysing how filmmakers have approached the use of memory, testimony, re-enactment, researched detail, allegory and archives across a diverse range of examples. Desired By the end of the course students will be able to: Outcomes Page 1 of 14 Expressive Culture: Film • Apply the basic vocabulary of film form. -
Finalist Exhibition Catalogue – 9–23 November 2009 Federation Square
MELBOURNE PRIZE FOR LITERATURE 2009 Finalist Exhibition Catalogue – 9–23 November 2009 Federation Square, Melbourne – www.melbourneprizetrust.org 2009 PARTNERS & PATRONS The Melbourne Prize for Government Partners Founding Partners Corporate Partner Literature 2009 is made possible by the generous support of our partners and patrons. Exhibition and Event Partner Melbourne Prize for Best Writing Award Literature 2009 Partner 2009 Patron Patrons Diana Gibson AO Associate Civic Choice Award 2009 Partners URQUHART CHARITABLE FUND Partner Media Communications Professional Services Exhibition Signage Audio Visual Partner Print Partner Exhibition Consultant Wine Partner Website Development Banners Trophies littleirrepressiblewonton.com Names24.com.au Fundere Foundry Design by Cornwell ABOUT THE MELBOURNE PRIZE FOR LITERATURE 2009 Public exhibition 9–23 The Melbourne Prize Trust and our partners and patrons are Melbourne Prize for Literature 2009 delighted to offer the Melbourne Prize for Literature 2009, Finalists November 2009 in the Best Writing Award 2009, Civic Choice Award 2009 and the Atrium at Federation Square, public exhibition of finalists, held at Federation Square between Barry Hill 9 and 23 November 2009. Shane Maloney Melbourne. Alex Miller In 2008 Melbourne was designated by UNESCO as an Gerald Murnane international City of Literature, only the second in the world Hannie Rayson after Edinburgh. The designation recognises the importance of literature to the city and the state and the central role that writers – have played, and continue to play, in the cultural life of Best Writing Award 2009 our community. Finalists The Melbourne Prize for Literature 2009 and Awards Tom Cho recognise and reward the abundant writing talent in our state.