Film Exhibitions and Advertisements
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International Film Festival April 24 – May 4, 2008 the Washington, Dc International Film Festival
THE 22ND ANNUAL WASHINGTON, DC INTERNATIONAL FILM FESTIVAL APRIL 24 – MAY 4, 2008 THE WASHINGTON, DC INTERNATIONAL FILM FESTIVAL A world of films…a window into our world. Whether experienced in movie theaters, on DVDs or television in our homes, on our iPods or computers, films are the major communications media of our time. Hollywood films dominate commercial cinema. However, scores of talented filmmakers around the globe produce thou- sands of quality films that speak with a different voice, provide a different point of view, and tell different stories. Presenting these films in the nation’s capital is the purpose of Filmfest DC. Photo: Chad Evans Wyatt Film festivals are a journey of Tony Gittens, Festival Director and Shirin Ghareeb, Assistant Director discovery, a visual and thought provoking adventure into how people see and interpret our world. Every Filmfest DC is different and every film is unique from every other film in the festival. Together, they comprise an amazing representation of human imagination, commitment and talent. The festival has two special focuses this year — Politics & Film and New Latin Ameri- can Cinema. Obviously, politics are especially prominent during this election season and we wanted to explore the role affairs of state play in people’s every day lives. Latin American filmmakers are always a treasure trove of inventive storytelling. The di- verse selection of new work we have gathered from the Spanish-speaking world (in- cluding Spain) are moving, humorous, and insightful. None of this would be possible without the many dedicated people who have shared their time and talents with Filmfest DC. -
Examining Perth's Performing Arts Infrastructure
Examining Perth’s Performing Arts Infrastructure Actions to position Perth as a global leader in the arts June 2013 About the Committee for Perth The Committee for Perth is a member funded think tank focused on maintaining and improving the liveability of the Perth metropolitan region by ensuring its vibrancy, economic prosperity, cultural diversity and sustainability. We currently have over 90 members representing a broad cross sector of the business community, civic institutions and local government and rely solely on our members’ financial contribution to enable us to undertake the work, research and activities that we do. A full membership listing is included as Appendix F. The role of the Committee for Perth is to advocate on issues that we believe will help us realise our vision for Perth and we have developed a unique model of advocacy through which this is achieved. Regardless of whether a project is our initiative or one implemented by government or others, we remain informed advocates for projects that we believe will benefit future Perth whatever stage they are at in concept or development. Further information about the Committee for Perth and our work can be obtained from our website at www.committeeforperth.com.au This report is the copyright of the Committee for Perth. While we encourage its use, it should be referenced as : (2013) Examining Perth’s Performing Arts Infrastructure, The Committee for Perth, Perth Foreword In late 2008 the Committee for Perth released its landmark report A Cultural Compact for Western Australia, -
Ammpt Western Region (Inc.)
AMMPT WESTERN REGION (INC.) SIGHT AND SOUND UPDATE (No.53 February / March 2018) TERTIARY SUPPORT Historically the involvement of AMMPT with the tertiary education sector has been limited to some AMMPT presentations to U3A and receiving cinema equipment from the University of Western Australia. This involvement has recently been extended to include Curtin University through the donation of a complete working analogue TV studio and a Steenbeck 16mm editing desk and related items to AMMPT. Warm thanks are extended to Professor Steve Mickler, Head of the School of Media, Culture & Creative Arts and Professor Alan Dench, Pro Vice-Chancellor, Faculty of Humanities for their generous donation, along with Curtin Creative Production Support Manager Paul Indiamo and technicians Steve Smith and Keith Coote who helped dismantle the facility. The Sunset Museum objective is to establish a hands-on working studio to provide opportunities for exhibitions, teaching and learning from this equipment which had an original capital cost of over $400,000. CLASSICS OF THE SILVER SCREEN GRAND CYGNET CINEMA MONDAY MARCH 26th 10.00AM The next 2018 AMMPT “Classics of the Silver Screen” presentation will be the 1962 MGM release “Jumbo”. Starring Doris Day and Stephen Boyd the musical had box office takings of $4 million. Supporting stars are Jimmy Durante and Martha Raye. The plot involves A debt- ridden circus. As many performers leave the circus is saved by a well-meaning but inept publicity man and its one big asset – the performing elephant Jumbo. Music is by Richard Rodgers and Lorenz Hart and includes hits such as “This can’t be love”, “My Romance” and “The Most Beautiful Girl in the World”. -
David Stratton's Stories of Australian Cinema
David Stratton’s Stories of Australian Cinema With thanks to the extraordinary filmmakers and actors who make these films possible. Presenter DAVID STRATTON Writer & Director SALLY AITKEN Producers JO-ANNE McGOWAN JENNIFER PEEDOM Executive Producer MANDY CHANG Director of Photography KEVIN SCOTT Editors ADRIAN ROSTIROLLA MARK MIDDIS KARIN STEININGER HILARY BALMOND Sound Design LIAM EGAN Composer CAITLIN YEO Line Producer JODI MADDOCKS Head of Arts MANDY CHANG Series Producer CLAUDE GONZALES Development Research & Writing ALEX BARRY Legals STEPHEN BOYLE SOPHIE GODDARD SC SALLY McCAUSLAND Production Manager JODIE PASSMORE Production Co-ordinator KATIE AMOS Researchers RACHEL ROBINSON CAMERON MANION Interview & Post Transcripts JESSICA IMMER Sound Recordists DAN MIAU LEO SULLIVAN DANE CODY NICK BATTERHAM Additional Photography JUDD OVERTON JUSTINE KERRIGAN STEPHEN STANDEN ASHLEIGH CARTER ROBB SHAW-VELZEN Drone Operators NICK ROBINSON JONATHAN HARDING Camera Assistants GERARD MAHER ROB TENCH MARK COLLINS DREW ENGLISH JOSHUA DANG SIMON WILLIAMS NICHOLAS EVERETT ANTHONY RILOCAPRO LUKE WHITMORE Hair & Makeup FERN MADDEN DIANE DUSTING NATALIE VINCETICH BELINDA MOORE Post Producers ALEX BARRY LISA MATTHEWS Assistant Editors WAYNE C BLAIR ANNIE ZHANG Archive Consultant MIRIAM KENTER Graphics Designer THE KINGDOM OF LUDD Production Accountant LEAH HALL Stills Photographers PETER ADAMS JAMIE BILLING MARIA BOYADGIS RAYMOND MAHER MARK ROGERS PETER TARASUIK Post Production Facility DEFINITION FILMS SYDNEY Head of Post Production DAVID GROSS Online Editor -
Destination East Coast Australia It’S All About the Water
© Lonely Planet Publications 21 Destination East Coast Australia It’s all about the water. The East Coast of Australia bangs into the Pacific Ocean for some 4000km (almost five times that if you measure every notched crag and every sinuous strand). Or maybe it’s the other way around: the Pacific bangs into the coast. Given the number of surfers riding those breaks, it’s probably the latter. Life here revolves around water and so will your trip, often in ways you might not imagine. Take Melbourne: one of its great joys is its café culture, which entices you to nurse a long black for hours. What’s key to that cof- fee you’re drinking? Water. Move up the coast a bit along to southeastern Victoria. What’s at the heart of those misty, fern-filled temperate rainforests? FAST FACTS Water. The same can be said for southern New South Wales, although as the East Coast population: weather becomes warmer, the form of water focused on is the ocean. Like 15.5 million (75% of amphibians in an eternal spring, the surfers and divers increasingly shed Australia’s total) their wetsuits as you go north. Sydney and water are inextricably linked. The harbour. The bridge over the Length of coastline: harbour. The people taking the bridge over the harbour to get to some of the 17,996km (30% of most beautiful urban beaches in the world. North of Sydney, philosophers Australia’s total) at the many beaches can spend a lifetime pondering the question: if a wave Inflation rate: 3% breaks on a beach and there’s no one there to hear it, does it make a noise? Unemployment rate: 4% Astonishingly long stretches of sand are backed by national parks along the north coast of New South Wales. -
Locality Guide & Guest Guidelines, Inclusive of Behaviour/Noise
Development application for short term accommodation / change of use 10 Macedonia Place, North Perth MANAGEMENT PLAN Guests – Property will be listed on AirBnB and possibly Stayz. Potential guests will go through these websites for enquiry. Beck & Call Property Group, of which the owner, Rebecca Gulvin is the Director will vet these requests by; 1. Checking all reviews of the guest 2. Confirming ages and reason for stay 3. Checking that they are non-smokers 4. Confirm their reason for visit 5. Confirm numbers of guests, maximum in the property is 6. The reservation will then be accepted or rejected depending on the decision of Beck & Call Property Group. Payment is via the website. All communication with the guest is via the website - we also have access to the guests phone number in case of changes/emergency issues. The guests are supplied the attached Locality Guide & Guest Guidelines, inclusive of behaviour/noise. Please review. Complaints Management - The property is located beside a church, with a park and hall across the road. There are only neighbours to one side and rear. These neighbours have the owners contact number, but will also be informed of the short term management plan, in writing if approved. They will absolutely be able to contact the owner Rebecca if there are any issues with behaviour or noise. We will request for complaints in writing, so they are easily tracked and dates/times are recorded, as are actions taken. Security of guests, residents and visitors; The doors and windows have locks. There is a gate that can be padlocked. -
Resume Wizard
Expressive Culture: Film Class Code CORE-UA 9750 – 001 Instructor Dr Megan Carrigy Details [email protected] Consultations by appointment. Please allow at least 24 hours for your instructor to respond to your emails. Class Details Fall 2017 Expressive Culture: Film Wednesday 1:30 - 5:30pm 6 September to 13 December Room 302 NYU Sydney Academic Centre 157-161 Gloucester St, The Rocks 2000 Prerequisites None Class How has Australian cinema engaged with significant and often contested historical, political Description and cultural events in the nation’s past? The films in this course offer critical perspectives on the history of colonisation in Australia; the legacies of the Stolen Generations; the controversies surrounding Australia’s role in World War One; as well as Australia’s relationships with its Pacific Asian neighbours. We will focus on films that have marked significant shifts in public consciousness about the past such as Gallipoli (1981), Rabbit-Proof Fence (2002) and Balibo (2009). We will also draw on films that have employed innovative narrative and aesthetic strategies for exploring the relationship between the past and the present such as Ten Canoes (2006) and The Tracker (2002). Throughout the course, students will develop their understanding of the methods and concepts of cinema studies. In particular, students will develop a critical vocabulary for analysing how filmmakers have approached the use of memory, testimony, re-enactment, researched detail, allegory and archives across a diverse range of examples. Desired By the end of the course students will be able to: Outcomes • Apply the basic vocabulary of film form. Page 1 of 14 Expressive Culture: Film • Grasp the mechanics of structuring a written argument about a film’s meaning. -
Festival of Perth Programmes (From 2000 Known As Perth International Arts Festival)
FESTIVAL OF PERTH PROGRAMMES (FROM 2000 KNOWN AS PERTH INTERNATIONAL ARTS FESTIVAL) Date Venue Title & Author Director Producer Principals 1980 1980 Festival of Perth Festival Programme 14 Feb-18 Mar 1980 Various Festival at Bunbury WA Arts Council & City of Bunbury Feb – Mar 1980 Various PBS Festival of Perth Festival of Perth 1980 Spike Milligan, Tim Theatre Brooke-Taylor, Cathy Downes 17 Feb-16 Mar 1980 Churchill Gallery Lee Musgrave Paintings on Perspex 22 Feb-15 Mar 1980 Perth Concert Hall The Festival Club Bank of NSW Various 22 Feb 1980 Supreme Court Opening Concert Captain Colin Harper David Hawkes Compere Various Bands, Denis Gardens Walter Singer 23 Feb 1980 St George’s Cathedral A Celebration Festival of Perth 1980 The Very Reverend Cathedral Choir, David Robarts Address Cathedral Bellringers, Arensky Quartet, Anthony Howes 23 Feb 1980 Perth Concert Hall 20th Century Music Festival of Perth 1980, David Measham WA Symphony ABC Conductor Orchestra, Ashley Arbuckle Violin 23 Feb – 4 Mar 1980 Dolphin Theatre Richard Stilgoe Richard Stilgoe Take Me to Your Lieder 23 Feb-15 Mar 1980 Dolphin Theatre Northern Drift Alfred Bradley Henry Livings, Alan Glasgow 24 Feb 1980 Supreme Court Tops of the Pops for Festival of Perth 1980, Harry Bluck Various groups and Gardens ‘80 R & I Bank, SGIO artists 24 Feb, 2 Mar 1980 Art Gallery of WA The Arensky Piano Trio Festival of Perth 1980, Jack Harrison Clarinet playing Brahms Alcoa of Aust Ltd 25 Feb 1980 Perth Entertainment Ballroom Dance Festival of Perth 1980 Sam Gilkison Various dancing PR10960/1980-1989 -
Western Australia
Location Name Venue Type Opened Closed Current Status AGNEW Agnew Picture Gardens Open Air c1935-8 c1949 Closed Street Address -> address details required Country Alternative Names -> Agnew Open Air Theatre ........................................................................................................................................................................................ Inc. ALBANY Albany Entertainment Centre Multi-purpose 11/12/2010 Operational Street Address -> 2 Toll Place (off Princess Royal Drive) Country Alternative Names -> Venue includes Princess Royal Theatre (620 seats) ........................................................................................................................................................................................ ALBANY Albany Town Hall Public Hall 1 June 1993 Hall Street Address -> 217 York Street (Cnr. Grey St.) Country Alternative Names -> Town Hall Pictures, Cinema 1 ........................................................................................................................................................................................Australia ALBANY Central 70 Drive In Drive In 26/12/1964 10/02/1983 Industrial Estate Street Address -> Barker Road (opposite Stead St) of Country ........................................................................................................................................................................................ ALBANY Cremorne Gardens Open Air c1896 Destroyed by Street Address -> Stirling Terrace. Country -
June 2019 – Issue No
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SIGHT and SOUND UPDATE 14 (Draft)
AMMPT WESTERN REGION (INC.) SIGHT AND SOUND UPDATE (No.14 March 2014) ANOTHER DONATION Yet another cinema has donated their projection equipment and other memorabilia to the AMMPT Museum. A full truck load of equipment from the Cygnet Theatre made its way to the Sunset Hospital facility on March 13th. Barry Goldman and Graham Lacey dis-assembled a 35mm Kalee and Cinemeccanica projectors the day before carriers removed them from the bio box. To say they were heavy is an understatement. Other gems included a 35mm Pink Panther cartoon film in reasonable condition plus amplifiers and other sound equipment. Cygnet Cinema owner Colin Stiles and AMMPT member and Cygnet manager Graham Kahn had liaised on the donation occurring. PORT CINEMA Formed in 1963 the Harbour Theatre has operated out of the former Hoyts Port Cinema (Port Cineaste Building) in Fremantle since December 2009. Since that time the theatre company has had the use of large cinema speakers and amplifier rack donated to AMMPT by Hoyts. The Harbour Theatre will cease operating at this venue on April 5th and AMMPT will have 14 days to take procession of its donated equipment. CLASSICS OF THE SILVER SCREEN – 20th APRIL– 10.15am – CYGNET “42nd STREET” It seems to be the year of musicals for our “Classics” series and audiences are showing an appreciation for the quality of films shown. Our next film is “42nd Street” starring Warner Baxter and Bebe Daniels The plot is set during the Depression years at a time when venture capital for Broadway shows was tight. Cast selection and rehearsals begin amidst fierce competition, with a few "casting couch" innuendos flying around. -
THE RICHARD WAGNER SOCIETY of W.A. Inc SEPTEMBER 2016 NEWSLETTER
THE RICHARD WAGNER SOCIETY OF W.A. Inc SEPTEMBER 2016 NEWSLETTER GALA CELEBRATION OF THIRTIETH ANNIVERSARY Well over one hundred members and friends filled before she had officially taken up her dual positions the Callaway Music Auditorium in the UWA School of intendant and music director at Hamburg. It was of Music on Sunday 24 July for a gala celebration of imperative to have productions already in the the thirtieth anniversary of the Richard Wagner company’s repertoire prior to 2013, with a new Ring Society of Western Australia. being mounted over four seasons in such a way that it actually took less than three years to bring the Following a welcome from immediate Past President complete cycle to the stage. There were some tricky John Meyer, a greeting was read from Horst Eggers, situations that had to be negotiated and Simone gave the President of the Richard Wagner Verband a hilarious account of the search for a last-minute International (RWVI), the international association of replacement for the Senta in Der Fliegende Wagner societies. His message read, in part: ‘As Holländer, with Anje Kampe having to take a President of the RWVI whose member you are, I circuituous route from Bayreuth in order to arrive at congratulate you on behalf of the RWVI and the opera house in Hamburg literally minutes before personally on your 30-years jubilee and your the curtain was due to go up. successful history…The RWVI and I personally wish your society further successful development. Our Simone went on to talk about how young singers can best wishes will accompany you in your meritorious be trained to become Wagnerians, and illustrated work’.