Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’S Favourite Crime Fiction Writers Will Join Together for a Night of Crime of Story and of Place

Total Page:16

File Type:pdf, Size:1020Kb

Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’S Favourite Crime Fiction Writers Will Join Together for a Night of Crime of Story and of Place The Institute of Social Transformation Research (ISTR), The Faculty of Arts, The Faculty of Creative Arts and The South Coast Writers Centre present: ‘A Murderous Place: Crime Fiction Writers Talking About Place’ Featuring: Shane Maloney, Malla Nunn and Leigh Redhead Three of Australia’s favourite crime fiction writers will join together for a night of crime of story and of place. Date: Friday 7th December 2012 Time: 6.30pm Location: Wollongong Town Hall $15 concession and SCWC members/ $20 all others Tickets through the Wollongong Town Hall Ph: (02) 4227 5088 or http://www.wollongongtownhall.com.au/events.php#A Murderous Place A Murderous Place: A panel of Australia's leading crime Leigh Redhead writers talk about place and its significance in their work Leigh Redhead's first novel, Peepshow, burst onto the with Shane Maloney, Malla Nunn and Leigh Redhead. crime fiction scene in 2004, introducing PI Simone Kirsch Can a city or a place be a character in a book? Do the seedy to readers. Simone made her next appearance streets of Melbourne, the flashy sand and sun of the Gold in Rubdown and then Cherry Pie. Thrill City, the fourth Coast, the sparkling Sydney Harbour hiding many a misdeed, book in the Simone Kirsch series, was published in 2010. dictate where crime writers set their stories? And why has no one, except the Godfather of Crime, Peter Corris, written All Welcome a crime fiction novel set in Wollongong? Come and hear Australia’s leading crime fiction authors dish the dirt about For more information contact Phillipa Newling – crime, place and fiction. [email protected] Shane Maloney Shane Maloney is the creator of the popular Australian Presented as part of the crime novel series – the Murray Whelan novels: Stiff, The Brush-Off, Nice Try, The Big Ask, Something Telling Truths: Crime Fiction and National Allegory Fishy and Sucked In. The Brush-Off won the Ned Kelly Prize Conference for Crime Fiction in 1996. It was also shortlisted for the http://www.uow.edu.au/arts/research/istr/UOW Premiers Literary Award. Nice Try was a nominee for the Age 121005.html Book of the Year in 2000. In 2004, Stiff and The Brush- Off were adapted for the screen by John Clarke and made into movies with David Wenham in the role of Murray Whelan. In 2009, he was presented with the Crime Writers' Association of Australia Lifetime Achievement Award. Malla Nunn Malla Nunn was born in Swaziland, southern Africa, but moved to Australia in the 1970s. Her first novel, A Beautiful Place to Die (2009), was published internationally and won the Sisters in Crime Davitt Award for Best Adult Crime Novel by an Australian female author. It was also shortlisted in the prestigious US Edgar Awards for Best Novel. Let the Dead Lie was highly commended in the Ellis Peters Historical Crime Awards. .
Recommended publications
  • Destination East Coast Australia It’S All About the Water
    © Lonely Planet Publications 21 Destination East Coast Australia It’s all about the water. The East Coast of Australia bangs into the Pacific Ocean for some 4000km (almost five times that if you measure every notched crag and every sinuous strand). Or maybe it’s the other way around: the Pacific bangs into the coast. Given the number of surfers riding those breaks, it’s probably the latter. Life here revolves around water and so will your trip, often in ways you might not imagine. Take Melbourne: one of its great joys is its café culture, which entices you to nurse a long black for hours. What’s key to that cof- fee you’re drinking? Water. Move up the coast a bit along to southeastern Victoria. What’s at the heart of those misty, fern-filled temperate rainforests? FAST FACTS Water. The same can be said for southern New South Wales, although as the East Coast population: weather becomes warmer, the form of water focused on is the ocean. Like 15.5 million (75% of amphibians in an eternal spring, the surfers and divers increasingly shed Australia’s total) their wetsuits as you go north. Sydney and water are inextricably linked. The harbour. The bridge over the Length of coastline: harbour. The people taking the bridge over the harbour to get to some of the 17,996km (30% of most beautiful urban beaches in the world. North of Sydney, philosophers Australia’s total) at the many beaches can spend a lifetime pondering the question: if a wave Inflation rate: 3% breaks on a beach and there’s no one there to hear it, does it make a noise? Unemployment rate: 4% Astonishingly long stretches of sand are backed by national parks along the north coast of New South Wales.
    [Show full text]
  • Australian Comedy
    As fi lmgoers, do you When, I wondered, was the last Australian fi lm enough premise and a suffi ciently confi dent sometimes wonder if comedy that seemed genuinely funny, as if sense of the comic spirit to sustain audience inspired by a viable narrative agenda and with involvement in a feature-length comedy? the phrase ‘Australian a screenplay that could articulate this—and comedy’ is an oxymoron? keep up the work until the very end? It’s near- Writing about ‘Comedy’ in The Oxford Certainly, as I watched ly twenty years since Crocodile Dundee (Peter Companion to Australian Film (1999), Felicity Faiman,1986) became the highest-grossing Collins claimed that, after the international in a concentrated burst Australian fi lm ever, milking every stereotype successes of the early 1990s (Ballroom, Mu- over a couple of weeks a of the superiority of bush innocence over riel, The Adventures of Priscilla, Queen of the half-dozen fi lms from the urban sophistication for all it was worth. Then Desert [Stephan Elliot, 1994]) ‘Australian cine- there were admittedly very funny sequences ma has become synonymous with comedy’.1 last fi ve years, it did quite in, and aspects of, Strictly Ballroom (Baz She was able then to argue a case for such often seem to me that Luhrmann,1992) and Muriel’s Wedding (P.J. a view that would be hard to mount now. the phrase was yoking Hogan, 1994), but their real distinction lay Some of the same thematic preoccupations together two concepts elsewhere. Was The Castle (Rob Sicth, 1997) underlie the fi lms I am concerned with here: the last Australian fi lm that had a strong there are still ‘little guys’ taking on corpora- with little common ground.
    [Show full text]
  • Finalist Exhibition Catalogue – 9–23 November 2009 Federation Square
    MELBOURNE PRIZE FOR LITERATURE 2009 Finalist Exhibition Catalogue – 9–23 November 2009 Federation Square, Melbourne – www.melbourneprizetrust.org 2009 PARTNERS & PATRONS The Melbourne Prize for Government Partners Founding Partners Corporate Partner Literature 2009 is made possible by the generous support of our partners and patrons. Exhibition and Event Partner Melbourne Prize for Best Writing Award Literature 2009 Partner 2009 Patron Patrons Diana Gibson AO Associate Civic Choice Award 2009 Partners URQUHART CHARITABLE FUND Partner Media Communications Professional Services Exhibition Signage Audio Visual Partner Print Partner Exhibition Consultant Wine Partner Website Development Banners Trophies littleirrepressiblewonton.com Names24.com.au Fundere Foundry Design by Cornwell ABOUT THE MELBOURNE PRIZE FOR LITERATURE 2009 Public exhibition 9–23 The Melbourne Prize Trust and our partners and patrons are Melbourne Prize for Literature 2009 delighted to offer the Melbourne Prize for Literature 2009, Finalists November 2009 in the Best Writing Award 2009, Civic Choice Award 2009 and the Atrium at Federation Square, public exhibition of finalists, held at Federation Square between Barry Hill 9 and 23 November 2009. Shane Maloney Melbourne. Alex Miller In 2008 Melbourne was designated by UNESCO as an Gerald Murnane international City of Literature, only the second in the world Hannie Rayson after Edinburgh. The designation recognises the importance of literature to the city and the state and the central role that writers – have played, and continue to play, in the cultural life of Best Writing Award 2009 our community. Finalists The Melbourne Prize for Literature 2009 and Awards Tom Cho recognise and reward the abundant writing talent in our state.
    [Show full text]
  • Season of Upheaval
    Vol. 4 No. 1 February 1994 $5.00 \ ' "'1 • • • ~ ' .:: · ~~- .: ..~ ~. '·. ..j·_:!:_:~~ \ -~ .· ~~~ ,.. - ' .. t ' ~ ~ 4': ; ~ ,_ ~, ·:--, " ....... - . .. :;s: ·-~ - ·;_··_ ~{.~ : :::~~~ ~ . ., . .. !- ,, , · I. · ~.. .... ~ . ,I· - -... · ,. - . • . "t! ·, .. : .. : ... , Season of upheaval The politics of swimming pools Politics and Australia's pool of unemployed Shane Maloney Jon Greenaway and Frank Stilwell Ken Inglis observes a memorial ritual Denis Minns reads the new Catechism Eureka Street wishes to express sympathy to the families who suffered loss of life or home during the January bushfires. Photo: Andrew Stark EUR[-KA SJR[-EJ subscription form Please send me Evrelza Street: for one year ($45 for 10 issues, or $40 cone. for two years for pensioners, students and unemployed.) D ($80, or $75 cone.) [l Nan1c .. .............. .... ................................................. .................. ........ ...... ..... .................. Address ... .. ... ..... ...... ... ..... .................................... ..... ..................................................... Postcodc ............. .... Country .. ... ... ............... Tcl. ............... .. .. ..... ... Datc ....................... Enc. chq/ money order l ] Or debit: Bankcard [] Visacard D Mastercard n Card no: r I TL I l D l I 11 I 1 1-=cJ Carel expiry date .. .. .... ............ .......... .. Signature ........ ......................... Post orders to: Jesuit Publications, PO Box 553, Richmond VIC 3121. Payments in Australian currency only. Volume 4 Number
    [Show full text]
  • Two Hundred Years of Australian Crime Fiction Doi: Https:Doi.Org/10.7358/Ling-2017-002-Knig [email protected]
    Stephen Knight University of Melbourne From Convicts to Contemporary Convictions: Two Hundred Years of Australian Crime Fiction DOI: https:doi.org/10.7358/ling-2017-002-knig [email protected] Australia the great southern continent was named in European mode from the Latin for southern, ‘australis’. The English used it first for European purposes, from 1788 as a base for convicts they did not want to execute, now independent America had rejected this role – and also as a way of ensuring other European powers did not gain control of what seemed likely to be a major source of valu- able resources 1. Those manoeuvres were simplified by the refusal to treat in political or territorial terms with the Indigenous people, who in many tribes with many languages had been in Australia for thousands of years, and by the insistence on seeing the country as Terra Nullius, ‘the land of nobody’, so theorizing the theft of the massive continent. The white taking of Australia is an action that is only after two hundred years slowly being examined, acknowledged and even more slowly compensated for, and the invasion-related but long-lasting criminal acts against Indigenes are only in the last decades beginning to emerge in Australian crime fiction, as will be discussed later. But criminalities familiar to nineteenth and twentieth-century Europeans were always a presence in popular Australian literature, revealing over time varying attitudes to order and identity in the developing country, and taking paths that can seem very different from those of other countries. The criminographical genre and Australia had an early relationship when both local and London publishers described the bold distant dramas, as in 1 This is an invited essay.
    [Show full text]
  • The Humour Studies Digest
    The Humour Studies Digest Australasian Humour Studies Network (AHSN) May 2018 The 25th AHSN Conference THIS EDITION The 25th Conference of the Australasian Humour The 25th AHSN Conference – Studies Network will take place from 6-8 February Message from the Conference Organising 2019 at RMIT University, Melbourne, Australia. Committee Call for Papers 1 Theme: “Humour in all its forms: on screen, on the page, Guidelines for Presenters 2 on stage, on air, online …” A word or three from the new Chair of the Message from the Conference Organising AHSN Review Panel 3 Committee: Caption Competition 3 We encourage you to submit your abstracts to come and join us Colloquium on the work of John M. Clarke next year in Melbourne! With a wide brief of 'humour across its Sydney University, 25 May 2018. 4 forms', we are keen to create a dynamic, diverse and fun-packed Doctoral Scholarship for Indigenous Student to schedule that mirrors the city that will be hosting you. Research ¾ Humour and Well-Being in Indigenous Communities 8 Celebrating the year of the 25th AHSN Conference, we are already planning keynotes, industry panels and 'special events' (!), Members’ New Humour Studies so don't delay - come and play! Publications 9 Comedy and Critical Thought: Laughter as Dr Kerry Mullan, Resistance? 9 School of Global, Urban and Social Studies, RMIT University Call for Papers - MEMSA Conference 2018 - Assoc. Prof. Craig Batty, Humour and Obscenity 10 School of Media and Communication, RMIT University Dr Sharon Andrews, School of Global, Urban and Social Studies, RMIT University Ms Justine Sless, La Trobe University The 25th AHSN Conference – The Call for Papers Is Open The 25th Conference of the Australasian Humour Studies Network will take place from 6-8 February 2019 at RMIT University, Melbourne, Australia, on the theme of “Humour in all its forms: on screen, on the page, on stage, on air, online …” Submitting a Proposal To submit a proposal for a paper, please send an abstract to [email protected] 1 Abstracts will be reviewed by at least two reviewers.
    [Show full text]
  • CCN Melbourne Application Lit
    UNESCO City of Literature Melbourne Melbourne City of Literature submission Shelly Gorr (point person) Andrew Campbell Published by Arts Victoria. Communications & Marketing A/g Assistant Director – Arts Victoria Policy & Strategy Projects This publication is copyright. No part Tel: +61 3 9954 5064 Department of Premier & Cabinet may be reproduced by any process [email protected] except in accordance with provisions Sandy Grant of the Copyright Act 1968. Stuart Koop (point person) CEO Senior Project Manager Hardie Grant Publishing © Copyright: the State of Victoria 2008 Arts Victoria Penny Hutchinson All information contained in this publication Tel: +61 3 9954 5062 Director is considered correct at the time of printing. [email protected] Arts Victoria Arts Victoria Management Committee Kirsty Murray Private Bag 1 Author South Melbourne Greg Andrews Victoria Deputy Director Mark Rubbo OAM Australia 3205 Arts Victoria Managing Director Telephone: +61 3 9954 5000 Tom Bentley Readings Books and Music Facsimile: +61 3 9686 6186 Executive Director – Policy & Cabinet Anne-Marie Schwirtlich [email protected] (until December 2007) CEO/State Librarian www.arts.vic.gov.au Department of Premier & Cabinet State Library of Victoria Anne-Marie Schwirtlich Bob Sessions CEO/State Librarian Publishing Director State Library of Victoria Penguin Group (Australia) Steering Committee Rohini Sharma Artistic Director (until September 2007) Eric Beecher (Committee Chair) Express Media Private Media Partners Carrie Tiffany Joel Becker Author
    [Show full text]
  • Appendix B Acronyms and Abbreviations
    Appendix B Acronyms and Abbreviations Units of Measure and some Physical Constants A............. ampere - unit of electric current [named after André M. Ampère (1775-1836), French physicist]. 1 A represents a flow of one coulomb of electricity per second (or: 1A = 1C/s) Ah............ ampere hour Å............. angstrom - unit of length (used in particular for the short wavelength spectrum); 1Å= 10-10 m [named after Anders Jonas Ängström (1814- 1874), Swedish physicist and astronomer] amu........... atomic mass unit (1.6605402 10-27 kg) are............ unit of area (1 are = 100 m2) arcmin......... arcminute [1' = (1/60)º or 1 arcmin = 2.908882 x 10-4 radian] arcsec.......... arcsecond [1” = (1/60)' or 1 arcsec = 4.848137 x 10-6 radian = 0.000278º] au............. astronomical unit - unit of length, namely the mean Earth/sun distance [=1.495978706 1013 cm, which is the semimajor axis of the Earth's orbit around the sun (or about 150 million km)] bar............ pressure, (1 bar = 105 Nm-2) Bq............. Becquerel [named after Alexandre Edmond Becquerel, a French physi­ cist (1820-1891)]. The Bq is a SI unit used to measure a radioactivity. One Becquerel is that quantity of a radioactive material that will have 1 transformations in one second. c.............. velocity of light in vacuum (299,792,458 m/s) cd............. candela (unit of luminous intensity). The candela is the luminous inten­ sity, in a given direction, of a source that emits monochromatic radi­ ation of frequency 540 × 1012 Hz and that has a radiant intensity in that direction of 1/683 watt per steradian.
    [Show full text]
  • Shane Malone Round Fourteen, Third Quarter
    $5.95 Shane Malone Round Fourteen, Third Quarter The concentration has gone by now; the Magpies ten goals down, And only the seagulls seem to know how to pick up the crumbs. It's unpleasurable, The manic speed of these business men in striped guernseys, The scoreboard like Super Mario Bros, even umpires with numbers on their backs. It's all so different, makes me want to take a good hard look at myself. The gaze moves to the somnolent 'teeth of goal', and that man. No slave to fashion, he wears the regulation white hat of the fifties, The white dustcoat of the company foreman or Nobel-winning scientist. Making sure the posts are not shifted behind the play He keeps jotting into the little black book with efficient aplomb All the barbaric point-scoring going on at the other end. Could he be the centre of meaning in a world gone made with amalgamations? The one resolute unchanging fixture stands there between the goalposts, Ready to lean his head back during the thrilling trajectory, pause In a way to make Stanislavsky proud, then lift the two fingers. In a better world Collingwood revives in the final quarter, the spiral torpedo On the bell sealing it, and you wouldn't want to be dead for quids. Philip Harvey Volume 6 Number 3 EURI:-KA SJRI:-Er Aprill996 A magazine of public affairs, the arts and theology 26 ENCOUNTERS WITH RELIGIOUS CoNTENTS ITALY: FLORENCE 'Party President Gerard Windsor revisits the Reformation Barry Jon es stepped to 2 in a Medici town.
    [Show full text]
  • John Clarke's CV
    CURRICULUM VITAE EDITED HIGHLIGHTS 1 JOHN CLARKE established New Zealand, 1948 Stage: Satirical Revues. Writer/performer Victoria University, 1969 Downstage Theatre, 1970-71 One In Five, 1971 Hannah Playhouse, 1974 The Bed-Sitting Room. 1973, Downstage Theatre. As You Like It, 1973, Downstage Theatre. The Dragon, 1974, Downstage Theatre. Cabaret. Ace of Clubs, Auckland, five seasons, 1975,76 National Tour. New Zealand, July-October 1976. Wrote and performed. Promoted by Concert Promotions. Ian Magan. Entertainer of the Year. New Zealand, 1976 Scriptwriter for Australian Tours: Bette Midler, Danny la Rue, Peter Allen 1980-83 Humourists Read Humourists. 1987-1999. Developed show and appeared. With Peter Cook, Barry Humphries, Roger McGough, Phyllis Diller, Mort Sahl, etc. For Melbourne Comedy Festival. A Royal Commission into Corruption in Victoria. 1989. Co-wrote with Ross Campbell and played the Judge. With Gerry Connolly, Mike Bishop, Alwyn Kurts, Cliff Ellen, Mary Sitarenos, Denise Scott, Rod Williams, Peter Green, Tim Smith, Peter Hosking. Directed by Mark Sherrifs for the Melbourne Comedy Festival. A Royal Commission into the Australian Economy. 1991. Co-wrote with Ross Campbell. Produced by Belvoir St Theatre, with Andrew Denton, Hec McMillan, Kerry Walker, Sue Ingleton, Geoff Kelso and Paul Blackwell. Directed by Bruce Petty. Melbourne Production with Marg Downey, Mike Bishop, Michael Veitch, Gerry Connolly, Gary Samolin, Peter Hosking, Sally Cooper. Directed by Frank Gallagher. Extensions included Michael Blair, Mary Kenneally, Jo Canning and Sue Ingleton. 2 Touring Production with Marg Downey, Magda Szubanski, Sue Ingleton, Craig Ashley, Gerry Connolly, Tracy Harvey. The Frogs. 1992. Adapted from Aristophanes, with Geoffrey Rush. Produced at Belvoir St Theatre, starring Robyn Nevin, Deborah Conway, William Zappa, Paul Blackwell etc Keating –The Musical.
    [Show full text]
  • July 2011 FREEFREE Circulation: 13,820 Web: ISSN 0819 0240
    ROWVILLE-LYSTERFIELD PUBLISHED MONTHLY BY THE ROWVILLE COMMUNITY NEWS LYSTERFIELD COMMUNITY NEWS INC. Editor: David Gilbert - Phone: 9763 3157 Issue No.327 July 2011 FREEFREE Circulation: 13,820 Web: www.rlcnews.com.au ISSN 0819 0240 IN THIS ISSUE OF ROWVILLE - LYSTERFIELD COMMUNITY NEWS What’s happening in your neighbourhood; activities, events, service groups, governments, clubs, schools, churches, history, achievers and more... Nazareth College Catholic co-education at its best! Manning Drive, Noble Park North Phone: 9795 8100 Fax: 9795 1208 Email: [email protected] Website: www.nazareth.vic.edu.au Rowville-Lysterfield Community News, July 2011 — 1 Auskick see page 2 Photo by Photo Flair, Rowville From the Editor’s Desk What’sWhat’s OnOn Sponsored by: R-LC News Team Lions Club Locally of Rowville Editor It seems that we have to swallow a rate rise of 6.2% in the next July 2011 David Gilbert financial year, increasing the average rates by around $60 pa. It Ph: 9763 3157 comes at a time when costs are rising all around us and many DIRECTORY Email: [email protected] are finding it hard to make ends meet. No wonder more and Apex Club Meet on the 2nd & 4th Tuesday each month. Website: www.rlcnews.com.au more families are turning to generic brands in supermarkets to AfCFellowship English services 10am and 5.30pm every Advertising Co-ordinator save money. The supermarkets may see a drop in turnover as Sunday. Indonesian10am every Sunday. Mandarin1:30pm Catherine Ubay: 0401 850 661 ‘house brands’ are cheaper for the consumer, but their profits will probably be every Sunday.
    [Show full text]
  • The Humour Studies Digest
    The Humour Studies Digest Australasian Humour Studies Network (AHSN) April 2018 th The 25 AHSN Conference – THIS EDITION Call for Papers The 25th AHSN Conference – Call for Papers 1 The 25th Conference of the Australasian Humour Change of Membership, Studies Network will take place from 6-8 February AHSN Review Panel 2 2019 at RMIT University, Melbourne, Australia. AHSN Research Student Profile: Justine Sless. 4 Theme: “Humour in all its forms: on screen, on the page, Relocation and Draft Program - on stage, on air, online …” Colloquium on the worK of John M. ClarKe Sydney University, 25 May 2018. 4 Given this is the silver anniversary of the AHSN conference, the The 2018 Cartoon Exhibition, theme has a scope that enables a broad disciplinary engagement “Cartoons Should Not Be Laughed At” 9 and recognition that humour manifests in myriad of ways, a number of which are still unfolding. We are keen to hear about Members’ New Humour Studies humour in all its forms. Publications 10 AHSN Member’s Information on transport and accommodation will be provided Illustrated Public Lecture 10 closer to the time via the Events page on the AHSN webpages at University of Sydney [http://sydney.edu.au/humourstudies/]. 2018 Comedy and Power Conference 11 Other conference enquiries may be forwarded to Conference Reminders [email protected] ISS18, University of Wolverhampton. 12 Submitting a Proposal 30th ISHS Conference, To submit a proposal for a paper, please send an abstract to Tallinn, Estonia. 12 [email protected] TACO – Taboo and the Media Conference 13 Abstracts will be reviewed by at least two reviewers.
    [Show full text]